Lit - Unit 3 - Dog of Pompeii
Lit - Unit 3 - Dog of Pompeii
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KEY IDEA Some people take risks for the excitement of it, whether
rtLlNots
OBJECTIVES they are trying a new skateboarding trick or auditioning for a play.
READINC STANDARDS
Others, such as a student entering a spelling bee, take risks hoping
2.6.O4 ldentify the author's theme to gain a reward. ln "The Dog of Pompeii," one character risks his
2.6.14 ldentify subcategories of
ge n res
life simply to help someone else.
LIST lT
Brainstorm a list of situations in which you would be willing
to take a risk for another person. Compare your lists with those of
your classmates. What differences and similarities do you see?
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O llrrRARY ANALYSIS: THEME VERsUs TOPIC
Most stories center around a theme, or an overall message
Passion for Poetry
about life that the writer shares with readers. A story's Though as a
theme is different from its topic, or what the story is about. young man he
worked several
Length Example
jobs within his
Topic can usually be stated in a love family's jewelry
word ortwo business, Louis
Untermeyer was
Theme more complex than a Love can help
also constantly
topic; usually described in people solve their
writing. He
a sentence differences.
eventually retired Louis Untermeyer
One topic of "The Dog of Pompeii" is friendship. As you read, business in order to devote more time
look for the larger message the author wants to share. to writing. Although Untermeyer
wrote many stories, poetry was his
a READTNG STRATEGY: READTNG HISTORICAL FICTION true passion. During his lifetime, he
Writers of historical fiction use a combination of real and published more than roo books and
made-up settings, events, and characters from the past. developed friendships with famous
The storyyou are about to read uses a real place, the town poets such as Robert Frost and E. E.
of Pompeii, as its setting. lt also describes a real event- Cummings.
a volcanic eruption. As you read, make a list of details that
Background
the author uses to make the story's setting and events come
Mount Vesuvius Erupts ln the
alive. Be sure to include information about food, clothing,
year A.D. 79, the volcanic mountain
transportation, houses, entertainment, and so on.
Vesuvius (vY-soo've-es) erupted in
Review: Monitor southern ltaly. lt poured burning lava
and ashes over the countryside and
/\ vocABULARY tN CONTEXT buried the nearby cities of Pompeii
(pdm-pa') and Herculaneum
Louis Untermeyer uses the following words to craft his
(hur'kye-la'ne-em). Of Pompeii's
tale of an ancient city. To see how many you know, try to
estimated population of 2o,ooo, at
complete each phrase with the appropriate word.
Ieast z,ooo were killed. Pompeii lay
WORD agonize dislodge ponder undisturbed for almost 1,7oo years,
L|ST until its ruins were discovered in the
corrupt emerge
late r5oos. The remains of the city,
preserved by volcanic ash, present a
1: The shaking is able to _ huge boulders.
picture of life in the Roman Empire, as
2. The citizens over what is happening in their town.
if it had been frozen in time.
3. They wonder when they can from hiding.
4. The lava begins to the soil, making it unusable. MORE ABOUT THE AUTHOR
AND BACKGROUND
5. Modern archaeologists the town's ruins. To learn more about Louis Untermeyer
and Mount Vesuvius, visit the
Literature Center at [Link].
'"; 'i,o and his dog Bimbo lived (if you could call it living) under the ANALvZE vtsuAls
.I wall where it joined the inner gate. They really didn't live there; they Make inferences about
just slepr there. They lived anywhere. Pompeii was one of the gayest of the life in Pompeiibased on
the details in this image'
old Latin rowns, bui although rito was never an unhappy boy, he was not
exactly a merry one. The streets were always lively with shining chariots
and bright red trappings;i the open-air theaters rocked with laughing
crowds; sham battles and athletic sports were free for the asking in the
great stadium. Once ayear the Caesar2 visited the pleasure city, and the
fireworks lasted for days; the sacrifices in the forum3 were berrer than a
ro show. But Tito saw none of these things. He was blind-had been blind
from birth. He was known to everyone in the poorer quarrers. Bur no one
could say how old he was, no one remembered his parents, no one could
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iouli i='=:; -'s;-'J r\n'cn
hal
rc:r.:-r.r -.,ing Tiro-abour rr..elr. or rhirrlcfl \'cJr:-rne., I
seen Bimbo. Bimbo had ne,rer left his side. He was nor only dog bur *:[h ;X;fl:r,rt;
nurse, pillow, playmate, mother, and father to Tito. 6 takes place in the past?
