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Besson Paris History

Gustav Besson, a prominent cornet designer, established his business in Paris in 1838 and made significant innovations in brass instruments until his death in 1874. The company underwent various ownership changes, including a transition to Fontaine-Besson under his daughter Marthe, and faced legal disputes over the Besson name in the U.S. The brand has since changed hands multiple times, with production moving to different locations and continuing to evolve through various partnerships and acquisitions into the 21st century.

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0% found this document useful (0 votes)
47 views7 pages

Besson Paris History

Gustav Besson, a prominent cornet designer, established his business in Paris in 1838 and made significant innovations in brass instruments until his death in 1874. The company underwent various ownership changes, including a transition to Fontaine-Besson under his daughter Marthe, and faced legal disputes over the Besson name in the U.S. The brand has since changed hands multiple times, with production moving to different locations and continuing to evolve through various partnerships and acquisitions into the 21st century.

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Pluem
Copyright
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We take content rights seriously. If you suspect this is your content, claim it here.
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Gustav Besson

Paris, France
1837 Gustav Besson (1820-1874) designs a new cornet with
better acoustical properties than any others.
1838 Besson opens shop in Paris, rue Tiquetonne 14 (photo 1).
1845 Besson moves to rue des Trois Couronnes 7 (photos 2&3).
1854 Besson invents a straight through bore design.
1855 Besson invents a full-bore design, improving response.
1856 Besson invents the prototype system of tools to enable
production of consistent copies.
1857 A dispute with Sax over his patent forces Besson to move
to London and open a factory there while his wife takes
over the Paris factory. The “Brevete” mark changes to
“Brevetee” to indicate feminine ownership.
1869 Separate serial numbers for Paris and London start with
Paris starting at zero in their new location at rue
d’Angouleme 92.
1874 Gustav dies, leaving the business to his widow and two
daughters. Daughter Marthe takes over running it.
1880 Marthe (photo 4) marries Adolphe Fontaine and the
company changes to Fontaine-Besson.
1881 The Paris factory has 62 workers.
1882 Besson develops a new cornet with compensating design.
1884 The Paris factory is at serial #30000.
1889 The Paris factory moves to rue d’Angouleme 96-98.

1894 The Paris factory is at serial #50000 and a work force of


145. Marthe moves to London to avoid Fontaine’s violent
behavior. 90 workers in Paris strike for six weeks in
protest of him.
1895 Marthe sells the London business on April 15 th and
Adolphe sues to try and block the sale. The quarrel is
finally resolved the following year.
1895 The English Besson company retains export rights for the
Besson name after the sale, and doesn’t allow the F.
Besson company to sell in the US.
1897 Carl Fischer (photo 2), the importer for Besson & Co,
acquires some instruments from Adolph Fontaine in Paris.
Besson & Co obtains an injunction against this practice
(Music Trade Review, 12-25).
1906 The Paris factory is at serial #70000.
1908 Both Marthe and Adolphe die this year, and their
daughter, Mathilde Sabatier, takes ownership.
1920 The Paris factory is at serial #82000.
1920 There are a number of trumpets marked “Fabrication
Francaise Perfectionee” that are said to have been the
work of Joseph Rapuano. The lowest serial number is
around 79000 and should date to just after WWI. These
usually have a slide ring on the first slide for tuning
(photos 1&4). To avoid the import ban, it’s said that these
were made from imported parts, which were legal,
assembled in New York. This would have helped satisfy a
large demand for professional-level trumpets in the 1920s
and 1930s.
Joseph Rapuano (b. 1882 in Italy) (photo 3) came to the
US in 1902 and worked as a trumpet player in New York.
In 1918, he was playing at the New Amsterdam Theater
and living at 222 E. 105th St in NYC (draft record). At the
same time, he was trying to patent his “New Wonder
Mute,” a straight mute for trumpet (advertising).
1922 Early Rapuano ad below.
1924 First ad found for F. Besson trumpets sold by Frank
Corrado at 287 First Ave in New York City. Frank (1880-
1945) was a musician and dealer. These were sold under
the “FFP” name (below & photos 3 & 4 next page).

1925 Rapuano ad

1925 Musician Paul Hoogstoel (b.1890 in France) is selling F.


Besson trumpets. #56 Manhattan Ave, NYC (ad next
page).
1927 Last ad found for Corrado selling Besson trumpets.
1930s William Costello (b.1886 in Italy) was a Besson dealer in
NYC in the 1930s and possibly until c.1950, when he
retired. Trumpet #93468 has a “Costello – Sole US Agent”
case banner (below).

