AI PROMTS

 Shot straight-on with a 135 mm telephoto against a chalky coral-pink void, a dirt-
streaked botanist stands rooted and alert — a desert rose in field gear. Her salmon shirt
flutters in unseen wind, half-buttoned over khaki shorts, sleeves rolled with purpose.
Strands of blonde hair escape a loose ponytail, framing a face etched with sun and
resolve. One gloved hand grips a flashlight like a torch of reason, the other rests near a
thigh pocket bulging with field notes. A single smear of red clay on her cheek breaks the
symmetry — organic and unbothered. Harsh side light slices through the stillness,
catching the metal edge of her watch and the grit beneath her fingernails. A portrait of
survival, science, and stubborn hope. Style Tags: graphic minimalism, poster art, earthy
elegance, field-tough femininity Camera / Medium: 135 mm studio prime • digital
illustration Color & Light: coral-pink field, sun-washed khaki & clay accents, directional
hard light Aspect-Ratio: 4:5 Quality Settings: model=gpt-image-1 • size=1024×1536 •
quality=high

 Create me a hyper-realistic image of a long-haired blonde girl taking a picture in front of

her mirror with her phone covering her face, the phone is just a little sideways, she has a
blue crop top on and skinny jeans and done nails. she’s also got a pandora charm
bracelet and a cross necklace. Make sure the background looks plain, not a fancy house
or anything, a normal house like in the Balkans. and make it hyper realistic. also make
sure you can’t see her face. I want to use it for an Instagram profile

 A grainy, analog photo of Bluma from Dragon Ball Z watching her own cartoon on a 90s
CRT TV in a cozy, cluttered living room full of gadgets, scattered blueprints, and a Capsule
Corp logo mug. On the TV, a bright animated scene from classic Dragon Ball Z is clearly
visible—cartoon Bluma in her teal hair, pink dress, and yellow scarf, confidently working
at her lab or piloting a Capsule vehicle. In the real scene, a realistic Bluma—a stylish
young woman with vivid blue-teal hair in a high ponytail, large expressive eyes, and a
clever, spirited look—sits cross-legged on the floor in front of the TV. She’s angled partly
away from the camera, but looks back over her shoulder, catching the blue CRT glow on
her face and hair. She wears a bright pink “BULMA” t-shirt dress with a chunky belt,
yellow neckerchief, blue sneakers, and has a Capsule Corp gadget in hand or nearby. The
room has a few scattered capsules and anime magazines for extra flair. The CRT’s glow
highlights her features and the scene feels lived-in, warm, and nostalgic. The photo is
taken with flash, slightly overexposed and unedited, with lens dust, cluttered corners,
and a grainy film texture—evoking a cozy late-80s/early-90s anime fan atmosphere.
Emphasize the contrast between animated Bluma on the TV and the analog realism of
 the living room.

 A disposable camera photograph from the early 1990s, saturated by the harsh direct
flash typical of the era, capturing a spontaneous breakfast scene in a small, warmly lit
kitchen. The table is cluttered with mismatched dishes, a half-full glass of orange juice, a
box of cereal, open jars, toast with bite marks, and a steaming mug near the edge. The
linoleum floor, faded wallpaper, and a humming refrigerator in the background establish
a lived-in, modest domestic space.

 Seated at the table is a young woman in her late teens, hair slightly disheveled, wearing
a loose T-shirt. She’s mid-chew, caught with food in her mouth, eyebrows raised and lips
just starting to part as if she were about to speak when the flash hit. Her expression is a
mix of surprise and frozen thought, eyes darted slightly to the side, giving the image an
unposed tension.

 Across the small kitchen table sit three full-sized big cats: a black panther, a Bengal tiger,
and a lion. Each is seated upright, shoulder to shoulder, with dignified stillness, their
immense bodies awkwardly compressed by the domestic setting. The panther is closest
to the woman, alert and watching the camera, eyes glowing faintly from the flash. The
tiger’s massive head is lowered slightly, its gaze fixed on the table, paws resting beside
an untouched bowl. The lion, largest and most imposing, stares past the camera, mane
catching the light in unruly arcs.

 None of the animals are restrained or behaving aggressively; their presence is surreal
but calmly integrated into the scene. The lighting exaggerates every surface—glossy fur,
smooth tile, the shine of utensils—and casts hard shadows that sprawl out behind chairs
and cabinets. The photograph feels like a fleeting intrusion into a private, absurdly
normal moment shared between the human and the beasts.