il
ANALYZE VISUAtS
Compare and contrast
this image with your
mental picture of the
city of Pompeii.
so
Wito had heard agteat deal about the earthquake, though being about
A a year old at the time, he could scarcely remember it. This particular
quake had been a light one-as earthquakes go. The weaker houses had
been shaken down; parts of the outworn wall had been wrecked; but there
was little loss of life, and the brilliant new Pompeii had taken the place
of the old. No one knew what caused these earthquakes. Records showed
they had happened in the neighborhood since the beginning of time.
Sailors said that it was to teach the lazy city folk a lesson and make them
appreciate those who risked the dangers of the sea to bring them luxuries
and protect their town from invaders. The priests said that the gods took
roo this way of showing their anger to those who refused to worship properly
and who failed to bring enough sacrifices to rhe altars and (though they
didn't say it in so many words) presenrs to the priests. The tradesmen
said that the foreign merchants had corrupted the ground and it was no corrupt (ke-rUpt') v. to
longer safe to traffic in imported goods thar came from strange places and cause something to
change from good
carried a curse with them. Everyone had a different explanation-and
to bad
everyone's explanation was louder and sillier than his neighbort.
They were talking about it this afternoon as Tito and Bimbo came
out of the side street into the public square. The forum was the favorite
promenade6 for rich and poor. \7hat with the priests arguing with the
uo politicians, servants doing the day's shopping, tradesmen crying their
wares, women displaying the latest fashions from Greece and Egypt,
children playing hide-and-seek among the marble columns, knots of
sharp ring to it, and Tito knew it as the accent of a stranger. "How about
the two towns of Sicily that have been ruined three times within fifteen
years by the eruptions of Mount Etna? And were they not warnedi And
does that column of smoke above Vesuvius mean nothing?"
"That?" Tito could hear the grunt with which one question answered
another. "Thatt always there. \7e use it for our weather guide. \7hen
the smoke stands up straight, we know we'll have fair weather; when it
rao flattens out, it's sure to be foggy; when it drifts to the s251-"
"Yes, yes," cut in the edged voice. "I've heard about your mountain
barometer.T But the column of smoke seems hundreds of feet higher than
usual, and itt thickening and spreading like a shadowy tree. They say in
Naples-"
"Oh, Naples!" Tito knew this voice by the little squeak that went with it.
It was Attilio, the cameo8 cutter. "Tltey talk while we suffer. Little help we
got from them last time. Naples commits the crimes, and Pompeii pays the
price. It's become a proverb with us. Let them mind their own business."
"Yes," grumbled Rufus, "and others, too."
140 "Very well, my confident friends," responded the thin voice, which
now sounded curiously flat. "\7e also have a proverb-and it is this:
Those who will not listen to men must be taught by the gods. I say no
more. But I leave a last warning. Remember the holy ones. Look to your
temples. And when the smoke tree above Vesuvius grows to the shape of
an umbrella pine, look to your lives."
Tito could hear the air whistle as the speaker drew his toga about him,
and the quick shuffle of feet told him the stranger had gone.
"Now what," said the cameo cutter, "did he mean by that?"
