New Study Guide - Merged
New Study Guide - Merged
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Summary of the Play
Act 1
Scene 1
1. Setting
Mr. M is moderating an interschool debate between Thami (Zolile High) and Isabel
(Camdeboo Girls High).
2. Debate Highlights
Thami supports traditional African views, arguing that men and women have different roles.
Isabel argues for gender equality, stating that times have changed and women can do the
same jobs as men.
Isabel counters with logical arguments, emphasizing progress and modern realities.
3. Post-Debate Discussion
Mr. M praises both students and commends the audience for thinking critically.
Isabel is impressed by Mr. M, while Thami has mixed feelings about him.
4. Personal Conversations
Isabel and Thami share details about their families and backgrounds.
Isabel comes from a middle-class white South African family; her father owns a pharmacy.
Thami’s parents work in Cape Town, and he stays with his grandmother and sister.
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Isabel is ambitious and wants to study journalism at Rhodes University.
Thami is uncertain about his future and has lost enthusiasm for school.
Thami reacts sharply, saying Mr. M does not understand him and tries to control his life.
The scene ends with Isabel preparing to write an article about the debate.
Scene 2
1. Setting
Reflective mood after her first visit to Brakwater for a school debate.
2. Introduction to Brakwater
A poor township on the edge of town, known for its bad appearance.
3. Harsh Conditions
Visiting her maid Auntie there made her feel grateful for her privilege.
4. Debate Invitation
5. First Impressions
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Isabel feels out of place, stared at by students who see her as an equal, not someone to
admire.
6. Turning Point
7. Realization
She realizes her white life is only a small part of the bigger picture.
8. Conclusion
Isabel wants more than a safe, limited life—she wants truth, challenge, and connection.
Scene 3
Mr. M arrives, apologizing for his sudden appearance, and explains he was searching for
Isabel.
Isabel addresses Mr. M respectfully as "Mr. M," despite her earlier familiarity with him.
Mr. M appreciates Isabel’s charm and her impact during her visit to Zolile.
Mr. M suggests Isabel and Thami form a combined team for the Grahamstown Schools
Festival English literature quiz.
Mr. M warns Isabel that the team will require dedication and effort, as he will be a strict
coach.
He emphasizes that hard work will be necessary, and Isabel will need to give up some free
time.
Isabel reflects on her initial discomfort during her first visit to Zolile, explaining how she
thought people would be polite and grateful but was wrong.
Over time, she grew comfortable and developed a sense of camaraderie with Thami and his
friends.
Mr. M shares his frustration with the country’s systemic issues and his desire to offer
opportunities to students like Thami.
He expresses his belief in Thami’s leadership potential and his aspiration to help him secure
a university scholarship.
Isabel and Mr. M express excitement about the upcoming competition and the possibility of
winning the prize money, which will be split between the two schools.
They are both motivated by the impact the competition could have on Thami’s future.
Isabel and Mr. M plan to start preparing for the competition the following week, agreeing to
strategize and work hard for success.
Scene 4
Mr. M jokes about not being able to forget his problems while seeking knowledge, unlike the
ideal way Confucius describes.
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He shares a quote from Confucius about learning and knowledge.
Mr. M talks about Confucius' idea of following one’s heart without doing wrong.
He says it’s hard to live like that in the real world, where he constantly faces problems.
He wishes he could have the peaceful heart that Confucius describes but admits his own
heart is filled with struggles.
Mr. M describes his heart as chaotic, full of emotions like hope, anger, and despair.
He talks about how hard it is to keep hope alive, especially when so many people are
suffering.
"Hope" feels like a dangerous force inside him that constantly needs to be fed.
Mr. M admits that teaching is his way of keeping hope alive by helping young students.
He compares himself to Nero, who used to feed people to lions, saying he "feeds" his hope
with students.
He warns that when he looks at his students, it’s because he’s trying to keep his hope alive.
Mr. M talks about his small living space, staying in a tiny room at the Reverend Mbopa’s
house.
He says his life is mostly spent in two small spaces: the classroom and his room.
Even though his living situation is small, it meets his basic needs.
Mr. M ends by stressing that time is running out, and history moves quickly.
He warns that if things don’t change, the country may be remembered as one where
everyone came too late to make a difference.
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Scene 5
She admits to being a bad loser and asks Mr. M for advice on handling defeat.
He admits that he also struggles with losing and can be petty when not winning.
Isabel praises Thami as a good loser who handles defeat with grace.
Mr. M expresses worry about trouble brewing in the community, asking Isabel if Thami has
confided in her.
5. Friendly Competition
Thami joins after his game, staying positive despite the loss.
