ELVIS:

A MUSICAL REVOLUTION
BY
SEAN CERCONE & DAVID ABBINANTI
MUSICAL ARRANGEMENTS
& ORCHESTRATIONS BY
DAVID ABBINANTI

TROMBONE

03/21/23
Elvis: A Musical Revolution
Copyright © 2022 Sean Cercone and David Abbinanti

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Trombone
#1 Also Sprach Zarathustra
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
TACET David Abbinanti

31
? 44 .. ∑ ..

1
Trombone
#2 Burning Love
from
ELVIS: A Musical Revolution
Segue from #1 Orchestrations & Arrangements by
David Abbinanti

19 ˘ >œ 1x œ. ‰ Œ œ ˘œ j ˘
Ó œ œ ‰ J .. w j ‰Œ œ œ ‰ >œJ ..
Burnin' h=145
? # # # 22 ‰ J ‰œ w œ.
>
ƒ
(MD calls for DORIS, she takes the mic)

? # # # .. w œ. ‰ Œ œ ˘œ ‰ j ˘ >œ Vamp
j ‰ Œ œ œ ‰ J .. .. Jœ ‰ Œ Ó ..
1x
J ∑
25

œ w œ.
>

2 ˘ 16
Pull back--Rockin' q=150

? ### 44 ‰ ˘œ ‰ n ˘œJ ‰ # ˘Jœ ‰ œJ Œ ## ˙ œ. œ

31

J ˙. J
ƒ â f
˙ œ . œJ w œ œ. œ ˙ b˙
? ## w Œ
52

J œ. œ- œ w b˙
f f
7 ˙ œ. œ w ˙ œ. œ
? # # b >œ ‰ Œ Ó # # # # >œ ‰ Œ Ó J J
59

J J
ß ß ƒ ƒ
w œ œ. œ ˙ ˘œ ä œ. - ˘œ ˘œ - œ.
? #### Œ J Œ J ‰nœ ‰ œ J ‰ J ‰nœ Œ
71

œ. œ- œ J
ƒ
>œ œ.
? # # # # Œ ˘œ ‰ n äœ œ. ‰ œ- ˘œ ‰ ˘œ ‰ n œ- œ. Œ w
Segue to #2A

nw ˙ Œ Ó Œ j‰
76

J J J J œ
>

2
Trombone
#2a Caught In A Trap
from
ELVIS: A Musical Revolution

TACET Orchestrations & Arrangements by

David Abbinanti

KID ELVIS:
"Why are you here? Can't you see?"

18 6
Ominous q=70 [GO ON] Segue to #3

? 44 U
.. ∑ .. ∑
Safety

3
Trombone
#3 Welcome To Beale St.
from
ELVIS: A Musical Revolution
Segue from #2A Orchestrations & Arrangements by
David Abbinanti
Good rockin' q=170

ŒÂ = Œ lj 2 œ.
Vamp if neccesary

? # # 44 ‰ .. .. ‰ Jœ # œ œ ˙ J‰Œ Ó ∑
f
2
? # # œ. ‰ ‰ œ. Œ ‰ n œj œ. ‰ ‰ œ. Ó œ. ‰ ‰ œ. Œ ‰ n œj œ. ‰ ‰ œ. Ó
6

J J J J J J J J

œ
? # # >œ ‰ Œ Ó >
œ‰Œ Ó
> >
Œ œ‰Œ œ‰ Œ œ œ w w
12

J J J J
Safety
DEWEY: "...So, let's flat-dig

10
the music now,
˘œ ˘œ ˘œ
? ## .. œ. ‰ ‰ œ. Œ ‰ n œj .. ‰ œj ‰ œj Ó J ‰ ‰ J Œ J ‰ Œ ˘œ ‰ ˘œ ‰ Œ
18 man...owwwww-ooooo!" [GO ON]

J J J J
F f> >
˘œ ˘œ ˘œ
? ## J ‰ ‰ J Œ J ‰ Œ j‰ j‰ Œ œ. ‰ Œ Ó Ó n œ # œ œ. ‰ Œ Ó w
32

œ œ J J
fl fl P

w ˘ ¨ 12
? ## w Œ œ ‰ ‰ nœ. œ ‰ Œ Ó
38

J â J
f

4
2 #3 Welcome To Beale St.

