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Light—Science & Magic

Fourth Edition
This page intentionally left blank
 Light—
Science & Magic
An Introduction to Photographic Lighting

Fourth Edition

Fil Hunter
Steven Biver
Paul Fuqua

Amsterdam • Boston • Heidelberg • London

New York • Oxford • Paris • San Diego
San Francisco • Singapore • Sydney • Tokyo
Focal Press is an imprint of Elsevier
Focal Press is an imprint of Elsevier
225 Wyman Street, Waltham, MA 02451, USA
The Boulevard, Langford Lane, Kidlington, Oxford, OX5 1GB, UK

© 2012 Fil Hunter, Steven Biver, and Paul Fuqua. Published by Elsevier, Inc. All rights Â�reserved.

No part of this publication may be reproduced or transmitted in any form or by any means, �electronic or
�
mechanical, including photocopying, recording, or any information storage and �retrieval system, without
permission in writing from the publisher. Details on how to seek �permission, further information about the
Publisher’s permissions policies and our arrangements with organizations such as the Copyright Clearance
Center and the Copyright Licensing Agency, can be found at our website: www.elsevier.com/permissions.

This book and the individual contributions contained in it are protected under copyright by the Publisher
(other than as may be noted herein).

Notices
Knowledge and best practice in this field are constantly changing. As new research and �experience broaden
our understanding, changes in research methods, professional practices, or medical �treatment may become
necessary.

Practitioners and researchers must always rely on their own experience and knowledge in �evaluating and using
any information, methods, compounds, or experiments described herein. In using such �information or methods
they should be mindful of their own safety and the safety of others, �including parties for whom they have a
professional responsibility.

To the fullest extent of the law, neither the Publisher nor the authors, contributors, or editors, �assume any
liability for any injury and/or damage to persons or property as a matter of products
� �liability, negligence or
�otherwise, or from any use or operation of any methods, products, �instructions, or ideas contained in the
�material herein.

Library of Congress Cataloging-in-Publication Data

Hunter, Fil.
Light—science & magic / Fil Hunter, Steven Biver, and Paul Fuqua. —4th ed.
p. cm.
ISBN 978-0-240-81225-0
1. Photography—Lighting. I. Fuqua, Paul. II. Biver, Steven. III. Title.
TR590.H84 2011
778.7'2—dc23
2011018511

British Library Cataloguing-in-Publication Data

A catalogue record for this book is available from the British Library.

For information on all Focal Press publications

visit our website at www.elsevierdirect.com

12 13 14 15 16 5 4 3 2 1

Printed in China

Typeset by: diacriTech, Chennai, India

Contents
Dedications xi
Introduction xiii

Chapter 1
How to Learn Lighting 3
What Are “the Principles”? 4
Why Are the Principles Important? 4
How Did We Choose the Examples for This Book? 5
To Do, or Not to Do? 8
What Kind of Camera Do I Need? 8
A Word of Caution 9
What Lighting Equipment Do I Need? 10
What Else Do I Need to Know to Use This Book? 11
What Is the “Magic” Part of This Book? 11

Chapter 2
Light: The Raw Material of Photography 13
What Is Light? 14
How Photographers Describe Light 16
Brightness 17
Color 18
Contrast 19
Light versus Lighting 23
How the Subject Affects Lighting 25
Transmission 25
Direct and Diffuse Transmission 27
Absorption 28
Reflection 29

Chapter 3
The Management of Reflection and the Family
of Angles 33
Types of Reflections 34
Diffuse Reflection 34
Direct Reflection 38
Polarized Direct Reflection 43
Applying the Theory 49

Chapter 4
Surface Appearances 51
The Photographer as an Editor 52
Capitalizing on Diffuse Reflection 52
The Angle of Light 53
v
 CONTENTS

The Success and Failure of the General Rule 57

The Distance of Light 59
Doing the Impossible 61
Using Diffuse Reflection and Shadow to Reveal Texture 66
Capitalizing on Direct Reflection 68
Competing Surfaces 72
Try a Lens Polarizing Filter 75
Use a Still Larger Light 75
Use More Than One Light 76
Use a Gobo 77
Complex Surfaces 79

