SIX Script
SIX Script
SIX
written by Toby Marlow and Lucy Moss
2
Song: EX-WIVES
Aragon: Divorced
Boleyn: Beheaded
Seymour: Died
Cleves: Divorced
Howard: Beheaded
Parr: Survived
All: LIVE!
Seymour: We know you know our names, and our fame, and our faces
Aragon: Divorced
Boleyn: Beheaded
Seymour: Died
Cleves: Divorced
Howard: Beheaded
3
Parr: Survived
Dance break.
Aragon: Divorced
Boleyn: Beheaded
Seymour: Died
4
Cleves: Divorced
Howard: Beheaded
Parr: Survived
All: Divorced
All: Beheaded
All: Died
All: Rude
All: Divorced
Howard: Prick up your ears, I’m the Katherine who lost her head
All: Beheaded
All: Survived
Everybody knows
That we used to be six wives
But now we’re ex-wives
One
Two
Three
Four
Five
SIX!
Boleyn: We said how are you doing tonight? (complete uproar; I haven’t got a face)
Seymour: WE ARE
Howard: Ooooh Chicago we’ve got a whole lot in store for you tonight:
Parr: Or as we like to call it… HER-story (they all laugh at their own amusingness and
then are promptly cut off by a BAM as they strike a pose)
Aragon: And with beats so sick they’ll give you gout, IT’S MARIA ON THE DRUMS!!!!
Seymour: Really, really old school… (she laughs at her own joke. No one else laughs. She
moves on swiftly) But we’re not here to have fun
Aragon: Uh uh
Howard: ...of us, and we know you’ve all got your favourite
Aragon: Yes everyone always wants to know ‘who’s the most important wife?’
Parr: ‘The winning contestant was the most (said to rhyme with contestant:)
rotestant...
Protestant... (correct pronunciation:) P
Aragon: But tonight we’re gonna answer your questions once and for all
Boleyn: And tell you what you want, what you really really want...to know.
Seymour: That’s right! We’re here to help you figure out which of us is
Howard: The Thomas Cromwell amongst the royal ministers between 1532 and 1540
(BAM BAM BAM)
Aragon: But how the purgatory are they gonna choose their leading lady?
Boleyn: Well hold up! (The band abruptly holds up.) If this is gonna be a fair competition,
they’re gonna have to judge us by the one thing we have in common
Seymour: The Queen to take the crown should be the one who had the biggest (BIG
SPENDER-STYLE BRASS)
Cleves: ...load of BS to deal with from the man who put a ring on it. (Brassy world Single
Ladies-esque BAM)
Aragon: So, what do you think Chicago, are you ready to choose your leading lady? (Loud
screams of ‘yes’ from the audience, just audible over their even louder applause)
Howard: We said are you READYYY? (standing ovation, weeping, flowers thrown on
stage etc.)
Aragon: (she stops the band) But there’s only one that you need to hear from tonight.
Chicago, I’m about to win this competition. Maria - gimme a beat!
So, since the day I arrived in England, let’s just say my faith has been tested on
more than one occasion.
First things first, I’m shipped over from Spain on the night of my Sweet Sixteenth
to marry some prince called Arthur, and I’m like… okay.
Then Arthur dies, so naturally I’m imprisoned for seven years… really helped with
the grieving process, ya know. But still, I’m like… okay.
But thank God, they rescued me just in time to marry Prince Henry - my dead
husband’s brother… Okay,
…so I’m thinking, “bit weird”. But if you’d seen him back in the summer of ‘09, let
me tell you he was… (she thinks he was pretty sexy) O.K.
ard
And he’s trying really h
And I’m like… Okay
Now, I don’t think I’d look that good in a wimple. So I’m like… NO. WAY.
