The Vegetable Stone
The Vegetable Stone
Before delving into the subject, we would like to first put an end to a
legend that lingers in certain 'schools of alchemy' - if such a school exists
that alchemy may exist - and against which so many sincere researchers have fought
hitting, spending, in vain, time and money. We want to allude to the
Plant Pierre that some philosophers have mentioned in their writings and which has been
awarded in honor by Brother Albertus, contemporary alchemist. It is
currently "the school of philosophers of nature" that has taken up the torch
of this research on vegetable stone, the question is often
perceived by students as the necessary first door to cross,
before going further into alchemy. Such was, at least, the discourse of
one of its members that we knew.
First of all, we owe the reader an explanation regarding the nature of this
Pierre. According to Albertus, it could be capable of releasing the quintessence of a
simple from a simple infusion in which it would have been immersed. The
quintessence, thus liberated, it would be enough to collect it at the surface of the bath
of infusion, and to absorb it in order to benefit from its medicinal properties.
The one who possesses a little common sense has understood where the foundation lies
this stone! The plant stone is actually just an agglomerate of plant ash
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PH. VAYSAL FROM VEGETABLE STONE 2
To close this thorny question, let us cite Basil Valentine, who attests to the
illusory character of vegetable stone. The term vegetable is only a
fallacious interpretation of an expression taken literally:
Note that if there were with our Pierre, as with another herb, it would be
easily burned and thus nothing would remain, except for a certain salt. And although this
those who were before me had written of several vegetative stones, nevertheless know,
my friend, how easy this will be for you, of difficult conception. Indeed,
our stone vegetates and grows, for this reason, they called it vegetal.
(1)
Note:
(1) From the Great Stone of the ancient sages of Brother Basile Valentin of the Order of
Saint Benedict. In the twelve keys of Philosophy. Basil Valentine. Midnight Editions.
Mercury poisoning
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PH. VAYSAL FROM VEGETABLE STONE 3
This metal was used for a long time as the main anti-treatment.
syphilitic before being dethroned by penicillin. It was already recommended,
in this statement, by Basile Valentin who speaks of this venereal disease
as the 'disease of the French.' It was introduced to Europe after the
discovery of America and disseminated on the old continent through wars
fratricides that were rampant at that time. Nowadays, mercury has retained only a
external indication, namely as an antiseptic, the most popular of which is
known as mercurochrome*. Only red mercuric sulfide or
Cinnabar, an allotrope of black sulfur, is still used in small doses.
considerable (fourth decimal(1)) internally, in medicine
homeopathic. It is marketed in the form of a complex, in the
treatment of rhinitis. Metallic mercury is only very weakly absorbed
through the digestive tract at less than 0.01%. It is eliminated through urine,
mainly, but also through feces, sweating, and hair. The half-
the life of this metal in the body varies from a few days to several years,
for certain tissues like the brain or the kidney.
For mercury, toxicity increases in the following way: This explains that the
mercury sulfide, which is a reduced form of the metal, is less toxic
that mercury chloride or corrosive sublimate whose poisoning can be
deadly, even in low doses.
The fact that mercury in its reduced form is relatively non-toxic does not
no justification from unconscious alchemists for the intake of sulfur compounds
from mercury in low doses, certainly, but certainly already dangerous for the
Health. Dragon's blood, from the work of Caro, warns us, it can
take on all its toxicity beyond a certain cumulative dose. Furthermore,
the toxicity of mercury is joined by that, more direct, of caustic soda which can
to be the cause of an esophagogastric perforation with peritonitis.
Lead poisoning
In the mouth, there may be a bluish gingival line at the neck of the incisors.
and mouth spots of the same color.
Gold poisoning
From the theory of the three principles to vegetable and mineral essences
Ph. Vaysal
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PH. VAYSAL FROM VEGETAL STONE 6
the mind. Moods are the foundation of the health/disease balance that prevails
in man. Rhumélius, a Paracelsian physician, perfectly expresses this.
idea in her spagyric medicine:
From these three principles come all things, and when one of these principles is no longer
balanced, it soon leads to corruption, a decline, or a disease of a member, and
this is the natural origin, when the evil comes naturally from the rupture of balance
salt, sulfur, and mercury, by the particular effect of man, or astral body.
We will see that other medicinal traditions, especially Eastern ones, are
moods. Next to the theory of the 3
principles, on which Paracelsus relies to explain the origin of diseases,
he develops other theories, one of which emphasizes the pathogenic role of
certain harmful astral influences. Moreover, there is a reference to
concept of self-intoxication, dear to Basile Valentin, in the entity of poison (De
Ente Veni). Paracelsus defines this entity as an accumulation of
toxic waste resulting from food and drink. For more precision,
we refer the reader to the work of P. Rivière: Paracelsus, physician
Alchemist, "Philosopher by Fire". Edition de Vecchi.
Paracelsus distinguishes the diseases of Salt, the diseases of Sulfur, and the diseases of
Mercury. Each of the three groups of diseases derives its treatment from the principle.
Salt, Sulfur, or Mercury to which it is related. These 3 major classes of diseases are
manifest in favor of a disruption of the balance that exists between these three
moods. The treatment involves restoring the disrupted balance in
based on the theory of similarities which suggests that one can treat a disease by
a remedy of the same signature:
Mercury should be administered for diseases that come from Mercury, Salt for
diseases resulting from Salt, from Sulfur to diseases resulting from Sulfur
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PH. VAYSAL FROM VEGETABLE STONE 7
The definition of a Selne remedy is not based on the modern definition of salt.
(ionic couple) but rather relies on analogies of a physical order. The
signature relies on a characteristic of unalterability and
of incorruptibility, in fire or over time. This definition includes salts in
modern chemical senses (ionic pairs), but also some oxides
(of antimony in particular), and certain natural compounds that are unalterable in the
weather (the honey). Parremède Salt, Paracelsus also includes some compounds.
of plant origin in particular, whose medicinal properties are related to
scope of action of the principle like certain laxative plants such as
Rhubarb. It classifies the remedies Selen based on their "properties".
medicinal, and thus distinguishes the group of emetics (oxides
of antimony,...), laxatives (antimony oxides, magnesium salts, Aloes,
Rhubarb,...), diaphoretics (diaphoretic antimony, Ginger), of
diuretics (mercurial salts,...)..... It is by stimulating the excretory organs that the
remedies related to the principle exert their curative action:
And according to what the fiery force of Salt determines, the boiling point increases and
It is through this degree that the moistures escape outside through the pores and the
interstices.
