Purdue All-American Marching Band Guide
Purdue All-American Marching Band Guide
MARCHING BAND
HANDBOOK
PURDUE “ALL-AMERICAN” MARCHING BAND HANDBOOK
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FOREWORD
This booklet is an addendum to the “All-American” Bands and Orchestras General Information Handbook. It is not intended as
a replacement for that handbook, but as an additional resource for members of the “All-American” Marching Band containing
information of a nature that is applicable specifically to the marching band.
It is assumed that all marching band members will have read the General Information Handbook, as it contains important
information on matters such as membership and enrollment, rehearsal and performance procedures, equipment, attendance
and grading, administrative organization, and awards. Specific policy matters that directly affect the membership of the
marching band are discussed in the General Information Handbook, and all members will be expected to be familiar with such
information.
The “All-American” Marching Band Handbook includes a list of marching band fundamentals, information on reading charts,
and specific discussions of special policy matters that affect only the marching band. A thorough understanding of this
information along with the general information provided in the regular handbook will enable you to function as a
knowledgeable, contributing member of the “All-American” Marching Band.
Membership in the “All-American” Marching Band is an honor and a privilege, and makes you a member of a unique musical
organization with over 130 years of service to Purdue University. Your commitment and dedication to the traditions and service
of the marching band will insure the continuing role of this organization as the major force in building and maintaining a love
and spirit “for the honor of old Purdue”!
Student Contract 30
The faculty and staff of the Department of Bands & Orchestras are fully committed to these ideals and regulations, and expect
every participant and volunteer in our program to embrace them as well.
II. HISTORY
The history of the AAMB dates back to 1886 and a five-member organization attached to military training. An 1896
reorganization brought the number to fifteen, and by 1900 the band was attracting positive reviews at football and baseball
game performances. The early bands were led by student directors, and from those ranks came the first permanent director
of the band, Paul Spotts Emrick. While still a student director, Emrick established one of many “firsts” for the Purdue Band, a
block “P” formation, marking the first time any college band had broken from its basic military ranks to form a picture. During
his 49-year tenure with the band, Emrick, a demanding taskmaster, continued to build the reputation of the band, setting many
records along the way. The World’s Largest Bass Drum, the annual Indianapolis 500 performance, the addition of majorettes,
and even the “All-American” title date back to the Emrick era.
The task of following Emrick upon his retirement in 1954 fell to Al G. Wright, then a high school band director in Miami, Florida.
Unlike Emrick with his strict military approach, Wright was a showman, and his band shows reflected the best of the show band
style. Wright designed the current style of the band uniform, added more majorettes, introduced the featured solo twirlers -
the Golden Girl, the Girl in Black, and the Silver Twins - and created the “I Am an American” flag presentation. The Flag Corps
and Goldusters also debuted during the Wright era. Under Wright, the band traveled extensively, making numerous bowl
appearances, performing at Radio City Music Hall in New York, and visiting such international destinations as Columbia,
Venezuela, Quebec, and the Netherlands. Wright maintained the tough disciplinary standards, all the while seeing the band
increase to nearly 400 students, the largest in the Big Ten and one of the largest in the country.
When Wright reached retirement age in 1981, J. Richard Dunscomb was named Director of Bands. In a change from the
previous tradition, Dunscomb decided not to take the position of marching band director, and Dr. William C. Moffit was hired
to fill the position. Moffit brought along his popular “Patterns of Motion” drill design technique and the dynamic “Soundpower”
approach to musical scoring. His additions to the band include the Fanfare Trumpets, the giant American and Indiana flags used
at pregame, and a double block “P” formation. The present uniforms were first worn in 1985 during the Moffit era. Moffit, a
talented showman in his own right, maintained the standards and traditions of the band developed over the previous 90 years
and, as the program turned 100 years old, he brought the band an increased local visibility.
The 1988 season was a challenging one for the band, marked by the late retirement of Moffit and the naming of Joseph
Manfredo as interim director of the marching band shortly before the start of the season. Joe approached the difficult task
The addition of Dr. David Leppla to the staff for the 1989 season, in combination with veteran director Bill Kisinger, guaranteed
a continuation of the great traditions of the “All-American” Marching band with continued efforts to put the band on the
“cutting edge” of contemporary show design. The establishment of the post-game "fountain concert" was a highlight of the
season. With the addition of a Graduate Assistantship in 1991 as well as the return of a full-time Assistant Director, the staff
finally was back to full strength. During his tenure, Dr. Leppla traveled with the band to Singapore at the Chingay Procession,
and to Venezuela for an unprecedented eighth performance at the St. Sebastian Festival in 1997. Perhaps the most significant
accomplishment of the band during the Leppla era was in 1995, when the Purdue Band became one of the elite college marching
bands to receive the coveted Sudler Trophy.