VERSE 1
Aragon: You must agree that, baby, in all the time I’ve been by your side
I’ve never lost control no matter how many times I knew you lied
Had my golden rule:
Gotta keep my cool, yeah, baby
Aragon: And even though you’ve had your fun running around with some pretty
young thing
And even though you had one son with someone who don’t own a
wedding ring
No matter what I heard
I didn’t say a word, no, baby
BRIDGE 1
Aragon: I’ve put up with your
All: SHH
All: SHH
11
CHORUS 1
Aragon: You must think that I’m crazy
You wanna replace me, baby, there’s
Aragon: No way
No way
Aragon: No way
No way
VERSE 2
Aragon: So you read a Bible verse that I’m cursed cos I was your brother’s wife
You say it’s a pity cos, quoting Leviticus, I’ll “end up kiddiless” all my life
Well, Daddy, weren’t you there
When I gave birth to Mary?
BRIDGE 2
Aragon: You’re just so full of
All: SHH
All: SHH
CHORUS 2
Aragon: You must think that I’m crazy
You wanna replace me, baby, there’s
Aragon: There’s
Aragon: There’s
MIDDLE 8
Aragon: You’ve got me down on my knees, please tell me what you think I’ve done
wrong
Been humble, been loyal, I’ve tried to swallow my pride all along
If you can just explain
A single thing I’ve done to cause you pain
I’ll go…
No?
13
CHORUS 3
You must think that I’m crazy
You wanna replace me, baby, there’s
All: No way
No way
Aragon: There’s
All: n-n-n-n-n-n-n-n-n-n-n-n-n-n-no way
As applause dies down, band comes in with some low-key Spanish noodling around the melody
of ‘No Way’.
Aragon: So clearly I had the most to deal with from the King. And I hit that top C so… like
donde esta my crown. Por favore.
Aragon: Still me
Cleves: No yeah the really famous and controversial one who people actually care
about?
Aragon: The one with the plan, the plan to steal the man
VERSE 1
Boleyn: Grew up in the French court
Oui oui, bonjour
Life was a chore, so
Ooh hoo
Others: Politics?
He wanted me
Ha! Obviously
Kept messaging me
Like everyday
Couldn’t be better
Then he sent me a letter
And who am I kidding
I was prêt à manger
BRIDGE 1
Others: Uh oh
Boleyn: Here we go
Others: WHAT?!
CHORUS 1
Boleyn: Sorry not sorry bout what I said
I’m just try’na have some fun
Don’t worry, don’t worry, don’t lose your head
I didn’t mean to hurt anyone
LOL, say oh well, or go to hell
I’m sorry not sorry ‘bout what I said
Don’t lose your head
VERSE 2
Boleyn: Three in the bed
And the little one said,
“If you wanna be wed
BRIDGE 2
Others: UH OH
Boleyn: Here we go
CHORUS 2
Sorry not sorry bout what I said
I’m just tryna have some fun
Don’t worry, don’t worry, don’t lose your head
I didn’t mean to hurt anyone
LOL, say oh well, or go to hell
I’m sorry not sorry ‘bout what I said
Don’t lose your head
VERSE 3
Boleyn: Tried to elope
But the Pope said “nope”
18
Others: Hen-ne-ry
Others: The C of E
All: Soon
Others: Ex-Communicated
MIDDLE 8
Boleyn: Henry’s out every night on the town just sleeping around, like
Boleyn: If that’s how it’s gonna be, maybe I’ll flirt with a guy (or three) just to
Others: (Gasp)
BRIDGE 3
Others: UH OH
Boleyn: Here we go
Boleyn: And now he’s going round like “Off with her head!”
Others: No?
Others: Seems it
Boleyn: Oh my gosh guys, seriously, he actually wants to chop my head off. I mean, I
guess he just really liked my head… 5-6-7-8!
CHORUS 3
Sorry not sorry bout what I said
I’m just try’na have some fun
Don’t worry, don’t worry, don’t lose your head
I didn’t mean to hurt anyone
LOL, say oh well, or go to hell
Sorry not sorry ‘bout what I said
As the crowds return to their seats and regain their composure, the band brings in some plinky
plonky light underscoring around the chorus melody of ‘Don’t Lose Ur Head’
Boleyn: Yeah it was so extra. (band returns) Anyway yeah, now I’m obvs the winner, I
think I’ll do another solo. So my next song is one I wrote about the moment when
I found out Catherine of Aragon had tragically died. (nods in condolence to
Aragon) It’s called, “Wearing Yellow to a Funeral,” please sing along if you know
the words.
