Information Theory (Moles)
Information Theory (Moles)
AbrahamA.Moles(1920-1992) y the
Information Theory
Jose Luis Piñuel Raigada
Professor of the Department of Sociology
UC,M.
ANINTELLECTUALIDENTITY:INFORMATIONALSTRUCTURALISM
The anti-unitary nature of the work often appears classified within what could be
A generalized 'structuralism' of social sciences
statistics that, according to their own words in theAutobiographycited, "would be a result-
the synthesis of phenomenological positions arising from philosophy
German y the neo-positivist movement in Communication Theory; that is to say, in
The theory of information applied to the study of human behavior. Let's see.
first, what was the origin of the confluence in your research trajectory.
Many of the critical analyses that will lead to the first draft of a representational piece -
The sound phenomena are part of a psycho-physical a metamorphosis. -
height, level, duration), but more oriented towards psychological aspects, were
published in his first works,PHYSIOUEETTECHNIQUEDUBRUiT(1952)which
remained for more than ten years being the only work in the French language on
It was in this work where he proposed that noise should be considered. o sound
JosúLuisPIÑUELRAbADA 159
common environment element of the surroundings just like the climate (idea of sound climate)
and where provided, on the occasion of a communication, the Association
a of technicians
acoustics in the French language, a first draft of soundproofing standards
real estate on the basis of numbers or experiences in this field.
The bet a the definitive point of this study of transient sound phenomena with-
considered as a succession of forms o fewer syllables in a time course
but, realized on the occasion of their collaboration work in theCentre for Studies
of Radio-Television, the organization responsible for research in broadcasting
francesaporentonces'<1948-50;see Bibliography>.
During this period of the Rockefeller Foundation's scholarships allowed him to develop,
I know of a fairly long stay in the Department of Acoustics.
Columbia University in the USA, the elements of an informational theory
of the perception of sound phenomena, which had already been raised in your Thesis
Sciences. Drafted under the form of a report for the Rockefeller Foundation
y published, some years later, in a book:Experimental Music(1962)
partially turned back a publish in German scientific journals, exercise-
significant influence on contemporary music movements that you -
they were using electronic and electro-acoustic procedures.
Influenced, according to his own words, 'by the teachings of GastanBERGER, the
what proposed a dynamic philosophy inspired by Ernest BLOCH, the teachings of
BACHELARD, of whom I had followed his courses for several years. y what was effective
Uncritical in the rule of scientific spirit, of Merleau-Ponty, first at the Sorbonne. -
good y after in the Collège de France, together a work contacts and stays
endiversos laboratorios de diferentes países" (seeAutobiographycit.), se propon pre -
to submit a second Doctorate Thesis in Philosophy and Letters titledThe
SCIENTIFICCREATION,defended at the Sorbonne 1 9.54, immediate publication
mind after in Switzerland, y I stayed late to various extra fairs editions
(lamásrecientedelascualesfuelaespañolade1986de cuyaediciónmeencargué
personally). In fact, like all works in epistemology or philosophy,
including applications, this study, which was the first topic of the thesis
Principal doctorate in Letters, continued to be a bane for a long time.
reflection around a the sciencey of epistemological criticism, which for Moles was discussing
parallel to the set of scientific work that at the same time was being carried out
in the fields of the psychology of perception of aesthetics.
y Specifically,
I decided to present these as a secondary thesis of the same doctoral program.
Letrastitulándola:THEORY L INFORMATION PERCEPTION 5THETIOUE?This
theory, since its publication in 1958, has however been the most widely disseminated in number -
countries, especially in German-speaking countries, since it is proposed there -
theoretical instance a a fundamental problem, that of the mechanisms of the par-
conception for the brain, considered as a manipulation system of
data. Represented phenomenon known today as a 'theory
structuralist of perception.
about
m water
This figure is a schematic representation of the mechanism of the circulation of cultural artifacts.
As described above. Here are the same elements: the creator in which
personal guidance is gathered to pass them on a the intellectual works that
they spread in a microenvironment, the socio-cultural framework that gathers ideas, the facts y acon-
techniques in a general reserve in which mass media go a
search for your content. This figure underscores the aspect of relative closure of the cycle about itself:
New ideas are developed from aold ideas fertilized by events.
the cycle is open to the outside through four elements: on one hand to the imaginary then
of the creator; on the other ahand, the achievements of the world of objects; on the other hand also, the a
connections with the universe of news yon historical events; finally the decisionso
of the executives of the Mass Media and the world of social values. The arrow characterizes
the speed of circulation of the cycle, which is measurable in certain well-defined things, the pro y -
problem regarding aany cultural dynamic that ends up being inseparable or undesirable
o slow down the rotation speed of the cycle.
able to accelerate,
a a critique of art in a series of scattered studies that allowed for deeper exploration
in the details of phenomena such as the figure/ground opposition, the phenomenon of
the fascination, the idea of a series ofyminimal differentiation, the notion of rhythm-utili-
it gives the manager the power over the musicians-. The other important application domain
the mechanism of creating the work of art, more prudently,
o of the cre-
It is an 'aesthetically satisfying work for a certain audience.' -
public recipient objective to which itu is aimed of which it is possible to formalize -
definition of zar, starting
a from sociological reasoning of culture, framing
the aesthetic operation in an accessible way to objectiveo experimentation.
structuralist theory information
o is in the synthesis method force base, such
how it has been tested through various means since the computer has become a
useless accessible, yall the work done in this field refers implicitly -
explicitlyo mind the notion a of 'atom' of o'morpheme', of corpuscle of
sound of element, and it is already from the angle of an 'economic' statistic derives -
from the information theory, and is seen from the perspective of a structuralist theory.
