Designers and Fashion Houses

World of Fashion

Guided By
Mrs. Preeti Arya
(Assistant Professor)

Presented By
Abhijit Banik
Content

1. Part-A Philip Treacy(Accessory

Designer)
2. Part-B Twenty Designers of the
world
3. Part-C Twenty Design Houses of
the world
Philip Treacy (Accessory Designer)

Part- A
 Philip Treacy
(Biography)
 Born in country Galway, Ireland in 1967.

 Studied at Dubin’s National College of Art and

Design,.

 He got summer job with stephen Jones in London.

 Afterwinning a scholarship to the Royal College of

Art, he returned to London to study fashion and
millinery.

 Whilestill a student he continued to work for

designers such as Rifat Ozbek and John Galliano.

 Hisdegree show led to financial backing and in 1990

he opened his own business.
 Philip Treacy (Commissioned)
 KarlLagerfeld and Mark Bohan
commissioned Treacy to create hats
for their collections.

 Recognizedearly on as a milliner
of outstanding technique and
originality, Treacy creates hat
which are often oversized and
striking.
Treacy’s Designs Concepts
 thecouture is his highest expression, that great moment
when by artifice, skill and a vivid imagination Treacy
brings something uniquely beautiful in the world.

A master crafts-man, Treacy blends elements of

Surrealism, mathematics and abstract art in his
hatmaking.

 Manyof his hats resemble pieces of sculpture, with

balance playing a key role.

 Treacyhas created a vast, concave straw discs which point

skyward, huge basket weave platters attached to a tiny
satin cap, and shirred satin in huge spirals and oyster
shapes which frame the face.
 Basic materials Used

 He likes working with feathers, which he

twists, curls and singes into fantastic
shapes such as huge, or two-foot-high
sailing ship, or into delicate feather
bonnets which warp around the face.
Some Unique Hat Collections

Here designer mainly used wood as a material.

By the using of wood he made these unique
designs.
 Women’s Hat Collections

All the designs are very unique and different in its nature.
Not only designs but also for different effect he used
variety of materials.
Women’s Bag Collections
Men’s Hat Collections
Twenty Designers of the World

Part- B
Designers
1. Alaia, Azzedine 1. Kenzo Takada
2. Giorgio Armani 2. Anne Klein
3. Ralph Lauren 3. Guccio Gucci
4. Alexander 4. Guy Laroche
McQueen 5. Karl Lagerfeld
5. Issey Miyake 6. Christian
6. Yohji Yamamoto Lacroix
7. Oscar de la 7. Gianni Versace
Renta 8. Laura Ashley
8. John Galliano 9. Caroline
9. Valentino Charles
10.Donna Karan 10.James Galanos
 Azzedine Alaia
 In 1940 designer born in Tunisia.

 Hestudied at the Ecole des Beaux-arts in tunis

before moving in 1957 to Paris, where he worked
for Dior, Laroche and Muglar. During the 1970s
demand from private clients for Alaia’s designs
increased and in 1981 he lunched his first
collection . An early collection (1986/87), made
mostly of leather, included garments punched
with metal-ringed eyelets, studded muslin skirts
and leather Gauntlets.

 Hisearly designs concentrated on idealizing the

female form with body-hugging, curvaceous shapes
made of soft glove leather, jersey and silk.
Azzedine Alaia
 Thesuccess of his modern-day Hourglass silhouettes was
due to his purity of line and his understanding and
advancement of fabric technology .

 Hisstretch outfits made of Lycra and wool allowed him

to cut and shape fabric as through it peels round the
body, creating almost a second skin of complexity
constructed cloths.

 Hisinventive use of zips is both practical and in

integral part of the design.

A widely influential designer, he continues to

experiment with fabric, especially boiled wool, as well
as with stretch materials ands new weaving techniques.
Azzedine Alaia’s Collection
 Giorgio Armani
 In 1934 born in Piacenza, Italy.
 He studied medicine at Milan University.
 After military service he joined the Italian department
store chain La Renascente as a window dresser. He first
worked as a menswear designer with manufacturer Nino
Cerruti from 1961 until 1970, when he turned freelance.
 His own men’s wear collection was launched in 1974, with
a women’s wear collection the following year.
 In 1981 he launched Emporio Armani and Armani Jeans.
 Armani was one of the most influential designers of the
1980’s.
 His success is based on his understanding of menswear
and it’s adaptation in both womenswear and a more
relaxed, contemporary aesthetics.
 By reconstructing the suit jacket – for both men and
women – he has created an elegant, understated garment
that retains a timeless quality.
 Giorgio Armani
 Theeasy, supple lines of his tailoring, the clear uncluttered
minimalist look of his cloth, often made of fine alpaca, wool,
leather and Suede, result in cloths that are equally sought after
by both men and women, and have assured him of international
acclaim.

A world leader in menswear design, Armani also designs cloths for

women which follow many of the principles of male dress, with
exaggerated but controlled proportions.

 Inthe late 1970’s and 1980’s he showed suits for women with extra-
wide shoulders and contributed to the Power suit look of that
period.

 Bythe mid 1980’s he progressively relaxed the suit shoulders and

his clothes became sleeker and less pronounced.