Band plays the introduction to the bonus track ‘Wearing Yellow to a Funeral’
Boleyn: Excuse me
Parr: R u 4 real
Aragon: Um yeah, didn’t you finally give him the son he so desperately wanted
21
Boleyn: Yeah like I had a daughter and he literally chopped my head off.
Seymour: Yeah ok you’re right, you’re right. I was lucky. I was really lucky. I was in love, I’d
just had a beautiful baby. Henry was happy cos, ‘thank god,’ it was an Edward -
not an Edwina... I was so excited. For his first steps. His first words. For not
getting a good night’s sleep for three years. But I never got to see any of that.
You know, people say Henry was stone-hearted. Uncaring. And I’m not sure he
was?
Boleyn: Yeah actually come to think of it, there was this one really cute time where I had
a daughter and he chopped my head off
Seymour: Ok look, I know his times with the Queens before me were hard. But they were
also full of fire. He raged and stormed at them and - because they were both
absolute badass monarchs - they raged and stormed right back.
But I didn’t do that. Instead, I stood by him - like I was made of stone - I stood
firm. No matter his flaws, his tempers - no matter my doubts or fears - I stayed
there. By his side.
And that’s not because I was scared, or naive, or weak. It’s because - I loved
him.
So, Henry...
VERSE 1
Seymour: You’ve got a good heart
But I know it changes
A restless tide
Untameable
BRIDGE 1
22
CHORUS 1
You can build me up
You can tear me down
You can try but I’m
Unbreakable
VERSE 2
You say we’re perfect
‘A perfect family’
You hold us close
For the world to see
BRIDGE 2
But I know… without my son, your love could disappear
And no, it isn’t fair
But I don’t care
Cos my love would still be here
CHORUS 2
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MIDDLE 8
Soon I’ll have to go
I’ll never see him grow
But I hope my son will know
He’ll never be alone
YEAAAAAHHHH
CHORUS 3
All: You can build me up (Seymour: riffing exquisitely)
You can tear me down
You can try but I’m
Unbreakable
Cleves: Now
Seeing as Henry was running out of women to marry in England
He had to look a little further afield
Had to adjust his location settings if you will
To find his next Queen
We’re heading to Germany
Where he enlisted the help
Of the legendary painter:
HANS.
All: HOLBEIN.
25
OOH JA!
DAS IST GUT, OOH JA!
JA!
THE HAUS OF HOLBEIN
Seymour: For blonder hair then you just add a magical ingredient
(From your bladder)
Seymour: (spoken like small print) But we cannot guarantee that you’ll still walk at forty
Aragon: The time has come for you to select a bride, your highness
Seymour: “Looking for mates, dates, and a British monarch with whom to secure the line of
succession. Winky face”
27
Swipes left.
Boleyn: No? Well never mind, she has already made a match with the Duke of Milan
anyhow
Parr: “Just a German girl, trying to live the English Dream” #NoCatholics #BigDowry
Swipes left.
Aragon: Wunderbar!
Aragon: Your highness, your highness, your highness: we are honoured to present to you:
Anna of Cleves.
Anna is revealed.
Boleyn: The most beautiful woman in the whole of the Holy Roman Empire
Parr: And let me assure you, Herr Holbein has certainly done her justice
Aragon: Ah! Sehr Gut! And I think we can say with some certainty you will be happily
married for many years to come
28
Howard: Ah I can see it now! Henry VIII and his famous four wives!
Anna of Cleves is left on a deserted stage. An emotional underscore of sad piano music swells.
Cleves: (sad laugh) I guess you already know what happened next, how I came to
England, hopeful, summoned after the King saw my portrait, and how I, with my
meagre looks the way they are (glances down @ immaculate dress and
physique), didn’t live up to his expectations. I mean, it’s the usual story, isn’t it:
the savvy, educated young princess deemed repulsive by a wheezing, wrinkled,
ulcer-riddled, man twenty-four years her senior.