One result of these studies was the concept ofKitschterm that was to be practiced -
unknown mind in French with which
y Molesse had become familiar a
subcontracting in Ulm. The underlying notion was the subject of a public course at the Uni-
University of Strasbourg in 1968-1969 producing its introduction in the French language. -
extraordinarily spoken. It was developed in a book <Psychologiedukitsch, art
of happiness,Editions Mame Hatier 1 971) which was very widespread; this concept that
integration of vulgarization, of mediocrity, deonto-art parallel to art, like
lacking effort, represents a fundamental aesthetic trend of society
consumptiony variousy successive explorations carried out in connection with research
various aesthetics about decoration, arrangement of objects, books, postcards
arrived ato demonstrate that he played an essential role in everyday
y life
constituted one of the most important ways in what can be called the
aesthetic communication-
systems
a of various constraints: physical, biological, legal, cultural,
etc., defining the term 'freedom', in the sense that VALERY takes it -
all sciences of the mechanics: excessive number of parameters that determine
non-individuals on the number of constraints that govern their movements.
He then demonstrated that there are three possible modes of freedom, of which he is not one. -
main, marginal, interstitial; the elast concept reflects the trajectory in
one imagines the individual in a field full of constraints values yfor y
Hello, I'm reduced by various 'bans blocks', resulting in part -
particularly usable in the analysis of business strategies, behaviors
political-economic,
y personal
y attitudes. Based then on the method-
the application of the social-cultural circuit that had already been outlined
the previous tasks that led him to the bookSOCIO-DYNAMICS OF THE
CULTUREtranslated reverse a various languagesy often re-edited in consequence-
hi, arrived among other things o elucidate detail the flow charts of
cultural elements of the interior of the temple have very particular characteristics such as,
o system of vocabulary renewal
for example, the markets of squares, the
considered as a cultural asset available toa the social group; in the
the socio-aesthetic framework, which provided a great number of examples of circulation -
where "cultural articles", thus justifying the initial hypothesis of considering them pro -
ductosanálogoslosproductasmateriales,nociónquealcabodealgunosañosha
a
widely accepted.
Domain
del
Cost
Domain
wgiÉwo
Domm~
<jeJ
space
Presence
aO~re
Automobile
Zonacanses
privacycommunityacomcertainnumberofaxiomsfromsocialorigin
y y -
gicopurpose
a of human behavior in space, showing that
the man does not accept society
a more than to the extent that he is capable of being right -
Zarla y what is the function of the urban plannero from the architect to carry a cooperate -
concentration or dispersion that constitutes the psychological meaning of the
city. With the limitation of the capital Space-Time that the set has at its disposal.
social mass, this dialectical game becomes increasingly difficult to carry out; man
I do not accept a the society, but it suffers: society is a mistake.
In fact, our social psychology is that in numerous instances, the 'society' does not...
pubic cosrepublicwithout "marconecesario" of existence, already
There is not exactly speaking of society, but rather a "social system" of components.
168 AB~HAMA,MOLES(1920-19921 Y LATEORfADELAINFORMACIÓN
The individual appears in this way as 'endowed' with a certain capital of space. y
At the time, at the Strasbourg Institute, Moles proposed to conduct the analysis of
the various aspects according to the generalized phenomenological method gradually a
It was affirming one of the essential advancements of the social sciences, since
a The immediate philosophical support appeared to reconcile satisfactorily. y
data omechanisms that are common in technology.
Then the link between these studies on the psychology of space. y the
mechanisms of communication. Little by little, a delving into that theory
structural of communications, Moles was studying the application of the mechanics -
communication mechanisms of ythe theory of systems social asciences in their
different aspects, always attentive to the perception process, from the mecha -
aesthetics of perception, even those of the perception of space and time. o
Everyone must consider a that such analyses of the mechanisms of the re-
The conception should lead to establishing
a rules for the application of the human sciences. a
the technical problems posed regarding the ainsertion of beings
humans in space (the architect, the urban planner, the environmental planner, the
designer, landscape architect), and theo purpose of communication between individuals of o
the action of themass mediaTask that properly speaking pertains to the newly arrived. -
social technology manager: social communication engineer < the man of the
media, the advertiser, the content analyst). The moment had then arrived.
to break through a new stage of generalization y desystematization of those
y Time, y la delaInformacióny
two disciplines: that of the Psychology of Space and
theCommunications.ThistermofCommunicationit emerges as a result of that
era <1965-1970), as one of the concepts - crossing of a new advance of
social sciences.University faculties o centers for communal research
nírnríAnc~~~fnknnrronnrln not all parts in the world, regrouping o
developing in quite dispersed disciplines: social sciences, cinema
graphics, television, journalism, graphic arts, advertising, education, no way
they had frequently found themselves together more than by the force of circumstances -
thanks, for a certain voluntary organization and for a very general term, a
rather poorly defined: 'communication'.
José Luis Piñuel Rabada 169
In a series of work partially carried out in Strasbourg, partially in
South America, on the occasion of a UNESCO representative in Brazilian universities
wood, later in Canada at Laval University as a visiting professor, y en
Spain in the universities of Madrid Barcelona, Molesse
y violence elevated to synthesize o
e integrate the concepts obtained from the analysis of the communication situation. This
analysis results from some of the works of SHANNON, WIENER, y
MEYER-EPPIER, porotradeaquellosistemática “put in parentheses” of the signi-
verification, which carries out both content analysis of American origin as well
acostumbradoénfasisdado alenvoltorio y o the external aspects of messages,
it is usually done in graphic arts, in therewritingjournalistic o in the
production of programs in the media, put in parentheses underlined in their
analysis of culture in its y diverse works on the concept of event.