 A moody, candid photo taken inside a dimly lit American-style fast food or coffee bar.
The subject is a young man with medium hair, straight, jet-black hair and framing his
face. he is dressed in a dark brown jacket and stands close to the camera, with a playful
yet intense expression, sticking out her tongue slightly and holding up a casual peace
sign with one hand. The photo is taken with a digital camera using a warm, grainy film
filter, giving it a nostalgic early 2000s or late-2010s Tumblr aesthetic. Camera: 35mm
equivalent, point-and-shoot digital style (e.g., Canon PowerShot or Sony Cybershot)
Close-up, portrait-style framing, slightly off-center Lighting: Warm ambient lighting from
overhead lanterns and red neon signs; low-key and slightly underexposed. Soft yellow-
 orange glow highlights his face subtly, with shadows adding intimacy. Environment: A
narrow, cozy bar with wooden paneling, red countertops, condiment jars, and skewers.
The background is softly blurred with other patrons visible but not in focus, contributing
to the sense of a lived-in nightlife scene. Atmosphere: Rebellious yet intimate. It feels
like a spontaneous moment captured between conversations. There's a good nice boy
energy — a mix of nightlife chaos and warm comfort.

 Grungy analog photo of realistic Kai Green watching Her own show 'Ben 10' on a 90s CRT
TV in a dimly lit Bedroom. The TV clearly shows animated scene featuring Her cartoon
character from the show Ben 10. she's got green eyes and red hair and she is setting
cross-legged on the ground in front of the TV, in a realistic style, wearing her signature
outfit from the show. she is facing toward the camera, smiling with a playful and
challenging expression on her face. The CRT TV casts a soft glow on her face. Flash
photography, slightly overexposed and unedited, with visible lens dust and film grain,
evoking a nostalgic early-2000s vibe. Emphasize the contrast between the animated
screen and the analog realism of the photo.

 Photo taken with a compact digital camera in the early 1990s, grainy, faded colors, flash
photography, grainy texture, overexposed light, ethereal atmosphere, low resolution,
camera flash, dark background on balcony at night, cityscape, realistic, ultra-high
definition real image, unrealistic contrast, low saturation, highlights, photo shoot with
camera flash, very beautiful Korean middle-aged woman in her 40s, face is very white,
natural red cheeks, bright red lips , gold earrings in her ears, natural pink lips, middle-
aged Korean woman in a black sweater, she is leaning on a bench and looking directly at
the camera. Face of a middle-aged woman with natural black hair, model-like, middle-
aged face. Translated with [Link] (free version)

