Church Architecture
Church Architecture
CHURCH
clesiastical traditions in terms of
spatial organization and plan-
ning.
ARCHITECTURE
ANPHY ABRAHAM
S4 B. ARCH
IN KERALA
MODULE - 6
CONTENTS
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HISTORICAL SIGNIFICANCE SPATIAL ORGANIZATION OF CHURCHES OF
KERALA OF THE SIXTEENTH TO SEVENTENTH
According to traditional belief, apostle St. CENTURIES: -
Thomas had brought Christianity into Kerala
in the first century AD. The culture and soci- The spatial organization of the churches of
ety of Kerala had also provided an ena- sixteenth to seventeenth centuries also var-
bling environment for the growth of Christi- ied from that of the indigenous church. This
anity. These Christians came to be known was because of the additional space re-
as Thomas Christians and were treated all quirements that arose from the changes in
along on a footing of equality with the Hin- liturgy and ideologies of the Western
dus and assigned a very important place in Church. The indigenous churches had to in-
the economic and social life of the land. corporate the new spatial requirements.
This Christian community, by the beginning Thus, the new church demanded spaces
of the sixteenth century became a major such as,
force in the cultural and commercial scene
(a) Baptismal room
in Kerala.
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BACKGROUND: - The congregation of Christians revolting
against the Portuguese Padruado took the
The Christians of Kerala, converted by St. oath of non-submission while holding on to
Thomas, were under the Church of the East a rope that was tied to the cross, in order to
in Persia. In the early decades of the 16th accommodate everyone. The pressure on
century, the Portuguese tried to forcefully the cross bent it and gave it the name koo-
Latinise the Indian Christians. They wanted nan kurishu, loosely translated as the
to represent the Christians in India and re- crooked cross.
fused to recognize the Indian hierarchy. To-
wards this end, they started a Latin diocese
in Goa and another in Kochi in the 16th
century. Their continued attempts towards
Latinisation reached peak point with the is-
sue of the Synod of Diamper in 1599. Follow-
ing this, the Portuguese started to impose
Latinisation in the services and liturgies of
the Christians here.
ARCHITECTURAL CHARACTERSTICS: -
THE OATH: -
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Although it has been profoundly trans- The three bodies of the façade are sepa-
formed, the age of construction can be rated by double columns, which follow the
verified through the chancel which has Mannerist style in vogue in the second half
thick Tuscan columns that go back to the of the 16th century.
original 16th century building. The main en-
trance which shows signs of being standard A small exterior staircase leading to the bell
Manueline styles from the first decade of tower adjoins the main façade, which was
the 16th century is also from this time. a continuation of very old solution that is
found in the churches of Vypeen and Nara-
kal.
ROOFING: -
INTERIOR: -
EXTERIOR: -
The interior is splendid and has numerous
The façade has three stories separated by drawings as well as sculptures dating years
wide friezes. The central body is higher than back. Our lady of life, crucified Jesus, kind
lateral ones, the frontispiece separated by heart of Jesus, Holy family, St. Antony of
wide friezes being flanked by back curved Paduva, St. Sebastian and infant Jesus are
wing panels and topped by a cross. some of the structures displayed. The sanc-
tum sanctorum is located in the centre and
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is raised above the nave. The credence ta-
ble is located amidst sculptures of the cru-
cifix, the Holy Family, St. Thomas, Our Lady
of Life and infant Jesus. The altar is ornate
with carvings of fruits, flowers and leaves.
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o Interior decorated with several paint-
ings and sculptures.
o ‘Madbaha’ raised above the nave.
o The altar is ornate with carvings of fruits,
flowers and leaves.
o Free-standing belfry at the southern
side of the church.
HISTORY: -
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With an objective to spread Christianity mis- EXTERIOR: -
sionaries who accompanied Portuguese
explorers arrived in Kochi. They provided o The façade of the church is divided into
help and even looked into the complaints three by wide friezes, horizontally and
of the Christians who lived here. Soon they vertically by semi-circular columns.
constructed churches along the coastal o The columns of each stories are of dif-
area and Church Our Lady of Good Hope ferent patterned shaft.
was one among them. This church came
into being in 1605 under the leadership of
the Bishop of Kochi Dom Andrea de Santa
Maria. It was rewarded the rank of a Parish
and was named as the ‘Nossa Senhora De
Esperanca’ which means Our Lady of
Hope. Further restorations for the church
was carried out and the fourth centenary
was completed in 2005.
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INTERIORS: - o There is an engraved picture of the Last
Supper on side and on the other you
o The interiors look splendid and has nu- can see the carved image of the risen
merous pictures as well sculptures da- Christ.
ting years back.
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on his third visit to India. His body was origi-
nally buried in this church, but after four-
teen years his remains were removed to Lis-
bon.
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ARCHITECTURAL CHARACTERSTICS: - The church has a clock on its third level this
is the only church among the three that has
Façade is one of the greatest combinations a clock on the facade.
of the Portuguese in church architecture
the otherwise simple rectangular building EXTERIOR: -
with gabled roof of tiles in Kerala style looks
imposing with this façade. this is called the o The church was originally a wooden
structure dedicated to St. Bartholomew
‘’ Malabar facades ‘’ as this façade is
within the fort built in 1503 by the Dutch.
found only in the Malabar area the façade Later it was reconstructed in stone ma-
is divided into 4 levels by entablature run- sonry
ning horizontally across the façade. o It is a gable towards the west with
arched windows and porches, columns
and pinnacles of very ancient style.
o The exterior is not marked by flamboy-
ant decorations.
o Buttresses almost six feet tall, square at
the base, support the walls which ap-
pear to be at least four feet thick.
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INTERIOR: -
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ANALYSIS
o The interiors have two stepped pinnacles
crowning the top of the chancel roof. The
entire experience is the epitome of old Some of the characteristics of the churches
school charm: from the pulpit made of of sixteenth and seventeenth centuries in-
wood decorated to the confessional to the clude: -
baptism platform. o The churches followed a style which is a
mixture of indigenous church architec-
ture that prevailed in that region and
western styles introduced by the Portu-
COMPARITIVE STUDY
guese.
o Most of the churches followed rectan-
The three churches have a lot of similarities
gular plan with a simple nave and no
as well as their own different characteris-
tics. As these churches where constructed lateral galleries.
during 16th and 17th centuries, they show in- o Churches had an imposing front fa-
fluences from both the indigenous church çade ornamented with various ele-
architecture that prevailed in the region as ments like: - Pilasters, Volutes, Pinnacles,
well as western ecclesiastical traditions. Friezes etc.
o The interior is with relatively less orna-
mentation and nave is separated from
altar by an arch opening.
o Arched doors and windows were an im-
portant part of these churches.
o The focus of these churches was the Al-
tar/ ‘Madbaha’, and it usually had a
higher roof than the rest of the spaces.
o The churches also had bell towers either
attached to the church or as a free-
standing structure.
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