 Invariablydesigning in muted colors, Armani has produced large,

loose blazer jacket and well-cut trousers, all tailored on generous
but supple lines.
Giorgio Armani’s Collections
Ralph Lauren
 Born in 1939 in Lipschitz in New York, USA.

 Lauren worked in New York at Brooks Brothers, Allied

Stores, and as a glove salesman when attending night school
in business studies at city college.

 In 1967 he joined Beau Brummell Neckwear, where he created

the polo division to produce wide handmade expensive
neckties.

 The following year Lauren established the Polo range of

men’s clothing, featuring the natural shoulder line of the
IVY LEAGUE style. In 1971 he turned his attention to
womenswear and produced a collection of tailored shirts.

 The ‘Ralph Lauren’ label was launched the following year

with a complete range of garments for women in cashmere,
cotton and tweed.
Ralph Lauren
 HACKINGJACKETS, Fair Isle sweaters, pleated skirts, CREWNECK
shirts, lace-collared velvet dresses, flannel trousers and
flannel shirts all featured in Lauren’s subsequent collections.

 In1978 he introduced the casual/sophisticated ‘prairie-look’:

denim skirts worn over layers of white cotton petticoats,
fringed buckskin jackets, leather belts, and full sleeved soft
blouses.

 In1980 he showed hooded capes, linen ruffled blouses , madras

shirts and full skirts as part of his American frontier
fashions.

 Laurencontinues to uphold traditions with his choice of quality

fabrics.

 Hisis successful in expressing a purely American style of

casual gentrification.
Ralph Lauren’s Collection
Alexander McQueen
 In 1969 he was born in London, England.

 At age sixteen McQueen began work as a

pattern cutter for a Savile Row Tailor.

 He then worked for Koji Tatsuno and Romeo

GIGLI in Milan before returning to London to
enroll at Saint Martin’s School of Art.

 In 1993 he opened his own business and

promptly became the enfant terrible of the
London Fashion world.
Alexander McQueen
 McQueenintroduced a rebellious, hard edged style
which included low-riding ‘bumster’ trousers, slashed
clothing and garments designed to emphasize and at
the same time deride the body’s erogenous zones.

 Despitethe shock value of McQueen’s clothes, he is a

highly creative designer with a fine technique.

 Hehas shown laminated lace dresses, a riveted vinyl

PRINCESS LINE dress with a red tartan PVC FROCK COAT,
alongside more practical items.

 In 1996 he was appointed Head Designer at GIVENCHY.

Alexander McQueen’s Collections
 Issey Miyake
 In 1938, he was born in Hiroshima in Japan.

 Hegraduated in Grpahic Design from Tama University, Tokyo

in 1960 and went to Paris the following year to study
fashion.

 Hejoined LAROCHE in 1966, leaving in 1968 to work in

GIVENCHY.

 In1969 he travelled to New York and spent two years with

Geoffrey BEENE.

 In 1970 he founded the Miyake design studio in Tokyo.

 Miyakeheld his first show in New York in 1971 and second

in Paris two years later.
 Issey Miyake
 Atthis time he developed the layered and wrapped
look that was to become his hallmark.

 Hisfascination with texture expresses itself in his

attitude towards design; he creates his linear and
geometric shapes from the drape and flow of fabric.

 Heworks on a bold scale, often with his own

fabrics, to produce inspired clothes, a balance of
the influences of east and west.

 In1988 he embarked on his ground breaking and later

highly successful ‘pleats Issey Miyake’ designs.

 He is an uncompromising and innovative creator.

Issey Miyake’s Collection
 Yohji Yamamoto

 In 1943 he born in Japan.

 Hegraduated from Keio University in 1966 and then attended

Bunka Fukuso Gakuin, the Japanese college of fashion, for two
years.

 Afterworking as a freelance designer, he formed his own

company in 1972 and his first collection was shown in Japan in
1976.

 Yamamoto is an uncompromising, non traditionalist designer.

 Heswathes and wraps the body in unstructured , loose,

voluminous garments, similar in style and philosophy to those
of Rei Kawakubo.

 Many of his clothes have additional flaps, pockets and straps.

Yohji Yamamoto’s Collections
 Oscar de La Renta
 In 1932 he born in Santo Domingo, Dominican Republic.

 Dela Renta studied at the university of Santo Domingo and

the Academia de San Fernando in Madrid, Spain.

 Althoughhe intended to become a abstract painter, he took

the first step towards a career in fashion when he designed
a gown for the debutante daughter of the US ambassador to
Spain which was featured on the cover of Life.

 Shortlyafter, de la Renta joined BALENCIAGA’s couture

house in Madrid.

 In1961 he went to Paris as an assistant to antonio del

CASTILLLO at the house of Lavin-Castillo.

 Twoyears later he moved to Elizabeth Arden’s couture and

ready-to-wear salon in New york.
 Oscar de La Renta
 In1965, de la Renta moved to Jene Derby and on her retirement that
same year he established his own business.

 Duringthe 1960s he swiftly developed a reputation as a designer of

extravagant , opulent, yet tasteful clothes.

 Hecreated a variety of theme collections based on fashions of the

belle epoque, abstract art prints, orientally inspired evening
clothes, and exotic flamenco dresses.

 His 1967 GYPSY collection attracted a great deal of attention.