Sulfur softens and penetrates the heart, the brain, the kidneys, etc. And the diseases of these
parties must be called sulfurous (morbi sulfurei) because in them, the substance is
completely made of Sulfur
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PH. VAYSAL FROM VEGETABLE STONE 8
Unlike Selqui, which acts by stimulating the eliminatory organs to evacuate the
"phlegm" or what Paracelsus also qualifies as "superfluidity", the Sulfur
absorbs in the restaurant the vital functions of the deficient organ, namely
here is the liver:
The Sulfur works by drying and consuming the superfluidity. The latter must be
consumed, unless it is preserved by the Salts. Thus, to combat
Hydrops (induced by liver cirrhosis in this case) must be
to seek a remedy for the salts generated by the liver of the Archæa, in order to consume
what is putrefied and corrupted; it is also necessary for evil to be healed by force
of Sulfur to which all diseases of this kind are subjected, each according to its
species, although sulfur is not suitable for all indiscriminately...
It is from him that the diseases of the ligaments, arteries, and joints originate.
articulations, and other similar ones (and further away nerves, bones etc.); therefore the only
the way to cure them is to reduce the mercurial fluid..... Indeed the disease
Mercurial, for example, is the one in which the liquor, also mercurial,
escapes through the various branches, twigs, and leaves of the human body.
Just like the diseases related to the other two principles, the diseases that arise
relate to the principle Mercury must be treated with remedies of the same
mercurial signature:
It is therefore extremely important to know all the mercurial liquors, because one
heals what the Salt of the same kind dissolves.
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PH. VAYSAL FROM VEGETABLE STONE 9
Vayu represents the nerve function, the central nervous system and
peripheral, the exaggeration of movement phenomena that come into
the organic functions (the relationships existing between the skin and the
nervous system both of the same ectodermal embryonic origin.
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PH. VAYSAL FROM PLANT STONE 10
Pustules of all kinds are produced by Mercury because this evil is itself.
mercury; certain types of scabies for example, are under the influence of mercury
vulgar; some pustules under that of metallic mercury, others under those of
Mercury Xylohebenique; others under that of antimony mercury... (it is necessary) not to
make the opposite react to the opposite, but accommodate the similar to the similar.
For what is cold does not drive out (does not evict) what is hot, nor does the hot drive out what is cold.
cold,... The treatment proceeds from what has caused the harm and given it its
position... »(1)
So, when a doctor knows what the nitre of the Great World and that of the small one is...
world (man), he also knows which treatment to apply. When a case of sore occurs
(ulceration) appears to him, he must know that at the same place there is arsenic, because
that the chancre is called arsenical disease. Another disease is called martial, another
lunar, and so on. The doctor must know this. As soon as he knows it, the pain him
teaches the remedy. Thus Arsenic cures Arsenic, the Scorpion, the Scorpion and Mars,
Mars: that is to say all martial diseases.
It is also from Paracelsus that the habit taken by homeopaths comes from,
to name the pathogenesis by the name of the remedy that corresponds to it:
...the physician must, in order to form an easy and brief summary that he always possesses
with him, classify all diseases by placing each one under the name of its medication
specific as we have already started to do for all the diseases already
described. So, he avoids saying: such a disease is Jaundice.
(jaunisse) because speaking like this is against the practice of art, since the first peasant that comes along
we know and can say as much. On the contrary, it must be said: this is the disease of
Leseolus; for thus you will contain the treatment, the property, the name, the arrangement,
finally all your knowledge and your art under a unique term.
Thus for Paracelsus, just like for Hahnemann, the choice of remedy relies
on the law of similars. The major difference that remains between medicine
Paracelsus and Hahnemann's approach is based on the method of preparation of
remedies, which are based on dilution-dynamic action in this one and on the
knowledge of Alchemical Art in that one. Moreover, if the dilutions are
of the order of the infinitesimal in homeopathy, they are of the order of weight
for Paracelsus as for his predecessor Basil Valentine. For the
homeopaths, it is the dilution, pushed far enough, that deprives the remedy,
of any potential toxicity, whereas for alchemists, it is, above all,
The Art that removes the remedy from its potential "venom". The process of
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PH. VAYSAL FROM VEGETAL STONE 11
And when one knows how to clearly separate these three things from one another, and then unite them again
together according to the rules of the art and that it can be fixation without poison.
The Quintessence is, to put it simply, a force, a virtue, and a medicine at the same time.
locked in things, but now freed from any home and any
external incorporation. Likewise, it is also the color, the life, the properties of
things; it is a spirit like the spirit of life, but the fact that the quintessence heals
All diseases do not come from the elevation of temperament, but from a quality.
innate, that is to say of its great cleanliness and purity, by which in a marvelous way
it modifies the body by purifying it and transforming it completely... From then on, it
that some essences may be astringent, others narcotic, others
attractive, others still sedative, bitter, sweet, spicy, stunning and
some of them capable of renewing the body to rejuvenate it, to preserve it
health, as purgatives or to cause constipation, depending on the case. Their virtues
are countless and although they are not all expressed here, however they
should be perfectly known to doctors... The quintessence is therefore what
give the color, thus for example, the essence of corals is a kind of fat
red in color, while their body is white. The quintessence of emerald is
also a green juice and its body is also white... The essence can be extracted
for example: By sublimation, by calcination, by strong acids, by corrosives, by
soft substances, by bitter ones, and in fact, any path can be considered. Here it must
to be careful that everything that has been mixed with the quintessence by the
the necessity of an extraction must again be removed, until the essence
may remain alone, unpolluted and unmixed with other things. Let us learn
Now, on top of that, the differences between the quintessences, because some of them are of a
great support for the liver, to withstand all its imbalances, a few others for
the kidneys, others for the lungs, others for the spleen, and others still. Also,
some operate only on blood, others only in cholera, while
others have an effect only on moods, others on the vital spirit, others on
the appetite; some act on the bones, others on the flesh, others on the marrow,
others on the cartilages, others on the arteries; and there are others that have an effect
only against certain imbalances and against nothing else... Some of them are
recognized as narcotics, others as harmless remedies, others as
sedatives, astringents, purgatives, healing agents, tonics,
stupefacients etc... "(1)
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PH. VAYSAL FROM VEGETABLE STONE 12
liberated (the quintessence) from all domicile and all external incorporation… it is
a spirit like the spirit of life, but with this difference, that the spirit of life of a thing
is permanent while that of man is mortal.