 A high-quality, black and white 35mm photograph in the style of the 1960s. Two 17-year-
old girls are walking through the streets of Manhattan, wearing short shorts. The lighting
is late afternoon, with slightly elongated shadows and warm, directional sunlight
creating contrast and depth. The photo has a classic, documentary feel — authentic film
grain, shallow depth of field, and strong compositional framing. Vintage cars and
storefronts in the background, capturing the urban atmosphere of 1960s New York. The
image should be standalone, with no artificial background — a striking, isolated black-
and-white film photo.
 CREATE A HYPER-DETAILED GRAPHIC DESIGN FEATURING A STRIKING PORTRAIT OF A
YOUNG MAN WITH THE SAME FACE AS UPLOADEDI WITH A CONFIDENT DEMEANOUR.
HIS HEAD IS ADORNED WITH VOLUMINOUS, ADDING TEXTURE AND DEPTH TO THE
COMPOSITION. THE PORTRAIT IS RENDERED IN A HIGH-CONTRAST BLACK-AND-WHITE
STYLE, STANDING OUT AGAINST THE MINIMALIST BACKGROUND. HIS EXPRESSION IS
CALM YET DETERMINED, WITN ONE EYE PARTIALLY OBSCURED BY A BOLD RED
RECTANGULAR OVERLAY THAT ADDS A MODERN, ARTISTIC FLAIR THE BACKGROUND IS A
SMOOTH, TEXTURED GREY CANVAS, SERVING AS A NEUTRAL BACKDROP THAT
ENHANCES THE FOCAL ELEMENTS. OVERLAID VERTICALLY ALONG THE LEFT SIDE OF THE
IMAGE, THE WORD “PAUL SOMENDRA IS REPEATED IN LARGE, BOLD BLACK LETTERS
WITH A SLIGHT TRANSPARENCY EFFECT, CREATING A LAYERED, DYNAMIC LOOK
INTERSPERSED WITHIN THIS TEXT ARE ICONIC DESIGN ELEMENTS: A PROMINENT NIKE
LOGO IN RED NEAR THE TOP, A STYLIZED RED “S” LOWER DOWN, AND A VERTICAL RED
LINE THAT PUNCTUATES THE DESIGN. TO THE RIGHT, A RED GEOMETRIC FRAME
SURROUNDS THE OBSCURED EYE, DRAWING ATTENTION TO THE INTERPLAY OF COLOUR
AND FORM. AT THE BOTTOM RIGHT, THE PHRASE “WORK SMART NOT HARD” IS
WRITTEN IN BOLD RED CAPITAL LETTERS, WITH “SMART” IN A SMALLER, ELEGANT
CURSIVE SCRIPT BENEATH IT SIGNED OFF WITH “GRAPHICS” IN A MATCHING STYLE,
SUGGESTING A PERSONAL OR BRAND SIGNATURE. THE BOTTOM LEFT CORNER
FEATURES THE HASHTAG #PAUL” IN RED. REINFORCING THE IDENTITY THEME. THE
YOUNG MAN’S ATTIRE, A PARTIALLY VISIBLE BLACK LEATHER JACKET WITH AN OPEN
COLLAR, ADDS A RUGGED YET STYLISH EDGE TO THE OVERALL AESTHETIC. THE LIGHTING
IS SOFT YET DRAMATIC. HIGHLIGHTING THE TEXTURES OF HIS HAIR AND JACKET, WHILE
THE RED ACCENTS POP VIVIDLY AGAINST THE GRAYSCALE TONES, CREATING A COHESIVE,
HIGH-ENERGY VISUAL THAT BLENDS STREETWEAR CULTURE WITH GRAPHIC ARTISTRY.
PHOTOREALISTIC, SHALLOW DEPTH OF FIELD, HIGH-RESOLUTION DSLR QUALITY,
HASSELBLAD X2D 100C, SHALLOW DEPTH OF FIELD, SHARPLY FOCUSED ON ME. 4:5
ASPECT RATIO. MAKE IT 8K ULTRA REALISTIC, HYPER DETAILED

 Prompt:
A stack of multiple round PVC patches neatly arranged in piles on a dark wooden office
table, ready for shipment to a client. The patches should look identical to the attached
design, with the same size, colors, and details. The photo should look realistic, like it was
casually taken with an older phone camera at the office — uneven lighting, slightly
imperfect angles, and a natural handheld shot. No polished or studio look, just a simple
real-life office photo showing the patches stacked in quantity, ready to send to the client.
 Raw Phone Snapshot Version (for client update)
 A stack of multiple round PVC patches, identical to the provided design, neatly arranged
on a dark wooden office table. The patches are piled in quantity, ready for shipment.
The photo should look like it was taken casually with an older phone camera — uneven
lighting, slight shadows, and a natural handheld angle. No polish or studio feel, just a
realistic office desk photo showing production results.

 Social media – Ready Version (for posting online) A large stack of identical round
PVC patches, perfectly arranged in piles on a clean wooden office table, ready for
shipment. Bright and clear photo with balanced lighting, sharp focus, and professional
composition to highlight the details of the patches. Social-media quality image that
looks attractive and eye-catching, showing bulk patch production neatly stacked for
client delivery.

 Create a realistic iPhone front-camera selfie of a Lili Reinhart lookalike. The

selfie is taken at a terrible angle with no effort—her face is awkwardly close to
the camera. She’s not posing, but has her lips in something that's close to a
serene smile, but not quite smiling. The lighting is uneven—one side blown
out by sunlight the other in shadow. The background is plain and forgettable,
like a wall and wooden bed header. The image has slight blur and noise,
looking like a quick, careless snap. Despite the tragic selfie quality, her youth
and beauty are obvious. She has soft sunburn on her nose and cheeks, and is
touching her eyebrow with her left pinky. Not any other finger, the pinky. She
wears a white tank top and her hair is tied up in a very messy bun, with a
white cotton headband.