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ENCHANTED WAVE
The Enchanted Wave is a set of 13 Kines, which
in the case of the Galactic Firm it will be 13 days and each one
from those days will have a corresponding Tone of the13
Tones of Creation.

The seal that represents each Enchanted Wave is the

corresponding to the one that occupies the first seal with tone 1
among the thirteen that compose it.

So the tone of the Enchanted Wave is fixed,

always 1 and that’s why we don’t include it, however the seal
change because inside the Calendar of the Sun orTzolkin,
There are a total of 20 distinct Enchanted Waves of 13.
Kines (days) each; a total of 260 different Kines.

We can see the Tzolkin in two different ways:

numbered by Kines from 1 to 260:Tzolkin 1x260 O
numbered as 20 Enchanted Waves of 13 Kines eachTzolkin 13x20

Mayan Tones
The Tones refer to the journey of aWave
Delighted by 13 Kinesin the case of Galactic Firm 13 days,
where each one has numerological properties
derivatives of the sacred mathematics of the Mayan system
vigesimal, that is, in base 20.

1 To represent the tones, I will use the Point-Bar code.

Mayan annotation system where each point equals 1
2 unit and each line at 5 units, always placing the lines
under the points, as if they were levels, and accumulating four
3 points to level up.

4 This way we can represent numbers from 1 to 19.

about 4 stripes).
5
The number 0 and 20 was represented by a kind of
 open shell, which is also said to be the mouth of a dragon
showing the teeth; some write it down as a silence of
white of solfeggio; in any case, it represents the number 0 and
at 20 at once, beginning and end, which for the Mayans is the same
thing interpreted in two different ways.

In this way, the 0/20 is the end of a turn of 20 numbers.

and at the same time the beginning of the next account, as if it were a
6
numerical spiral.

7 By the way, higher-order numbers and dates in

Maya is written in columns, one above the other instead of in rows.
how we do in Arabic nomenclature. The numbers of the
8 upper floors represent multiples of 20 (we remember that
we are in base 20).

9 The Maya wrote dates on authentic sculptures, so

enigmatic things that throughout all these centuries have led to
consider this culture as worshippers of numbers.
10

11
19

12

0/20
13

ENCHANTED WAVE
The best way to know the properties of the Tones is through the Wave.
Delighted by 13 Tones.

To understand the origin of the following table, we have to look at the Mayan numbers in
spiral order (previous table), in such a way that according to the radial interpretation and in the
direction of the arrows, all the numbers that are crossed by the same straight line
they have the same number of points, which gives them similar characteristics
numerological/energetic.

The concept of the spiral in the way of explaining and conceiving time and the
Mayan numerologyfactor +1) it is basic to understand how to use theTzolkinin our
daily life.

When we place each of the turns of the spiral of numbers in columns,

we can see that when a line appears it is as if we are moving to another level, and this
It happens every time we turn around the spiral.

The levels that we can identify in the Enchanted Wave are related to a
energy circuit that evolves surpassing previous steps.

The steps represented by the 13 tones are independent and complementary, that is
to say that each one has its function but none can be missing because if it breaks
In the circuit, energy is not regenerated; it does not complete its cycle but instead creates a leak.
translated in failures or problems related to the incomplete level.

Mayan Tones of Creation:

Mental Plan Material Plan Spiritual Plan

MANDO HO THIEF
(Toned) (Planetarium)

GOALS HUN UAC BULUC

(Magnetic) (Rhythmic) (Spectral)

CHALLENGES CA UUC LAHCA

Lunar (Resonant) (Crystal)

SOLUTIONS OX UAXAC OXLAHUN

(Electric) (Galactic) Cosmic

ORGANIZATION CAN BOLON

Self-existent Solar

To be able to use the Enchanted Wave as a general 13-step project

we would do it this way:

First, think about shaping our project... define theSEND the

MENTAL PLAN (Tone 1)
Second, foresee the possible failures that could harm our project...
 identify the CHALLENGES in the MENTAL PLANE (Tone 2),
third, think of possible aids and collaborations that can help us in our
project... find SOLUTIONS on the MENTAL PLANE (Tone 3),
fourth, gather the information obtained considering the three steps
previous ones and define the following to follow to put the project in
Functioning...ORGANIZATION in the MENTAL PLANE (Tone 4),

Up to here is the planning

fifth to put the action into motion, distribute and enforce the tasks...MANDO
in the MATERIAL PLANE (Tone 5),
sixth to fulfill the commitments made...SENDING THE PLAN
MATERIAL(Tone 6)
•7th find faults in the work done and inspire solutions to reduce
losses...CHALLENGES in the MATERIAL PLANE (Tone 7),
8th to correct and improve the project...SOLUTIONS in the MATERIAL PLANE
(Tone 8)
9th
coordinate
the work
realized
to give it
the greatest

performance...ORGANIZATION in the MATERIAL PLANE (Tone 9),

This would be the completion of a normal project. Without taking into account the part
the spiritual would become materialistic, it would not be complete and would destabilize in the
selfish benefit of minority interests. For energy to complete its cycle and to
Indeed, evolving and growing in a spiral, the following must be taken into account:
last steps that are the spiritual/emotional part of our project
•10º use the arguments to raise awareness about the service provided...
COMMAND in the SPIRITUAL PLANE (Tone 10),
•11º Motivate and create interest in improving the service...SEND the PLAN
SPIRITUAL (Tone 11)
12º Avoid breaking the balance of Nature between the energy provided and
received and thus avoid diverting the service towards selfish ends...CHALLENGES in the
SPIRITUAL PLAN (Tone 12)
•13th and last, harmonize the entire process by keeping morale high and faith that
It is a construction project for those who carry it out...SOLUTIONS in the PLAN
SPIRITUAL (Tone 13).
 The 3 levels we have referred to are related to the processes that
we live as human beings and that we must dominate and overcome in our evolution
personal.

In this case, we start by learning to use our Physical Body from the moment we
we are born at the same time we develop the Mental Body and finally learn to control
our Emotional Body (everything we learn goes through the emotional)
reaching to recognize and be one with our divine part (Spirit/I Am).

Inside the triangle are written the behaviors that strengthen the relationship between
the bodies to which it points by harmonizing us internally, while externally
we find the behaviors that distance us from our inner self-improvement and that break
the relationships between those bodies they point to.

By controlling any of the three bodies, we can balance the others with the
appropriate behaviors and vice versa; what we could call integral health.

NAGUALES
The 13 Tones are associated with a constellation, which in Maya are 13, and each one is
represented by an animal, its nagual:

Tone Nagual Greek Constellation

Bat
Cáncer,Leo, Lince, Leo Menor e Hidra
(Tzootz)

Scorpion (Dzec) Virgo, Leo and Crater

Deer (Keh) Corma Berenice, Boyero, Virgo, Leo, Crow and Crater

Owl (Moan) Libra, Virgo, Hydra, Centaur, and Wolf

Scorpio, Libra, Serpent's Head, Hercules

Peacock (Kutz)
Crown and Boreal
Swan, Fox, Hercules, Arrow, Ophiuchus, Tail of
Lizard (Xibkay)
Serpent and Sagittarius

Mono (Batz) Capricorn and Sagittarius

Hawk (Coz) Capricorn, Aquarius, Pisces, and Pegasus

Jaguar (Balam) Aquarius, Pisces and Aries

Dog (Pek) Aries, Pisces, Perseus, and Andromeda

Snake (Kan) Aries and Taurus

Rabbit (Tzub) Orion and Taurus

 Turtle (Aak) Auriga, Taurus, Gemini, Can Minor

THE SACRED CALENDAR OF

SOL
In the center of the Mayan astronomical texts
there was concern about the 260-day cycle,
on your Sacred Calendar or Tzolkin.