VERSE 1
Cleves: Sitting here all alone
On a throne
In the palace that I happen to o
wn
Bring me some pheasant
Keep it on the bone
I wanna go hunting
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Any takers?
I’m not fake cos I’ve got acres and acres
Paid for with my own riches
Where my hounds at? Release the bitches!
Others: Woof.
Cleves: Everyday
Head back for a round croquet(ya)
Cos I’m a player
And tomorrow - I’ll hit replay
CHORUS 1
All: You
All: Cos I
All: Too
VERSE 2
Cleves: When I get bored, I go to court
CHORUS 2
All: You
All: Cos I
All: Too
MIDDLE 8
Cleves: Now I’m not saying I’m a gold digger
But check my prenup and go figure
31
Got
CHORUS 3
All: You
You said that I tricked ya (tricked ya)
Cos I
I didn’t look like my profile picture
Too
Too bad I don’t agree
So I’m gonna hang it up for everyone to see
And you CAN’T. STOP. YOU CAN’T STOP ME COS
Meanwhile:
Cleves: Oh yeah, I guess you’re right. I probably won’t win then. Oh well, back to the
palace… (‘Get Down’-esque BAM)
Cleves: Rude
Boleyn: Let’s take a moment to check in with the competition. So who’s still in the
running? Will it be the devoted wife, the divorcee, or the one who actually had
problems to deal with...
Seymour: Problems? My son had to deal with the loss of his mother
Boleyn: Wow yeah, kinda like how my body had to deal with the loss of its head
Aragon: Queens, come on now. Can’t you see what’s happening? Comparing your losses
isn’t going to change the fact that I’ve already won. I mean - I was literally
shipped over from a foreign country not knowing a word of English to marry some
random dude
Aragon: Okay fine, but then when Henry decided he’d had enough of me, he didn’t even
have the decency to say goodbye
Howard: Same
Boleyn: Oh yeah same. Nice neck, by the way (K-Howard and Boleyn high five)
Aragon: Alright fine. How about this: when my one and only child had a raging fever,
Henry wouldn’t even let me, her mother, / see her...
33
Seymour: OH BOO HOO, BABY MARY HAD THE CHICKEN POX AND YOU WEREN’T
THERE TO HOLD HER HAND; YOU KNOW IT’S FUNNY, BECAUSE WHEN I
WANTED TO HOLD MY NEWBORN SON, I DIED!!!!!!
Others: What?
Others: Ugh
Parr: Ok… you know what, I think it’s time we heard from our next queen: K-Howard
Boleyn: Oh yeah yeah now I (as if she’s going to say ‘remember’) s till don’t care
Aragon: Yeah speaking of funny, good luck with trying to compete with us, honey (BAM)
Howard: You’re right. I’m gonna need all the luck I can get. Your lives sounded terrible.
And your songs really helped to convey that.
I mean, Catherine, almost moving into a nunnery and then not!? That almost
could have been really hard for you!
And Anne, getting your head chopped off, surely that means you’ll win the
ivorced, beheaded,
competi… wait hang on (counts to self under her breath) d
died, divorced, behea- oh wait, never mind
And Jane, dying of natural causes…. (fake crying) when will justice be
served?!?!!?
And surviving.
But seriously, Anna, all jokes aside, being rejected for your looks legit sounds
really rough. I wouldn’t know anything about that. I mean look at me! (starts to
list) I’m really hot … (ceases listing). So yeah, I can’t even begin to think of how
I’d compete with you all OH WAIT LIKE THIS:
34
Others: All you wanna do, all you wanna do, baby
Howard: I think we can all agree I’m the 10 amongst these threes
Others: All you wanna do, all you wanna do, baby
Howard: And ever since I was child, I’d make the boys go wild
Others: All you wanna do, all you wanna do, baby
Henry Mannox
VERSE 1
Broad, dark, sexy Mannox
Taught me all about dynamics
He was 23
And I was 13 going on 30
BRIDGE 1
Tell me what you need, what you want, you don’t need to plead
Cos I feel the chemistry, like I get you and you get me
CHORUS 1
35
Cos all you wanna do, all you wanna do, babe, is
Touch me, love me, can’t get enough, see
All you wanna do, all you wanna do, babe, is
Please me, squeeze me, birds and the bees me
Run your fingers through my hair
Tell me I’m the fairest of the fair
VERSE 2
So then there was another guy, Frances
BRIDGE 2
You say I’m all you need, all you want, you don’t need to plead
I feel the chemistry, I get you and you get me
CHORUS 2
Cos all you wanna do, all you wanna do, babe, is
Touch me, love me, can’t get enough, see
36
VERSE 3
Howard: So yeah that didn’t work out.