The spring of 2006 brought about the retirements of both Dave Leppla and Bill Kisinger. At this time, Purdue appointed Professor
Jay Gephart Director of Bands and director of the “All-American” Marching Band. Professor Gephart serves as the fifth director
of this internationally famous band. The "All-American" Marching Band has performed at the Champs Sports Bowl, the Detroit
Motor City Bowl, the Heart of Dallas Bowl, the Foster Farms Bowl and the Music City Bowl as well as the "Meet in Beijing" Fine
Arts Festival under Professor Gephart's leadership. In 2009, the band received an invitation to perform in the November 2010
Macy's Thanksgiving Day Parade in New York City which kicked off the 125th anniversary celebration of Purdue Bands. In 2013,
the band made a critically acclaimed appearance in the St. Patrick’s Day Parade in Dublin Ireland, returning in 2018 for a similar
trip. The AAMB returned to South America in 2015 to perform at the Festival of the Flowers in Medellin, Colombia. As this era
in Purdue Band history continues, the band will continue to strive to be the "best damn band in the land"!
Drum Major
The AAMB uses two drum majors in most seasons, with occasional additions or subtractions. The drum majors are an integral
part of the student leadership team in the marching band. Drum Majors serve in that position for one season at a time. These
positions are declared open each spring, and all interested candidates must audition for the positions regardless of previous
standing as drum majors. The Marching Band Staff also reserves the right to require participation of the Drum Majors in summer
clinics or leadership seminars as deemed necessary by the staff.
Their function:
• Serve as student staff for all sections during rehearsals and performances.
• Be responsible to the Director, and work with him in leading rehearsals and performances.
• Serve as a representative of the band, the staff, and the university to the public
• Lead by example in all areas of marching, musicianship, and character.
• Provide effective game day management.
Auditions occur each spring semester. Interested students must be enrolled at Purdue, have been a member of the AAMB for
at least one year, and be registered for Band 11000 for the following fall semester. Candidates must be in satisfactory academic
standing with the university. All students petitioning for the drum major position will also complete an application. Additional
information is available from the administrative assistant in the band office. The Drum Majors are required to participate in
the Indy 500 activities for the school year they serve in that position.
Students interested in the position of Section Leader will submit an application for the next year at the end of the marching
band season. Candidates must have been a member of the AAMB for at least one season, must be in good academic standing
with the university, and must be enrolled in Band 11000 for the following fall semester. Section members will be asked to rank
the top four individuals in their section at the end of the season to assist the faculty and staff in selecting section leaders during
the spring semester.
The total membership in the AAMB will include approximately 395 students.
The goal of this process is to ensure that the best available marchers are on the field, and that current performers do not relax
in the assumption that their position is secure. This also provides Game Day Staff a real opportunity to improve and earn a
position based on their efforts.
The position of Game Day Staff not only allows for the orderly operation of the band as noted above, but it provides the
opportunity to work toward the goal of inclusion. It is understood that in the selection process for marching band members,
only those students who have the capability of filling a regular spot should be selected. As such, the difference between those
students in “regular” positions and Game Day Staff positions should be nearly indistinguishable. That said, students who feel
the urge to “ease off” may well find themselves as a member of Game Day Staff the following week. While a Game Day Staff
member may experience a certain degree of frustration, he or she must realize that the role of the Game Day Staff is essential
if the high standards of the band are to be maintained.
Game Day Staff members are required to maintain the same standard as field marchers in all rehearsal and performance
activities, including the following:
Attendance
Regular attendance will be a requirement for all members of the AAMB.
● Rehearsals will begin promptly at 3:30 p.m. Monday through Friday, and will end at 5:20 p.m.
● Saturday dress rehearsals on home game days will be scheduled based on the starting time of the particular game. The
general policy will be 3½ hours before game time, though this is subject to change.
● Times listed in the Band Calendar are NOT necessarily accurate for every game or performance; review the “Daily”
notes in-season for the most accurate times.
Students must be in attendance for all rehearsals and performances of the AAMB, including Band Camp, all home and scheduled
away games occurring during school holidays such as Thanksgiving weekend and Fall Break, and any post-season bowl activities
or performances. The only acceptable excuses for absence from a rehearsal are the following:
● Serious illness or death in the family.
● Personal illness or emergency.
● Unavoidable class conflict (Note: such conflicts must be cleared in advance with the AAMB Attendance Officer and
indicated on the student’s attendance record. Conflicts that will result in extensive absence from rehearsals will not
be approved. Students are expected to schedule courses in such a way as to minimize or eliminate potential sources
of conflict).