 Overthe following years de la Renta established himself as a couture

and ready-to-wear designer of positive, vibrant dresses, coats, suits
and daywear, created with a bold yet controlled use of color.

 Heis famous for his eveningwear: COCKTAIL DRESSES and formal gowns,
many of which are elaborately trimmed with embroidery, frills and
ruffles.
Oscar de La Renta’s Collections
 John Galliano
 In 1960, he born in Gibraltar.

 He graduated from St. Martin’s School of Art, London.

 Whilestill a student he devised a way of making a sleeve by spiral cutting.

His final year show, in 1984, called ‘Les Incroyables’ , was influenced by the
exaggerated clothing of 18th-century France.

 Thecollection was purchased by a London store, subsequently sold out, and

earned Galliano his first investor.

 Oneof the most highly inventive and original designers of the late 20 th
century, Galliano prefers his designs to be historically based.

 Histhematic collections, with titles such as ‘Afghanistan Repudiates Western

Ideals’, ‘Fallen Angels’, ‘Forgotten Innocents’, ‘Olivia the Filibuster’ and
‘Princes Lucretia’, have a tremendous sense of romance and whimsical charm
coupled with precision tailoring and bias cutting.

 Whowould expect, in the late 20th century, 19th century CRINOLINES to appear on
the catwalk? – but the way they are constructed, the fabrics, textures and
colors, are up to date and often visionary in context.
 John Galliano
 Galliano knows no boundaries.

 From the highlands of Scotland to the Russian steppes, from

thirties – style sleek evening gowns, the KILTS, tulle ball
gowns, farthingales, FROCK COATS, HOURGLASS SILHOUETTES and
1940’s gangster garb, he raids history for ideas.

 His interpretation is unique, with highly defined sense of

the theatrical, derivative but not copyist, and his
technical skills are thoroughly modern.

 In 1986 he created a scissor dress cut to cross in front of

the body to form a BASQUE at the hip.

 In 1995 Galliano was appointed as Head Designer for

GIVENCHY’s couture and ready to wear collections but left
in 1996 to take over the house of DIOR.
John Galliano
 Valentino
 Valentino Garavani was born in Voghera, Italy in 1932.

 Valentinostudied in Milan at the Academia Dell’Arte and in Paris at the Ecole de

la Chambre Syndicale de la Haute Couture.

 Hethen spent almost ten years in Paris, working first with DRESSES, from 1950 to
1955, and then with LAROCHE.

 Hereturned to Italy in the late 1950s and in 1959 opened a couture house in Rome.
He showed his first collection in 1960 but it was with his 1962 collection, shown
in Florence, that his name became internationally known.

 ProbablyItaly’s most famous fashion designer, Valentino makes clothes that are
elegant, glamorous and gracefully cut.

 Hisdramatic yet tasteful touches and accessories have been widely copied: big
bows, embroidered stockings, and the initial V worn as buttons and at the
neckline.

 Heis as well known for his daywear as for his evening wear. Valentino’s
confident, stylish designs are made of quality fabrics.

 Hisclients include many international socialites and in Italy his name is a

household word.
Valentino’s Collections
 Donna Karan
 Donna Karan was born in Forest Hills, New York, USA in 1948.

 Karan’sfather was a haberdasher and her mother a model and

saleswoman.

 Karan attended Parsons School of Design in New York and during her
second year was employed in the summer as a sketcher at Anne
KLEIN.

 This temporary position was extended to a full time job and she
remained at Anne Klein and was appointed Klein’s successor in
1969.

 AfterKlein’s death in 1974, Karan and Louis DELL’OLIO became co-

designers for the company.

 Karanproduced highly wearable, moderately priced SPORTSWEAR for

the Anne Klein label until 1984, when she left to design under her
own name.
 Donna Karan
 Herfirst collection was launched in 1985 and since that time she
has been at the international forefront of women’s fashion.

 Insympathy with women whose body shapes were difficult to dress,

Karan used fabrics that draped and flattered.

 Shecreated WRAPAROUND skirts and well-cut BLAZERS, as well as

BODYSUITS of Lycra that could be easily worn under a suit as with
a pair of jeans.

 Herbody wrap styles of cashmere and stretch fabrics disguised

less than perfect bodies, yet for all their casual approach
Karan’s clothes made the transition from office to home and thus
spoke of practicality to millions of women.

 Usinga sophisticated palette, often black or dark blue, Karan

provided women with chic clothes that were rarely fussy or trendy,
and whose ease of cut and manner reflected an up-to-date attitude
that was widely successful.
Donna Karan’s Collections
 Kenzo Takada
 He was born in 1940 in Kyoto, Japan.

 Kenzostudied art in Japan and after graduating he designed patterns for a

Tokyo magazine.

 In1964 he moved to Paris and for the remainder of the 1960’s created
freelance collections and sold designs to Louis FERAUD.

 In 1970 he opened his own shop, Jungle Jap.

 Success followed almost immediately.

 Kenzo’s early clothes in cotton were very popular.

 By1972 he was established, known initially for his audacious designs in

either raucous Kabuki colors or austere shades.

A master at mixing prints and layering, Kenzo produced oriental-style

blouses, TUNICS, SMOCKS, wide-legged trousers and printed velvet garments.

 Healso focused fashion attention on knitwear designer, injecting color and

new proportions into classic designs.
Kenzo Takada’s Collections
 Anne Klein
 1921-1974, Born in New York, USA.