I stole it, aftera constituting what
a can be called an approximation. -
communication studies, defining the concept of common
they cooked
a share of the idea 'of vicarious experience' as the transfer of a
modification of the immediate environment of the receiver as
a part of a modification of the
emitter environment used for the one departure y other common procs
<code ideas, repertoire, culture).
culture Conocimicnicn
tuiiuvItflLCflLOS Professor Student acquired
encoding decodification
Reputed
deltransmitter
tiVI$t’
Figure3.
From this base situation that was the object of the ancient theory of information
y I stayed in place, therefore a very
a detailed study both in the planar -
I could demonstrate that it can be practical like in the afield.
izo ABRMAMA.MoLES(1920-1992) AND THE THEORY OF INFORMATION
Communication situated in space y the weather is one of the three fun aspects -
fundamentals of social sciences, which can be legitimately structured into three large -
["Chapters: sciences of situations, sciences of communications, sciences of"]
the acts. Yes, as previously indicated, the amount of space time of y
I would
- remain more oor less autonomous - whether it is individual or collective.
limited encounter<concept of ownership, personal agenda, of a pair -
individual spatial zones, or on the contrary, the notion of territory, then everything
Any form of communication, whatever it may be, necessarily arises from this kind of
temporal-spatial capital that the individual has o the social system; if it is like this,
Each operation of communication, of interaction, necessarily affects a all the
otrospuestoque“consume~~unaciertacantidaddetiempodeespacio.Estaeslo o
idea based on an ecology of communications defined as inter-affection
communications of different kinds inside a restricted area of
space y Of time. There is here, then, an organization of the personal sphere of the being
human being who reports between their actions, their interactions with others, their work and
Rest, as there is also
c the organization of a territory, of a State, o
through the relationship systems that are built within you. To be accountable for
this organization would establish
y it on the basis of data, it would be the objective of a new
discipline, communication ecology.
VISUALCOMMUNICATION
One of the more concrete aspects of this idea of message density received -
individual supervision during their circulation in an urban territory, for example -
pleasurable densification of the motivating visual imagesposter o
billboard, e.g., is the simplest example in urban society.
Moles had been developed several years before the formal analysis of the image.
considered as a message intended o influence the individual of a name in a way
controllable y for the same was your choice with a a scientific study -
views
aesthetic stimuli. Those studies led him a to approach
cartel from a very different perspective than that developed by the methods of
semiological character practiced by ECOPENINOU, o seen from
o the angle of the
visual informational density of sedimentationy of the set of men -
The memory of the individual must arrive there to constitute
a fragments of culture.
subjects to forgetfulness,
a distortion, selective filtering, through mechanisms of
Jost Luís Piñuel Raigada 171
a
stimuli, they build in the spirit of those who suffer a system y of values of
motivations, what he had called a 'Self-Taught Field', which is susceptible
should be programmed
o less well by the conjunction of creators o media-
pain, on one side, of ythe planners of another space
The world of the cartel, which Moles had studied in close collaboration with Uni -
universityIndustry,
e at the level of advertising agencies, with creative graphic
y designers, with
advertising campaign planners, with media planners, to which y
He has consecrated a public course that summarizes the main works carried out.
In the Strasbourg lab, it meant a new important stage of the alliance. -
Visual message sister, which he had addressed using the informocionol method.
o structurally from a statistical angle, y following a thought process
properly elucidated closely
y parallel to that which had allowed him to study
ten years before the mechanisms of the aesthetics of the sound ofy music. The same
concerns were then manifested: aperceptual analysis of a phenotypic character -
menologicon addressing the meanings, if not later possible, when all
the others factors were sensed and fixed; methods of distortion modification
y
thematic of the images, based on the theory of Form, to extract them varies -
perceptual relevance actions <pregnance>; finally, care to establish class -
specifications, dimensional analysis, trying to find, with independence of its
content, general dimensions of the messages. Y among these dimensions, a the
different levels of the hierarchy of supersigns, the complexity returned a to appear
the most important. But in visual messages studies emerged specifically
specifically another "dimension", that of conciseness: the quality of a consistently coherent image,
All messages that I receive are human as they determine their behavior. -
treatment, one of the most important aspects that Moles focused on
1964, at the time when it aimed to give an operational content to the concept of
everyday life, it was all the world of Objects, whose diversity, omnipresence,
mediatorcharacterwithrelationship a the others are humans that have made them o
sold, in relation to the asociety that provides its status, fascinated since
aspect of a generalization of information vectors between systems
socialindividual,
e of individuals
o among themselves. The diversity of the objects it produces
-
ciasjors¿cied¿d¡ndu~tr1a[es~&¡~i¿sa:seriavanointentar6s4¿blke+uninven
o -
exhaustive in this case
y like in the case of the words of the language, the algorithm
unzip replacing the concept of vocabulary expansion, of a closed o list -
of any type, for the concept of 'temperature' that is, of curve in pen -
characteristic toothtype/takenfinds opportunity for application. As soon as
a the principles that guided a large part of his scientific activity: analysis phen -