The group engages in a playful trivia game, teasing each other while discussing poetry.
o Thami reminisces about a childhood book showing slaves building the pyramids,
making a connection to power dynamics.
o Thami speaks passionately about the current state of South Africa, expressing that
the country is full of figures like Ozymandias, waiting to be toppled.
o Thami asserts that anyone can be part of the movement for freedom, but Mr. M
questions whether destroying statues is the right approach.
o Thami disagrees, seeing such acts as symbolic of old-fashioned ideas that haven’t
brought progress.
o Thami criticizes Mr. M for being out of touch with the current struggles and feeling
that the old methods of activism are ineffective.
o Isabel tries to understand Thami’s position and urges him to discuss his frustrations
with Mr. M directly.
o Isabel invites Mr. M and Thami to tea with her family, sharing their interest in meeting
Thami.
o Isabel notices growing tension between Thami and Mr. M, especially Thami’s critical
attitude toward his teacher.
o Thami expresses that his struggles with Mr. M are more than personal—they
represent larger political issues.
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14. Isabel’s Plea for Communication
o Isabel urges Thami to make the first move to resolve the tension with Mr. M.
o Thami rejects her advice, stating he doesn’t need Mr. M or anyone else to
understand him.
She leaves, feeling the growing distance between them, but reminds Thami of the value of
open communication.
Scene 6
He proudly sang school songs and was always early at the gates.
2. Early Ambitions
He realizes that the real suffering of black people is not just physical but social and political.
He believes that freedom (“Inkululeko”) is the true cure his people need.
The classroom, once a safe and promising space, now feels dangerous and deceptive.
Thami is disturbed by the word “future” because he sees no real hope for black people
under apartheid.
He finds Oom Dawie’s message hypocritical and out of touch with reality.
He sees how black parents are humiliated daily despite working hard.
He refuses to learn the “approved” history and instead values true events like:
o Kliptown (1955)
o Sharpeville (1960)
True education now comes from the streets, homes, and community gatherings.
9. Call to Action
Ends the scene with a strong cry for resistance: “AMANDLA!” (Power to the people)
Act 2
Scene1
Isabel asks if she is changing, referencing recent uncomfortable experiences and fights with
her father.
Mr. M was not included in the meeting—his ideas are seen as outdated.
Thami states that students won’t return until Bantu Education is abolished and student
committees are recognized.
He explains that being seen with her could be dangerous; even Isabel’s maid could mention
his visit.
He says the Comrades are enforcing minimal contact with white people.
Isabel criticizes the so-called “freedom” that involves controlling personal friendships.
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Thami insists the discipline is necessary for the struggle.
5. Mr. M Enters
Mr. M hears the end of their conversation and presses Thami to explain his stance on
freedom.
Mr. M challenges Thami, claiming he helped free his mind with education, especially
through language and words.
Mr. M praises the power of words and urges Thami to use them to lead and educate others.
Mr. M says he’s been instructed to create a list of students participating in the boycott.
He warns Thami that being on the list could have long-term consequences.
Mr. M refuses to answer, and Thami retorts that Mr. M shouldn’t question his choices either.
Thami defends himself and warns Mr. M about what others are saying—calling him a sellout
and a government collaborator.
Scene 2
Mr. M is alone on stage, overwhelmed with quiet disbelief and emotional shock.
He feels like he's trapped in a nightmare—unable to reach the school due to chaos in the
township.
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2. Chaos in the Streets
He sees buses overturned, bread vans looted, buildings burning, and children dancing with
matchboxes shouting:
“Tshisa! Qhumisa!” (Burn it! Explode it!)
On a street corner, he meets Sipho Fondini, a young learner writing on the wall:
“Liberation First, then Education.”
Sipho asks if the spelling is correct, showing how serious and sincere the children are.
Mr. M is deeply hurt—the slogan goes against his core belief in education as the first step to
freedom.
Mr. M tries to convince himself it’s not real—wishing it was a dream he could wake up from.
Tear gas explodes. Mr. M starts choking and coughing, clinging to a lamppost—realizing
this is not a dream.
The scene ends with Mr. M desperately pleading with himself to act:
“Do something Anela. Stop the madness!”
Scene 3
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1. Mr. M Alone in the Classroom
Asks “Living or dead?” after each name, revealing the danger outside.
3. Thami Enters
Thami tells Mr. M to stop ringing the bell, warning that the Comrades are angered by it.
Mr. M accuses Thami and the youth of replacing learning with violence.
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Thami urges him to join the boycott and deny the accusations.
Mr. M confesses:
Speaks of Africa's beauty and the vision that once inspired him.
Offers to lie and say Mr. M is innocent — for the sake of the Struggle.
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Rejects hiding behind Thami’s protection.
Scene 4
Thami has asked Isabel to meet because he is leaving town for good.
Isabel is upset and reluctant, still emotionally wounded by Mr. M’s death and recent events.
She is angry at Thami and the township community, feeling betrayed and confused.
She reads a newspaper clipping describing the incident, showing how deeply it haunts her.
