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Cello 2

The document is a musical score for Dmitri Shostakovich's Chamber Symphony in C Minor, Opus 110a, arranged for chamber orchestra by Rudolf Barshai. It includes detailed notation for two movements, with specific instructions for performance. The piece is based on Shostakovich's String Quartet No. 8, reflecting his unique style and emotional depth.

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Marc Van Royen
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© © All Rights Reserved
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0% found this document useful (0 votes)
152 views9 pages

Cello 2

The document is a musical score for Dmitri Shostakovich's Chamber Symphony in C Minor, Opus 110a, arranged for chamber orchestra by Rudolf Barshai. It includes detailed notation for two movements, with specific instructions for performance. The piece is based on Shostakovich's String Quartet No. 8, reflecting his unique style and emotional depth.

Uploaded by

Marc Van Royen
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Violoncellos 2 Chamber Symphony in C Minor

Opus 110a
Дмитрий Дмитриевич Шостакович Dmitri Dmitriyevich Shostakovich
Based on String Quartet No. 8 Opus 110 (1906–1975)
Arranged for Chamber Orchestra by Rudolf Barshai

              
Mov. I

         
Largo


Violoncello


                
dim.

 
      
12


 
 espr.  dim.


28

               
              


44 poco rit. a tempo

          
 
 

    
58

           

 sempre

 
           
74

       
cresc. ed espr.  dim. 

          
          
     
 dim.


87



        
cresc.

               
 espr.

     
poco rit. a tempo

   
94


dim.

               

       
102

  
 
 sempre

    
  dim.

     
117

     cresc.
  dim. 

        
2 Mov. II

            
Allegro molto
Violoncello

                   
  
    

             
 
15

                   
     

    
      
24

                                         
  


35

                                        

41

                                     
 

48

                   
        

55

       

                       

63

                                           

71
non div.



                                         

77

   
        

                                       

86

  
                                           
3


94

                                           

101

           
                       

108

          3  3 
    

      
       
119 3 3

  
     
 
altri

           


          
128 3 3 div.
3 3

     
             


          
134

       
            
           
140

     
             
            
146

     

           
tutti

              
       
152 arco


                

                
159

                         
            
169
4

 
                                 
177

 
                                 
185

                                         

193

       
                     
201

          

      
      
         

207

                 
              
 espr.


215

      
3 3

                    
 
225

 
3 3 3 3

    
                      
232

   
   

      



             

 

247

 
  

     
 

                
265

         
 
     

   


             

279

     
                                    
5
291

                                   

299

                    
            
 subito
306

                          
cresc.

 
313

                  
       
319

                            
 molto espressivo


328

                              
 
339

        
 
347

  
Mov. III

               
Allegretto

 
pizz. arco pizz.

 
Violoncello
 

 
   
                 
67
arco

     
     
     
      
77

     
       
6

     
       
88

      
          
      
         
flag.

98

  
                    
dim. 

    
110

     

                           
     
136

 
  
   

                            solo
 

  
145 div.

 dim.  espr.

              
             
155

                             

168

tutti


con sordini

                               
flag.

 
182

 dim.  sempre

                

197


            
        
213

    
       

 
   


      
231

      
         
 
   
         
7

  
flag.
241

       
                      
  
253

                              
      
273

      

    
281

      
Mov. IV

           
Largo
div.

                      
senza sord.
Violoncello

      
          
 pesante  cresc. 

          


9


                     
 cresc.   cresc. 

     
  
20

                            
 espr.

  
38

                          
cresc. 


  
50

   
dim. 

         
 cresc.

          


 
 
  
 
 
    
65

      
 
  dim.

74

              

 
8
89

              
 
     
               espr.     dim.      
104
poco espr.

 
cresc. 
119
altri

              
 
134

              
   
  
149
tutti

          
        
       
 cresc.

   
       
     
        
164
pizz. arco

 

  
 cresc. 

 

 
  
178

          
        

Mov. V

     
Largo
Violoncello



          
              
11 tutti

  

     
                  
35



cresc. 

             

    
48 con sord.

 
 
          
9

     
  
65

  espr.      cresc.
dim.

  
    
78

       
 espr. 
dim.  dim. morendo

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