menological, analysis of interesting statistical characteristics of the sets, for their
typologies of y groupings that each of the u specific objects,
entities y
putting the "meaning" in parentheses: the significance of an object is the source of its function
-
action; it tries to introduce a separation of the observer in relation to a
observed objects, dedicating their analytical function
a criteria efforts more
what the function itself: I found here one of the bases of the analysis of the
Bauhaus.On one hand, it was the study of objects manufactured per unit,
José Luis Piñuel Rabada 173
I had already applied these concepts since 1 965 a another of the aspects of the
world of objects, the one of objects grouped conceived as a chapter of
a 'sociology of objects' parallel but distinct from the sociology of beings
humans who make them, manipulate them o the disposition of objects
["a showcase","a wardrobe","a shelf can be referred to"]displaydelreper -
a variety ofo types of accessible objects that are presented o
The attention of a subject. Define
Y this result as a dimension: locomotion. -
plejidad del conjunto de los usos de diferentes tipos que constituyen undisplay.Of
a displayof which 'market' is an example of greater existing
carriage
dimensions, it situates the individual with their variable, frequent, rare needs o
extraordinary trivialities, it is possible to characterize all statistically their behavior -
while sharing the
a complexity of their needs in relation toa the complexity
-
offer dad presents
THEORY OF ACTS
Elserhumanoseencuentra,segúnMoles, insertadoentrestiposde mundo:un
world of situations, a world of objects y a world of deeds, of well-being
Does studying one of these codes separately through the methods proposed by
socialsciences: monographic analysis of well-chosen examples, phenomenological analysis -
menologicallistingtaxonomy,
y appearance of typologies, search for rules
structural impacts, proposal of one of severalomodels that serve as a form
more o or less suitable to provide accounts of increasingly broader areas of praise -
The individual resolves the resulting tension from a situation through a
an action in which the use of an object, considered as a generalized tool, is made,
to say, associated a a function as an element that reduces the situational tension.
A theory of objects should lead to a theory of acts. -
maríaparaéstosúltimoslosmismoscriteriosmetodológicosdescritosanteriormente
in various fields, which Moles
y thought
a were derived from a unitary method,
method procedure of the progressive expansion of a structural informational theory o -
Turaldebose statistics. One of the bases of your theory of actions is the analysis of
the pursuit of their objectives and their 'meanings' in a clear manner -
pending as possible, through a series of descriptive criteria. They must be
retain, for example, volume criteria o dimension, of personalized value, of
activity ofo passivity. These
A criteria are added to a series of other criteria
different: the complexity of the action, the 'mass' of this action, that is, the volume -
dimension
o of the influence that it exerts on other beings in the environment: subject-
the amount of o coherence in the objects witnesses of the action in questiondegree
of consistency)the mediator in the action integrates into a chain of actions
6riei,fddasalmismoobjetivo,etc~.
LAMICROPSICOSOCIOLOGY
Little a Little, in the reflection on the notion itself of 'Social Psychology', arrived a
establish a connection between the phenomenology of space, architecture, the
urbanismo,elturismoincluso,queestabaengermenenlopropiaideadeconside
y -
space is as rare as the raw material of life.
176 ABkAHN4A.MOLES(1920-1992> Y LATEORiADELAINFOPJAACLÓN
Finally, the reflection
y the investigation had taken place a theTheory of Acts y a the
Micropsychology and daily life1976, works a they represent me, in the
more powerful sense of the term, new sciences, with their definitions, their laws, their sub -
miniology y applications, among others
a daily life.
1
Tell me through other paths, through vague appreciations.
—
y a prior, porproye -
it was about unfounded values, due to inductions noty deductions, 'the rhuma -
not exchanging different
y things”, to the serene distant observer,
y sociologist o
psychologist, self-presents as good-natured, irrational, fluctuating, disordered,
José Luis Piñuel Rabadá 177
unpredictable, in any case at least, in the ordinary situations of life. It can
at the point where Moles began with the will to examine daily life
the beings situation, and they see themselves on the street, in their own case, in the office,
o seen
the laboratory in which pure rationality occupies a tremendously limiting space
Yes, perhaps because it is nothing more than an ideal, a pulse of the spirit widely com-
beat y a menu cooked by other impulses.
COMMUNICATION CIVILIZATION
The moment had arrived when it emerged, like a significant event, one of
those knowledge data that necessarily revert on politics when
it was established that the communication activity <from close o from afar,
spoken o writing, through
a the image ofo the text, like a commercial o how
letter
novel) you turned out to be -the cause of which I had no doubt - the most important activity -
youof evolved humanity, the one that contributes the most to the GNP
Gross National Product). In this way, a fact was confirmed, among -
totalinformalizepursomembersoftheSchoolof
y
Frankfurt, the fact that the act of communication had turned into the act
the essence of man, which is the act of communication that dominates action in itself
same, quelaencuadro y the holds it, y Why do you want to be human if you have catapulted? -
do desdelaerodeltrabajo, a the ladder of perception, of decision y delpensa-
lie; all the other acts he does are secondary to him.
SMITH);It would be a new way to see the face of the Earth that men...
inhabit, depending precisely on the values that interest human beings themselves
a -
firstplace.Communication networks, all kinds of cables, the clay-
They will take care of the wired society, reconstructing its outlines.
nations y of the continents in a topological structure that begins a verla
lament of the geographer.