● Special “one time” class conflicts such as a midterm exam, which must be supported by a note from the instructor.
The Director or his designee shall be the final authority on all attendance matters for the organization. Student Leaders cannot
make attendance decisions.
Students who expect to be absent or tardy for a rehearsal must submit an attendance request in advance. If the absence or
tardy involves a performance or dress rehearsal, this must also be discussed with the Director during a scheduled personal
conference.
● The Attendance Request form is available on the band website (www.purdue.edu/bands/attendance)
● Failure to submit the approved absence forms will result in the absence or tardy being considered "unexcused",
resulting in a lowering of the band grade as indicated in the section on Grading Policies.
● Forms submitted more than one week late will not be accepted.
● The submission of the proper form does not automatically make an absence or tardy "excused". Previously stated
band policies will be applied to determine if it will be considered "excused" or "unexcused."
A student who misses a performance of the AAMB without a valid excuse will receive a failing grade for the course, and placed
on permanent Game Day Staff.
Grading
Grading in the AAMB is cumulative over the course of the season, and will reflect an evaluation of the individual student in the
following areas:
Any and all questions concerning individual grades or current class standing should be referred to the Director of the AAMB or
designated staff member.
Uniforms
All AAMB members are expected to be familiar with all uniform policies, and to be dressed in top “inspection-ready” condition
every time the uniform is worn.
Equipment
University-owned instruments are available for use by members without charge. For the AAMB, wind players and percussionists
are required to use university instruments. Each student will check out an instrument through the Supply Team using the
appropriate form. Please note that the individual student is responsible for any damage that may occur to university-owned
equipment while the instrument is signed out to them
● Please report any damage, no matter how minor, immediately to a Supply and Equipment Team member, who
will handle the matter from that point.
● Instruments will be inspected upon their return and students billed through the university for any damage. As
with the uniforms, do not attempt to make repairs on your own.
● All university-owned instrument repair is to be handled through Purdue Bands & Orchestras.
You will be charged for any damage to your instrument related to misuse. Charges will be applied on a case-by-case basis. If
your instrument needs to be repaired, you must bring it to a Supply Team Members as soon as possible.
Instruments must be kept in excellent condition including proper maintenance of all slides, valves and keys. There are
instrument upkeep guides in all cases that must be followed in order to prevent damage to the instrument.
General Operations
1. Rehearsals are held Monday through Friday, rain or shine, beginning at 3:30 p.m. and running until 5:30 p.m. Come
prepared to brave the elements!
● Check your email each afternoon for the “AAMB Daily Notes” to determine what the rehearsal plan is for the
day. These notes will also cover announcements for the day, many of which will not be covered verbally at
rehearsal.
2. Proper preparation for rehearsal includes having a pencil, your music, electronic devises for drill instruction, and your
instrument with lyre and flip folder at EVERY rehearsal.
Game Day
1. The AAMB will perform for all home football games, as well as at selected away games. (see calendar)
● Special concerns for each performance, such as reporting times and schedule for the day will be addressed in
the daily rehearsals the week of the performance.
● Television can affect the starting time of games, so be prepared for potential changes as the season
progresses.
2. The normal game day “ritual” will consist of the following events:
● Pre-game warm-up rehearsal on the drill field – this is not a practice, but rather intended as a final review
before the performance. You will report to the practice field in full uniform, generally about 3.5 hours before
game time. Attendance and inspection will be held at this time.
○ Many sections have somewhat earlier call times to take care of section-specific warm-ups. These
are very strongly encouraged, but will not be considered a graded call time, nor will absences/tardies
from these activities be factored into GDS selection.
● At the end of rehearsal, there will be a brief break/tailgate at Hull Field, and then march to Slayter Center for
the “Thrill On The Hill” pre-game concert. This begins 90 minutes before game time.
● After the concert, line up and march into the stadium to prepare for the pre-game show.
● A student must have been a member of the AAMB during the fall preceding the 500 activities in question. Previous
AAMB students who were on co-op or study abroad during that semester will be considered eligible to participate.
● Students must be enrolled in a Band course during the spring semester in which they petition for the 500 activities
(Orchestra, Concert Bands, Jazz Bands, AMRE). Students who are on co-op or who are student teaching during that
spring semester will be considered eligible to participate. BAND 120 will be considered only if students are unable to
Housing will be available at Butler University in Indianapolis. Sign up sheets for housing will be available prior to Spring Break.
All arrangements will be handled by the Director of Operations for the Director of Bands. Questions on the 500 activities should
be directed to any AAMB faculty or staff member. Specific details for each year will be included with the petition form for that
year.