The main argument to disqualify the

Mayan astrology was that 'this chain of days that
it repeats endlessly does not save
"correspondence with no celestial rhythm." Without
embargo, according to the latest observations, this cycle
it relates to the superposition of the fields
polar and equatorial magnetic fields of the Sun.

Because the Sun is made up of gas in continuous motion, it has

different rotational speeds at the poles than at the equator, such that
they synchronize exactly every 260 days:

Polar Magnetic Field

Equatorial Magnetic Field

But the knowledge of this cycle was only possible by using the information
latest astronomical data obtained from space travels and research
concomitants. So, how was it possible that the 'primitive' Mayans understood the
importance and existence of this cycle that can itself be used to calculate, to
to appear, the moment (for the Mayans) of the next solar magnetic inversion on the 21 of
December 2012?

FREQUENCY 13:20
 The Tzolk'in
is formed
for13 Tones
galactico
powers of
creation, and 20
frequencies
solar
encoded in
the 20 icons or
Solar Stamps.
It has a
fractal synchrony
with the galaxy
that goes beyond
of the laws
modern physics. The thirteen synchronizes it with the 13 Moons of the Lunar Calendar and the 20
with the months of the Haab Calendar.

The Tzolkin is also synchronized with our own body. The human body
It has a total of 13 main joints (2 ankles, 2 knees, 2 hips, 2 wrists, 2
elbows, 2 shoulders and the neck), and 20 fingers (5x2 hands and 5x2 feet) as an example
among others.

Thus we can consider the energy generated by the combination of 13x20 as the
DNA of our galaxy as shown in the Mayan Loom or harmonic module, the
representation of the Tzolkin as a loom of 13 columns and 20 rows.

Tzolk'in
 Dragon
Wind
Night
Seed
Snake
Linker
of Worlds

Hand
Star
Moon
Dog
Mono
Human
Walker
from Heaven

Wizard
Eagle
Warrior
Earth
Mirror
Torment
a
Sun
To see the features of the Kin you are interested in, click inside the table.
You can also see the Tzolkin in the order ofKines 1 to 260.

The circles mark the beginning of the Enchanted Waves, each with thirteen Tones,
in descending order and from left to right; that is the way to advance in this
calendar.

CORRESPONDENCES WITH HIM

I Ching
The I CHING seems to be an ancient relic in a coded language,
like the Tzolkin only that it dates back to a much earlier era.

However, even before the I CHING had left the hands

of the philologists and archaeologists, the philosophers and psychologists were
understanding that instead of being archaic, the I CHING is timeless and
that's why we use it today.

And besides its renewed popular use as an oracle, the non-temporality as

, the temporality of the I CHING has also been verified by correlations with the
genetic code (Schönberger, 1973), and in "The Earth Rising" (José Argüelles,
1984), with far-reaching mathematical and historical correspondences.

The human genetic code, DNA, recognizes 64 codons and 20 usable amino acids.

The I CHING, like the Tzolkin, is a system for revealing information regarding
a deeper or greater purpose. While the I CHING is synchronized with
In the exact manner with the genetic code, the Tzolkin is synchronized with the Code.
Galactic

What light is to life, that is the Tzolkin of 260 kines to the DNA of 64.
units
The Maya Factor (José Argüelles, 1975)

That is why it is included as a complement and core in the central part of the Tzolkin.
where the spirals of planetary DNA intersect, this way we can reorder the 64
hexagrams of the I CHING following the special order of the 8x8 magic square
designed by Ben Franklin.

These three systems: -the Tzolkin, the DNA, and the I CHING- are all models
memory producers, whose codes are defined by relationships of
simple numbers.

Hand
Star
Moon
Dog
Mono
Human
Walker
from Heaven

Wizard

To thoroughly understand the Tzolkin, read: 'The Maya Factor' (José Argüelles, 1975).