What are its laws, through which mechanisms a type of communication is affected?
suggestion, similarly,
o how it affects the human grouping that forms -
we had not appeared until now under the aspect of "cities", of "towns" o
"Deserts"? It becomes onea to find here considerations developed by the psi. -
the space around the city: the urban fabric, as new framework
life, the main frame - or in any case the 'dominant' frame - while everyone
the others (the deserts, the fields, the 'nature') are "recessive" frameworks, residues
de-evolution, funds that oppose a lofiguraprincipal:elpaisaje urbano,pero
they do not constitute a statistically valid alternative. Moles could offer
main lines in a book, written with the mentality of a social course -
logistics of communications for research training institutes e
telecommunicationsStructural theories of communication and society.TRILLAS
1983, MASSON 1985.)
Will there be in this some kind of epistemological error based on a false idea?
Have we been doing the science of his successes?
y This is the thesis that Moles had.
defended in his last book, supporting it, first in a critical analysis of the notion
ordinal cardinal measure,y then inythe distinction, proposal in his works on the
Scientific Creation (first version in there is a need to make a distinction
between 'established science'o consolidated1 - in a given moment-, the one that pleases -
these rules aspire to a principle a excludelerrorserviéndose de la forma dado
a the propositions within y the limits of a previously defined precision, y
science in the making: o process of scientific creation in which
We reason and perform within the precise field of consciousness, a role that is not less important.
-
A kind of obstacle opposed to free movement. -
mientodelpensar,obstáculoqueescomounmuroconelqueunojuegatratade y
surrounding it, a labyrinth of the life experience of creativity.
Social sciences are a prominent part of the sciences of the imprecise, constituting
examples are more constant, but it does not mean that it would not be appropriate
a turn a the sciences of nature itself. A the purpose of these last ones,
It could be stated according to Moles that the scientific researchers, trained, based on the
180 AB~HAMA.MOLES (1920-1992) r~INFORMATION THEORY
how has it been possible - by serving us from the idea of the 'despicable', unimportant,
futile, but it should have been defined at no time what it means
important
TheThe political casino is not concerned with the small details, but science knows, even if
they never use them, that in their own realm there are no small details,
let's tell it until the limit in which we can appreciate it, fit it, weigh it, y
what a minimal intuition, as arbitrary as it may seem, is as valid as all the others
categorical assertions about what I deserve or do not deserve
y from the mud penalty.
We would have the need for a social microscope; does the psychologist aspire? a
Will you perform sterol? In certain fields, too restricted, the psychoanalyst
I have learned to do it, but I am not sure that he has also chosen it.
Arbitrarily, it is your field. Isn't there anything to do, that is the question.
posed by the Micropsychology of Moles, an analysis of the small details,
What emergesy they return a dive back in a the consciousness that determines them
rationally find oneself before the bifurcation of a micro-dilemma, to make
unamicra-decision, to get out of a micra-conflict, tragedy
o of a micra? Stop
To know it, you have to try it,y one of the keys to this attempt is, in my opinion
Moles, exam sensible minucioso,
y never strange to the phenomenological attitude
ca,deesasmicrosituacionesinternosenqueelabsurdo irrumpeenlaconciencia
as a 'logical' consequence of the more impulses
o of existence, almost equal-
strong, contradictory, between which the subject does not know how to 'decide', except for
what seems like a large-scale randomness to a distant observer, but
noparaelsujeto.
José Luis Piñuel Rabadá 181
It is normal, in the course of the evolution of a scientific career, whose trajectory is
it has essentially transitioned from the realm of "hard sciences" to the
the sciences called human - those whose object is that man o other human
y after the most general field still of the 'sciences of the imprecise' o hundred
diffused inquiries that would lead to general perspectives and open up new fields of
interest. I could affirm this purpose
a that the final philosophical reflection of his career -
The researcher was a natural consequence, when I had already mastered the subject.
it was applied, it is dominated by a daily practice. For example, the terminology of
a darsesinambigueclod a through a continuous practice
the glue molasses served arrived
at this moment capable of replacing each word by its definition: the corres-
Correspondence between words
y and concepts for moles had no confusion.
The diversity did not lead to his author's impression of disparity but rather of depth. -
policy. It always relies on the same intellectual tools, the same methods.
of thought, at the beginning learned from the sciences of nature, those that have
used in perceptual fields whose physical nature seems scattered.
It could be said that it is much less about its case of multidisciplinarity, than about
deep immersion in the analysis of disparate situations between me, even in
trarenellosloquetienenencomún.Eséstaunaactitudgeneraldelaciencia,de
all sciences, by injecting into the domain of a field of concepts y ways of
think about proceeding from anotheryway to put forward its solidity.
a o tripe
there are risks but there is also a program.
Phenomenological method, and we have repeated it, proceeds in a more intuitive way.
trying to capture the phenomenon in itself, more or lesso free from the meaning
assigned by the parties involved with
o it. Remaining at the level
science of phenomena, of a categorization of these, of a force of
direct understanding that must be applied, the phenomethod
menological renews the observer who analyzed, the perspective that offers everyday life -
Diana. It is a search for the strange, foolish in art as in science, that is that effort. -
unleash the shadow, the surprise y the feeling of naivety that bothers
happily I had appreciated as a necessary condition of creativity: the 'renew'
the capacity for amazement would be a formula applicable to the phenomenological
o attitude.