 In 1938 Golofski was working as a sketcher on New York’s SEVENTH AVENUE.

 Thefollowing year she married Ben Klein and joined Varden Petites, where
she was responsible for the junior lines.

 Shortlyafter, she formed Junior Sophisticates and made even more inroads
on the fashion scene for young women.

 In 1968 Anne Klein & Co. was formed.

 Klein made young fashions sophisticated.

 Shewas one of the most popular SPORTSWEAR designers in USA, famous for
matching dresses and jackets, waspwaisted dresses, BLAZERS and BATTLE
JACKETS, hooded BLOUSON tops and slinky jersey dresses.

 Her clothes were smart, practical and fashionable.

 Afterher death Donna Karan and Louis DELL’OLIO took over the design side
of Anne Klein & Co.
Anne Klein’s Collections
 Guccio Gucci
 When the family millinery business failed in 1906, Guccio Gucci started a
saddlery shop in Florence, Italy.

 He was succeeded by his sons and grandsons.

 Taking traditional leather accessories, the company redesigned them using

equestrian motifs.

 A successful DUFFLE bag was launched in 1925. In 1932 the famous MOCASSIN
shoe with tongue caught in gilt bit became popular.

 In the 1950s the Gucci double-G intertwined trademark was firmly

established as a Status favorite.

 From the mid-1960s Gucci became increasingly involved in the sale of

handbags, belts and shoes, many bearing stirrup or bit designs.

 By the 1970s the house of Gucci was no longer at the accessory fashion
front and the company restructured and eventually sold out.

 It was purchased by an investment firm in 1993 and one year later the
American designer Tom Ford was hired as design director.
Guccio Gucci’s Collections
 Guy Laroche
 Born in La Rochelle, near Bordeaux, France from 1923-89.

 Larochewent to Paris at an early age and worked with a

milliner.

 AfterWorld War II he spent two years in New York as a milliner

on SEVENTH AVENUE.

 On his return to Paris he was given a job with Jean Dresses.

 Heworked with Dessés for eight years before establishing his

own business in 1957.

 Atfirst Laroche produced couture lines but in 1960 he launched

his ready-to-wear collection.

 He was known for his skillful cutting and tailoring.

 In 1966 Michel Klein began designing the line.

Guy Laroche’s Collections
 Karl Lagerfeld
 In 1938, he born in Hamburg, Germany.

 At the age fourteen Lagerfeld was sent to Paris to further his studies.

 Threeyears later, in 1955 after winning first prize in a coat design competition
sponsored by the International Wool Secretariat, he was hired by Balmain, who put
the coat into production.

 Lagerfeldstayed with Balmain for three years before joining PATOU as art
director at the age of twenty.

 Heworked as a freelance designer for CHLOE, KRIZIA, VALENTINO and shoe

manufacturer Charles JOURDAN.

 In 1967 he joined FENDI as a consultant designer.

 For Fendi, Lagerfeld created some truly innovative work in fur jackets and coats.

 Hetook mole, rabbit and squirrel-furs previously considered unfashionable or

unsuitable for coats- and dyed them in vibrant colors.

 Helaunched a reversible fur-lined coat and a KIMONO-style coat and also mixed
fur with leather and various fabrics.
 Karl Lagerfeld
 Everycollection was expressed in positive, unhesitating
terms, whether Lagerfeld showed shepherdess dresses with
scarves tied as BODICES, shawls or about the waist (1975);
MINI SKIRTS (1980), or layered skirts over trousers(1981).
An exacting, confident stylist, Lagerfeld accessorizes his
cloths in a imaginative manner.

 Hisideas are sophisticated, often impudent but always

stylishly executed.

 In 1984 he launched his first collection under his own name.

 Heis such a designer who is not only able to move with the
times but to move the times.

 Heis a proven expert at elevating elements of STREET STYLE

to haute couture, blending classic looks with current quirks
that subsequently seep into mainstream fashion.
Karl Lagerfeld’s Collections
 Christian Lacroix
 In 1951, born in Arles, France.

 Hestudied art history at Montpellier University and museum studies at the

Sorbonne, Paris.

 Hethen worked at HERMES as assistant to Guy PAULIN from 1978 before joining
PATOU as head of haute couture in 1981.

 In1987 he opened his own couture house in Paris and sent reverberations through
the fashion world.

 AlthoughLacroix’s clothes had shock value, he proved to be a sure-handed

designer, confidently mixing offbeat combinations of overpowering colors and
prints with high waists, asymmetrical draping and baby-doll shapes, particularly
the ‘POUF’, a full, puffed skirt which was sometimes trucked up at the back.

 Hestimulated ready-to-wear interest in couture and his designs were widely

copied.

 His colors are often luminous, his textures elaborate and ornate.

 Manyretrospective elements are evident in Lacroix’s collections, as well as

influences as varied as the theatre, the FLEA MARKET and Provencal costume.
Christian Lacroix’s Collections
 Gianni Versace
 1946-1997

 He born in Calabria, Italy.

 Versace worked with his dressmaker mother before moving to Milan.

 Heswiftly established a reputation as a skilled designer and created

suede and leather collection for GENNY and evening clothes for the
firm of Complice.

 In 1978 he opened his own business .

