Slide 1 – Title Slide
The Mahabharata: An Introduction from a Literary Perspective
– What is the Mahabharata?
Epic poem of ancient India
Attributed to sage Vyasa
World’s longest epic (approx. 100,000 shlokas / 200,000 lines of verse)
Slide 3 – Historical Context
Composition: c. 400 BCE – 400 CE
Oral tradition → written text
Blend of mythology, history, and philosophy
Slide 4 – Literary Significance
Compared to Homer’s Iliad & Odyssey
Encyclopedic in scope: narrative, philosophy, ethics, politics, and law
Called “Itihasa” (history + legend)
Slide 5 – Structure of the Epic
18 Parvas (Books)
Central narrative: Kurukshetra War
Embedded stories: fables, myths, philosophical discourses
Slide 6 – Key Characters
Pandavas vs Kauravas
Krishna as guide & strategist
Draupadi, Bhishma, Drona, Karna, Gandhari, etc.
Slide 7 – Themes
Dharma (duty, righteousness)
Karma (action & consequence)
Fate vs Free will
Morality in war
Family, loyalty, and betrayal
Slide 8 – The Bhagavad Gita
Located in Bhishma Parva (Book 6)
Dialogue between Krishna & Arjuna
Philosophical essence of Hindu thought
Explores action, devotion, and knowledge
Slide 9 – Narrative Techniques
Frame stories (stories within stories)
Dialogues and debates
Symbolism and allegory
Poetry in epic meter (shloka)
Slide 10 – Comparative Literature
Similarities with Greek epics (Iliad, Odyssey)
Family feud like Shakespearean tragedy
Universal archetypes: heroism, betrayal, destiny
Slide 11 – Character Complexity
No absolute heroes or villains
Karna: tragic hero
Duryodhana: flawed antagonist
Draupadi: voice of resistance
Slide 12 – Women in the Mahabharata
Draupadi, Gandhari, Kunti, Subhadra
Gender, power, and fate
Questions of female agency
Slide 13 – Philosophical Dimensions
Dharma vs Adharma
Ethical dilemmas
Search for truth (satya)
Slide 14 – Didactic Purpose
Instructional as well as narrative
Guide to life, kingship, and society
“What is found here may be found elsewhere, but what is not found here is nowhere
else”
Slide 15 – The Mahabharata and Law
Sources of Dharmaśāstra (law & morality)
Political theory (Arthashastra parallels)
Justice, punishment, and order
Slide 16 – Reception & Influence
Revered across South Asia
Influenced poetry, drama, dance, and art
Adapted in modern literature and film
Slide 17 – English Translations
K.M. Ganguli (first full English translation)
C. Rajagopalachari (abridged retelling)
Modern scholarly translations (e.g., J.A.B. van Buitenen)
Slide 18 – Modern Adaptations
Peter Brook’s stage/play (1989)
Television serials (Doordarshan, B.R. Chopra)
Contemporary novels (e.g., Chitra Banerjee Divakaruni’s The Palace of Illusions)
Slide 19 – Why Study the Mahabharata in Literature?
Universal human dilemmas
Rich literary artistry
Bridge between myth, history, and philosophy
Continuing cultural relevance
Slide 20 – Conclusion
The Mahabharata is not just an epic—it is a mirror of human existence
Combines literature, philosophy, and morality
Continues to inspire readers, writers, and thinkers across the world