? # # œ. ‰ œ. ‰ n œ œ ‰ œ. ‰ œ. ‰ œ. n œ j ‰ œ. ‰ œ. ‰ n œ œ ‰ œ. ∑ .‰
œ œ. ‰ œ- œ. ‰ œ.
54

J J . J J J œ J J . J J J J
p
? # # ‰ œ. ‰ œ. œ- j ‰ œ. ‰ œ. ‰ n œ œ ‰ œ. ∑ œ. ‰ œ. ‰ œ. œ. ‰ œ- ˙. œ
J J J‰
59

J J œ. J J . J J
SAFETY
DEWEY: "...Jackie Brenston and his Delta

>œ . 10 >œ .
? # # .. œ. ‰ œ. ‰ n œ œ ‰ œ. .. Ó œ. ‰ œ. ‰ n œ œ. ‰ œ. Ó
Cats...MEEEOWWW! " [GO ON]

‰ ‰
64

J J . J J J J
f

? # # œ. ‰ ‰ œ. ‰ j œ. ‰ ‰ œ. Ó œ. ‰ ‰ œ. ‰ œj œ œ. ‰ ‰ œ. ‰ n œJ œ- j j
œ. ‰ ‰ œ. Ó
78

J J œ œ- J J J J - J J

4
? ## j ‰ ‰ j Ó œ. ‰ ‰ œ. ‰ œj œ ∑ nn
83

œ. œ. J J -
SAFETY Safety

16 12
MISS BETTY: "You're a smart kid. MISS BETTY: "I'll leave the side

? .. .. #### n n n n .. ..
You know how it is" [GO ON]

∑ ∑
90 door open for ya." [GO ON]

œ. œœ œ. œ. œ œ œ.
? >œ >œ # >œ >œ Ó J‰‰JJ‰ ‰J ∑ J ‰ ‰ J J ‰ ‰ J ‰ œj ‰ œj œj ‰
120

. œ- .
f

? œ. ‰ ‰ œ œ ‰ ‰ œ. w j‰ Œ Ó > >
‰ œj ‰ œ ‰ b œJ Jœ ‰ # # # #
Straight e's

œ
125

J J J J > > J
Í f

5
 3
#3 Welcome To Beale St.

˘œ ˘œ
? # # # # >˙ œ œ nœ œ ˙ n œ œ œ n œ ˘œ ‰ ˘œ ‰ œ n œ œ ˙ Œ
129

J J œ
> >
ƒ
˘ ˘ >
? # # # # >˙ œ œ nœ œ ˙ nœ œ œ nœ œ ‰ œ ‰ œ œ nœ œ ˙ œ. œ. n œ # œ œJ ‰ Œ Ó
133

> J J >

? # # # # >œ ‰ ‰ >œ Ó >œ >œ œ- œ- n œ- # œ- w w ˘ ˘˘ ˘

œ œ œ ‰ œ
Œ J‰Œ J‰
138

J J J

? # # # # ‰ ˘œ ‰ ˘œ ˘œ Œ w w ˘œ ˘œ ˘œ ˘ ˘ ˘˘
‰ œJ ‰ œJ ‰ œJ œ Œ
144

J J

w œ w >œ >>
? #### w w
Segue to #4

J‰Œ Ó J‰Œ Ó Ó Œ nœ œ
149

6
Trombone

#4 Just Walking in the Rain

from
ELVIS: A Musical Revolution

TACET Orchestrations & Arrangements by

David Abbinanti

2 12 12 9
? # 44 42 ∑ 44

7
Trombone
#4a My Happiness/Peace in the Valley
(Kid Elvis & Gladys)
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
David Abbinanti
TACET
7 16
Tenderly q=80

? 44 42 44 43 .. ..
Safety
∑ ∑ ∑

8
Trombone
#4b Polk Salad Annie (Transition)
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
TACET David Abbinanti

(ELVIS straps the guitar

*m 2 as KID ELVIS rips
6 7
Moving q=160 over his shoulder) [GO ON]

? # # # # 44
open wrapping paper

∑ ∑ .. ∑ .. ∑
Vamp Scene 6

9
Trombone
#4c Goofin' Around Medley
from
ELVIS: A Musical Revolution

TACET Orchestrations & Arrangements by

ELVIS: David Abbinanti
"You got it but, I can do
more than just the Inkspots." [GO]

7 14
Light and fun q=115 ŒÂ = Œ lj Waltz q=150

? # # # # 44 .. ∑ .. 43 44

ELVIS:
"Or we can set sail for beautiful
(ŒÂ = Œ lj)
4 3 16 14
Lightly (straight 8th's) q=120
U
Italia…" [GO ON]

? # # # # 44 ∑ ##
23

10
Trombone
#4d Riverside Park (Playoff)
from
ELVIS: A Musical Revolution

TACET Orchestrations & Arrangements by

David Abbinanti

10
? # # 44 .. ..
Safety
∑ ∑

11
Trombone
#5. Stops and Starts
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
TACET David Abbinanti

SAM: "How about a different

line of work?" [GO]
Easy q=85

9 5 10
Easy swing q=110
U U
q=100 straight 8th's
? # # # 44 ∑ nnn ∑ # n

8
Bright and peppy q=190

? U # ..
∑ ∑ ..
27 Vamp

12
Trombone
#5a. That's All Right (False Start)
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
David Abbinanti
TACET

(Fool around until...)

