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Pike

The document features a collection of poems by Ted Hughes, Sylvia Plath, and Stevie Smith, exploring themes of nature, death, and personal struggle. Hughes' 'Pike' delves into the predatory nature of pike fish, while Plath's 'Daddy' confronts complex emotions surrounding her father and identity. Smith's 'Not Waving, But Drowning' poignantly captures the feeling of being misunderstood and isolated in one's struggles.

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0% found this document useful (0 votes)
61 views6 pages

Pike

The document features a collection of poems by Ted Hughes, Sylvia Plath, and Stevie Smith, exploring themes of nature, death, and personal struggle. Hughes' 'Pike' delves into the predatory nature of pike fish, while Plath's 'Daddy' confronts complex emotions surrounding her father and identity. Smith's 'Not Waving, But Drowning' poignantly captures the feeling of being misunderstood and isolated in one's struggles.

Uploaded by

changgao405
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

Pike by Ted Hughes

Pike, three inches long, perfect


Pike in all parts, green tigering the gold.
Killers from the egg: the malevolent aged grin.
They dance on the surface among the flies.

Or move, stunned by their own grandeur,


Over a bed of emerald, silhouette
Of submarine delicacy and horror.
A hundred feet long in their world.

In ponds, under the heat-struck lily pads-


Gloom of their stillness:
Logged on last year’s black leaves, watching upwards.
Or hung in an amber cavern of weeds

The jaws’ hooked clamp and fangs


Not to be changed at this date:
A life subdued to its instrument;
The gills kneading quietly, and the pectorals.

Three we kept behind glass,


Jungled in weed: three inches, four,
And four and a half: fed fry to them-
Suddenly there were two. Finally one

With a sag belly and the grin it was born with.


And indeed they spare nobody.
Two, six pounds each, over two feet long
High and dry and dead in the willow-herb-

One jammed past its gills down the other’s gullet:


The outside eye stared: as a vice locks-
The same iron in this eye
Though its film shrank in death.

A pond I fished, fifty yards across,


Whose lilies and muscular tench
Had outlasted every visible stone
Of the monastery that planted them-

Stilled legendary depth:


It was as deep as England. It held
Pike too immense to stir, so immense and old
That past nightfall I dared not cast

But silently cast and fished


With the hair frozen on my head
For what might move, for what eye might move.
The still splashes on the dark pond,

Owls hushing the floating woods


Frail on my ear against the dream
Darkness beneath night’s darkness had freed,
That rose slowly toward me, watching.

Wind

This house has been far out at sea all night,


The woods crashing through darkness, the booming hills,
Winds stampeding the fields under the window
Floundering black astride and blinding wet

Till day rose; then under an orange sky


The hills had new places, and wind wielded
Blade-light, luminous black and emerald,
Flexing like the lens of a mad eye.

At noon I scaled along the house-side as far as


The coal-house door. Once I looked up -
Through the brunt wind that dented the balls of my eyes
The tent of the hills drummed and strained its guyrope,

The fields quivering, the skyline a grimace,


At any second to bang and vanish with a flap;
The wind flung a magpie away and a black-
Back gull bent like an iron bar slowly. The house

Rang like some fine green goblet in the note


That any second would shatter it. Now deep
In chairs, in front of the great fire, we grip
Our hearts and cannot entertain book, thought,

Or each other. We watch the fire blazing,


And feel the roots of the house move, but sit on,
Seeing the window tremble to come in,
Hearing the stones cry out under the horizons.
Sylvia Plath
Winter Trees
The wet dawn inks are doing their blue dissolve.
On their blotter of fog the trees
Seem a botanical drawing.
Memories growing, ring on ring,
A series of weddings.

Knowing neither abortions nor bitchery,


Truer than women,
They seed so effortlessly!
Tasting the winds, that are footless,
Waist-deep in history.

Full of wings, otherworldliness.


In this, they are Ledas.
O mother of leaves and sweetness
Who are these pietas?
The shadows of ringdoves chanting, but chasing nothing.

Daddy
You do not do, you do not do
Any more, black shoe
In which I have lived like a foot
For thirty years, poor and white,
Barely daring to breathe or Achoo.

Daddy, I have had to kill you.


You died before I had time——
Marble-heavy, a bag full of God,
Ghastly statue with one gray toe
Big as a Frisco seal

And a head in the freakish Atlantic


Where it pours bean green over blue
In the waters off beautiful Nauset.
I used to pray to recover you.
Ach, du.

In the German tongue, in the Polish town


Scraped flat by the roller
Of wars, wars, wars.
But the name of the town is common.
My Polack friend

Says there are a dozen or two.


So I never could tell where you
Put your foot, your root,
I never could talk to you.
The tongue stuck in my jaw.

It stuck in a barb wire snare.


Ich, ich, ich, ich,
I could hardly speak.
I thought every German was you.
And the language obscene

An engine, an engine
Chuffing me off like a Jew.
A Jew to Dachau, Auschwitz, Belsen.
I began to talk like a Jew.
I think I may well be a Jew.

The snows of the Tyrol, the clear beer of Vienna


Are not very pure or true.
With my gipsy ancestress and my weird luck
And my Taroc pack and my Taroc pack
I may be a bit of a Jew.

I have always been scared of you,


With your Luftwaffe, your gobbledygoo.
And your neat mustache
And your Aryan eye, bright blue.
Panzer-man, panzer-man, O You——

Not God but a swastika


So black no sky could squeak through.
Every woman adores a Fascist,
The boot in the face, the brute
Brute heart of a brute like you.

You stand at the blackboard, daddy,


In the picture I have of you,
A cleft in your chin instead of your foot
But no less a devil for that, no not
Any less the black man who

Bit my pretty red heart in two.


I was ten when they buried you.
At twenty I tried to die
And get back, back, back to you.
I thought even the bones would do.

But they pulled me out of the sack,


And they stuck me together with glue.
And then I knew what to do.
I made a model of you,
A man in black with a Meinkampf look

And a love of the rack and the screw.


And I said I do, I do.
So daddy, I’m finally through.
The black telephone’s off at the root,
The voices just can’t worm through.

If I’ve killed one man, I’ve killed two——


The vampire who said he was you
And drank my blood for a year,
Seven years, if you want to know.
Daddy, you can lie back now.

There’s a stake in your fat black heart


And the villagers never liked you.
They are dancing and stamping on you.
They always knew it was you.
Daddy, daddy, you bastard, I’m through.

Stevie Smith

Not Waving, But Drowning

Nobody heard him, the dead man,


But still he lay moaning:
I was much further out than you thought
And not waving but drowning.

Poor chap, he always loved larking


And now he's dead
It must have been too cold for him his heart gave way,
They said.

Oh, no no no, it was too cold always


(Still the dead one lay moaning)
I was much too far out all my life
And not waving but drowning.

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