 Versacewas one of the most important Italian designers of the 1980s

and 1990s, famous for his strong color sense and clean lines.

 Heliked to wrap the female form, often with BIAS CUT clothes and
fluid silks.

 Manyof his ideas were audacious but all were carried out to a high
level of technical achievement.
 Gianni Versace
 Versaceviewed his clothes as powerful statements
which were executed with unfailing confidence.

 Almostalways the body was swathed or the garment

wrapped in some manner.

 InVersace’s clothes, classical historical references

blend with bold geometric shapes and complex textures
in brilliant colors.

 Hisdesigns are unmistakable; he enjoyed with

working with and experimenting with different new
fabrics and trimmings.

 Versace’s designs for the theatre and ballet

Gianni Versace’s Collections
 Laura Ashley
 1925-1985

 She is a designer and manufacturer.

 Born Laura Mountney in Merthyr Tydfil, Wales.

 In1953, with her husband, Bernard, Laura Ashley formed a company for the production of
printed headscarves and tea towels.

 In1959 she designed a short sleeved SMOCK top, based on a gardener’s smock, made of 100
percent cotton.

 Duringthe 1960s she created voluminous dresses with PATCH POCKETS and, toward the end of
the decade, ankle length printed cotton dresses.

 Her long PINAFORE dresses were worn over high-necked blouses.

 Inthe early 1970s, some of her best known designs appeared, including EDWARDIAN-STYLE
dresses, many with high, frilly collars and LEG-OF-MUTTON SLEEVES, or SCOOP NECKS and
short PUFF SLEEVES.

 Mostof her fabrics were printed with simple floral motifs based on 18th – and 19th century
pattern: tiny geometric prints, flowers, trailing sprigs, and fine spots and stripes.

 Untilthe early 1980s the company designed and manufactured garments in cotton only, but
later collections included cloths in cotton mixtures and jersey fabrics.
Laura Ashley’s Collections
 Caroline Charles
 In 1942, she born in Cairo, Egypt, of English parents.

 Charlesattended Swindon School of Art, Wiltshire, until 1960, when she

became an apprentice to Michael SHERARD.

 Shespent almost two years working with Mary QUANT before setting up on
her own in late 1963.

 Duringthe 1960s Charles proved to be a popular designer of young,

fashionable clothing.

 She created MINI DRESSES and skirts in pure cotton and flannel.

 Fromthe TUNICS and trousers of the late 1960s Charles moved with ease
to the long, flowing fashion lines that predominated in the early 1970s.

 Usingbeautiful, often luxurious, prints and patterns, she established

herself as a designer of more sophisticated clothes.

 Hercollections are essentially practical, and are based on the idea of

a cohesive working wardrobe.
Caroline Charles’s Collections
 James Galanos

 In 1924, he born in Philadelphia, Pennsylvania, USA.

 Aftergraduating from the Traphagen School of Fashion in New York,

Galanos sold fashion sketches to several New York designers.

 In1944 he moved to Columbia studios in California as an assistant

to Jean LOUIS.

 In1947 he took up a one year apprenticeship in Paris with PIGUET,

returning to New York as a ready-to-wear design.

 In1951 he was back in california and three years later showed his
first collection in Los Angels.

 Heswiftly gained a reputation among US women for his precisely

executed and clever clothes.

 Galanoswas acclaimed for the cut of his dresses, suits and coats,
made up in European fabrics, but he was patronized mostly for his
eveningwear and COCKTAIL DRESSES.
 James Galanos

 Inthe 1950s he was one of the first designers

to show the HORSESOE NECKLINE on suits and to
pioneer bold prints for after-six garments.

 Duringthe 1960s and 1970s he created slimline,

classically draped evening dresses with
billowing sleeves.

 Galanosfrequently works with chiffon, printed

silks, velvets, brocades and hand printed silks
and laces.

 Hehas used wool for eveningwear and is known

for low-backed, black wool crepe dresses.
James Galanos’s Collections
Twenty Design Houses of the World

Part- C
List of Design Houses
1. Legroux Soeurs 1. Salvatore J.
2. Paquin Mme Cesarani
3. Dolce & Gabbana 2. Steve Madden
4. Prada 3. L.L.Bean
5. Lachasse 4. Lloyd Klein
6. Reville and 5. Levi’s
Rossiter 6. Fruit of the
7. Byblos Loom
8. Carven 7. Hubert de
9. Brooks Brothers Givenchy
10. Missoni 8. Gucci
11. Russell Corp 9. Giorgio Armani
 Legroux Soeurs
 Housefounded by two sisters, Germaine
and Héloise Legroux, who opened a
millinery in 1939 in Roubaix, near the
French border with Belgium.

 In1917 they moved to Paris, achieving

much success in 1920s. In the
following decade they began to export
their hats to the USA. In the 1950’s
one of their nieces, Madame Serge
Robert took over the business.
 Paquin Mme
 Thehouse of Paquin in 1891 in Paris by Jeanne Beckers (born St.
Dennis; 1869 – 1936) and her husband Isidore Jacobs.

 The couple became known as Monsieur and Madame Paquin.

 Mme Paquin trained at Maison ROUFF.

 In1900 she was appointed president of the fashion section of the

Paris Exposition and in 1902 she opened branches in London,
Buenos Aires and Madrid.