ELVIS: "It's allright" SAM: "Hey, hey, hey. What the

hell are you guys doin'?" [MUSIC OUT]

12
? # # # 44
Rockabilly q=200 Vamp
.. ∑ ..

13
Trombone
#6 That's All Right
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
SAM: "Go back. Let me
TACET David Abbinanti

get it on tape." [GO]

Rockabilly q=200 SAM: "It's a revolution!"

19 16
[GO ON]

? # # # 44 .. .. .. .. .. ..
4x 4x
∑ ∑ ∑
Safety

30 19
? ###
bb
39

14
Trombone
#7 Hit the Road
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
TACET David Abbinanti

ANNOUNCER: "Elvis Presley and the

Blue Moon Boys!" [GO]

72 12 6
Driving (a la Stray Cats) q=210

? # # # # 44 ### #### .. ∑ ..
Safety

16 2
? #### # .. ∑ .. ∑ n
92 Safety Straight 8ths q=200

48 17
? .. ∑ ..
112 Safety

15
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blank for page turns.

16
Trombone
#8 This Train is Bound For Glory
from
ELVIS: A Musical Revolution Orchestrations & Arrangements by
David Abbinanti

REV BREWSTER: "I heard a

disturbing sound." [GO]
Joyful h=110
REV BREWSTER: "What I heard REV BREWSTER: "Train's REV BREWSTER: "The ticket is...I
was the clicky-clacking..." [GO ON] late--yeah!" [GO ON] said the ticket is..." [GO ON]

? # 22 .. .. .. .. .. ..
Vamp
∑ ∑ ∑
Vamp Vamp

7 12 6 >œ . >˙ œ 3
?# Ó ‰ J‰Œ
4

>˙ œ 4
? # œ #œ nœ œ œ œ ‰ œ ‰ œ Œ b
J œ . > œ. œ œ. ‰ >œ Ó œ œ. ‰ œ Œ ‰Œ
34

> . œ J

10
? # Œ œ. Œ œ. Œ œ œ œ. Œ œ. Œ œ. Œ œ œ œ. Œ œ. Œ œ. Œ œ œ œ.
43

17
2 #8 This Train is Bound For Glory

Much faster h=160

? # Œ œ. Œ œ. .
Œ œ nœ œ
. .
Œ œ Œ œ
.
Œ œ nœ œ Ó ˙ ˙ ˙
59

œ. œ. œ # œ œ. ˘œ
?# Œ Œ Œ w nw w J‰Œ
˙
65

-̇ -̇ .
œ -̇ œ ‰
? # œ. œ ‰ œ. œ ‰ b ˙- bbbb
71

J J J b ˙-

? bb b Œ
b œ œ œ œ Œ œ œ œ Œ œ œ œ œ œ œ œ Œ œ œ œ Œ œ œ
75

>œ >œ
? bb b Œ Ó Œ ˙ œ w Ó ˙ b˙ w Œ Ó
81

b œ bw œ
Í ƒ

? bb b w >œ ˘ œ œ œ œ
Œ Ó w w w œ Œ Ó
89

b
Í ƒ

? b b b œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ œ >œ Œ >œ Œ
œ Œ Ó
96

b
>

18
Trombone
#8a Circle Be Unbroken
from
ELVIS: A Musical Revolution

TACET Orchestrations & Arrangements by

David Abbinanti

21
"2" feel h=120

? # 44

19
This page has been intentionally left
blank for page turns.

20
Trombone
#9 Heartbreak Hotel
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
David Abbinanti

ANNOUNCER'S VOICE:
"Ladies and Gentlemen...Elvis ELVIS:
Presley and the Blue Moon Boys!" [GO] ELVIS: (cues band hits--girls scream)
(cues band hit--girls scream) "You don't even know
"You wouldn't leave me, now. what'I'm gonna do."

U >œ " äœ œ >œ "

Dictated Wouldya, darlin'?." [GO ON] [GO ON]

? # # # # 12
"Heartbreak Hotel"

8 ∑ Œ ‰ Œ ‰ Œ ‰ J ‰ ‰ Œ ‰ Œ ‰ Œ J ‰
f

5
44 ˘œ ˘œ n œ œ œ œ ˘œ ˘œ
Heartbreakin' q.=95 Straight Rockin' q=180

? #### n œ œ ‰ n œ œ œ nœ œ
4

œ œ œ œ
fl J fl
>˙ œ
? #### ˘ ˘ ˘ ˘
∑ œ œ œ œ nœ œ ‰ nœ œ œ nœ œ œ œ œ œ œ œ nœ œ Œ J‰
12

fl J fl ß

? #### Ó ∑ Ó ∑ Œ Œ Ó
17

œ œ œ œ œ œ œ œ
fl fl fl fl fl fl fl fl
˘œ ˘œ ˘œ ˘œ
? #### œ nœ œ
nœ Ó - n
Œ ‰ œJ œ œ œœ Ó
23