If these three things are gathered, then they are called a body; and nothing is to them
added, otherwise life. It is indeed to life that we owe not to see these principles (...)
for it is a veil that hides things and it is in the separation of life that they
reveal and manifest themselves.
Animals have a life more powerful than plants, and minerals are of a
nature more fixed and harder than the beings of the first two kingdoms; thus the plants
they are suitable for minor illnesses, animals for the stronger and more serious ones and the
minerals that are most violent and inveterate, particularly in diseases
chronicles (1)
Diseases are signed either by one of the 3 principles Sulfur, Salt, Mercury,
when the illness is the result of an imbalance between the 3 humors,
either from one of the seven planets, when the disease originates from
astral influences (Here we only consider the 2 main causes of
diseases, Paracelsus actually considers a total of 5.
The preparation of this remedy is based on Alchemical Art, which alone is capable
to free the quintessence
Ph. Vaysal
What is above is like what is below and what is below is like what is above.
at the top,…
It is with these words that the Emerald Tablet begins, the oldest treaty
known alchemy that summarizes the entire doctrine of signatures in a few lines
of the Hermetic tradition. This is based on research and implementation in
evidence of analogies in the physical world. These analogies are considered
like signs printed by the hand of God in creation to guide
the man.
We will therefore look for the signatures in the three kingdoms, for God speaks to man in
means of signs printed throughout his creation. These signs speak to him and
they recommend to him like the wine by the bunch hanging from the vine. It is through them that
The ancients had knowledge of remedies, as they discovered nature and virtue.
plants, animals, and mining products. And here it is: it's the alphabet of the
nature, with the help of which one can read and understand this great book of nature.
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The 7 celestial bodies that are recognized by man in the Middle Ages are the sun, the moon,
Jupiter, Mercury, Mars, Venus, Saturn. The sun is associated with gold, the moon
with silver, Jupiter with tin, Mercury with mercury, Mars with iron,
Saturn with lead. Let us mention for example, B. Valentin who establishes a
correspondence between Gold and the Sun.
Likewise, the SUN and GOLD also have a particular correspondence and certain virtue.
mutually attractive to each other, because the SUN has worked in the GOLD having
served as a powerful mediator to unite and inseparably bind these three
principles: Thus, Gold has its origin from the golden and celestial Magnet.
Correspondences have been established between plants and planets, which has
allowed the ancients to establish 7 families of plants whose only link of kinship,
within each family, is the planetary signature. Thus, for example, the
celandine, by its flower and yellow sap, chamomile by its corolla, are
solar plants, while some bitter plants like wormwood,
gentians are of Martian signature.
One can also mention the existence of correspondences between the 7 metals and the
precious stones, these correspondences are essentially based on the
color:
Just as we see the METALS having received their Spirits of Colors &
their coagulation, likewise the Stones have received their fixation and DYE from a
similar influence; because in the DIAMOND there is a fixed and coagulated MERCURY,
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PH. VAYSAL FROM VEGETABLE STONE 15
that is why it cannot be broken like other stones. In the RUBY there
find the dye of MARS or iron sulfide; in the EMERALD, the sulfur of
VENUS. In the GARNET, the soul of SATURN; in the TOPAZ the dye of
JUPITER & the ROCK crystal is symbolized by the vulgar MERCURY,
as well as the SAPPHIRE there is the Dye of the MOON: in short, each according to his
Species is thus symbolized by some metal, and if we remove the blue color from the
SAPHIR takes off his clothes, and his body will remain white like the
DIAMOND… »[3]
The man of the Middle Ages has a geocentric conception of the universe, and
Assimilating to the earth, he is itself the center, towards which all converge.
the influences of the celestial vault. Thus, it makes sense that he also designed
vertical correspondence links between him and the 7 planets, which are
susceptible, according to aspects related to the birth astrological theme,
to be inclined to the fate of man, according to the precepts of ancient astrology:
Those who are born under the influence of Saturn are usually melancholic, and if the
reason or the instruction that we owe them to give does not moderate them, they would be inclined
of a tendency to be rigorous & always in concern, &, growing older, they
would become greedy: they usually engage in high-end ventures &
difficult, are very laborious and greatly thoughtful, rarely rejoice in
company, & does not have much love for the beauty of the female sex, but loves
the pleasant entertainment of music
And if diseases partly arise from the negative influences of the stars,
it is therefore on them that their treatment relies. The choice of remedy must
it takes place among the 7 metals, but also among the 7 planetary families of
plants. The difficulty for the alchemist physician is to identify the signature
planetary disease, knowing, moreover, that the 7 planets are in
correspondences with the 7 vital organs:
The quintessence of gold is used for the heart; that of silver for the brain; that of
copper for the kidneys; that of lead for the spleen; that of quicksilver for the
lungs; that of iron for bile; that of tin for the liver;…
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PH. VAYSAL FROM VEGETABLE STONE 16
Our flying eagle has the signature of the North Star, which is that of the human body. It
it thus acts universally on all members, on all the balm of the microcosm.
its body (that of antimony) is not fixed, and not sufficiently digested in its own
perfection, as is the case with Saturn, from which it takes on a property
volatile. /…/ Sometimes it purifies gold and silver more than fire or any other.
element. From there, it follows that it cleanses and purges the body, as well as gold and silver
by this means, they are freed from their impurities.
In his Revelation of the Mysteries of the Dyes of the Seven Metals, Basil Valentine
is particularly explicit about the nature of the correspondences that
are established according to a triangular relationship between man, the planets, and the
metals. Metals, in a quintessence form, communicate to man
the physical and mental qualities of the planets with which they are in
correspondence:
But when one uses their Spirit (the Spirit of lead), then a melancholic spirit
attracts the other, & the man is healed from the influence of his melancholy.
but if you know the true spirit of Mars, I honestly tell you that a
grain of this Spirit or Quintessence taken with strong Wine Spirit strengthens the heart of
the man, in such a way that he has no fear of his enemies, stirring in him a heart
magnanimous of Lion, and even the warming to make it capable of carrying a
victory against Venus.