Chapter 5
Revealing Shape and Contour 85
Depth Clues 87
Perspective Distortion 87
Distortion as a Clue to Depth 88
Manipulating Distortion 89
Tonal Variation 90
The Size of the Light 91
Large Lights versus Small Lights 92
Distance from the Subject 92
The Direction of the Light 94
Light on the Side 95
Light above the Subject 96
Fill Light 97
Adding Depth to the Background 101
How Much Tonal Variation Is Ideal? 104
Photographing Buildings: Decreasing Tonal Variation 104
Photographing Cylinders: Increasing Tonal Variation 106
Remember Surface Detail 108
The Glossy Box 108
Use a Dark Background 110
Eliminate Direct Reflection from the Box Top 110
Eliminate Direct Reflection from the Box Sides 112
Finish with Other Resources 114

Chapter 6
Metal 119
Flat Metal 120
Bright or Dark? 120
Finding the Family of Angles 121
Lighting the Metal 124
Keeping the Metal Bright 125
What Is a “Normal” Exposure for Metal? 127
Keeping the Metal Dark 128
vi
 CONTENTS

The Elegant Compromise 131

Controlling the Effective Size of the Light 135
Keeping the Metal Square 138
Metal Boxes 141
A Light Background 143
A Transparent Background 144
A Glossy Background 145
Round Metal 148
Camouflage 149
Keeping the Light off the Camera 150
Using a Tent 151
Other Resources 153
Polarizing Filters 153
Black Magic 153
Where Else Do These Techniques Apply? 154

Chapter 7
The Case of the Disappearing Glass 157
The Principles 157
The Problems 158
The Solutions 159
Two Attractive Opposites 160
Bright-Field Lighting 160
Dark-Field Lighting 165
The Best of Both Worlds 169
Some Finishing Touches 170
Defining the Surface of Glassware 171
Illuminating the Background 175
Minimizing the Horizon 177
Stopping Flare 178
Eliminating Extraneous Reflections 180
Complications from Nonglass Subjects 182
Liquids in Glass 183
Secondary Opaque Subjects 187
Recognizing the Principal Subject 190

Chapter 8
An Arsenal of Lights 193
The Single-Light Setup 193
The Basic Setup 193
Light Size 196
Skin Texture 196
Where to Put the Main Light 197
The Key Triangle 198
Left Side? Right Side? 201
Broad Lighting or Short Lighting 202
vii
 CONTENTS

Eyeglasses 204
Additional Lights 206
Fill Lights 206
Background Lights 211
Hair Lights 213
Kickers 215
Rim Lights 217
Mood and Key 217
Low-Key Lighting 217
High-Key Lighting 217
Staying in Key 221
Dark Skin 222
Available-Light Portraiture 223
A Window as a Main Light 223
The Sun as a Hair Light 225
Combining Portable and Ambient Light 227
A Reflected Ambient Light Portrait 230
Approaches Worth Trying 231
Unfocused Spot 231
Combining Portable Flash with Color Gels 234
Portable Flash with Motion 238
And Finally… 240
Suggestions Yes—“Rules” No 240

Chapter 9
The Extremes 243
The Characteristic Curve 243
The Perfect “Curve” 244
A Bad Camera 246
Overexposure 248
Underexposure 249
A Real Sensor (CCD or CMOS) 252
Using Every Resource 253
White on White 253
Exposing White-on-White Scenes 256
Lighting White-on-White Scenes 257
Subject and Background 258
Using an Opaque White Background 260
Using a Translucent White Background 263
Using a Mirror Background 266
In Any Case, Keep the Background Small 268
Black on Black 269
Exposing Black-on-Black Scenes 269
Lighting Black-on-Black Scenes 270
Subject and Background 271
Using an Opaque Black Background 273
viii
 CONTENTS

Using a Glossy Black Surface 275

Keep the Subject away from the Background 276
The Histogram 277
Preventing Problems 279
Overmanipulation 280
Curves 281
New Principles 282

Chapter 10
Traveling Light 285
Some Very Good News 285
Choosing the Right Light 286
Studio Strobes 286
Portable Strobes 286
Lightweight Hot Shoe Strobes 287
Getting the Exposure Right 287
Letting the Strobe Determine the Exposure 288
Using a Flash Meter 288
Getting More Light 288
Focused Flash 289
Multiple Strobes 290
Improving the Quality of Light 290
Bounce Flash 290
Feathering the Light 293
Lights of Different Colors 295
Why Is the Color of the Light Important? 296
Nonstandard Light Sources 297
Do the Colors Mix? 299
The Remedies 301
Lights of Different Duration 304
Is Studio Lighting Possible on Location? 306

Index 309

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