Tzolk'in
you

THE SACRED CALENDAR OF

SOL
At the center of Mayan astronomical texts was the concern with the cycle of
260 days, their Sacred Calendar or Tzolk'in.

The main argument against disqualifying Mayan astrology was that "this chain of
Days that repeat endlessly do not correspond to any rhythm.
celestial." However, according to recent observations, this cycle is related to the
superposition of the solar polar and equatorial magnetic fields.

Because the Sun is composed of gas in continuous motion, it has

different rotation speeds at the poles than at the equator, in such a way that
 they synchronize exactly every 260 days:

Polar Magnetic Field

Equatorial Magnetic Field

But the knowledge of this cycle was possible

only using the most recent astronomical information obtained from space travel and
in concomitant investigations. So, how was it possible that the 'primitives'
the Maya understood the importance and existence of this cycle that in itself can be
used to calculate, apparently, the moment (for the Maya) of the following inversion
solar magnetic on December 21, 2012?

FREQUENCY 13:20
The Tzolk'in
is formed
for13 Tones
galactico
powers of
creation, and 20
frequencies
solar
encoded in
the 20 icons or
Solar Stamps.
It has a
fractal synchronicity
with the galaxy
that goes beyond
of the laws
modern physics. The thirteen synchronizes it with the 13 Moons of the Lunar Calendar and the 20
with the vines of the Haab Calendar.

The Tzolkin is also synchronized with our own body. The human body
it has a total of 13 main joints (2 ankles, 2 knees, 2 hips, 2 wrists, 2
elbows, 2 shoulders and the neck), and 20 fingers (5x2 hands and 5x2 feet) as an example
among others.

Thus we can consider the energy generated by the combination of 13x20 as the
DNA of our galaxy as shown in the Mayan Loom or harmonic module,
representation of the Tzolkin as a loom of 13 columns and 20 rows.

Tzolk'in
 Dragon
Wind
Night
Seed
Snake
Linker
of Worlds

Hand
Star
Moon
Dog
Mono
Human
Walker
from Heaven

Wizard
Eagle
Warrior
Earth
Mirror
Torment
a
Sun
To see the features of the Kin that interests you, click inside the table.
You can also see the Tzolkin in the order ofKines 1 to 260.

The circles mark the beginning of the Enchanted Waves, each with thirteen Tones,
in descending order and from left to right; that is the way to progress in this
calendar.

CORRESPONDENCES WITH IT
I Ching
The I CHING seems to be an archaic relic in a coded language,
like the Tzolkin only that it dates from a much earlier era.

However, even before the I CHING had left the hands

of the philologists and archaeologists, the philosophers and psychologists were
understanding that instead of being archaic, the I CHING is timeless and
that's why we use it today.

And besides its renewed popular use as an oracle, the non-temporality as

also the temporality of the I CHING has been verified by correlations with the
genetic code (Schönberger, 1973), and in 'The Planet in Ascension' (José Argüelles,
1984), with far-reaching mathematical and historical correspondences.

The human genetic code, DNA, recognizes 64 codons and 20 usable amino acids.

The I CHING, like the Tzolkin, is a system for revealing information regarding
a deeper or greater purpose. While the I CHING is synchronized with
Exactly with the genetic code, the Tzolkin is synchronized with the Code.
Galactic

What light is to life, the same is the Tzolkin of 260 kines to the DNA of 64.
units
'The Maya Factor' (José Argüelles, 1975)

That is why it is included as a complement and core in the central part of the Tzolkin,
where the spirals of planetary DNA intersect, we can rearrange the 64
hexagrams of the I CHING following the special order of the 8x8 magic square
designed by Ben Franklin.

These three systems: -the Tzolkin, DNA, and the I CHING- are all models
memory producers, whose codes are defined by relationships of
simple numbers.

Hand
Star
Moon
Dog
Mono
Human
Walker
from Heaven

Magician

To fully understand the Tzolkin, read: 'The Maya Factor' (José Argüelles, 1975).