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PH. VAYSAL FROM VEGETABLE STONE 17
the animal, and then the man who actually places himself outside of creation, and of whom he
considers itself as being the regent.
It is also based on this doctrine called the signatures that the idea rests.
according to which the Greater Celandine secretes an abundant yellow sap, similar to the
Bile, when cut, is the ideal remedy for liver diseases. It is mentioned, by
elsewhere, the case of St. John's wort whose leaf color evokes blood
flowing from a wound, analogically related to the properties
hemostatics of simplicity. The data of modern phytopharmacopoeia
often confirm the intuitions of the ancients. Many other examples
could be cited, like this one, particularly naïve but oh how
demonstrative, of the willow, whose perfect acclimatization to the marshy soils
and its resistance to the pestilential humidity of the marshes suggests that it
found in the bark or leaves of this tree a way to fight "against
all blood warm-ups, especially those of malarial origin. Once
again, the intuition was right, since it is from him that much later the
modern pharmacologists extracted sodium salicylate, a precursor of
the aspirin!
One can also establish other direct correspondences between man and
the mineral. We will cite the example of iron whose red oxide is analogous.
with blood. It is not by chance that it constitutes an element
essential of hemoglobin and gives it its color.
So alchemy separates the different colors that are in things, and not the
colors only, but also virtues; in such a way that as many times as the color
change, as many times as virtue diversifies... And in each color there is a virtue and
particular property.
Notes:
Revelation of the mystery of the dyes of the seven metals. Basil Valentine. Ed.
Literary Omnium.
In the same place
Same here
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PH. VAYSAL FROM VEGETABLE STONE 18
Ph. Vaysal
The question that concerns us here is the precise identification of sulfur and
mercury in the plant kingdom is, in fact, irrelevant. What matters, for
the alchemist is the philosophical idea carried by the hermetic tradition
and which necessarily contains a piece of truth.
The first step involves the digestion of the dry plant (5% of the solution
in weight) in an alcoholic solution of about 5°, slightly acetic (2%).
The use of fresh plant (in an amount equivalent to 5% of the weight of the
Dry plant) is possible but requires undergoing fermentation.
alcoholic in situ, by the addition of exogenous sugar (7 to 8%) in the presence of yeast
of beer. Alcoholic fermentation must take place at a temperature of 35°C
environment, taking care not to completely obstruct the bottle in a way
to allow the evacuation of carbon dioxide. Once the fermentation is completed, it
must transfer the entire fermented product into a full bottle and
sealed at a temperature of 40 to 50° C for 3 weeks, taking care
shake the bottle every 3 days
The fourth operation is based on the calcination of the vegetable caput mortuum.
in a muffle furnace in an oxidizing situation at a temperature of about
520° to 530° C. It is necessary to use a stainless steel dish, which has the advantage of not
to be attacked by the dark red salts. To facilitate the reincorporation of
Salt from the plant, we dissolve the salts in a few drops of vinegar.
distilled
The fifth and final operation consists of incorporating the salts into the oil.
plant (sulfur). Mix before adding the vegetable mercury. It is necessary to
let it rest for 24 hours then filter through cotton or coffee filter. The dye
final title at 17° alcohol, which ensures its preservation.
A variant of the German method consists of extracting the essential oil from
the fresh plant, by steam training, then to ferment the feces
in the presence of brewer's yeast and a supply of sugar(4). The product of this
alcoholic fermentation must then be subject to repeated distillation
until obtaining an alcohol that measures at least 50°. The caput mortuum obtained
the fermentation is then calcined to release the salts of the plant. There remains
just need to combine the 3 components, making sure to respect the proportions
adequate amounts of alcohol and essential oil to obtain a good
solubilization of this one in that one
possible, and it is our preference, to use them based on the data from the
traditional phytomedicine, which is based on an approach
empirical, sometimes very old, of the use of plants. We do not neglect
Yes, of course, the contributions of modern pharmacology in this field, by
rejection of any sectarianism of thought.
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PH. VAYSAL FROM VEGETABLE STONE 23
Notes:
(1) - Gilles Andrès
(2) - The alchemical laboratory. Albertus.
(3) - See also, Alchemy and Spagyrics, 'from the Great Work to medicine of
Paracelsus. Patrick Rivière. Ed. of Neustria
A variant that we deliver to the researcher, without having it ourselves.
even experienced, would be to carry out alcoholic fermentation, not from the
plant residue resulting from essential oil extraction, but from a
new quantity of fresh (or dry) plant.
(5) - Renovated Phytotherapy. Berger and Tétaux. Ed Maloine.
Ph. Vaysal
Yes, for the Benedictine monk, the Stone of Fire does not correspond to the Stone.
Philosophically, it has qualities, to some extent, since it is
capable of:
to heal not only men, but also metals from some ailments
particular.
The fire stone derives its ore from antimony. It is within the reach of the alchemist.
who knows - to briefly summarize the modus operandi - isolate the 3 principles of
ore and recombine them in a proper proportion, after having previously
purified and exalted by art:
I tell you again that in antimony there is found a mercury, a sulfur, and a salt.
who are the sovereign medicines for men's health. The mercury of antimony
consists in its regulation; sulfur in its redness, and its salt remains in the black earth
that we let go. And when we know how to properly separate these three things from one another, and
We unite them together according to the rules of Art so that we can make a fixation.
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PH. VAYSAL FROM THE VEGETABLE STONE 24
without poison, that one can boast with honor that he has found the Stone of Fire that
"Make antimony for men's health." (1)
The dyeing of the Fire Stone does not have the universal 'tinting power' of the
Philosopher's stone:
which (the stone of fire) is prepared from the essence of the sun, and even less from all the
other stones. For nature has not given it so much virtue for this effect. But it
tin only in particular, knowing tin, lead and the moon, in sun...
Similarly, in its increase and multiplication, the fire stone cannot
to exalt oneself even more;
This characteristic of fixity and incombustibility, which the salamander had the
reputation, is also common to the Philosopher's Stone, and constitutes a
essential quality of any transmutative Stone. It must be acquired through the
regime of 'microscopic fire' or 'body fire' which finds its first
application in the production of antimony glass, whose relative stability in
fire foreshadows that of the flint. It is from this glass that it is necessary to extract the
dye that constitutes for Basile Valentin, the very red and true oil
Antimony.