She expresses disbelief that anyone could harm such a kind and dedicated teacher.
She tried to enter the township after the murder but was stopped by police.
Thami tells Isabel Mr. M went to the police and gave names of student activists.
Mr. M believed it was his duty, as he disagreed with the violent protests.
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4. Debate on Morality and Justice
Isabel calls the killing “murder,” but Thami argues it was “self-defense” by the people.
Thami explains the historical and political context: black people had no legal justice system to rely
on.
He compares Mr. M’s actions to treason and highlights how apartheid laws pushed people to
desperation.
He challenges Isabel to understand the anger and betrayal felt by the community.
Isabel, desperate and emotional, asks Thami if he was part of the mob.
Thami understands her pain and doesn’t get angry. He admits he was there and tried to stop it.
Both express regret for not showing Mr. M how much they truly valued and loved him.
Isabel feels she is losing Mr. M’s memory and has nowhere to go to mourn him.
She shares how the police told her there wasn’t enough of his body left for a grave.
Thami tells her about the Wapadsberg Pass, a special place Mr. M loved and where she can go to
feel close to him.
The scene ends with a heartfelt farewell in both English and Xhosa:
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Scene 5
4. The Promise
Vows not to waste her life, honoring Mr. M’s teachings.
Pledges to make her life useful, just as his was.
Wants him to be proud of her, calling herself "one of your children."
Character Analyses
Isabel Dyson
• She comes from a privileged and comfortable family; her father owns the local chemist.
• She views herself as a rebel within her family due to her beliefs.
• She aspires to study journalism at university and has a passion for writing.
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• She presents herself as energetic, lively, and vivacious.
• Her debate with Thami opens her eyes to the experiences of Black people. • She tends to talk
excessively.
Thami Mbikwana
• He is very intelligent.
• His mother is a domestic worker and his father works in the railways.
• He is one of the young people who lost patience and is looking for change.
• He is a political activist.
• He loved Mr M.
Mr M
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• He is a teacher who cannot allow his authority to be threatened.
• He follows the traditional way of teaching where the teacher teaches and the
• He is a dedicated teacher.
• He is labeled as a sell-out.
Use of Language
1. Simile – A comparison using "like" or "as."
2. Metaphor – A direct comparison without "like" or "as."
3. Hyperbole – Intentional exaggeration for emphasis.
4. Irony – A contrast between expectation and reality (verbal, situational, or dramatic).
5. Imagery – Vivid language appealing to the senses.
6. Personification – Giving human traits to non-human things.
7. Allusion – A reference to a well-known person, event, or work.
8. Rhetorical Question – A question asked for effect, not an answer.
9. Symbolism – An object or idea representing a deeper meaning.
10. Paradox – A seemingly contradictory statement that reveals truth.
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Act 1, Irony Thami’s exaggerated traditionalist stance in Situational irony
Scene 1 the debate, which he doesn’t truly believe.
Act 1, Imagery "The miserable little classroom, myself, my Vivid description
Scene 2 voice, what I was saying and them hearing
and understanding me..."
Act 1, Metaphor "The location is quite an eyesore by Implied comparison
Scene 2 comparison."
Act 1, Personification "The clocks are ticking my friends. History Giving human traits
Scene 3 has got a strict timetable." to abstract concepts
Act 1, Allusion "I am a Confucian. A black Confucian!" Reference to a
Scene 4 historical figure
Act 1, Metaphor "I’ve got a whole zoo in here, a mad zoo of Implied comparison
Scene 4 hungry animals... and the keeper is
frightened!"
Act 1, Simile "I felt so stupid. I kept saying to myself... Comparison using
Scene 5 like walking on a tightrope." "like"
Act 1, Metaphor "The classroom is a political reality in my Implied comparison
Scene 6 life—it’s a part of the whole political system
we’re up against."
Act 1, Rhetorical "Do you understand me, good people?" Question not
Scene 6 Question expecting an answer
Act 2, Irony "This fucking country!" (Isabel’s outburst Verbal irony
Scene 1 contrasts with her earlier optimism.)
Act 2, Imagery "Overturned buses, looted bread vans, the Vivid description
Scene 2 government offices... everything burning..."
Act 2, Metaphor "My lessons were meant to help you in this Implied comparison
Scene 3 world... Now? Useless, useless, useless!"
Act 2, Symbolism The school bell represents education and Symbolic object
Scene 3 order, now shattered.
Act 2, Hyperbole "There is nothing in this world... that I want Exaggeration
Scene 4 to see less than anything or anybody from
the location."
Act 2, Paradox "Blind and stupid but still self-defense." Contradictory
Scene 4 statement
Act 2, Metaphor "The future is still ours, Mr. M." Implied comparison
Scene 5
Themes
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1. Education as Both Hope and Oppression
The play explores how education can be a tool for liberation and a weapon of control. Mr. M
passionately believes in education's power to uplift Black South Africans, while Thami sees the
school system as part of apartheid's machinery designed to keep them oppressed.