Students must be aware, however, that the name of Purdue University Bands is important, and that any performance that
either in actuality or by implication involves the use of that name must fall under the same control and considerations as
performances by organized Purdue University Band ensembles. The name of Purdue University Bands cannot be put into any
position that will portray it in a questionable or negative manner. As such, the following policies will be in effect concerning
performances that involve Purdue University Band students, whether or not such performances involve the use of Purdue
music, uniforms, or equipment:
● No student may participate in any public performance that involves the name of Purdue University Bands, or the use
of Purdue University uniforms or equipment, without the express knowledge and permission of the Director of
University Bands.
● Requests for public performances by Purdue University Bands students that will involve the use of the Purdue
University Bands name either directly or by implication must be referred to the Office of the Director of University
Bands. This would include such things as small pep bands, performances at organized events, etc.
● Requests for public performances by Purdue University Bands students as an organized Purdue University group should
be made to the Director of Bands. Said request should include complete performance details, the date and time of
the event, type of group requested, and other pertinent details.
● Public performances by any ensemble that in some way represents Purdue University Bands may require the
attendance of a Purdue University Bands faculty or staff member as deemed necessary by the Director of University
Bands.
● Transportation to any group performances outside of the local community will require the use of University
transportation as determined by the Director of Bands.
● Any student who wishes to perform or speak publicly as a stated or implied representative of Purdue University Bands
must clear such appearances with the Director of University Bands.
This policy is not meant to restrict public performances by students as members of church, club, or personally organized groups,
or as soloists with groups or organizations outside of Purdue University Bands. Students may certainly cite any performance
credentials they have with the Department of University Bands in such instances. The key to this policy lies in the use of the
Purdue University Bands name. Students who have any concerns with performance activities should discuss the situation with
the Director of Bands or a member of the Bands Faculty.
This sheet is intended to give you information on the expectations for all members of the “All-American” Marching Band under
performance conditions. The goal for any organization of this sort is uniformity in style and appearance. The policies that have
been established are in place to ensure that all students do their part to meet this goal. Those that may issues demerits include
Directors, Coaches, Drum Majors, Section Leaders, Student Leaders, Executive Team Leader and Volunteer Management Team
Leaders.
Inspection process:
1. All rank leaders will be inspected by a member of the AAMB staff.
2. Rank leaders will then inspect their individual ranks and report to a staff member the results of the inspection including
demerit information.
3. All points will be calculated based on the list printed below.
4. Students receiving demerits will be immediately notified by the inspecting officer.
5. Students will have 24 hours to appeal a demerit(s). This 24 hours begins immediately after the student is informed of
the demerit(s).
6. After this point, demerits will remain as recorded.
7. The Director of the AAMB WILL NOT interfere in the inspection policy unless asked to become involved by another
faculty or staff member.
8. After each game, a list of demerits will be given to the staff member in charge of attendance who will provide updated
information to each section leader. The information will be used in the determination of Game Day Staff for the
following game.
9. The accumulation of four demerits will automatically place a participant on GDS for the next performance.
10. There will be no full reset for demerits once a maximum of four is reached. Example: If a student accumulates 3 gigs
at gameday #1, then 2 gigs at gameday #2, they will serve as GDS and have their gig count reset to be 1 (5 total gigs,
served 4 as GDS, 1 remaining).
Please become familiar with the requirements of this list. If additional policies are deemed to be needed as the season
progresses, you will be informed. Please also be aware that matters of attendance and punctuality fall under a different area
and are not a concern here. Also, the Auxiliaries often have policies, which pertain directly to their groups, that may differ from
those listed here. In such cases the Auxiliary policy will take precedence for those group members.
1. UNIFORM APPEARANCE
Policy Demerits
Band members must be in FULL UNIFORM any time they appear in public in uniform. -2
Wearing of any part of the uniform (including raincoat) without the full uniform -2
“Gold Day” Uniform shall be work in its entirety for “Gold Day” as specified at the beginning of the season. This
typically includes…
WARM Weather Conditions
• Gold Day hat (must be worn in the forward position) -1
• Gold Day shirt -1
• Black Shorts -1
COLD Weather Conditions
• Gold Day hat (must be worn in the forward position) -1
• Black pants or jeans -1
• Train Jacket -1
2. PERSONAL APPEARANCE
Policy
Band members must be well-groomed and clean-shaven -2
• Moustaches must be neatly trimmed and no longer than the corners of the mouth
• Beards are not permitted.