 Shewas noted for her rich, glamorious, romantic clothes and fine
workmanship.

 Hergowns, described as ‘from fairyland’, were popular with

actresses and socialites.

A women of considerable elegance, Mme Paquin was a skillful

publicist and paraded her models at race meetings.
Paquin Mme
 Sheaccepted dress designs by Paul IRIBA and Leon BAKST which she made up into
garments.

 In 1913 she created day dresses that could also be worn into the evening.

 Many
of her gowns were a blend of drapery and tailoring suitable for the more active
women of the early 20th century, and her tailored suits were cut to facilitate working.

 Shewas also famous for her TANGO DRESSES, lingerie and an extensive fur
department.

 She retired in 1920, though her house remained opened.

 In 1953 the house of Paquin merged with the house of WORTH.

 Paquin – Worth closed in 1956.

 Dolce & Gabbana
 Design Firm

 DomenicoDolce (born 1958, near Palarmo, Sicily) and Stefano Gabbana (born 1962,
Milan, Italy) formed a fashion consulting studio in 1982.

 Three years later, the pair showed their first major womenswear collection in Milan.

 Theirearliest designs consisted of unconstructed clothing with a complicated systems

for fastening.

 By1987, inspired by classic southern Italian cinema they created a collection marked
by Romanticism and voluptuousness; the full skirts, ruffled blouses and lace shawls
met with immediate success.

 Latercollection included signature ideals such as corset dresses, gangster pinstripe

trousers suits, Empire Line jackets and Leggings.

 In 1991 Madonna popularized their Rhinestone-covered Bodice.

 Manyof their designs are adapted from traditional women’s clothing from a pre-
feminist era, which they glamorized and modernized.

 Duringthe 1990’s they became one of Italy’s most important and successful ready-to-
wear companies.
Dolce & Gabbana
 Prada
 Fashion House, founded in 1913 in Milan, Italy.

 Originallyestablished as fratelli Prada, a manufacturer of high quality

leather goods, the company was successful until the 1970s.

 It’sfortunes were revived from Miuccia Prada (born 1949), grand daughter
of the founder, Mario Prada, took over in 1978 and began producing
accessories including simple, black nylon BACKPACK fitted with leather
straps.

 Backpacksand other accessory items made from nylon were stamped with the
Prada name and quickly became desirable items which were widely copied.

 In 1988 Miuccia Prada introduced her first ready-to-wear line.

 Shehas become for elegant streamlined clothing and for giving the
traditional garments a modern handling, for example, trimming nylon PARKAS
with mink, and making TRENCHCOATS and TWINSETS out of the silk faille.

 Herclothes, though often deceptively plain looking, have become widely

influential.
Prada’s Collections
 Lachasse
 Fashion House

 Founded in London in 1928, which sold sport and country clothes.

 DigbyMorton was the first designer to be hired and he remained

with the firm until 1933.

 Mortonwas followed by Hardy Amies and then, in 1939, by Michael

Donellan who left in 1953.

 During this time Clive was employed as a blouse designer.

 Peter Lewis – Crown became Chief Designer in 1974.

 Thehouse of Lachasse was best known for impeccably tailored

suits and dresses, many designed in tweed, and for its
quintessentially ‘English’ Style.

 The house was designed for British royalty and stage.

 Reville and Rossiter
 Couturehouse founded in London in 1906 by Mr.
William Reville, a designer , and Miss Rossiter, who
was in charge of running the business.

 Bothfounders had previously worked for the London

department store Jay’s.

 In1910 the company was appointed court dressmaker

to Queen Mary and the following year it made the
Queen’s coronation robe.

 Revilleand Rossiter specialized in formal gowns of

EDWARDIAN STYLE and were patronized by members of the
aristocracy.

 In 1936 Reville and Rossiter merged with WORTH.

Reville and Rossiter’s Collections
 Byblos
 Fashion house, founded in 1973 in Italy.

 Earlydesigners included Gianni VERSACE and Guy

PAULIN.

 In1981, the British team of Alan Cleaver Keith

Varty took over as principal designers.

 Between1981 and 1996 they consistently produced

collections of young, sophisticated clothes,
often thematic, based on their travels in North
Africa and Southeast Asia.

 In1996, Richard TYLER was appointed design

director.
Byblos’s Collections
 Carven
 Housefounded in 1945 in Paris by Carven de Tommaso
(born c.1909), a dress maker who specialized in
designing for the petit woman and who adjusted the
proportions of accessories accordingly.

 In1956, the house introduced two sweater collections

which became the first in a long line of licensed
products marketed worldwide.

 Knownfor her ultra-feminine detailing on clothing,

such as white on white and lace and embroidery trim,
Carven produced delicately scaled clothing, along
with he famous perfume, Ma Griffe.

 In1993, Maguy Muzy took over as designer of the

houte couture collection.
Carven’s Collections
 Brooks Brothers
 Established in New York in 1818 as Brooks
Clothing Company, Brooks Brothers was a
pioneer of ready-to-wear clothes for men.

 In 1986 a Brooks Brothers representative was

impressed by the button-down shirt collars
worn by polo players in England, and four
years later the store introduced the button-
down shirt to the USA.