"I wonder," grunted Rufus. "I wonder."
ponder (p6n'der) v. to
1i0 Tito wondered, too. And Bimbo, his head at a thoughtful angle, looked think seriously about;
as if he had been doing a heavy piece of paqdedng. By nightfall the reflect on
7. mountain barometer: A barometer is an instrument for measuring the pressure of air and predicting
weather changes. The people of Pompeii used the smoke from the volcano as a sort of barometer.
cameo: a shell or gem with a picture carved on it.
argument had been forgotten. If the smoke had increased, no one saw it
in the dark. Besides, it was Caesar's birthday, and the town was in holiday
mood. Tito and Bimbo were among the merrymakers, dodging the
charioteers who shouted at them. A dozen times they almost upset baskets
of sweets and jars of Vesuvian wine, said to be as fiery as the streams
inside the volcano, and a dozen times they were cursed and cuffed. But
Tito never missed his footing. He was thankful for his keen ears and
quick In51lns1-1y1ost thankful of all for Bimbo.
160 They visited the uncovered theater, and though Tito could nor see
the faces of the actors, he could follow the play better than most of the
audience, for their attention wandered-they were distracted by the scenery,
the costumes, the by-play, even by themselves-while Titot whole arrention
was centered in what he heard. Then to the city walls, where the people of
Pompeii watched a mock naval battle in which the city was attacked by the
sea and saved after thousands of flaming arrows had been exchanged and
countless colored torches had been burned. Though the thrill of flaring
ships and lighted skies was lost to Tito, the shouts and cheers excited him as
much as any, and he cried out with the loudest of them.
170 The next morning there were two of the beloved raisin and sugar cakes
for his breakfast. Bimbo was unusually active and thumped his bit of a
tail until Tito was afraid he would wear it out. The boy could not imagine
whether Bimbo was urging him to some sort of game or was trying to tell
him something. After a while, he ceased to notice Bimbo. He felt drowsy.
Last night's late hours had tired him. Besides, there was a heavy mist in
the air-no, a thick fog rather than a rni51-2 fog that got into his throat
and scraped it and made him cough. He walked as far as the marine gate
to get a breath of the sea. But the blanket of haze had spread all over the
bay, and even the salt air seemed smoky. @ O THEME VERSUS
r80 He went to bed before dusk and slept. But he did not sleep well. He had TOPIC
too many dreams-dreams of ships lurching in the forum, of losing his Reread linesqotT4.
Notice the way Tito
way in a screaming crowd, of armies marching across his chest, of being reacts to Bimbo's
pulled over every rough pavement of Pompeii. behavior. ln what
He woke early. Or, rather, he was pulled awake. Bimbo was doing way does his reaction
suggest that something
the pulling. The dog had dragged Tito to his feet and was urging the
has changed?
boy along. Somewhere. \7here, Tito did not know. His feet stumbled
uncertainly; he was still half asleep. For a while he noticed nothing excepr
the fact that it was hard to breathe. The air was hot. And heavy. So heavy
that he could taste it. The air, it seemed, had turned ro powder, a warm
uo powder that stung his nostrils and burned his sightless eyes.
F$* hen he began to hear sounds. Peculiar sounds. Like animals under
dislodge (dYs-l6j') v.
A the earth. Hissings and groanings and muffled cries that a dying to move from a settled
creature might make dislodging the stones of his underground cave. position
ANALYZE VISUALS
What do the actions
of the people in this
illustration suggest
about the eruption?
To walk was not enough now. They musr run. Tito was too frightened
to know what to do or where to go. He had lost all sense of direction. He
started to go back to the inner gate; but Bimbo, straining his back to
the last inch, almost pulled his clothes from him. \7hat did the crearure
want? Had the dog gone mad?