No hair touching the uniform coat collar when in attention position (hair must stay up when hat is off) -1
Jewelry other than watches or wedding/engagement rings may not be worn -2
• (NOTE: this includes visible piercings)
Any clothing worn under the uniform for warmth (i.e. turtlenecks) must not be visible outside of the uniform (check
sleeves, neck area) -1
(NOTE: These must be black pieces of clothing)
No makeup or face decorations, unless specified for auxiliary use -2
Auxiliary make-up/hair/uniform applied and worn correctly -2
Tattoos covered with bandages, if visible when in uniform -2
3. INSTRUMENT APPEARANCE
Policy
Instrument must be clean -2
• Outside of instrument polished and shined
• Inside of instrument clean, particularly the bell
• Drums and cymbals polished, clean heads and sticks
• Auxiliary equipment is clean
All parts of instrument functional and in good working order
Valves, keys, and slides lubricated and smoothly working -1
Mouthpiece clean, reeds in good playing condition -2
Drums properly tuned, with drum keys -1
Music lyre in place and securely attached (in sections where used -1
Mouthpiece clean, and reeds in good playing condition -2
Woodwinds have a second playable reed -2
Saxophones have a neck strap -1
Percussionists must have earplugs -1
Appropriate horn towel accounted for-as specified by section leader prior to day of performance -2
All music from the playlist is expected to be accessible by the student for performance
Auxiliary equipment in good condition.
4. PROFESSIONALISM -1
Policy Demerits -2
Late for inspection (Automatic GDS) -1
Smoking in uniform (Additional Discipline)
Under the influence, possession of, or consumption of alcohol/drugs in uniform (possible dismissal)
Public Display of Affection (PDA)
Cell phone use in uniform without staff authorization -4
Leaving the stands without permission from SL(including restroom breaks) -4
Permitting visitors to sit or stand in or around band section -4
● This includes conversations with friends or families that distract from the game -2
Unsportsmanlike conduct/foul language in uniform -1
SUMMARY
The above list is not necessarily exhaustive, and may be amended as the season progresses. Please keep this entire
concept in the spirit it was intended - to foster uniformity and excellence in the band, not to serve as a vindictive weapon.
Any concerns with the system or its application by individuals should be directed to the faculty members in charge.
Individual abuses of the system will not be tolerated.
STATIONARY MOVEMENT:
• Posture – full body including head (“The Look”)
• Attention Position – feet together (both heels & toes) – Calling to Attention: Chop Oh!
• Mark Time (MT) – Nailed Toe / Heel to Ankle (New for 2022)
• Horns Up / Horns Down (from Attention Position – 1 count)
• Facings – Right / Left
• Multi Count Turns – Right / Left - both Quarter & Half Turns (include reference points such as diagonals, front/back)
DIRECTIONAL MOVEMENT:
• Glide (roll heel to toe / define more toward a natural walk – NO STIFF LEGS: natural bend of the knees and toes pointing
straight forward)
• Low Chair (hip to knee = 45-degree / keep toe down and low when crossing other foot then lift to the low chair position)
• Backwards marching (use platform & lift on first step / do not lower to heel until last step or change of direction)
• Adjusted Step Size (glide) – any size other than 8 to 5 (6 to 5, 12 to 5, 16 to 5 half-size, etc.)
• Slides: Right / Left - horns should be up and upper body remains to the front while moving right or left.
• Box Drills: do in groups of 8: Forward, right, back, left OR Forward, left, back, right OR backward, right, forward, left OR
backward, left, forward, right. Use slide technique as appropriate.
• Flanks: Left, Right, To the Rear (TTR) Pivot on the ball of the RIGHT foot in the direction called. Upper body stays the same
as lower body (different from slides). Upper body & instrument change direction on the “&” count between steps.
• Run-on High Chair (fast tempo HIGH chair with horn/arm modifications by instrument)
• Horns Up/Down from “Parade carry with roll-off” (Attention position on 3, Up on 5)
• Halt cadence
• Rehearsal Halt Command (Band-Halt: 1 – 2 – Close)
MISCELLANEOUS MOVEMENT:
• Arm Swing – Chorus of Hail Purdue
• Gate Turns (for parade marching – do not swing out / smaller steps inside of turn, full size steps outside of turn)
• Cadence Choreography
• Music & Cheers Choreography
• Dismissal: Go Purdue!
PROCEDURES:
• BEFORE: Instruction given / Repeat instruction verbally / Set / Command
• AFTER: Freeze / Check / ADJUST / Reset or Relax
DEFINITION GUIDE
STATIONARY MOVEMENT:
• Posture – full body including head (“The Look”)
A.) Standing posture is a vertical, straight line from the ankles to the head
I. heels & toes together
II. knees together (but natural)
III. stomach in
IV. shoulders “up, back & down”
V. head up (line from the chin bone to cheek bone parallel to the ground
B.) Posture is assumed with ALL AAMB precision marching fundamentals.