œ œ nœ œ

21
2 #9 Heartbreak Hotel

? # # # # Œ ‰ œ- œ œ n œ œ œ ‰ ‰ œ ˙ ˙ n˙ ˘œ ˘œ
n œ œ ‰ n œ œ œ nœ œ œ œ
28

J œœ
fl J
COL. PARKER:"I can see why."
a la Zeppelin's

2 4
[GO ON]

? # # # # ˘œ ˘
"Rock and Roll"

œ œ œ nœ œ .. ..
Vamp
∑
33

fl
(An OLDER WOMAN screams and starltes

? # # # # œ. œ. n œ œ. Œ œ. œ. n œ œ. Œ œ. œ. n œ œ. Œ œ. œ. n œ œ. Œ
COL. PARKER)

∑ ∑
41

f
2 ˘œ ˘
? #### ˙. nœ œ- . œ- œ n œ- œ Œ Ó w
Œ Ó J
47

w
Í

? #### U 68 œ œ œ >œ >œ >œ 12 . ‰ ‰ n œ. ‰ ‰ œ . œ œ œ œ œ œ œ œ œ

Slow blues q.=75

Œ Ó œ . œ ‰ ‰ œ
55

8 J J J
œ
fl

? #### œ . 68 œj ‰ ‰ Œ . U >œ
nœ. .
œ. nœ. J ‰ ‰ Œ
59

˙.

22
Trombone
#10. Devil in Disguise
from
ELVIS: A Musical Revolution
ASSISTANT: Orchestrations & Arrangements by
"You're the Boss, take twelve." [GO] David Abbinanti

Sensual swing q=115

6 15 7 2
Slow, rubato ŒÂ = Œ lj Haunting q=90

? b 44 .. ∑ .. .. ..
Safety Safety

6 3
?b .. ..
Safety
∑
32

23
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blank for page turns.

24
Trombone
#11 Television Medley
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
ANNOUNCER: David Abbinanti
"...And now ladies and gentlemen...Elvis Presley" [GO]

14
Straight e's, Rock and Roll q=170

? 44 œ. ‰ ‰ œ. Ó œ. ‰ ‰ œ. ‰ œj b œ- œ. ‰ ‰ œ. Ó œ. ‰ ‰ œ. ‰ œj b œ-
F
? œ ‰ ‰ œ ‰ œj b œ œ ‰ ‰ œ Œ b œ- œ ‰ ‰ œ ‰ j b œ œ ‰ ‰ œ Ó
19

œ - w w
sim.

?œ‰‰œ‰ j j
œ‰Œ Ó œ. ‰ ‰ œ. Ó œ. ‰ ‰ œ. ‰ œj b œ œ. ‰ ‰ œ. Ó
25

œ b œ- -

? œ ‰ ‰ œ ‰ jb œ œ ‰ ‰ œ ‰ œj b œ œ ‰ ‰ œ Œ b œ- œ ‰ ‰ œ ‰ j b œ œ‰‰œÓ
30

. . œ - œ -
sim.

j
Slow, bluesy swing q=100
? œ ‰ ‰ œ ‰ œj b œ- œ‰Œ Ó œ. ‰ ‰ œ. Ó œ. ‰ ‰ œ. ‰ œj b œ-
35

w w

?œ‰‰œÓ œ. ‰ ‰ œ. ‰ œj b œ- œ ‰ ‰ œ ‰ œj b œ œ ‰ ‰ œ Œ b œ- œ ‰ ‰ œ ‰ j b œ
41

. . œ -
sim. ("Don't Be Cruel")
STEVE ALLEN PRODUCER:
"Mr. Presley...." [GO ON]

?œ ‰ ‰ œ Ó j .. # #
L'istesso
..
œ ‰ Œ Ó ∑ ∑
Vamp
∑
46

>

25
2 #11 Television Medley
STEVE ALLEN PRODUCER:
"...no hip-swiveling, no grinding,
no forward pelvic bumping movement
of any kind..." [GO ON]

Vamp
12 w œ. ‰ Œ Ó w œ. ‰ Œ Ó
? # # .. ∑ .. J J
51

p f p f
ELVIS: "Man, maybe you fellas oughta
just shoot me from the waist up."
PRODUCER: "Suit yourself." [GO ON]

? ## ∑ .. ∑ .. ∑ b b œ. ‰ ‰ œ. Ó œ œ b œ œ. Ó œ. ‰ ‰ œ. Ó
68 Vamp ("All Shook Up" Play straight 8th's)

? bb œ œ œ Ó œ. ‰ ‰ œ. Ó œ. ‰ ‰ œ. Ó œ. ‰ ‰ œ. Ó œ. ‰ ‰ œ. Ó œ. ‰ ‰ œ. Ó
74

bœ .