8. Violence as Resistance
The play wrestles with difficult questions about when and if violence can be justified in fighting
oppression, showing both its destructive power and its perceived necessity.
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9. Identity Under Oppression
Characters struggle with questions of identity - what it means to be Black under apartheid, how to
maintain cultural pride within an oppressive system, and how to reconcile different aspects of
oneself?
Revision Questions
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Act 1, Scene 5 (Poetry Quiz)
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Act 2, Scene 4 (Isabel & Thami’s Goodbye)
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Exam Questions
EXTRACT A
1.1
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1.1.1 Choose a description from COLUMN B that matches the name in
COLUMN A. Write only the letter (A–E) next to the question
numbers (1.1.1(a) to 1.1.1(d)) in the ANSWER BOOK.
COLUMN A COLUMN B
(a) Isabel Dyson A Zolile High Grade 12 learner
(4 x 1) (4)
1.1.2 Explain why Isabel refers to Thomas Hardy and Jane Austen in
line 3. (2)
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1.2 EXTRACT B
1.2.1 Describe the time and place where this extract is set. (2)
(b) Explain why this figure of speech is relevant in this extract. (2)
1.2.3 Refer to lines 7–8 ('My beautiful and … glass and stones').
(b) If you were the director of this play, what would you tell Thami
to do when saying these lines?
TOTAL SECTION B: 35
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2.1 EXTRACT C
ISABEL: Oh come off it. Thami. Don’t be like that. They're always nervous
when it comes to me. But this time it happens to be genuine
interest. I've told you. I talk about you at home. They know
I have a good time with you … that we're a team … which they
are now very proud of incidentally … and that we're cramming 5
like lunatics so that we can put up a good show at the festival.
Is it so strange that they want to meet you after all that? Honestly,
sometimes dealing with the two of you is like walking on a tight-
rope. I'm always scared I'm going to put a foot wrong and … well,
I just hate being scared like that. [A few seconds of truculent 10
silence between the two of them] What's going on, Thami?
Between you two? There's something very wrong, isn't there?
No more than usual.
THAMI: No you don't. A hell of a lot more than usual and don't deny it
ISABEL: because it's getting to be pretty obvious. I mean, I know he gets 15
on your nerves. I knew that the first day we met. But it's more than
that now. These past couple of meetings I've caught you looking
at him, watching him in a … I don't know … in a sort of hard
way. Very critical. Not just once, many times.
[Act 1 Scene 5]
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COLUMN A COLUMN B
(a) Miss Dyson A teacher in Number Two classroom
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2.1.2 Describe the setting of this extract. (2)
(b) Explain why the figure of speech is relevant in this extract. (2)
2.1.7 The expectations Isabel and her teammates have when they go to
Zolile High are valid.
2.2 EXTRACT D
[Isabel and Thami talk about the end of the literary quiz.]
ISABEL: Good luck. I don't envy you that little conversation. If I'm finding the
news a bit hard to digest, I don't know what he is going to do with
it. I've just got to accept it. I doubt very much if he will.
THAMI: He's got no choice, Isabel. I've decided and that's the end of it.
ISABEL: So do you think we can at least talk about it? Help me to 5
understand? Because to be absolutely honest with you, Thami,
I don't think I do. You're not the only one with a problem. I've also
got a big one. What Mr M had to say about the team and the whole
idea made a hell of a lot of sense to me. You owe it to me, Thami.
A lot more than just my spare time is involved. 10
THAMI: Talk about what? Don't you know what is going on?
ISABEL: Don't be stupid, Thami! Of course I do! You'd have to be pretty
dumb not to know that the dreaded 'unrest' has finally reached us
as well.
THAMI: We don't call it that. Our word for it is Isiqalo … The Beginning. 15
ISABEL: All right then, The Beginning. I don't care what it's called. All I'm
asking you to do is explain to me how the two of us learning some
poetry, cramming in potted bios … interferes with all of that.
[Act 2 Scene 1]
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2.2.1 Explain why Thami must have the 'little conversation' with Mr M to
which Isabel refers in line 1. (2)
(b) Why would Thami use this tone in this line? (1)
2.2.3 If you were the director of this play, what would you tell Isabel to do
when saying, 'You owe it … time is involved' (lines 9–10)?
2.2.4 Choose the correct answer to complete the following sentence. Write
only the letter (A–D) next to the question number (4.2.4) in the
ANSWER BOOK.
When Thami speaks about 'The Beginning' (line 15), he means the
beginning of the …
(b) What does Isabel mean when she refers to 'potted bios'
(line 18)? (1)
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2.2.7 Refer to the drama as a whole.
TOTAL SECTION B: 35
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