• Attention Position – feet together (both heels & toes) – Calling to Attention: Chop Oh!
A.) Command: “Band…Ten-Hut” Response: “Chop-Ho”
I. on count one, body snaps to attention with left leg in HIGH Chair Position
II. on Count two, left leg snaps back down to attention position. After executing the command, FREEZE
B.) Student leaders will explain arm & instrument positions for each count for their section
• Mark Time (MT) for Glide & Low Chair. Nailed Toe / Heel to Ankle
A.) Command: “Mark Time… Mark”
I. Movement is done in place in preparation to stepping off for the glide or low chair – MT counts
determined in instruction given usually in groups of 8.
II. The preparation move is on the “&” count prior to first count by lifting the left heel to the height of
the right ankle and then lowering back down on the first count. Then repeat with right foot and continue.
III. Close feet to attention position on the last count of MT in preparation for forward march glide or low chair.
Extend foot in the forward (or backward) position on the “&” count.
• Horns Up / Horns Down (to and from playing position) – Note: Horn position for Up & Down is specific to each
instrument. In the UP position piccolo, trumpet, mellophone, trombone, baritone and sousaphone are approximately 10
degrees above parallel to the ground as determined by the correct posture and “head position.” Clarinet and Saxophone are
slightly away from the body as explained by your section leader.
A.) By Command (from attention position (1 count)
I. Command: “Band… Horns Up” Response is “UP” on count 1. Movement is a snap in 1 count.
II. Command” “Band… Horns Down” Response is “DOWN” on count 1. Movement is a snap in 1 count.
B.) By Visual from Conductor (used for music rehearsals / performances)
I. conductor indicates to be ready (arms extended) – Response: “EYES” (be ready)
II. Snap movement with conductor (cross arms then snap up) Response: “Ready… UP!”
III. Slow movement with conductor (slower motion up with NO vocal).
Revised August 2024
20
PURDUE “ALL-AMERICAN” MARCHING BAND HANDBOOK
_____________________________________________________________________________________________
• Multi Count Turns – Right / Left - both Quarter & Half Turns (include reference points such as diagonals, front/back)
A.) Reference points include diagonal, half-way, diagonal, front
B.) Command: “as instructed” – equal size diagonal steps as instructed to right or left
I. Upper body remains smooth taking all counts to turn.
II. When making a Right turn, step one with the Left foot is in place.
DIRECTIONAL MOVEMENT:
• Glide Step – Forward
A.) For the most part, this is a “normal walking step” with a natural bend of the knees and toes pointing straight
forward. The feet roll smoothly from the heel to the toe. The height of the toe off the ground is approximately 3”.
Movement is fluid with no snap. NO STIFF LEG marching – again, natural bend. The upper body should not bounce up or
down. The preparation move is on the “&” count.
• Backwards marching
A.) On the first count/step of the backwards marching instruction, go up on the platform and remain on the
platforms for each step - do not lower to heel until the last step or change of direction).
• Slides: Right / Left horns should be up and upper body remains to the front while moving right or left.
A.) Instrument should be up and upper body remains to the front while moving right or left using glide steps.
• Box Drills:
A.) Do in groups of 8 (4 groups of 8 will put you back to your original starting position):
I. Forward, right, back, left
II. Forward, left, back, right
III. Backward, right, forward, left
IV. Backward, left, forward, right.
B.) Use slide technique as appropriate (when moving right or left).
• Run-on High Chair (fast tempo HIGH chair with horn/arm modifications by instrument)
A.) The hip to knee is parallel to the ground and the knee to toe is perpendicular to the ground forming a 90-degree
angle at the knee. The toe is pointed down. Think of the knee lifting and pulling the foot off the ground with the toe being
the past part of the foot to leave the ground. Movement is fluid with no snap. The preparation move in on the “&” count.
B.) The toe of the foot taking the step passes the other foot near the ground with the top pointed down then lifts to
the high chair position.
C.) Horn & Arm modifications for the “Run-On” varies by instrument (to be clarified by SLs)
• Horns Up/Down:
A.) UP: By Roll-off drum cadence from “Parade carry”
I. On count 3 or roll off, all instruments snap to attention position
II. On count 5 of roll-off, all instruments snap to the “UP” playing position.
B.) DOWN: (end of tune)
I. Instrument down occurs as a snap down on 1 at the end of the music (section leaders clarify as to which
position (attention or carry).
• Halt Cadence
A.) When used as a part of the halt cadence, band will mark time and halt on the final counts of the cadence.