? bb œ ‰ ‰ œ Ó j œ ‰ ‰ œ Ó œ ‰ ‰ œ Ó
œ. ‰ Œ Ó ∑
80

. . J J J J

? b b œj ‰ ‰ œj Ó j j w œ. ‰ œ. ‰ ‰ œ- œ
œ ‰ ‰ œ Ó
85

J J J w

? bb œ ‰ ‰ œ Œ œ w œ. ‰ œ. ‰ ‰ œ- œ œ Œ Ó ‰ jŒ ‰ jŒ
90

- J J J > œ œ
> >
8 ˘œ œ U˙
? bb w w J‰Œ Ó Œ ‰J j
œ‰Œ Ó
95

fl

26
Trombone
#11a Blue Moon
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
TACET David Abbinanti

AUDIENCE MEMBER: "...It ain't got no strings."

(KID ELVIS closes his eyes, blows into both hands,

wipes them on his pants, shakes
them and starts the “clip-clop” on the body of the guitar.) [GO]

Easy q=100
31 U
? 44 Ó Ó

27
Trombone
#12 Blue Moon of Kentucky
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
Segue from #11a TACET David Abbinanti

48
Fast swing q=220

? # # # 44 .. ∑ ..
Vamp

28
Trombone
#13. Aura Lee/Love Me Tender
from
ELVIS: A Musical Revolution

Orchestrations & Arrangements by

TACET David Abbinanti

COLONEL PARKER: "Be brilliant.

That's your job. Shame, what they did to ya."
(ELVIS picks up his guitar) [GO]

3 34
Easy q=80
Safety
? # 44 ## ∑ .. ∑ ..

18 16
? ##
40

29
Trombone
#14. Private Elvis
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
David Abbinanti
ELVIS: "Mama, it's time to let go.
I'll call you in a few days." [GO]

Driving q=200 ŒÂ = Œ lj

2 2 2 4 14
Vamp (if needed) Rock groove

? # 44 .. .. .. ..
Vamp

? # >œ ‰ Œ ‰ œ # œ œ n œ # œ œ Ó > w w
Œ Jœ ‰ ‰ n œ # œ œ n œ # œ œ Ó
25

J J J
F f
w ˙. bœ w w Nw ˘œ 2 2
?# J‰Œ Ó
31

?# ∑ Ó Œ ‰ j œ ‰‰ Œ‰ j œ ‰ ‰ Ó ∑ Ó Œ ‰ j œ ‰‰ Œ‰ j œ ‰ ‰ Ó
41

n œ . œ. n œ . œ. n œ . œ. n œ . œ.
F
>œ
?# w ˙ . # œ- w ˙ . # œ- n ˙ . # œ- œ. ‰ Œ Ó J ‰ Œ ‰ œJ # œ œ n œ # œ œ Ó
49

11
Slower military march q=110

?# Œ >œ œ nœ #œ œ Ó
J ‰ ‰ n œJ # œ
57

30
2 #14. Private Elvis
L'istesso

?# Ó Œ ‰ œj -̇ . œ ≈ œ. b ˙- . 2 j 44
œ ≈ œ. -̇ . œ ≈ œ. 4 b ˙- œ‰Œ
70

.
ƒ

? # 44 >œ ‰ Œ ‰ œ # œ œ n œ # œ œ Ó >œ w w
Œ J ‰ ‰nœ #œ œ nœ #œ œ Ó
76

J J J
f
w ˙. bœ w w Nw ˘œ 2
?# J‰Œ Ó œ. ‰ œ. Ó
82

? # œ. ‰ Jœ. Ó œ. ‰ œ. Ó œ. ‰ œ. Ó œ. ‰ œ. Ó œ. ‰ œ. Ó j‰ Œ Ó
91

J J J J œ
>

31
Trombone
#15. Peace In the Valley/Act I Finale
from
ELVIS: A Musical Revolution

ELVIS: "I...I can't." Orchestrations & Arrangements by

GLADYS: "Sing'" David Abbinanti

14 14 10
Rubato AF Slowly q=70

? 43 U 44 ###
∑ ∑ 43

ŒÂ = Œ lj
12 12 11 3
Moving, but not too fast q.=80

? ### 12 Ó. Œ . ‰ ‰ Jœ
41

8
F

? ### w . ˙. œ. œ w. ˙. œ. œ ‰ œ w.
‰œ
80

? ### ˙ . œ. œ œ w.
‰ ˙. œ. œ ‰ œ w. ˙. œ. œ œ
‰
85

? ### w . ˙. œ. œ ‰ œ w. ˙. œ. œ œ w.
‰
90

rall.
ƒ
>œ >œ >œ " . U
˙.
? ### ˙ . ˙. j
Œ ∑ œ ‰ ‰ Ó. Œ.
95

fl

32
Trombone
#16. Blue Suede Shoes
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
David Abbinanti

2 ˘œ ˘œ n ˘œ ˘œ ˘œ ˘œ n œ œ ˘œ ˘œ ˘œ n ˘œ ˘œ
Rockin straight 8th's q=200

? # # # 44 œ ‰J ‰J‰J œ ‰J ∑
ƒ
˘
œ ˘
œ ˘ ˘œ ˘œ ˘œ n œ œ ˘œ ˘œ ˘œ n ˘œ ˘œ ˘œ ˘œ n ˘œ ˘œ
? ### œ nœ ‰ J ‰ J ‰ J œ ‰J ∑ œ ‰J
7

