Alto Saxophone Sway

Michael Bublé parAdox

     
 
  
                              
 = 125 1. 2.

                   
                 
3 3 3

  
   
7

 

                              
    
A

     
12

    
                                
B

            
19

             
                            
C

        
26

              
                
    
D

     
33

                   
              
3 3

        

41

                                      

 
E


46

 
 
  
          
       
                  
F

   
51

   
3

                      
G H

        
59

© Nara Natyasaka
           

2

           
                  

73

   3

                     
        
      
      
I


78

 

         
   
              
              
J

   
84

                     

 
                 
  
  
90

 3

                      
     
         
K


95

 

                       
  
100

 

© Nara Natyasaka