I. Section leaders will explain
• Horn Swager
A.) The horn swagger is with the instrument being positioned above the raised knee or leg, parallel to the ground in
such a way that when the left knee/leg is lifted, the horn is pointing at an angle to the left at approximately shoulder width.
Similarly, when the right knee/leg is lifted, the horn points at a similar angle to the right.
MISCELLANEOUS MOVEMENT:
• Arm Swing:
A.) Left Arm Swing – 4 count snap move while singing chorus of Hail Purdue
I. Count One – left arm up at elbow with hand flat to front with fingers together – upper arm against the body
II. Count Two – left arm down at elbow with hand flat to stripe on uniform pant leg
III. Count Three – left arm up at shoulder with elbow to hand parallel to the ground and across the chest with
knuckles at center of chest
• Gate Turns (for parade marching) do not swing out / smaller steps inside of turn, full size steps outside of turn)
• Cadence Choreography – SLs will explain and teach details for their sections
• Music & Cheers Choreography – SLs will explain and teach details for their sections
• Dismissal: Command: “Band Ten-Hut” – Response: “Chop-Ho” / Command: “Band Dismissed” – Response: “Go Purdue!”
OTHER TERMINOLOGY:
1. YARD LINE ORIENTATION (When marching on the football field, the ball of the foot is the part that will hit the yard
line. When marching parallel to the yard line (on the yard line), both feet will split the yard line, as in the attention
position.)
2. BLOCK BAND INSTRUMENTATION
A.) Parade Block - like wind instruments, primarily brass in front of percussion/tuba sections, woodwinds in
back
B.) Stereo Block - mirror image stereo mix of woodwind/brass in front and in back of percussion/tuba sections
3. BLOCK BAND RANKS – 10’s & 5’s – number of block band files as determined by the width of marching area, as in
street marching.
4. RANK (horizontal)
5. FILE (vertical)
6. DIAGONAL (angle)
7. GUIDE (horizontal (rank) alignment
8. COVER DOWN (vertical (file) alignment
9. IN THE FORM (alignment in any form on drill chart)
10. INTERVAL/SPACING (space between 2 or more people)
11. 8 to 5 STEP SIZE (8 steps per 5 yds.) (22.5”)
12. 6 to 5 STEP SIZE (6 steps per 5 yds.) (30”)
13. ADJUSTED STEP (equal size steps as instructed from one point to another)
14. INSTRUMENT POSITIONS (Carry/Attention/Playing)
All band students, directors, and staff have a responsibility to act as role models for the greater university
community. Language, behavior, and actions of our band students, its’ directors and staff must reflect a
strong commitment to the mission of Purdue Bands and Purdue University.
It is the obligation of all band students to address inappropriate behavior or actions. Students who
believe that behavior of other band members should be called into question should bring the matter to
a faculty or staff member immediately.
A signature form will be collected at the opening session following membership selection. No student
will be allowed to participate without the completion of this form.
Purdue Bands and Orchestras guidelines concerning alcohol consumption internationally include:
• The laws of the country apply, but the Purdue code of conduct is also in effect. Be safe, legal and
responsible.
• From the PU Student Regulations: “Any conduct that substantially threatens or interferes with
the maintenance of appropriate order and discipline in the operation of the University, or any
conduct on University Property or in connection with a University activity that invades the rights
of others.”
Alcohol Education
1. An education session during student leader training concerning alcohol use within student
organizations as well as hazing will be provided by the Dean of Students Office and RecWell.
2. An education session will take place at the conclusion of band camp for the entire “All-American”
Marching Band concerning alcohol use and hazing. All members will be required to sign a
document acknowledging that each has attended the “All-American” Marching Band handbook
workshop and have received a copy of Purdue Bands student code of conduct and anti-hazing
policy.
3. Faculty supervisors will meet with section leaders once a week throughout the semester to
discuss upcoming formal/informal social events and discuss plans to ensure safe and legal
activities. Faculty will make sure to communicate it is not in the student’s best interest to is
It is the responsibility of faculty, staff and students to police and enforce these guidelines. In particular, it
is a role of the Student Leadership Team to monitor formal and informal social functions to insure the
safety of everyone in attendance. This may include providing or arranging transportation to and from
events. This will also include reporting violations of these regulations which take place on University
business to the appropriate faculty member.
The following songs are the official university spirit songs. As members of the AAMB and loyal Boilermakers, it is your duty to
commit every verse of each of these songs to memory, and to be ready to sing out loud and strong whenever they are sung.
HAIL PURDUE
FIRST VERSE
TO YOUR CALL ONCE MORE WE RALLY;
ALMA MATER HEAR OUR PRAISE;
WHERE THE WABASH SPREADS ITS VALLEY, FILLED WITH JOY OUR VOICES RAISE.