1932 Strasser Margaux & Lemaire acquires F. Besson with


Aubertin making valves, bells & final assembly.
1934 The Paris instruments are at serial #87000.
1935 Joseph Rapuano dies on February 28, likely ending his
imports (NYC records). An ad appears in September
announcing a new partnership between Liese-Meha Inc
and Mme Besson for importing instruments from Paris
(bottom right).
1937 Liese-Meha Inc, 1595 Broadway, New York,
representatives of Besson, Paris, owned by Mme. F.
Besson (Presto, June). [This was another operation set up
to import F. Besson trumpets. Owned by Oscar J. Liese
(1906-1983), who lived in Brooklyn.]
Oscar Liese, 145 Lincoln Rd, Brooklyn, returns from La
Havre, France to NYC on October 20 (immigration
record). [Since this was the main port for Paris, he was
likely working on his import business with Besson.]
September 1937 Downbeat ad

1940 A c.1940 Liese-Meha catalog shows players using the


Besson Meha trumpets. These were imported to New York
and prepared for sale by brass technician Perry Pirone.
Exports likely end with the German occupation.
1946 Selmer has a new contract with Besson of Paris & London
for exclusive distributorship in the West for their brass
musical instruments (International Musician, March).
1950 Besson Inc. is formed in San Antonio, Texas on October 10
to sell brass in the US. This is started by Goeffrey Hawkes
of B&H and set up by Milton Fink, the owner of Southern
Music and the C. Bruno & Son dealership there (The
History of B&H, Howell).
Besson trumpet #92226 is sold through Besson Inc and
has a guarantee card with their 1100 Broadway address,
which they moved to in 1950. [likely pre-war NOS]
1951 Besson/B&H purchase the almost bankrupt F. Besson. A
new company is formed by Geoffrey Hawkes, using his
Paris publishing company Editions Hawkes, and Couesnon
SA, as a subsidiary of Editions Hawkes. They allocate
shares at 60% EH and 40% Couesnon, with Emil Stoecklin
of Couesnon the director (Besson shareholder minutes).
1953 Besson Inc of Texas is dissolved on 12-28
(opencorporates.com). At this time, the musical
instrument business was sold to C. Bruno & Son (Jonathan
Gurwitz). After this, the guarantee cards switch names but
have the same address (author’s photos 1-3 last page,
#95460).
1963 The English Besson catalog, published by Bruno, includes
the F. Besson trumpet. Mario Marcone, who works for
Bruno in NY, visits the Paris factory, which is located at 16
rue du Faubourg, Saint Denis, the same location as
Editions Hawkes. The trumpets were being assembled
there from parts made by Couesnon. At this time, they
decide to switch to valves made by B&H (Marcone). [These
valves show up on trumpets with serial numbers in the
100k range (photo 4 last page).]
1968 The English Besson catalog from Bruno has the model 125
trumpet by F. Besson as their top model made in Paris.
1968 B&H now has full ownership of Besson & Co.
1974 Meha #102147 is said by the original owner to have been
purchased new in 1974 in New York City. He bought it
from his teacher, Roy Stevens, who also used one. Stevens
claimed that the company had been sold to a larger
manufacturer and that these were the last hand-made
ones. [Not sure if he had his facts mixed up on these but
Stevens was a student of William Costello, the Besson
importer before WWII.]
1979 Any remaining Besson production would have ended with
the factory fire at Couesnon (Cousenon SA, photo 1). The
highest serial numbers found are in the 103k range
(photos 2 & 3).
1982 The long-dormant F. Besson name is alive again when
B&H hires Zig Kanstul to make modern copies. He
measures about fifty trumpets and begins production
based on these and tools reproduced from the originals
saved from Paris. They are introduced for sale in 1983
(Music Trades, 1983). [A Kanstul Besson Meha is shown
in photo 4.]
1992 Kanstul starts production of the International models
(Howell). (photos 5 & 6)
1998 Kanstul ends production of most Besson models, but new
ones were still available later from old stock. He continues
to make the Classic and Stamm models (Besson website).
2003 The Music Group buys the manufacturing business of B&H
(Howell). The Besson designs & tooling are destroyed, and
the name is used in a new line of instruments built in India
and other locations (Ron Berndt).
2006 Buffet Crampon buys the Besson name and production is
moved to Markneukirchen, Germany (Berndt).
2019 BAC Musical Instruments acquires the records and tooling
from Kanstul (Berndt). [There is no mention of the Besson
name on the BAC website in 2023.]
Early history is from the New Langwill Index unless noted.
Photos are from Horn-u-copia or online auctions unless noted.
#95450 (author’s photos below & 2nd on right)

Besson Trumpets in the 1973 Couesnon Catalog.

#101841 c.1970

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