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Magical Realism

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0% found this document useful (0 votes)
36 views20 pages

Magical Realism

Uploaded by

leenrabaah
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PPTX, PDF, TXT or read online on Scribd

Magical Realism

[Link]
tres/central
What is ‘magical realism’?
 ‘magical realism’ the
‘transgressive and
subversive’ fictional
genre , whereby the
magical, the mythical
and the ‘impossible’
blend seamlessly and
unapologetically with
the actual and the real
(Bowers, 2004:67)
Two separate (oppositional?)
juxtaposed narrative modalities..
 A situation which creates
disjunction within each of the
separate discursive systems,
rending them with gaps,
absences and silences

 Two separate narrative modes


never manage to arrange
themselves into any kind of
hierarchy
(Slemon, in Zamora and Faris,
pp409-410)
‘Magical realist’ fiction and film
 Allende, I (1985) The House of the Spirits, New York, Knopf
Carter, A (19840 Nights at the circus, London: Vintage books
 Okri, B (1991) The famished road, London: Vintage books
 Marquez, G (1970) One Hundred Years of Solitude, London:
Cape
 Morrison, T (1987) Beloved, New York: Knopf
 Rushdie, S (1981) Midnight’s Children , London: Cape
 Roy, A (1998) The God of Small Things, London: Flamingo
 Walker, A (1990) The Temple of my Familiar, New York: Pocket
books
 Pan’s Labyrinth (2006) Guillermo del Toro, Esperanto films
Magic in Literature

The light was so grey and weak at noon


that when Pelayo was coming back to the
house after throwing away the crabs, it was
hard for him to see what it was that was
moving and groaning in the rear of the
courtyard. He had to go very close to see
that it was an old man, lying face down in
the mud, who, in spite of his tremendous
efforts, couldn’t get up, impeded by his
Origin of the term…

 A term introduced in the 1940s referring


to narrative art that presents
extraordinary occurrences as an
ordinary part of everyday life, but has
since become associated with the writing
of Alejo Carpentier, Gabriel Garcia
Marquez, and Salman Rushdie. In the
work of these writers, ordinary events
are sometimes given extraordinary
Chapter 12

 Read chapter 12 (excerpt posted in


Blackboard) and identify aspects of magical
realism in the narration
 Is it always possible to tell the real from the
magical / or the marvelous from the uncanny?
Give examples
 What details in the chapter mark it out as
being magic realist, as opposed to simply
being a supernatural story / fantasy novel?
Some reactions…
[Link]
solitude-experts-view/

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