˘ ˘ n œ œ ˘ ˘ ˘ ˘ ˘ Swing 8th's ŒÂ = Œ lj
11
œ œ
? ### ‰ J ‰ J œ œ œ œ nœ ‰ œ >
J ∑ Œ ˙. œ. ‰ œj œ n œ.
12

f -

? ###
œ. ‰ œj œ n œ. œ. ‰ œj œ n œ. œ. ‰ œj œ n œ. œ. ‰ œj œ n œ. œ. ‰ œj œ n œ.
28

- - - - -
2 ˘ ˘
? ### œ ‰ œ ‰ ‰ œj n œ œ Ó œ- n œ- œj ‰ j
œ ‰ œ œ nœ œ ∑
33

J J fl fl fl fl
œ œ . œ. - -
œ
? ### j ‰ j ‰ Œ œ nœ œ j j
‰ J ‰ œ ‰ œ nœ œ ∑ w w
39

œ œ œ œ
fl fl fl fl fl

? ### j ˘œ ˘œ ˘œ
œ œ nœ œ ‰ œ ∑ w w œ ‰ ∑
45

œ J
fl fl fl fl fl

33
2 #16. Blue Suede Shoes

? ### ˘ ˘
œ œ Ó ∑ œ œ Ó ∑ œ œ Ó ∑ œ œ Ó
51

fl fl fl fl fl fl
˘œ ˘œ ˘ ˘
A

? ### j
∑ Ó œ œ Ó bb œ ‰ Œ Ó
58

˙. œ nœ nw
fl
ß
3 w > > >
? bb w b œ . n œ œ Jœ ‰ Œ œ. Œ ‰ b œ-j œ
64

J ˙.
f ƒ >

? bb œ Œ ‰ j Œ ‰ b œj œ œ Œ ‰ b œj œ n œ œ Œ Ó Ó Œ bœ œ Œ œ Œ
72

. b œ
- œ œ
. - - - . - . .

˘œ ˘œ ˘
? bb Œ . ‰ J ‰ ‰ œj b œ œ Ó œ- b œ- j‰ j‰ ∑
78

˙ J œ œ œ œ bœ œ
fl fl fl
œ œ œ œ. œ. b œ- œ-
? bb j ‰ j ‰ Œ ‰J j‰ j‰ œœœœ ˙ j
œ œ œ ‰œ
83

œ œ œ œ œ œ b œ œ
fl fl fl fl fl fl fl fl fl

? b b ‰ œj ‰ œj œ œ j j j ˘œ ˘œ ˘œ ˘œ ˘œ ˘œ ˘œ ˘œ
œ œ œ ‰œ ‰œ‰œœ œ ‰J ‰J‰J
88

fl fl fl fl fl fl fl fl fl fl fl fl

? b b œ œ œ ‰ œj ‰ œj ‰ œj œ œ œ œ œ. ‰ ‰ œ- ˙ œ œ
93

fl fl fl fl fl fl fl fl œ œ J J œ œ

? b b œ. ‰ ‰ œ- ˙ j‰ Œ Ó
>œ j j‰ ‰ j U j
J‰Œ Ó œ ‰Œ Ó œ ‰Œ Ó
98

J J œ œ œ ˙
> fl fl > fl

34
Trombone
#17 Are You Lonesome Tonight
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
TACET David Abbinanti
ELVIS:
Ok, I'm gonna show you something
really simple. Put your finger right here. [GO]

Play as if just learning q=60

16 15
? 43 ∑ .. ∑ ..
Safety

35
 Trombone
#17a Sinatra TV Show Intro
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
Segue from #17
David Abbinanti
Fast swing q=220

4
œ̆ ‰ ‰ œ̆ Œ œj ‰ œ̆ ‰ ‰ œ̆ Œ œj ‰ œ̆ ‰ ‰ œ̆ Œ œj ‰
ŒÂ = Œ lj
? b 44 ‰
fl fl fl
f
? b œ̆ ‰ Œ Ó œ̆ ‰ ‰ œ̆ Œ œj ‰ œ̆ ‰ ‰ œ̆ Œ œj ‰ œ̆ ‰ ‰ œ̆ Œ œj ‰ œ̆ ‰ ‰ œ̆ Œ œj ‰
8

