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National Gallery
39.3K posts
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National Gallery
@NationalGallery
Journey through the story of European art, masterpiece by masterpiece.
London, UK
nationalgallery.org.uk
Joined April 2010
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  • user avatar
    National Gallery
    @NationalGallery
    Jun 17
    How do paintings like Van Gogh's 'Sunflowers' make you feel? 🌻 🎧 Listen wherever you get your podcasts: bit.ly/3H5LdC4 In the latest episode of our podcast, Stories in Colour, join Beks and author Chloë Ashby as they take a closer look at how to ‘read’ colour in some
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  • user avatar
    National Gallery
    @NationalGallery
    Jun 16
    Step into a vibrant celebration of creativity this summer ✨ Our free exhibition, 'Take One Picture 2026', is open in the Roden Centre for Creative Learning! This exhibition features a wide range of projects, each sparked by children's own questions and ideas about Canaletto's
    A yellow two-level display with large sculptures of animal heads, including an elephant, rhino, and lion, mounted on the upper section. A blue informational panel titled "Take One Picture" is in the center, providing details about children's art activities.
    A painting by Canaletto depicting a bustling waterway scene in Venice, Italy, with gondolas and other boats crowded with people.
    A yellow display case features children's artworks.
    3.1K
  • user avatar
    National Gallery
    @NationalGallery
    Jun 15
    Who was Bono da Ferrara and what hidden ‘quirks’ lie beneath the surface of his only known panel painting? 🤔 Join Conservator Jill Dunkerton, Senior Research Lead Susanna Avery-Quash and Scientist Catherine Higgitt as they discuss the recent conservation treatment of ‘Saint
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  • user avatar
    National Gallery
    @NationalGallery
    Jun 11
    An icon of British art ✨ Today marks the 250th birthday of landscape painter, John Constable. 'The Hay Wain', one of his most celebrated paintings, depicts the millpond at Flatford on the River Stour. It was one of the large landscapes set around the river that Constable
    A pastoral landscape featuring a river scene depicted in John Constable's "The Hay Wain." A large wooden cart is partially in the water. On the left, a rustic cottage is surrounded by lush trees.
    Room 40 of the National Gallery featuring three paintings by John Constable on a red patterned wall.
    7.4K
  • user avatar
    National Gallery
    @NationalGallery
    Jun 10
    Can too much purple play with your mind? 👀 In the latest episode of our podcast, Stories in Colour, cultural historian Kassia St Clair joins Beks to uncover the story of mauveine – the world’s first synthetic aniline dye that reshaped Victorian fashion. 🎧 Listen wherever you
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    5.8K
  • user avatar
    National Gallery
    @NationalGallery
    Jun 9
    See ‘Mr & Mrs Andrews’ like never before 🎨 Past meets present as one of Britain’s most celebrated works is playfully reimagined in our free upcoming exhibition, 'Yinka Shonibare and Thomas Gainsborough: A Conversation', opening in October. Separated by centuries and brought
    The sculpture 'Mr. and Mrs. Andrews without their Heads’ by artist Yinka Shonibare. Two headless figures on a bench. One figure is seated, while the other stands with a walking stick. A dog is positioned beside the standing figure.
    The painting is "Mr. and Mrs. Andrews" by Thomas Gainsborough. Two figures rest under a tree in a countryside landscape. One sits on a green bench wearing a blue dress, while the other stands beside with a rifle and a dog.
    5K
  • user avatar
    National Gallery
    @NationalGallery
    Jun 8
    A painting once known as 'the big red monster' 👀 Degas’s ‘Combing the Hair ('La Coiffure')’ is a fiery painting. Join colour historian and curator Alexandra Loske as we look closely at the pigments, technique, and tensions in the work: bit.ly/4v2RqTt
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  • user avatar
    National Gallery
    @NationalGallery
    Jun 3
    The colours we see in paintings today may not have been what the artists intended 😮 In the latest episode of our podcast, Stories in Colour, art historian Evie Hatch joins Beks to uncover the origins and histories of orange and yellow pigments. Together, they discuss how
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    5.4K
  • user avatar
    National Gallery
    @NationalGallery
    Jun 2
    Because great art can't be rushed... From 3 July to 31 August, we'll be open for an extra hour every day. The Gallery will stay open until 7pm daily, with late openings on Fridays continuing until 9pm. You now have more time to explore world-class art, see our five-star show on
    Room 34 of the National Gallery, displaying five framed paintings. The central and largest work features a hearing horse against a plain background.
    Room 38 of the National Gallery, displaying five framed paintings. The central and largest work features the execution of Lady Jane Grey.
    Room 2 of the National Gallery, displaying two framed paintings. One is a portrait of a religious figure, the other is an unfinished biblical scene.
    16K
  • user avatar
    National Gallery
    @NationalGallery
    Jun 1
    Why are this father and son depicted this way? 🤔 Nestled quietly in a corner of our Room 4, beside Holbein's 'The Ambassadors', is a father-and-son portrait from 1515 by Lorenzo Lotto. Writer Tom Hodgkinson reflects on this 500-year-old painting, 'The Physician Giovanni
    A painting of two men stood together. One holds documents and a book, while the other stands slightly behind.
    5.1K
  • user avatar
    National Gallery
    @NationalGallery
    May 27
    What on earth is the human sized gap in the bottom of the painting?! 👀 In episode two of season two of our podcast, Stories in Colour, writer @victoriafinlay and Beks discuss ultramarine, a pigment that was once more precious than gold. Join them as they explore some of the
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    6.2K
  • user avatar
    National Gallery
    @NationalGallery
    May 21
    What is synaesthesia? 💛 For the first episode of season two of our podcast, Stories in Colour, we’re tackling one of the topics we received the most questions about − synaesthesia. 🎧 Listen wherever you get your podcasts: bit.ly/3H5LdC4
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    5.7K
  • user avatar
    National Gallery
    @NationalGallery
    May 20
    What does colour sound like? Why was mauve the brat green of the Victorian era? And is pink really just for girls? 🤔🌈 Welcome back to another series of Stories in Colour, the National Gallery's vibrant podcast. The first episode of series two is out now on YouTube and
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    5.8K

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