Mole warned that the world in their immediate appearance, just as it presents itself.
distracted observer, it is a world of vagueness and imprecision;
e there are quantities of
emerging forms over a background, but most of the time they are confusing,
José Luis Piñuel Rabada 183
difficult to cover, a a clear reflection. This would be precisely the obj
y they escape -
science, extract them, apprehend their contours with the degrees of approximation
defined, or we would say of unknown prior errors. a Now well, this operation is
difficulty to deal with, requires
y time and effort, the individual in a normal situation is
capable of dedicating it, he lives constantly through various forms of y
vague phenomena, imprecise, of hurried analogies, of unfounded suggestions.
Nevertheless, the whole set of all the causes of disorders does not seem to make sense.
world observed a gray nebula, completely changing y totally unexpected -
Only the perfect lottery would give this appearance, y we know that in the disorder-
neither perfect order nor perfect perfection exists in nature.
This raises, among other problems, the issue of measuring in the sciences. Measurement deals with
certainly to fix things, within its nature. But detailed it constitutes
a a
concern about ensuring the way things are more or less independent o -
it is nonsense; in the end, it is then a distancing and sometimes a
posture for independence. The elements of what Moles calledcostegene -
realizedApplicable to social sciences y economic, provide a good example;
Each of these elements constitutes an imprecise concept in itself, poorly defined. -
nest, yeach one of them is incompatible with the other. However, there is a research.
generalized cost of an object, of a service of an act, that,ofor the
less, serves as a sort of mnemonic account so as not to be left out
the observer's devaluation, without having to decide beforehand what
elements, indeed, negligible.
Another tool for which you had some responsibility to introduce into the sciences
human, which is now called systemic analysis, reformulation more
rigorous cybernetic models a theMoles significantly contributed, for
example with researchers like GREYWA[TER y ASHBY.Building models together
Cartesian quasi-discipline, to schematize a phenomenon through series of boxes
black disconnections
y between them. The goal is essentially in this case - com
turn on the game of articulated elemental forces in too complex a way
so that the human can continue to articulate once again a its details y
184 ABRAHAMA.MOLES(1920-19921 y THETHEORY OFOTHER INFORMATION
NOTES
These techniques were imposed very slowly over the course of the years. y They changed it! a tro-
Often we made collaborations with the small group of researchers. y demonstrate
-
from the Study of Concrete Music, later transformed into an autonomous institution. A contribution of its
Jobs of this era were based on voice identification mechanisms over the phone. a
a Statistical analysis of the histograms a of sound levels of other metric y characteristics
a object series are sonatas that tire ~i~ you and the audible discourse. Moles then contributed to the fu ~r ~, ction o
from a certain number of state researchers such as: E.LEIPP who later defended her Thesis
You would become the Scientific Director a of the Musical Acoustics Laboratory.
Sorbonne; Helmar FRANK converted later into Director of the Institute of Cybernetics in Berlin; Andreas
ZALIZNIAK during that time residing in France later became Director of the Laboratory
Linguistics of Moscow State University, STOCKHAUSEN, Pierre HENRY arrived a serelprincipalcom -
music concrete supporter since its beginnings who y extensively used the theory of phenomena
Acoustic response to othe Larsen effect that had been studied since 1950 at the CNRS Laboratory.
All these researchers participated in the informal seminars on empiricaly work organized -
application for Music Study Concrete, how to pair Center Eludes Je Radio television (ver Auto-
hiograñacitada>
2 One of the functions that e they alloweda Moles will develop in-depth aesthetics work in
The sound field, it was the charge assumed in 1954 a 1960, although with interruptions, of Director of
Electro-acoustic laboratory SCHERCHEN located in the small town of Gravesano in Switzerland.
sponsored
y by the orchestra director Herman SCHERCHEN, one of the old pioneers of
team formed around Radio a Berlin since 1933 that through
y tireless activity in favor
Contemporary music was increasingly discovering composers such as BERIO, XENAKIS,
MADERNA, Luigi NONO, PICCOLA. y The Gravesan Music Center has made available an instrumental
of relatively important laboratory, something underutilized, whichy allowed to continue, thanks to the a
benevolence of SCHERCHEN,
H a series of midway experiments a d
0 musicology
José Luis Piñuel Rabadá 185
information theory, psychology y the psycho-aesthetic. Let us mention among others, the works that had been
started in 952 on sound reproduction in space, (which is now called stereophony.
o the late tragedy), the1 confirmation of the psychic-physical correction of the perception of the serious notes median -
the use of radiant walls in small diameter speakers, the musicological demonstration of
parallelism between the evolutionary development of the history of music and the progressive y exploration of men -
as the amount of information is increasingly high, the decoding properties
psycho-aesthetic of ultrasound comb (Kamm-filter) separating y ~ the part experimentally
the semantic y and aesthetic part of the sound signal (see Autobiography cited)
Many of these criteria arose from a brief study and were cited regarding the analysis of events.
Moleshabi has started these works on action in collaboration with the Ecoled Organization.
Scientific labor, in the era when this school presided over O. BERGER, just as he was founding it.
the discipline called Prospective, y I have been advised continuity while consulting a scientific advisor.
diverse companies, unfortunately a little at the mercy of circumstances: those tests for partials
they showed the need for a theoretical approacha to actions through a more systematic way,
formalized, that
y takes into account the diversity of circumstances of the action of what it had-
highlighting the performance or productivity of industry, which still appeared extreme -
summary mind.
Bibliographic Repertoire
Bibliography of Abraham A. Moles
PHILOSOPHY.
Scientific CreationThesis
I, mayonnaise
1 956,1volumen,260pags.,Édit¡onsKister,Gené -
1 957.In Portuguese, Editora Perspectiva, São Paulo, 1 972.In Spanish,
Ed.Taurus, Madrid, 1986.