J fl fl fl fl

? b œ̆ ‰ ‰ œ̆ Œ œj ‰ œ̆ ‰ ‰ œ̆ Œ œj ‰ œ̆ ‰ ‰ œ̆ Œ œj ‰ œ̆ ‰ ‰ œ̆ Ó
13

fl fl fl

36
Trombone
#18. Love Me Tender/Witchcraft
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
David Abbinanti

FRANK:
"I think it would have sold FRANK:
about two-million records less." [GO] "We work in the same way, but only in different areas."
(They both laugh) [GO ON]
Upbeat swing q=140

? b 44 Ó . . . .
‰ Jœ ‰ Jœ œ œ œ ‰ œJ ‰ Jœ œ œ œ .. ‰ Jœ ‰ Jœ œ œ œ ‰ œJ ‰ Jœ œ œ œ ..
Vamp

ƒ F

? b œ Œ œ Œ Œ ‰ Jœ œ œ œ œ Œ Ó .
‰ œJ ‰ œJ œ œ œ œ Œ œ Œ Œ ‰ Jœ œ œ œ
5

7 . -
?b œ Œ Ó Œ Jœ ‰ ‰ œ- œ Œ œ. ‰ ‰ Jœ œ j‰ ‰ j
11

J J œ. œ- ˙

? b ‰ >œJ >œ œ- ˘œ ˙ ˙ œ. ‰ œ. ‰ œ œ. Œ 7
‰J J‰ ˙ ‰ œj œ
22

J J
>
ß
œ. ‰ œ. ‰ œ œ. Œ >œ U 2
?b ˙ j‰ ‰ J ˙
‰ j 43
Rubato
∑
33

œ œ J J œ.
>
ß
FRANK:

U
"Man, that's pretty."

? b 43 ˙ . ˙. ∑
39 (They both laugh) [GO ON]

37
Trombone
#19. You're the Boss
from
ELVIS: A Musical Revolution
ASSISTANT:
"You're the Boss, take twelve." [GO] Orchestrations & Arrangements by
David Abbinanti
Sensual swing q=115

ŒÂ = Œ lj 16 œ- œ- œ- œ- œ œ- œ
? b 44 w ˙. Œ Œ œ œ ‰J Œ
~
2 2 œ œ 5
˙.
to PLUNGER (Plunger)

?b w Œ Ó J‰
21

œ- œ- œ- œ- œ œ- œ 2
?b w ˙. Œ Œ œ œ ‰J Œ w ˙. Œ
33

10
?b œ œ œ œ œ œ œj ‰ ∑ œ œ œ œ œ œ œj ‰ œ . Jœ œ œ œ œ œ œ ‰ Œ Ó
41

J
ƒ 3

2 11
?b j w ˙.
œ œ œ ‰ œ >œ ˙ Ó Œ
56

> > > >

œ- -
œ- œ œ- œ œ- œ ‰ Jœ œ
?b Œ Œ w ˙. Œ
73

~~ U
œ œ 2 ˙
?b ∑ Ó J‰ Ó ∑
77 to PLUNGER (Plunger)

38
Trombone
#19a O Sole Mio
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
David Abbinanti
TACET
Play as if just learning q=82
8 7
? 44 .. ∑ .. 42 ∑ 44
Safety

39
Trombone
#19b Love Me Tender (Transition)
from
ELVIS: A Musical Revolution

TACET Orchestrations & Arrangements by

David Abbinanti

9
? b 43

40
Trombone
#20. Hard Headed Woman
from
ELVIS: A Musical Revolution

ELVIS: "You fellas ready?" [GO] Orchestrations & Arrangements by

David Abbinanti
Rockin' q=200

5 3 3
straight 8ths

? 44 U U U
∑ ∑ ∑

17 U 4 U 2 U ¿ ¿ ¿
?
ELVIS:

∑ ∑ ∑ œ œ
15

One, two, three... Well, a

>œ >œ
? Œ Ó œ. Œ Ó Œ Ó œ œ b œ n œ Œ œ. œ.
‰JŒ œ. ‰ œ- œ œ.
42

J
f p f

? Œ œ ‰ œj Œ ˙.
j
œ‰ w w Œ œ ‰ œj œ j
œ ‰œ œ œ
48

. .
Í f fl â fl â fl

>œ >œ
? Œ Ó œ. Œ Ó Œ Ó œ œ b œ n œ Œ œ. œ.
‰JŒ œ. ‰ œ- œ œ.
54

J
f p f

? Œ œ ‰ œj Œ ˙. œ
j‰ w w Œ œ ‰ œj œ ‰ j
œ œ œ œ
60

. .
Í f fl â fl â fl

41
2 #20. Hard Headed Woman

>> >> > >

? œj ‰ œj ‰ ‰ œj Œ œj ‰ ‰ œj Œ œj ‰ œ œ œj ‰ œ œ œj ‰ ‰ Jœ ‰ Jœ ‰ œj>œ >œ Œ œ. ‰ œ. Œ
66

> > > > > > > > > J

? œ. ‰ œ- œ œ. Œ œ. ‰ œ.j Œ ˙.
j
œ‰ w w Œ œ ‰ œj œ
71

J
Í f fl â

? œ ‰ œj œ œ w w Œ œ ‰ œj œ j
œ ‰ œ œ œ
77

fl â fl f fl â fl â fl

? j‰ j‰ Ó >œ >œ >œ b >œ >œ b >˙ j‰ Œ

J ‰ J ‰
J Ó Œ œ
82

œ œ œ. >

42
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blank for page turns.