Turns out some guys just employ women to get them into their private chambers.
(sigh) It was a different time back then.
BRIDGE 3
You say I’m all you need, all you want, we both agree
This is the place for me, I’m finally where I’m meant to be
CHORUS 3
37
VERSE 4
Howard: o we got married. Woo.
(flatly) S
BRIDGE 4
This guy, finally, is what I want, the friend I need
Just friends, no chemistry, I get him and he gets me
Beat.
CHORUS 4
Cos all you wanna do, all you wanna do babe is
Touch me, when will enough be enough, see
38
Howard: And then I was beheaded. Wow. I know, I know, so I guess seeing as I’ve now
anna do is take this opportunity to thank all the
won the competition, all I w
powerful men who got me where I am today... (signals for the band to come in
and play the show out)...c ouldn’t have done it without you! Thank you and
goodnight! / Chicago you’ve been amazing, safe travels home - thank you etc.
Others: Woah woah woah / wait just one second / stop! stop! etc.
Seymour: Umm hold on (band cuts) - yeah, you had it bad, but that was not the most
heart-wrenching song we’ve heard this evening…
Howard: Er sorry were you not listening to my song? There were FOUR choruses! That’s
how much *SHH* I had to deal with
Seymour: Oh sorry yeah so true when you died your son did have grow up without a
moth...oh wait that was me and no one cared when you died!
Boleyn: Jane, chill out. It’s not her fault that no one remembers her bland and uneventful
life. (to Howard) Babes, honestly, I don’t want it to be weird between us, just cos
my beheading was the result of years of actual trauma and humiliation...
Aragon: Oh pipe down, “Anne”. You seriously wanna talk about humiliation? Ok well,
when I was Queen, Henry had not one (BAM) not two (BAM BAM) but three,
historically confirmed mistresses (BAM BAM BAM)
Boleyn: (fake hysterical crying: see Ross from Friends “fine by me”) omg mistresses, poor
y- GET OVER IT. When I w as Queen: I had not one (BAM) not two (BAM BAM)
but three (BAM BAM BAM) MISCARRIAGES
Aragon: Well, you know what Anne Bo-loser, I had (BAM BAM BAM BAM BAM) FIVE
miscarriages
Cleves: Ooookeeeyyyy....let’s just move on shall we? Come on Queens. Catherine, it’s
your turn babe: take it away.
The other Queens grumble into their formation for the song Catherine Parr USUALLY DOES
EVERY NIGHT WINK WINK NUDGE NUDGE, Cleves placing Parr downstage centre as she
speaks. Queens continue to mutter at each other - “we’ll continue this after” vibes - but move
into their opening pose for Parr’s song. A lil snarey drum beat kicks in as if she’s gonna do a ‘No
Way’-style intro.
Parr: Sorry… Sorry for... I just.. I don’t know… Like, it’s just- we’re here in front of all
these people, being like: ‘ooh, let’s see what gets the biggest cheer, trauma or
abuse!!!! Woohoo” - like, should we really be doing this?
Sey: I mean we’ve literally been doing that for the last hour so…
Others: Oooooooooh
Cleves: Someone’s got a conscience all of a sudden
Howard: Oooh I’m Catherine Parr I draw the line in arbitrary places bla bla bla
Aragon: You know what Queens, she just knows she’s not gonna win
Seymour: So now she’s trying to make us look stupid instead of playing by the rules like
everyone else
Others: Slow claps / Well played Catherine / So noble / What a gal / stick to the backing
vocals hun etc.