• The Theory of Information in Aesthetic Perception 1 957Philosophical Review -
what!April-June, pp. 233-242.
• The Code of the Universe, 1957, in..&pocheMcmuncíAutomation,inEncyclopedia -
the modern scienceLimpert Publishing, Frankfurt , Band 1, pages 70-120.
• A Theory of the Perception of Structures, 1965GenesisandStructures,Edie -
Mouton, Den Haag, pp. 124-142. Published in: Cenen ¡ Structure-
-o u Psihofizici,Prolece, 1 972, Third Program, Radio Belgrade, pages 497-518.
• "Artistic creation and the mechanism of 'spirit', 1960, in the magazine Ring. , Number 1
pp. 37-47. Published in Journal of Filezefie,Bucharest, Academy of Sciences -
cias, Volume 17, 1970, Page No. 2 173.185.
• “UnecultureMosatque”,1960,RevistaC.N.O.F.,marzo,núm.3,págs.23-25.
• Cybernetics is a secret revolutionCyber -
nétique,ereotomwhat,take8,pages.5-10,EditionsKister,Geneva,(translated to
Italian, German, Spanish,yCzech.
• QuantityQualityinCybernetics:aMeasureofComplexity,1961,Studies
Philosophical,June, pp. 177-190.
• Maclijoism meets Philosophy: some recent aspects of mechanistic evolution
1 962Philosophical Reviewabril,núm.2,Págs. 1 29-260.
• Application of the Theory of 'Information to Human Sciences 1 962Bulletin
FacultyLetters from the University of Strasbourg, , págs.195-205;resumen
inPhilosophical Studiesnumber 4, 1962.
• "The simulation of how structural explanations of phenomena are made"
1 965Philosophical ReviewTomoCLV, , pp. 229-231.
• Dynamic Unmute: jIGolem, 1967, The Review He fought against Israel,vol.XXXIII,
No. 2-3, Terza serie, Milan, April, pp. 67-72. Published in Romanian in SECO -
LUL20, no.1, pp. 27-33, Bucharest, 1969.
• Cybernetics and SemioticsValosognum.67-10,15October,
pp. 54-62.
• "Theory of Informational Aesthetics", 1967,Structuralism, Editor for Literature Uni -
versaloBucharest, pp. 141-153.
,
PSICOLOGiA,PSICOLOGiASOCIAL Y SOCIOLOGY
PHONETICSY LINGUISTICS
AESTHETICS
• The ancient theater, an example of functional aesthetics, 1951Philosophical Studies
quesNo. 1, pp. 77-91.
FELICITYGOODNESS OF THE SOURCE 193
• The methods of experimental aesthetics, 1956, conference at the Society of Est -
Aesthetics, Sorbonne, April 21, in Reviewof Aesthetics,no.4, 1956, pp. 193-196.
• The basis of musical enjoyment 956, conclusions of the 'Semaine Interne' -
"national study of light music"GravesanerBlafter 1 vol.2-3, January,
pages 47-57.
• concrete music a productofradioresearch”,1956,Arts,Louisville,diciembre,
page 20.
• "Information Theory and Aesthetic Sensation", 1956, GravesonerBlatter,
num.6, December, page 3 y ss.
• "Filtering attempts about semantic and aesthetic message", 1956,Gravesaner
BlotterNo. 6, December, pp. 10-15, No. 7-8, May-June 1957, p. 85 y
ss.<including disks with experiences).
• "The Artifices of Aesthetic Perception", 1960,InternationalArtReviewZürich,
vol.III,núm.8,págs.65-72.
• The fight of designs against meaning, 1961InternationalArtReview
Ziirich, vol. IV, num. 12.
• Structured poetic message and levels of sensitivity, 1961Media Review
tione,Paris, no. 1, pp. 161 y ss.
• “ErstesManifestderpermutationellenKunst”,1962,cuadernode21págs.,Rot.8,
Stuttgart; in FrenchReviewRing,num.4.
• Experimental poetry, poetic and art permutational 1 963RovueArguments
numbers 27-28, pages 93-98.
• Cybernetics a information theoryu aesthetic, pedagogical a ethics 1 964Kyber -
Network of Social Sciences, Publications of the Academy of Tche Science -
questionPrague, pages 242-254.
• "Cybernetics and the work of art", 1965,Review of Aesthetics,no. 2, pp. 163-182.
• "The experimental aesthetic in the new consumer society", 1966,
Science of Art,No. 1, pp. 23-30.
• "Can there still be works of art?" 1 968Line structures,number 2, Naples
March, pages 81-84.
• “DioSynthesevonTheaterundTechnik”,1961,TheaterundZeit,Wuppertal,num.
1,septiembre,págs.215-218,núm.2,octobre1961,págs.227-230.
• "Notes on architectural information about the artwork", 1962,Fundamentals -
diumausCybernetics,Band3,Heft3,julio,págs.85-89.
• Vasarelly y structuralism 1 967FormaNuevo,No. 16, May, pages 54-56.
• Is it possible to create new ideas through the design of machines?Indus -
trieundKunst,Linzer Academy Fund, pages 19-22.
• About illustrated texts, reiteration, 1967The 20th century,núm.4,Bucarest,junio,
pp. 166-172.
• Uberdio use of computing systems in art, 1967Art judgment
Computer, Exact Aesthetics,No.5, Nadolski Verlag, Stuttgart, pages 16-20.