FROM THE SKIES IN SWELLING ECHOES
COME THE CHEERS THAT TELL THE TALE
OF YOUR VICT'RIES AND YOUR HEROES, HAIL PURDUE! WE SING ALL HAIL!
CHORUS
HAIL, HAIL TO OLD PURDUE!
ALL HAIL TO OUR OLD GOLD AND BLACK!
HAIL, HAIL TO OLD PURDUE!
OUR FRIENDSHIP MAY SHE NEVER LACK.
EVER GRATEFUL, EVER TRUE,
THUS WE RAISE OUR SONG ANEW
OF THE DAYS WE’VE SPENT WITH YOU, ALL HAIL OUR OWN PURDUE!
SECOND VERSE
WHEN IN AFTER YEARS WE’RE TURNING,
ALMA MATER, BACK TO YOU,
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PURDUE “ALL-AMERICAN” MARCHING BAND HANDBOOK
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MAY OUR HEARTS WITH LOVE BE YEARNING FOR THE SCENES OF OLD PURDUE.
BACK AMONG YOUR PATHWAYS WINDING LET US SEEK WHAT LIES BEFORE,
FONDEST HOPES AND AIMS E’ER FINDING, WHILE WE SING OF DAYS OF YORE.
THIRD VERSE
IN THE BAND WE MARCH AND SWAGGER AS WE PLAY FOR OLD PURDUE.
AT THE HALFTIME WE DO SHOWS NO OTHER BAND ON EARTH COULD DO.
WHEN WE CHEER THE EARTH WILL TREMBLE,
FOR WE’RE KNOWN THROUGHOUT THE LAND AS THE BEST IN MARCHING MUSIC, WE’RE THE
BOILERMAKER BAND!
CHORUS
THEN HAIL! ALL HAIL TO OLD PURDUE!
THE PRIDE OF ALL THE WEST
WE’LL SING OUT THE STORY, AND WE’LL TELL OF THE GLORY, OF THE SCHOOL WE LOVE THE BEST.
THEN HAIL! ALL HAIL TO OLD PURDUE!
OUR ALMA MATER TRUE,
AND WE’LL EVER STAND, EV’RY HEART AND HAND,
FOR THE HONOR OF OLD PURDUE!
SECOND VERSE
ONCE AGAIN IN A MIGHTY REFRAIN,
HAIL TO OLD PURDUE!
FROM THE ENDS OF THE EARTH,
MEN HAVE HEARD OF HER WORTH,
AND HAVE FOUND HER TO BE TRUE.
SHE’S SO GRAND SHE’S THE BEST IN THE LAND,
NE’ER CAN HER FULL WORTH BE TOLD,
THO’ BOTH LOUD AND LONG,
HER ALUMNI, STRONG,
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MAY SING OF THE BLACK AND GOLD.
FIGHTING VARSITY
HERE’S THE FIGHTING VARSITY, THAT WEARS THE BLACK AND GOLD.
THEY FEAR NO FOE
AND THEY HIT THEM LOW.
LET’S GIVE THEM ALL THREE MIGHTY CHEERS, RAH! RAH! RAH!
HERE’S THE FIGHTING TEAM, BOYS, THAT FIGHTS FOR OLD PURDUE.
WITH LOYAL HEARTS WE WILL PLAY OUR PARTS
AS WE YELL FOR OLD PURDUE.
3. I am aware of the course calendar and am responsible for all assigned dates
without reminders from faculty, staff and student leaders.
4. . I understand it is my responsibility to abide by the rules and regulations set forth in the AAMB Handbook
regarding Hazing, Harassment and Bullying, including knowledge of university policy, state law and Purdue Bands
and Orchestras policies.
5. I will not possess, consume, or act under the influence of alcohol, tobacco, vaping or illegal
drugs at any Marching or Athletic Band rehearsal, performance, or other official gathering, nor will I act under the
after-effects of alcohol, or illegal drugs.
6. I will not possess, consume, or act under the influence of alcohol, tobacco, vaping or illegal
drugs while wearing any part of the uniform of the AAMB, nor while traveling with, or staying at accommodations
provided by the AAMB.
7. I understand that any violation of these expectations may include suspension from the
performance block, loss of leadership position, being sent home from a travel destination at my own expense, and
further discipline as set out in the Code of Conduct by Purdue University and the Office of the Dean of Students.
8. I understand that the Directors of the “All-American” Marching Band have the authority
to remove any member from a leadership position and/or the program should the student display any inappropriate
behavior(s) as described in the AAMB Handbook or perform any action(s) deemed unbecoming of a member of the
Purdue “All-American” Marching Band.
PU ID Number: ___________________________________________