Parr: Ugh, that’s so not why I’m…(the Queens carry on making fun of her) D on’t you
see that this whole thing is just... What can I do to make you-…? (Lightbulb
moment - Parr has an idea.) Ok. Ok OKAY (the other Queens shut their gobs).
You know what Queens, if it’s a sob story you want, I will give you one.
40
Howard: You sure Catherine? You sure you don’t wanna stick to the backing vocals, you
know, where you belong?
Parr: No, you’re right, I should sing a song. It’s only fair… (to the ladies in waiting)
Ladies - how about tonight we try something a bit… different? Joan, c ould you
give me a cheeky lil... B-flat major seventh…?
Perfect.
So, um, just for a bit of context, I’ve actually had my fair share of marriages.
Something Henry and I have in common, I guess.. Though unlike him, I did
manage to get through them without decapitating anyone. I know - gold star for
Cathy Parr.
But the thing is, they had this really annoying habit of passing away. And so as
well as dealing with, you know, incapacitating grief, I also had to keep finding
new husbands to avoid being ostracised. Yep - Tudor womanhood - would
recommend.
And then one day, finally, I meet this guy: Thomas. He seemed like he might stick
around for a while and, you guessed it, he turned out to be the love of my life. (to
an audience member - as if to say ‘I know - how cliche am I?’) I know right. We
had this plan to get married, actually.
But that’s when Henry turned up, single and ready to make an unsuspecting
woman his wife... Just my luck.
So, that was that. I had to write a letter to Thomas. Ending things.
Dear Thom,
VERSE 1
BRIDGE 1
And even though this feels so right
I’m holding back the tears tonight
CHORUS 1
It’s true
I’ll never be over you
Cos I have built a future in my mind with you
And now the hope is gone
There’s nothing left for me to do
You know it isn’t true, but I must say to you
That I don’t need your love, no, no
I don’t need your love, no, no
It’ll never be better than it was, no, no,
But I don’t need your love
VERSE 2
I’ve got no choice
With the King I stay alive
Never had a choice
Been a wife twice before just to survive
I don’t have a choice
If Henry says it’s you, then it’s you
No matter how I feel it’s what I have to do
BRIDGE 2
But if somehow I had that choice
No holding back, I’d raise my voice
CHORUS 2
I’d say: Henry, yeah, it’s true
I’ll never belong to you
Cos I am not your toy
To enjoy ‘til there’s something new
As if I’m gonna give up my boy, my work, my dreams
To care for you
Darling get a clue
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Parr: (spoken) But the thing is, I can’t say that. Not to the King.
So this is goodbye.
All my love,
Catherine.
MIDDLE 8:
So I sent that letter to my love
Got married to the King
Became the one who survived
I’ve told you about my life: “the final wife”
But why should that story be the one I have to sing about just to win?
I’m out.
That’s not my story
There’s so much more
Parr: No ok, let me put it a different way: who was Henry VII’s wife?
43
Parr: nyone?
(to other Queens, NOT to audience!) A
Parr: The point is, the only reason any of these people have come here tonight is
because once upon a time...
Parr: Right
Howard: No, I’m talking about us. Cos as soon as we get together as a group / ...
Seymour: Er -
Seymour: Oh
44
Howard: And when we’re ‘the six wives’ of Henry VIII, we each become just that:
Parr: One of
All: IX
(sung, despondently) S
Boleyn: Omg I get it - since the only thing we have in common is our husband, grouping
us is an inherently comparative act, and as such it necessarily elevates a
historical approach ingrained in patriarchal structures – yeah, I read.
An awkward silence. They metaphorically twiddle their thumbs and scuff their shoes, not sure
what to do.
Cleves: What?