The first part aims to extract the dyeing qualities from glass, in the form
of an incombustible essence. The second part aims to do the same.
from the vitriol of March. The third part consists of combining the product
of the two previous phases in the form, we have seen it, of a stone
incombustible, with real but limited tinting power.
The first preparation of the Fire Stone is based on the extraction of oil.
antimony red from glass, itself obtained by calcination of the ore
antimony. This antimony glass must be made using saltpeter, and it is
it is a particularity. Care must be taken during this operation to conduct it well
"fire regime" so that the material does not ignite during the operation of
calcination. Moreover, it will have been pushed far enough, so that
the introduction of the calcinated material into the crucible is not accompanied by a
detonation, as it usually occurs when one seeks to obtain
of diaphoretic antimony from a mixture of sulfide and nitre. For
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PH. VAYSAL FROM VEGETABLE STONE 25
to pull the dye from this glass, it is necessary to resort to distilled vinegar
from the own mine of antimony. The charitable Benedictine points it out to us.
manufacturing process in chapter XXXII under the title: 'On the preparation of'
philosophical vinegar." The process is based on the "putrefaction" of
antimony ore in distilled rainwater. It is important to ensure to fight against
carefully the mattress in which the philosophical putrefaction takes place. If
Basile Valentin recommends filling the mattress only halfway, we suggest
to fill it up to the neck, in order to reduce the contact of water with air,
the oxidizing action could turn out to be contrary to the desired result.
Kerkring proposes the following proportions of 6 pounds of antimony for 14
water books. Distillation occurs after 2 weeks of maturation. It is necessary
to ensure, as Kerkring says, that the spout of the distillation column is
immersed in the water of the receptacle balloon, so that the spirit does not vaporize.
The operation ends with an increase in the fire and allows for the collection of a
sublimed in the tent. It is then necessary to repeat the process, starting from the distillate,
a second time then a third time, having taken the trouble to reintegrate
in this one, the feces and the sublimated previously obtained. At the end of this
work, the artist possesses the suitable philosophical vinegar to extract the dye
of antimony glass. It should be noted that for a better result, it is important to
to grind the glass as finely as possible. The time required for the
Dye reaches its full maturity in 2 weeks in the drying oven. It must then be extracted.
the vinegar by evaporation taking care not to burn the dye which is not
not fixed yet. Basile Valentin recommends the use of the maidenhair. The powder
Red separated from the vinegar must be taken up by the spirit of rectified wine.
final perfection. The artist possesses at this stage a "very red and very
useful for medicine." The following operation aims to increase the stability of sulfur.
antimony, stability conferred to it by salt. In Chapter XX entitled "On a
another preparation of oil or antimony sulfide as well as true salt of
"this precious metal", Basil Valentine gives us the operating process, barely
veiled, on which the obtaining of the precious salt rests. It is important first of all to
make a regulator with tartar and saltpeter. We refer the reader to Glaser
or Lémery, sufficiently explicit. The manufacturing process of the regulus
non-martial antimony poses no difficulty for the seasoned artist
the fire of the furnace. It must be reduced to a fine powder and sublimated in a
glass or glazed earth vessel, taking care to let all the
days the sublimated with a pen, until all the regular has acquired fixity
and the whiteness of salt. This salt must be mixed with the dye in the proportions of
four ounces of that for two pounds of this. The cohobation must last
the space of a month and must be followed by a separation of the spirit of wine, by
distillation, after filtration of the product of this intimate "chemical union".
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PH. VAYSAL FROM VEGETABLE STONE 26
The red oil, thus extracted, is finally concentrated and this marks the end of the first
preparation of the stone.
The second preparation of the fire stone aims to confer upon mercury
antimony, the characteristics of the non-combustible sulfur of Mars. The monk
Alchemist suggests using, for this purpose, the red oil of the vitriol of Mars.
corrected at the last point. Regarding this oil, one can read in the excellent
Christophe Glaser's treatise on chemistry states that vitriol is obtained from vitriol.
mars, which must be distilled in a clay retort. It is important first of all to
give a very small fire for ten or twelve hours, in order to make the
phlegm of vitriol. It is then necessary to increase the heat, while ensuring not to overdo it.
push the fire for fear of breaking the container under the effect of the pressure of the
gas. The increase in fire after about twelve hours allows for distillation.
vitriol in the form of white fumes that condense into vitriol in the
container. Glaser suggests interrupting the distillation
When the red drops start to appear,... these red drops being there
the heaviest and most caustic part
It is actually the tail of the distillation that interests the alchemist monk. But
Glaser is talking to us here about vulgar vitriol and not about philosophical vitriol which alone
is likely to fulfill its role in the second part of the work. If the
A reader wishing to learn more about the identity of cevitriol, we encourage them to
refer to the works of Tollius, spiritual disciple of the alchemist monk. Equipped
of this precious red oil, and the quicksilver of antimony, signed with the seal
royal, the artist must proceed to the conjunction of the two compounds and then obtain a
red precipitate by sand fire distillation. If the dyeing power of the
fire stone, in becoming, rests on the qualities of this precipitate, still
immature, Basile Valentin confides to us, not without reason, that the
the product of this philosophical conjunction-distillation takes on interesting
applications for the external care of wounds and ulcers.
very beautiful and very useful in chronic diseases, wounds and open ulcers.
The third and final preparation of the firestone completes the tedious
work undertaken by jointly, in equal parts, the product of the two
previous preparations. The mixture must be subjected to cohabitation in order to
obtain an intimate union of the two compounds, then finish the work with a
concentration-evaporation in order to eliminate all the phlegm. It is only
so, the artist can rejoice in possessing the fire stone that adorns the
characteristics of a:
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PH. VAYSAL FROM VEGETABLE STONE 27
fixed powder, red, dry, fusible, which does not smoke at all.
You have a medicine for men and for metals. It is gentle and pleasant.
In use; it is penetrating; it corrects and drives away evil, without exciting the stomach.
Use it properly, and it will be of great benefit to you for both health and
for the necessities of life.