230 Then, suddenly, he understood. Bimbo was telling him the way our-
urging him there. The sea gate,e of course. The sea gate-and then the
sea. Far from falling buildings, heaving ground. He turned, Bimbo
guiding him across open pits and dangerous pools of bubbling mud, away
from buildings that had caught fire and were dropping their burning
beams. Tito could no longer tell whether the noises were made by the
shrieking sky or the agonized people. He and Bimbo ran on-the only agonize (59'e-niz') v. to
silent beings in a howling world. suffer extreme physical
or mental pain
New dangers threatened. AII Pornpeii seemed to be thronging toward
the marine gate; and, squeezing among the crowds, there was the chance
z<o of being trampled to death. But the chance had to be taken. It was growing
harder and harder to breathe. \7hat air there was choked him. It was all
dust now-dust and pebbles, pebbles as large as beans. They fell on his SCI ENCE
head, his hands-pumice stonesl0 from the black heart of Vesuvius. The & CONNECTION
mountain wis turning itself inside out. Tito remembered a phrase that
the stranger had said in the forum two days ago: "Those who will not
listen to men must be taught by the gods." T[re people of Pompeii had
refused to heed the warnings; they were being taught now-if it was nor
too lare.
Suddenly it seemed too late for Tito. The red hot ashes blistered his
z:o skin; the stinging vapors tore his throat. He could nor go on. He staggered
toward a small tree at the side of the road and fell. In a momenr Bimbo was Mount Vesuvius is a
beside him. He coaxed. But there was no answer. He licked Tito's hands, type of volcano called
a composite volcano.
his feet, his face. The boy did not stir. Then Bimbo did the last thing he
When composite
could-the last thing he wanted to do. He bit his comrade, bit him deep in volcanoes erupt, they
the arm. \With a cry of parn, Tito jumped to his feet, Bimbo after him. Tito release not only pieces
was in despair, but Bimbo was determined. He drove the boy on, snapping of rock but also clouds of
hot ash and toxic gases.
at his heels, worrying his way through the crowd; barking, baring his teeth,
heedless of kicks or falling stones. Sick with hunger, half dead with fear and
sulphull fumes, Tito pounded on, pursued by Bimbo. How long he never
zeo knew. At last he staggered through the marine gate and felt soft sand under
o MONITOR
Clarify why Bimbo bites
him. Then Tito fainted. . . . 6 Tito in line 255.
Comprehension I LLI
OB'ECTIVES
NOrS
3. Clarify What is the source of the fumes and ashes that hurt Tito?
Literary Analysis
4. Make Inferences Reread lines 288-29o. Why didn't Bimbo have "sense
enough to run away" when Mount Vesuvius erupted?
Understand Historical Fiction Look back at the list of details you recorded
asyou read the story. Explain why the setting is so important in the story.
6. Identify Theme Keeping the / D"toil, \ /'-o"toi-=--..
topic of friendship in mind, note \---- __./
important details about Tito and
Bimbo's thoughts and actions in Theae'
a web like the one shown. Then,
in the center, write a sentence
z'-D"toil' /D"toil, \
expressing the story's theme.
hlmbo wakes Tito
Analyze Foreshadowing A clue \<tn,
Vesuvius
__-/
or hint about something that will
happen later on in a story is called
foreshadowing. Reread the conversation between Rufus and the stranger in
the forum in lines rr8-r34. What events are foreshadowed in this passage?
8. Evaluate a Character Although historicalfiction can contain made-up
details and characters, the story should seem as though it really could
have happened. Consider whether Bimbo's behavior, both before and
after the volcano erupts, is believable. Support your answer.
I tU NOlS
OB,' ECTIVES
Suppose that you are in Pompeii, and the volcano is beginning to erupt.
Write about howyou feel and what you must do, using two or more READING STANDARD
vocabulary words. You could start like this. 1.6.01Deter- ne . - -:. .g o'
aword using pref re:. >,1- xes, and
word roots
EXAMPTE SENTENCE
There /s ho tlMe to potder the best escape route {ront thls utr1.
ti Source
i lrfornutba About laforuation About
!?oupeii [Link]
"lhe Dog of Poupell' )t was a. rich and A colurun o{ suoke
/tvelq cftq ftl/ed usual/r4 stood [Link]
wfth open-air ft, which the people
theaters, shops, of Pouperi t,sed to
golden chariots, te// the weather.
and tourlsts,
be{ore the eruptton,
)t often had the co/uun got uuch
earthquakes. taller and thtcker.