 It was one of several Brooks Brothers

specialties, many of which originated in
England.
 Brooks Brothers
 Others include the foulard TIE, madras fabric for
shirts (originally designed for British officers in
India), Harris tweed (from Scotland), Shetland
sweaters and the POLO COAT, which was originally
white with pearl buttons and a full belt but was
later made in camel and grey with various belt
styles.

 Thesefashions were introduced between the 1980’s and

the outbreak of World War I.

 In1949, Brooks Brothers began selling pink cotton

button-down shirts for women.

 Cashmerepolo shirts, introduced in the 1950s were

also appropriated by women.
Brooks Brothers Collections
 Missoni
 Husband and wife design team.

 OttavioMissoni (born 1921, Dalmatia, Italy) and Rosita Jelmini (born

1932, Varese, Italy) founded the Missoni company in 1953.

 Ottaviohad previously owned a firm that made TRACKSUITS and Rosita

had worked for her family’s bedding company.

 Withjust a few knitting machines, the couple began to produce

knitwear which they sold to other designers

 Bythe 1970s they were manufacturing under their own label highly
individual knitwear in bold patterns and designs and cleverly blended
colors.

 They made sweaters, suits, jackets, coats and dresses.

 Missoni did much to alter the fashion world’s attitude to knitwear.

 Itis most famous for its long cardigan-jackets and sweaters, but all
its garments have become status symbols.
Missoni’s Collections
 Russell Corp

 Fromits beginnings in 1902, Russell has prided

itself on the quality and value of its products—
and on its commitment to its employees and the
communities where it operates.

 Russellhas long been a company that is able to

take advantage of changes in the marketplace,
changes in technology and changes in its products.

 Buildingon its heritage as an athletic company,

Russell has become a global leader in the sporting
goods industry with apparel and equipment for all
levels of activity—from the playing fields of
major colleges to the backyards of homes.
Brands of Russell Corp

 Russell Athletic®
 JERZEES®
 Spalding®
 Bike®

Technically designed
running shoes
 Brooks®
 Russell®
Brands of Russell Corp
 Salvatore J. Cesarani
 Salvatore J. Cesarani is an award winning American fashion designer
from New York.  He and his wife, Nancy, have two children, Christopher
and Lisa.  Together, they all collaborate on S.J.C. Concepts, Inc., a
creative lifestyle enterprise.
 Inspiration
For Sal inspiration comes from family, travel, theatre . . . . 
 Achievements
Sal is a graduate of the High School of Fashion Industries and the
State University of New York. He lectures at Parsons, holds a seat on
the Advisory Board of the New York High School of Fashion Industries,
is a member of the Kent State University School of Fashion Advisory
Board and is an active member of the Council of Fashion Designers of
America.

EXHIBITS: National Art Club 1995.  AWARDS: Special COTY Menswear 1974,
1975; COTY Menswear 1976; Boston Fashion Group Award 1977; and, COTY
Return Award 1982. MISC.: Designer of the 1980 Winter Olympic
ceremonial uniforms for the torch bearers and ceremonial officials, as
well as other special projects.
 Salvatore J. Cesarani
 SalCesarani believes that menswear should
embody versatility of wear, elegance in
style and the best elements of
craftsmanship.  Cesarani has consistently
and faithfully maintained these standards
for all his products throughout his career.

 Thisis why Sal's products are so special -

true design effort and experience give
integrity to products which bear his labels.
Salvatore J. Cesarani’s Collection
 Steve Madden
 Steve Madden is easily America's most successful shoe designer.

 Consideredthe fashion footwear mogul of the 21st century, Madden has

been responsible for the design and marketing of the company's
trendsetting shoes for the past two decades.

 In1990, with a mere $1,100 in his bank account, Madden started crafting
shoe designs from his Queens-based factory and the Steve Madden brand
was born.

 Withsheer guts, years of experience in the footwear industry, and

unique creative designs, Steve Madden formed his own successful
enterprise.

A year later, Madden introduced a redefined version of platform shoes,

resulting in one of the most spectacular success stories in the early
1990's.

 Inspiredby his favourite rock and roll stars of the 1970s, the thick,
chunky heel became Steve Madden's signature and a phenomenon in women's
shoes.
Steve Madden
 Madden's footwear vision is continuously evolving.
His main inspiration is from streets of the world
from New York to London and beyond.

 Today, the Steve Madden brand represents a

lifestyle.

 Expanding now into apparel and other accessories

such as dresses, handbags, belts, sunwear, cold
weather, outerwear and hosiery, Steve Madden is
always looking toward to the future.

 As 2009 begins, more exciting opportunities are on

the horizon including re-packaging, new store design
rollout and expansion in global markets.
Steve Madden’s Collection
 L.L.Bean
 L.L.Bean,Inc. has been a trusted source
for quality apparel, reliable outdoor
equipment and expert advice for more than
95 years.

 Foundedin 1912 by Leon Leonwood Bean,

the company has grown from a one-man
operation to a global organization with
annual sales of $1.5 billion. Our company
headquarters are in Freeport, Maine, just
down the road from our original store.
L.L.Bean’s Collections
 Lloyd Klein
 Lloyd Klein was a student of architecture.

 Havingattended a Givenchy runway show of Haute Couture in his

twenties, he began a self study of the great fashion artists of
Europe and the United States.