And Basile Valentin specified, regarding the required dose for the treatment of
diseases
Take care that you do not overload nature, (...) Know that three or four
grains, each dose taken in the spirit of wine, are sufficient to drive away all the
diseases.
The different alchemical paths, all worthy of interest, do not exclude each other.
mutually but are complementary and respond to each other.
Above all, they share a common characteristic, key to transmutation.
alchemical, which the researcher will sooner or later have to become aware of. One of them
has constituted, since forever, the privileged and royal way within the
hermetic tradition. The initiate will become aware of this path sooner or later.
For all authentic alchemical paths lead to transmutation.
Alchemical, only the royal way ensures the adept access to the complete medicine.
powerful of the Stone. The other ways are potentially dangerous for
health, due to the risk associated with the use of heavy metals, and not
therefore, present no medicinal application. If the knowledge
having a guide, who has already opened certain doors, is a privilege and a
valuable assistance in engaging on the path of Tradition, it is not
however not an absolute necessity. The real clarity with which some
authors such as the late and very charitable Eugène Canseliet have expressed themselves in
their works, in this century, are able to supplement, at least in part, to
the absence of oral transmission. In any case, whatever support is available
to benefit the novice, he must refrain from adopting too much of an attitude
passive on the path, for the alchemical tradition is above all, a way
evolutionary on a spiritual level. It is important for the researcher to become aware
that the success of the work rests above all on himself. One does not enter into
the world of alchemy as one enters into religion, under penalty of creating oneself a
a wonderful world indeed, but which does not have, beyond the inevitable mirages
temporary effects that the alchemical work can produce, no reality on the plane
operational. Or it is easy within the microcosm of operative alchemy to
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PH. VAYSAL FROM VEGETABLE STONE 29
Alchemical theories
Ph. Vaysal
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PH. VAYSAL FROM VEGETABLE STONE 31
"The most solid parts can be named earth, the most humid water, the
more delicate and spiritual air, natural warmth, fire of nature;…
(1) Of course, the 4 elements do not have the usual common meaning at all.
but reveal themselves, especially during a distillation. (...) in the distillation of
the earth, the air passes first and the most easily, after which, continuing
with skill, the element of water flows. Fire is enclosed in the air because
both are of a spiritual essence and they love each other.
Admirably. The earth remains at the bottom, in which is the salt of great
price.
For Basile Valentin, the transition from one element to another also rests on the fact
that each element contains the 3 others:
(...) in one element the other three are hidden. For the air contains within itself
fire, water, and earth, which may seem incredible... Thus fire retains in
I am the air, the water, and the earth, otherwise it would generate nothing. The water is participant.
of earth, air, and fire, otherwise nothing could result in generation;
and that one of the elements is considered separately, both with her, are
nevertheless mixed. This is revealed in the distillation in the separation of
elements.(3)
From these 4 traditional elements arise 3 principles: Sulfur, Salt, Mercury, which
are not related to the vulgar bodies of the same name, that certain
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PH. VAYSAL FROM VEGETABLE STONE 32
In his quest, the alchemist strives to identify the 3 constituent principles of the
material. He must separate them, purify them, and then join them in such a way as to obtain a
regenerated body, equipped with totally physical-chemical characteristics
different from what they were before, like the Philosopher's Stone. It is
as Basile Valentin tells us about Antimony in his Triumphal Chariot:
The mercury of antimony consists in its regulus; the sulfur in its redness;
and its salt remains in the black earth that we leave. And when we know how to separate well
these 3 things one with another, and again unite them together according to the rules
of Art and that one can make a fixation without poison, that one can boast with
honor that he found the Fire Stone, which is made from antimony for health
of men.
(…) when you want to change metals, increase them and elevate them to power
to produce and make some dye or the philosopher's stone, one needs everything
Firstly, that you know how to skillfully destroy, through spagyric science and
knowledge of tricks of the trade, the metallic and mineral form; break it, say-
I, and to break it, to separate it and to divide it into mercury, into sulfur and into salt; and it
these principles must be particularly separated in all purity and
then, as he a was said, restored to their original matter and
commencement.
According to one approach, the generative aspect of alchemical work, by analogy to the laws
which govern the animal kingdom, it is possible to move from the 3 principles to the 2
the male and the female.
(...) there are two natures, one active, the other passive. My master asked me
What are these two natures? And I answered: one is of the nature of the hot,
the other of cold. What is the nature of hot? The hot is active and the cold is
passive
These 2 natures usually and respectively take on the identity of sulfur and
of Mercury or by analogy that of the sun and the moon, terms,
also, frequently used by alchemists. The third principle salt
no longer plays a leading role, but that of the mediator, whose
Alchemists do not always mention in their writings.
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PH. VAYSAL FROM VEGETAL STONE 33
So resort to the lively male and the lively female, join them together, so that
which among them imagines a sperm to procreate a fruit of their nature
(7)
The fruit of this philosophical mineral copulation is actually the germ of the
Philosopher's Stone that the alchemist must grow and multiply, before
to obtain the supreme reward: the Philosopher's Stone, which leads us to
the unit. And thus the 'loop is closed' since the number 1 brings us back to the
notion of the unity of matter, by virtue of which alchemists believe in it
transmutation.
This notion of the unity of matter is also found in the concept of the
prime matter, corresponding to a primordial and original state of matter.
That's why pay attention and take care that all the metals and
minerals have only one single root, through which they have
everyone takes their birth and even makes their ordinary generation.
The alchemist must return his matter to its original state to give it a
new orientation by alchemical art. This operation is called
reincrudation
Within his microcosm, the alchemist works in his reality, that is to say that
It doesn't matter whether the interpretations he draws from his operational work are or not.
in accordance with the data that modern science considers to be
established facts, scientific truths. What matters is that he can
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PH. VAYSAL FROM VEGETABLE STONE 34
On this matter, Basile Valentin opposes, already before Paracelsus, the doctors of
those who are content to follow to the letter, in their practice,
the teaching of the Faculty, without the least concern for its veracity.
With a certain modernity for his time, he engages the doctor.
alchemist, to base his medical art on experimentation:
(...). The common doctor will not hear this, because such a science
(alchemy) does not lie only in words, but in experience, given that this
The common doctor has built its foundation on words only, but
as for the preparation of our Medicine, although its beginning
depends on the lyrics, its main foundation is the supported test of
the experience: because the experience is supported by a foundation as assured as
would be a place built on a rock, but the words of others are only like
on quicksand. That is why we value more what is done by the
Nature, what comes solely from bare words and speculation
fantasist because the work brings the Worker to light.