)n Search ofPoupeir
")[Link].nsTn1inq to
Prevent a Modern
?ompeii'
i
informationaltexts.
beside it, the baths and grand houses with their wall paintings and El SYNTHESTZE
ro colonnaded gardens. But, above all, there are the people of
about the city of
Pompeii, overwhelmed as they tried to escape the horror that
Pompeii in this passage?
overtook their city. Across nearly 2,000 years, their twisted bodies Record this information
are vivid witnesses of what happened on August 24, t.o.79.@
NFORMATION 329
FORUM BATHS
Much of Pompeii had
:itl
running water, carried tli
in by lead pipes under
the streets. Public bath
complexes used central
furnaces to heat the water.
'--"''"" b"'\
Vesuvia n sate
Central baths
Temple of Venus
,, ;.
Covernment buildings
\
-r--.--
"--.-,-_'-
,'7
"\'-v' i..
'\ - ',"--
Gl SYNTHESTZE
ln "The Dog of Pompeii,"
' Cladiator barracks
:I:: Tif6 grprilrrgi:mib6:ie5t,fui-.,, .
FORUM ill
atime in the forum. The Forum was Pompeii's il
Locate the forum on the main public space. l.
Nola gate
Swimming pool
aaa:-t:. .::--;-';
Nucerian gate
{#tr4p**iY# W#L{eN#
A composite volcano is a cone-shaped
volcano built up of layers of lava and
Iayersof rock fragments. Composite
volcanoes have violent eruptions for
two reasons. First, expanding gases
trapped in rlsing magma tend to cause
explosions. Second, hardened lava
from earlier eruptions often plugs
openings in these volcanoes. This rock
must be blown out of the way before
any more magma can escape.
During an eruption, volcanic gases
can mix with rock fragments and stay
near the ground. The mixture forms a
pyroclastic flow, which is a dense cloud
of superhot gases and rock fragments
o SYNTHES|ZE that races downhill.@
ln "The Dog of Pompeii,"
Tito experiences i ntense
heat. What does the
caption here reveal
about the scientific
reasons for this heat?
2. Clarily Reread page 331. Describe the system Fiorelli used for labeling
Pompeii during its excavation.
Critical Analysis
4. Make lnferences About Informational Text Reread the description of
composite volcanoes on page 332. Based on the details in Pliny's letter,
what part of the volcano's eruption might he have witnessed? Explain.
Synthesize Based on everything you have read, predict the future ofthe
region around Mount Vesuvius. Support your prediction using details and
examples from the selections.
ILLINOtS
Read for lnformation: [Link]
READING STANDARDS
1.6.15 Distinguish the main idea
lfifRITIN6 PRO'VTPT and supporting detai s
"The Dog of Pompeii" is a made-up story. However, Louis Untermeyer 1.6.19 Draw inferences.
conclusions, or generalizations
includes real people, places, and events to help bring his story to life. Based
on the information you have just read, evaluate Louis Untermeyer's accuracy
in describing Pompeii before, during, and after Mount Vesuvius erupted.
ffmrs ME,MORIE S
keep the pest alia€?
ItUNOIS KEY IDEA Memories are how we hold on to people we have
OBJECTIVES known, places we have been, and things we have done. As time
READING STANDARDS
goes by, those memories can fade unless we find ways to keep
2.5.O1 ldentify elements of fiction them fresh. ln "Nadia the Willful," a character takes action to
2.6.09 Compare and contrast the
behavior of two cha racters
make sure that a precious memory will last.
iis
QUICKWRITE Think about ahappy or important Keeping lyenorles
occasion you want to remember. lt might be a 4live
wedding, a birthday, or a day spent with friends. /. Take photcs
Write down some ideas about howyou can Z. Make a scrap,[ped
preserve this memory.