Howard: I wish that like before we spent the whole show competing, we’d realised it would
turn out to be such a mess
All: Yeah same / Hmm yeah / Ugh that would’ve been good
Parr: Yeah cos if we had realised, then we could’ve just done something else...like
maybe even a fake competition to show everyone how messed up comparing us
is
Aragon: Ugh yeah and then we could’ve found some cool way to like, I don’t know,
‘reclaim our stories’ and like ‘all become the leading ladies’
ALL: REMIX
VERSE 1
Aragon: So we had no choice?
BRIDGE 1
All: It’s not what went down in history
But tonight I’m singing this for me
CHORUS 1
All: Henry, yeah, I’m through
Too many times it’s been told
And I have had enough
Love stories soon get old
And you might think it’s tough
But I’ve got to let your love run cold
We’re taking back control
You need to know:
Parr: (adlibs like an absolute QUEEN. Just go to town - riff to ruffle their ruffs!!)
All: I don’t need your love (no) no (no, I don’t) no (no, I don’t need it)
I don’t need your love (no) no (no, I don’t) no (no, I don’t need it)
I don’t need your love (no) no (no, I don’t) no (no, I don’t need it)
I don’t need your looooooove
We don’t need your love!
Cleves: And you know what - we might just be remembered for being married to the
same man...
They all embody the idea of being like ‘omg stop, omg ur so kind, omg thank u so much’
Howard: So before we go, Chicago, what do you reckon…are you ready for a ROYAL.
HAPPY. EVER. AFTER??????
Seymour: We wish we could tell you our lives had happy endings.
Boleyn: Ever.
OH WAIT (BAM) this is our show and we can literally have whatever ending we
want?!?!?!
Howard: So, Chicago, seeing as there’s five minutes left of the show…
Song: SIX
Howard: No category
BEAT KICKS IN
48
VERSE 1
Aragon: He got down on one knee but I said “No Way”
Packed my bags, and moved into a n-n-nunneray
Joined the gospel choir
Our riffs were on fire
At the top of the charts is where I’m gonna stay
CHORUS 1
All: We’re one of a kind, no category
Too many years lost in his story
We’re free to take our crowning glory
For five more minutes
We’re SIX
VERSE 2
Cleves: What a shame that my face
It cost me the crown
So I moved to the
All: HAUS OF HOLBEIN
In my hometown
His friends were super arty
But I showed them how to party
Now on my tour of Prussia, everybody gets down
All: Adlibs like “Oh my gosh that’s so sweet / so cute / aww babe / bless you /
awwww ily guys” before they are cut off by a big BAM in the music and
they strike a pose
CHORUS 2
All: We’re one of a kind, no category
Too many years lost in his story
We’re free to take our crowning glory
For five more minutes
We’re SIX
Woah woah
We’re SIX
Woah oh oh
We’re SIX
Woah woah
For four more minutes
MIDDLE 8
All: It’s the end of the show, of the histo-remix
We switched up the flow and we changed the prefix
Everybody knows that we used to be six wives
CHORUS 3
One of a kind, no category
Too many years lost in his story
We’re free to take our crowning glory
For three more minutes
We’re SIX!
Howls of ‘encore’ reverberate around the cavernous auditorium. The audience rise, as one, to
their collective feet. Children weep. Parents sob. They’ve just witnessed the theatrical event of
the millennium. Out of a haze of smoke and talent re-emerge the six Queens.
Audience: WOOOOOOOOOOOO
Sick Beat Comes In. Lights change dramatically. 3 counts of 8 - just a beat without any tonal
information
Cleves: Get your phones out - you’re gonna wanna film this /
OR - Tell your friends cos they’re gonna wanna see this
Party lights going wild. Each Lady In Waiting gets another little solo-y moment.
Maria bangs those drums like her sleeves are green and also on fire.
CHICAGO
All: Sto-o-o-o-o-o-o-o-o-o-o-one
Parr: Love, no no
I don’t need your love, no, no
I don’t need your love, no, no
We don’t need your
All: Looooove
Aragon: DIVORCED
Boleyn: BEHEADED
Seymour: DIED
Cleves: DIVORCED
Howard: BEHEADED
Parr: SURVIVED
All: We’re
SI-IX!
53
Fin.