The one who wants to be a true philosopher must not limit himself to theories,
works and descriptions of others, but must probe for himself the essence of the
nature and draw its light from it.
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PH. VAYSAL FROM VEGETABLE STONE 35
(2) The twelve keys of Philosophy. Basil Valentine. The Minuit Editions.
In the same place
(8) Likewise
Ph. Vaysal
The role played by dew, within the alchemical work, appears in a way
evident in many hermetic treaties since the 17themecentury and seems
clearly linked to the Rosicrucian movement. A board coming from a rare
manuscript, published under the title 'the secret symbols of the Rosicrucians' (1) grants
an important place to the precious dew:
I am the humidity that preserves everything in nature and makes it live, I pass from the plan
higher than the lower plane; I am the celestial dew and I fertilize the earth; nothing does
could live without me in time; yes, I am close to all things, in and at
through all things, and yet unknown.
This humidity must be captured for fear that it turns into vapor or smoke.
The prima materia derives its existence from the Fiat, the Word of Creation. And this word
comes from the Father who is the creator of all things, and the Spirit radiates from both: It is the
the life of God giving air. So, also, the air gives life everywhere in the elements. The
fire warms all things, water refreshes, enchants and saturates all things; air
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PH. VAYSAL FROM VEGETABLE STONE 36
born of fire and in turn makes the fire burn, so that it may live, but the air in the form of
Water is food for fire, and fire burns in this element: Water and dew of the
the thick, greasy dew of the soil, it is the earth as the guardian of the nitrous salt
who nourishes her. For the breast of the earth is salt, the only good thing that God created.
in this visible world.
The cross also provides a dissolvent and a truly extraordinary medicine, through two
very universal subjects that nature puts before our eyes; namely through the sea water
inferior coagulated, and coagulating; and by the upper sea water, free and dissolving,
or the dew.
Under the effect of heat applied wisely, thanks to its subtle nitre, the dew rises.
and ennobles all salt that it may be and, preferably those that nature has reserved for the
Great Work.
Thus, without the contribution of the spiritus mundi, there is nothing that differentiates, for E. Cancellet, the
In his New Chemical Light, the famous Cosmopolitan, who is none other than
that Alexandre Sethon also highlights the importance of dew as
being the essential agent for the making of the secret fire:
Indeed, you must take what is, but what is not seen, until it pleases
the artist; it is the water of our dew, from which the philosophers' saltpeter is drawn, by
"in which all things grow and are nourished."(8)
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PH. VAYSAL FROM PLANT STONE 37
As the wise man undertakes to do through our art a thing that is beyond human capabilities.
ordinary processes of nature, such as softening a stone, and causing a germ to grow
metallic, he finds himself inevitably obliged to enter into profound meditation
in the innermost secret of nature, & to assert simple means, but
effective as it provides him; now you should not ignore that nature from the
beginning of Spring, to renew itself, and to put all the seeds, which
are within the earth, in the movement that is characteristic of vegetation, permeates everything
the air surrounding the earth, made of a mobile and fermentative spirit, which originates from the
father of nature; it is properly a subtle nitre, which makes the fertility of the earth of which
it is the soul, & what the Cosmopolitan calls the philosopher's saltpeter.
If the role played by dew within alchemy elevates the science of Hermes to
the range of a true vitalist philosophy of Nature, E. Canseliet goes as far as
to confer a divine character to the heavenly liquor, by likening it to the Manna
celestial mentioned in the Bible:
And when the dew descended on the camp during the night, the manna fell there.
similarly. "(10)
Other philosophers have always denied the role of dew. Pernety, who is not
considered as an alchemist in the true sense, indeed, declared, near a
rather century:
...in this one, you will prepare a sand heat at the first degree, in which the
dew of our compound is raised and circulated constantly, outside the compound, by day and
night without any interruption..."(12)
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PH. VAYSAL FROM VEGETAL STONE 38
Philosophers have considered this upward and downward movement and have called it
sublimation because in this action subtle things are made thick and the
massive and corporeal things are made light and subtle; thus these spirits differ in
natural and after having waged war on each other for a long time, they come to agree over time
and they become friends, joining closely together, flying in the air and then descending
together with the earth through which the descent of mercury or philosophical dew is generated
which nourishes our earth and makes it germinate and bear double fruit…
This is exactly what the artist checks - provided that the external conditions are
respected - during the iterations of the first work, in the beautiful olive green enamel that it
gathers and also reveals to him that cosmic radiation is heavy and
fragrant. This subtle matter truly possesses the weight of the incarnate Christ,
its green color and its smell which is that of incense smoke.
This physical characteristic of vitriol (an anagram of "gold lives there") that
its green color is not unrelated to its properties
medicinal properties of the latter, highlighted by Le Breton in his pamphlet "the keys"
of spagyric Philosophy (15):
The virtues of pure vitriol are marvelous; its spirit makes mercury commonplace.
a kind of panacea, and one can truly make a medicine against everything through its means
disease, if one knows what vitriol I am talking about, and what mercury.
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PH. VAYSAL FROM VEGETABLE STONE 39
"...the salt extracted from the ashes is the strongest and that within it lies..."
many virtues."(16)
Oh surprise! From a charred tree trunk comes Salt(18): Purified salt, a water
spiritual. Let the waters be cooked by fire, it will become a regenerated salt: It will be
of great medical aid for the sick. An imperishable force resides in the salts
It is demonstrated by Art, That the secrets of salt have something divine...
walking on the green cereals, on the clovers, the alfalfa, and the sainfoin, a
linen cloth, previously washed and rinsed several times in rainwater."(19)And the
It should be specified: 'Similarly, one must fear that the bearer plant may have been'
unintentionally sprinkled or sprayed with any kind of fertilizer.
All that remains is to twist the cloths to extract the precious dew,
the image of the couple from the Mutus Liber. They have placed these pieces of linen on some
stakes, which would increase the amount of dew collected. This
process, also chosen by the author of the Testament of Gold, with the difference being
that the latter uses glass plates instead of linen fabric, seems to us,
still, less productive than the first. This is easily understood at
regarding the surface area that the first process allows to be treated,
the inverse of the second.