• Information and redundancy, signs and super-signs as elements of the truth
perception 1 968Art and Cybernetics, DuMont Schauberg PublishingCologn
pages 14-28 y207-218.
• The constructive art and multiples1 969Review of the Central Schoolspecial number
"Thought and Creation", October, pages 14-28 y 207-218.
194 RHETORIC Y POETICS IN THE STORIES OF G.K. CHESTERTON ABOUT FATHER BROWN
• “Kitschetobjet”,1969,<encolaboraciónconE.Wahl), Communication,num.13
Seuil, Paris, pages 65-68.
• DeterminedForms 970Bochum Text on Visual Communication, vol.
3, University Press, Bochum. 1
• Psychology of kitsch, the art of happiness,1971, Paris, Editians Mame Hatier, 254
pages; in Spanish, El Kitsch, Barcelona, Ed. Paidos, October 1973.
• Artetordinateur,1971, Paris, Ed. Casterman Tournai, 264 pages.
• Art and Cybernetics, 1971, enSupermarket in Cybernetics, Around Ideas,ed.J.
Reichardt, StudioVista, London.
• LamartediApollo e the will. Death e trasHgurazionedellarte, 1973
Contemporary chiaroscuroRome, November, no. 1 3, pages.1 3-20.
• "Rationing within the trends of contemporary art", 1973,Reviewed
Arlos Colloquiumno. 15, Lisbon, December, pp. 4-12.
• "The Expansion in Space", 1975,Qviarteconteniporanea,num.15, Rome, sep-
tremor, pages. 1 6-20.
GAM,May 1 964.
• "The evolution of experimental music and its place in contemporary art"
965, communication for the Grouped’Acaustique Musical of the Sorbonne, 28
1
January, published in the BulletinGAM,February 1 965.
• "On the future of serial music", 1966,Review Evidence,February, no. 1 80
pages 35-39.
• Music, muses, composermusical movementWarsaw, no. 7, pp. 1-6.
• The current evolution of experimental music 1 968,communicationforel
Grauped'AcoustiqueMusicaldelaSorbonne, January 19, published in theBulletin
GAAI,No. 33, February 1968, pages 1-8; reedited in Acoustic Review,num.
6,1969,pages.148-152.
SYSTEMS THEORY
• "Elements of Spatial Information in Microphone Audition", 1951,NoteC.R.
Ac.Sc.vol.233, pages 1583-1585.
• The role of cybernetics in the development of psychophysiology 1 950
General Review of Sciencestomo57, no. 11-12, pp. 253-261.
• Stereophonic transmission system a a single channelC.N.R.S. patent,
num.618588, November 2.
RHETORIC AND POETIC IN THE STORIES OF O. K. CHESTERTON ABOUT FATHER BROWN
196
• Physical structure of the sign in micro-phenomenological caustic. 1 952Thesis of Science-
yes,Paris, March 28.
• Theory of information, electronics and cybernetics, 1953Where Electric
September, pp. 638-651.
• Fidelityofinfidelity in the channels of sound transmission, 1956, communication
French Physical Society, February 24, published inPhysi Journal -
what,December 1956, volume 17, number 12, pages 74 y ss.
• "The fidelity of sound channels", 1957,Technical Review, Lyon,May, pp. 1-20.
• "Information theory in language and music", 1958,Moment.num.2, pages 17-27.
• Cybernetics Charter, 1959Encyclopedia of Atomic Civilizations
rs, Milan, vol. 8, pp. 167-173.
Elements of a theory of automatic documentation, 1961, proceedings of the XXXIII
International Congress of Cybernetics of Namurpp. 327-332.
• "Animal languages and information theory" 1963, in the volumeAcoíscBeha
vsovrofAnimo!Ed. Elsevier, Amsterdam, pages 110-133.
• Communications languages, 1 963,<collaborationwithVallancien,Fr>',Rosen-
blith, Lehmann, FessardGauthior-Vil/ars Ed., Paris, June, 250 pages.
• Complementary paths of informational sensitivity, 1964StuiiumGenera -
SpringerVerlagHeidelberg, pp. 589-595.
• "Heuristic Processes and Information Theory", 1964Never results of
Cybernetics,Oldenburg, Munich, pp. 40-52.
• Schema sets schematization, 1968RevveSchémotisme,núm.1,febrero,págs.
23-28.
• Cybernetics, information and economic structures 968, resulting text
four seminars held at 'Ecole Pratique des Hautes Etudes, 1 published in
Cahiers of Advertising,num. 1 9,enero,págs.37-55.
• Cybernetics of complexity: the problem of 'integration', 1968,StvdiumGene-
ralenum.21,SpringerVerlagHeidelberg, pages 859-875.
INDUSTRIAL PHYSICS
• "Suruncritéredelaptitudedesmétaux ál’emboutissage" 1 945JournoldePh> -
keep goingSeptember, pages 41 y ss.
• New hollow derivative systems á grand resistance, 1946C.N.R.S. Patent
num.961209.
• Experimental research on the causes of wear of trolleybus contact wires
1951, (in collaboration with T. Vogel),R.G.E.?septiembre,tomo60,págs.349-352.
• Method of measuring the temperature of wires 5 daciermobiles, 1951,Patent
C.N.R.S.num.946617;RevveMeasures,núm.166,marzo,pág.97.
• Tests of user in the laboratory of contact line brush networks -
trolleybus, 1952Railway IndustryJune, pages 100-107.
• Television at the service of business 960Review of Work Study (BTE)octu-
bre,num.111,pages.10-16. 1
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