 Hisinterest focused on the work of such masters as Yves St. Laurent,

Jacques Fath and the timeliness of American designer Halston.

 Hisfascination became an obsession and in 1994 he presented his

first Lloyd Klein Spring Summer collection on the elegant stage at
the Opera Comique in Paris.

 Thefollowing season, he stunned the French fashion community by his

unexpected appointment as Head Designer for the exclusive Maison Mme.
Grés.

 Hiscombination of intricate "Grêco" fabric draping and sublime

choice of materials, continued the intrinsic Mme. Grés signature
tradition.
Lloyd Klein
 Accordingto the French fashion press, he was one of the few
designers at the time to truly master this difficult and precise
draping and cutting technique.

 Afterhis five-season tenure at Grés he terminated his contract to

continue his signature House of Couture.

 Hiscollections have been presented in London, Milan, Russia and

Asia.

 In1998, Lloyd Klein set up new company headquarters in the United

States and in Sept. of 1999 he presented his Spring Summer
collection with New York's 7th on Sixth in the tents at Bryant
Park.

 Ultimo, Tootsies, Martha's, Red Velvet opened their doors.

 LloydKlein recently presented his first official menswear

collection for his fifth consecutive season press show with New
York's Fashion Week.
Lloyd Klein’s Collection
Levi’s
 Createdin 1873, Levi’s jeans are the original,
authentic jeans.

 Theyare the most successful, widely recognized and

often imitated clothing products in the history of
apparel.

 Oversuccessive generations, Levi’s jeans jeans have

captured the attention, imagination and loyalty of
diverse individuals.

 Asthe inventor of the category, the Levi’s brand

continues to define Jeanswear with the widest range of
products available, from quintessential classics such as
the famous Levi’s 501 Original, jean, to favorite fits
and styles in the Red Tab and Premium collections.
Levi’s Street Style Collection
Fruit of the Loom
 Formore than 150 years, Fruit of the Loom has
fulfilled a promise to its consumers, a promise of
quality, value and trust.

 Theymanufacture their own yarn, knit the cloth, cut

the fabric, sew the garments, and package the
product.

 Whenone buy Fruit of the Loom products, one can be

assured of comfortable, up-to-date styles at value
prices.

 Theircollections feature classic and contemporary

styling with comfortable cotton fabrics and carefree
cotton blends.
Fruit of the Loom’s Collections
Hubert de Givenchy
 Bornin 1927, at the age of seventeen Hubert James
Taffin de Givency left his birthplace in Beauvais was
still passed on from master to apprentice.

 Helearned from Jacqes Faith, Robert Piguet, Lucien

Lelong(recommended by Christian Dior) and in Elsa
Schiaparelli’s famous salons on place Vendome.

 In1952, Hubert de Givenchy opened his fashion house

in Paris and the same year he presented his first
haute couture collection. Givenchy's fame spread like
wildfire and he was commissioned to design for Audrey
Hepburn, Jackie Kennedy and the Duchess of Windsor.
Hubert de Givenchy Collection
 Gucci
 Gucci opened up his leather good company and store in 1921.

 Within few years his bags acquired him such fame and prosperity
that the brand Gucci became internationally known.

 From leather good and luggage bags, Gucci began to produce gloves,
shoes and belts.

 The Gucci 'Bamboo Bag' was highly popular among celebrities and in
the 1950s Gucci stores opened in Milan, New York, London, Palm
Beach, Paris and Beverly Hills.

 From a single brand company Gucci transformed into a multi brand

group producing ready to wear accessories for men and women. Gucci
products include fashionable handbags, high heels, boots, scarves,
umbrellas, gloves, ties, leather goods, belts, wallets, purses, key
chains, money clip, iPod case, pens, pencils, watches, eyewear,
cufflinks, chains, rings pendants, earrings and bracelets.
Gucci Collection
Giorgio Armani
 Oneof the most successful designers in the world, Armani
established the Giorgio Armani fashion house in 1974.

 Armani'snumerous lines include A|X (Armani Exchange),

the most affordable diffusion line; Armani Jeans, a lower
priced collection sold in department stores, Armani Casa,
a line of furniture and accessories for the home, Armani
Junior for children , Emporio Armani, targeted toward
younger buyers, offering less expensive and more mass-
produced items, Armani Collezioni is a more expensive
line than Armani Exchange and Armani Jeans, Armani
Occhiali is an eyewear line that includes frames and
sunglasses, Giorgio Armani is the premiere line of
Armani's clothing including his couture offerings and
Armani Privé offers the haute couture line.
Giorgio Armani
 Apartfrom clothes Armani also has his own
line of perfumes, cosmetics, watches,
jewellery, accessories and cafes.

 Armani'sboutiques and outlets are located in

Austria, Australia, Belgium, Brazil, China,
France, Germany, Greece, Italy, Japan, Korea,
Lebanon, Malaysia, Netherlands, Qatar, Russia,
Saudi Arabia, Spain, Switzerland, Taiwan,
Thailand, U.A.E, Ukraine, United Kingdom and
United States of America.
Giorgio Armani Collection
Conclusion

 After doing this presentation I

developed some basic concept
such as the difference between
store and fashion houses.
 I learnt How does fashion take
role in our lifestyle.
 Designers and fashion houses
are how influence the fashion
industries.
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