The collection of dew directly from the plant alters its purity, that is why
this must undergo meticulous filtration. However, nothing proves
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PH. VAYSAL FROM VEGETABLE STONE 40
that the presence, within the precious liquid, of organic particles, pollen and
other plant-origin debris may harm the quality of the obtained salt. We
we even tend to think the opposite!
Once filtered, in all its freshness, the dew must be enriched, just like us.
the Sulat sign, by the radiance of the stars, as well as by that of the Moon and
from the Sun at its rise. This exhibition takes place in large basins, the whole
duration of the waxing moon. It is important beforehand to add to the liquid,
the indispensable magnet, without which the dew could not deliver its salt, namely
this thick black mud that E. Canseliet mentions in his comments of
Mute Book. Without a doubt, the love of the world spirit that is spoken of,
Grimaldi :
"By agreeing that all that the Philosophers say about the sublime nature of Nitre is
true, it must also be agreed that they hear about an aerial Nitre, which is
attracted in salt whiter than snow, by the power of the rays of the Sun and the Moon, by
a magnet that attracts the invisible mind; this is the magnetism of the Philosophers...
Rx in the name of God, from the purest and cleanest sea salt, as it is cooked by the sun; it
comes from Spain by sea. Mine was from St. Uby. Make sure to dry it well in some
hot place, grind it finely in a mortar so that it
can dissolve more easily in dew water in the month of May or June when the
the moon is full...
It is only necessary to concentrate the world's fire through concave mirrors, in a globe of
glass; this is the artifice that all the Ancients have religiously hidden, and that the divine
Theophrastus discovered. A solar powder is formed in this globe, which having set...
purified from itself, from the mixture of the other Elements; and being prepared according to the art,
becomes in a very short time sovereignly capable of exalting the fire that is within us.
He has removed all the flavor from the sea salt from the coasts of Spain, by making it digest.
putrefy for at least forty days in the most subtle spirit of dew; this which
he produced a salt completely different, fusible like wax at the mere heat of a
lamp; of a flavor that was somewhat bitter, which seemed to resemble the flavor of saltpeter, without
however having neither cubic nor prismatic shape; the crystals were piled under the
form of small blades so transparent that he only noticed them after he had decanted his
liqueur.
The sequence of operations described by the Mutus Liber leads to the obtaining of
second fondant of the work by dry means, which salt is not, properly
to speak, the dew salt. It is of little interest, unlike the first,
medicinal plan. The mystery of the moody Vulcan that surrounds the making of this
The second selection has disturbed the sleep of more than one student. It is to him that it must be attributed.
gently removed the coagulum from the flask with a spoon. The child
inanimate refers to this same coagulum destined to feed on lunar rays and to
to ultimately assume the properties of the moody vulcan, that is to say those of fire
secret of philosophers. The epithet of lunatic represents the quality 'cold' of this
fire since, as described by Limojon de Saint Didier, it does not burn the
but reveals all its efficiency under the action of common fire.
All you can reasonably expect from me is to tell you that the
natural fire, which this Philosopher speaks of, is a fire in potential, which does not burn the hands
; but which shows its effectiveness as long as it is excited by external fire. It is
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PH. VAYSAL FROM VEGETABLE STONE 42
so a truly secret fire that this Author names Lunatic Vulcan in the title
of his account.
The skimming of the second salt represented by the seventh plate is in itself
sufficiently explicit that we need to add any comment, to
those already very charitable of the good master of Savignie. Let's simply recall
For the latter, the second salt constitutes the artifice, that is to say the trick, from Greek.
Truksqui refers to the dregs of wine, which is the source of virgin salt (...)
allowing for the initial separation.
Our intention is not to delve further into the very rich study of the Mutus Liber.
of teaching for the entirety of the Great Work. The process of obtaining salt
of dew, described by Sulat and so many other philosophers, seems worthy to us
of interest in many ways. First of all, it shows that the precious salt is
not a chimera, although its detractors say otherwise, but is based on a secret of
fabrication that has been passed down to this day, thanks to the kindness of many
of Philosophers. Furthermore, he does not resist a well-conducted approach to
mystery and does not proceed from a supernatural phenomenon.
Let us also mention, after Eugène Canceliet, Tollius who states in his treatise
Wisdom of the Insane or Chemical Promises: "the sweet smell (which) is of the
purity among chemists.
NOTES
(1) As Albertus informs us, this manuscript was brought to the United States,
during the Second World War, by the widow of Mr. Ernest Klatsher. This man
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PH. VAYSAL FROM VEGETABLE STONE 43
native of Prague was a high degree Mason, and had been interested for many
years in Rosicrucianism. The Rosicrucian Order AMORC, which has nothing to do with
the small Rosicrucian groups of the 17th and 18th centuries, obtained the document of
the executor of the will of Mr. Klatscher who died during the journey.
(2) Secret symbols of the Rosicrucians of the 16thand 17thcentury. Rosicrucian diffusion
(5) The Testament of Gold. In: Three Unpublished Alchemical Texts from the 17th Century. Ed:
Medici Library
The drinking water of the Ancients. In: Three unpublished alchemical texts from the 17th century. Ed
Medici Library.
(14) The Alchemy Explained through its Classical Texts. Eugène Canceliet. Ed Pauvert.
(15) In: Alchemy explained through its classical texts. Eugène Canceliet. Ed Pauvert.
Ibidem
The charred tree refers to the ore that has passed through the crucible.
(19) Alchemy and its silent book. Introduction and comments by E. Canceliet FCH
disciple of Fulcanelli. Ed Suger.
In the same place
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PH. VAYSAL FROM VEGETAL STONE 44
(21) The Testament of Gold. In: Three Unpublished Alchemical Texts from the 17th Century. Ed:
Medici Library.
...I found the capitals of my stills, for I had several, all upholstered.
like spider webs, which was nothing other than the volatile salt of dew, which
began to manifest itself in the guise of this matter ... Revelations
Cabalistic elements of a universal medicine. Doctor Gosset. Amiens. 1735.
(26) Alchemy explained through its classical texts. Eugène Canceliet. Ed. Pauvert.
Ibidem
44