43
Trombone
#21. Movie Medley
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
CUE: David Abbinanti
STUDIO EXEC.: "Was, Tom. Was."

PRODUCER: "Harum Scarum."

8 2 4
Cheesy q=125 CTP: "He'll take it!" [GO ON]

? b b 44 .. .. .. .. # 22
Vamp
∑ ∑
Safety

b
PRODUCER: "Double Trouble!"

7 2
Double time h=125 CTP: "He'll take it!" [GO ON]

? # 22 .. .. œ Œ œ Œ œ Œ œ Œ œ Œ œ Œ
17 Safety

?# œ Œ œ Œ
œ Œ
œ Œ œ Œ œ Œ œ Œ œ Œ
œ Œ
œ Œ
œ Œ Ó
29

fl

?# œ Œ œ Œ ˘œ Œ Ó
œ Œ Ó œ œ œ œ œ Œ œ Œ œ Œ œ Œ
35

fl

?# œ Œ œ Œ
œ Œ œ Œ œ œ œ œ
œ. Œ Ó
∑
41

œ œ œ œ

CTP: PRODUCERS: "Tickle me!"

2 2 2
"See! You're gettin' better!" [GO ON] CTP: "Great! He'll take it!" [GO ON]

? # .. .. # # # # .. ..
47 Vamp Vamp

44
2 #21. Movie Medley

? #### œ œ Œ œ Œ
∑ œ œ œ œ œ Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ Œ œ
53

? #### œ Œ œ œ œ Œ Œ œ Œ œ œ ˘
Œ Œ Œ
œ œ œ œ Œ œ Œ
60

œ œ œ
fl
PRODUCER: "So, we're getting
him as far away as possible." [GO ON]
PRODUCER: "Everything the country has
Exciting and bright! h=140
˘ ˘ ˘œ ˘
CTP: "Whaddaya got?" to offer, all in one place!" [GO ON]

? #### " Œ # .. .. œ ..
Vamp Vamp
∑ Œ œ Œ Œ œ Œ
66 [GO ON]

œ œ œ
fl fl fl
6 œ. Œ œ. Œ œ. Œ œ. Œ 6 œ. Œ œ. Œ œ.
?#
70

-̇ .
f

? # œ. Œ œ Œ œ. Œ œ Œ œ. Œ œ Œ œ. Œ œ Œ œ. Œ œ Œ œ. Œ œ Œ
86

. . . . . .
F

? # œ. Œ œ Œ œ. Œ œ Œ ˙ ˙ ˙
92

. . ˙ ˙ ˙ ˙
˙

?# w w w
œ Œ Ó ∑ œ Œ ˙
w ∑
98

fl fl

45
 3
#21. Movie Medley

˙ ˙ ˙ ˘œ ˘ ˘ ˘ ˘ ˘
?# w ˙ w Œ œ Œ œ Œ œ Œ œ Œ œ Œ
106

ƒ
Rockin' q=105 CTP: "What is wrong with you?"
PRODUCER: "The studio is gonna give him
Vamp until:
a full million dollars for this movie."
ELVIS: "Stop! Stop!
CTP: "Great! He'll take it!"
Stop! STOP!"

? # >œ >œ ‰ n >œ ‰ >œ >œ U

[GO ON drums on 4]

4 .. .. Ó
[MUSIC OUT]

∑ Œ Œ œ. œ. Œ œ œ Œ ∑
113

J J 4
f . .

. .
? # Œ œJ ‰ Œ œJ. ‰ Œ œJ ‰ Œ œJ. ‰ ˙
(Double-time feel)

˙ n˙ ˙ ˙ n˙ ˙ b˙
118

3
(PRODUCER cuts it off)
Have fun!

? # ‰ œ œ. œ œ ‰ œ œ. œ œ œ œ œ
G Em

˙ .. ∑ ..
Vamp
˙
124

J œœ œ J
(solo ad lib.)

?# U U
∑ ∑ ∑ ∑
131

46
Trombone
#22. Baby, What You Want Me To Do
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
David Abbinanti
TACET
Vamp until:
OTIS: "Ooooo. He's
sharp-he's sharp."

10
Swing 8th's q=95

? # # # # 44 ∑ .. ∑ .. .. ∑ ..
Safety (music out)

47
Trombone
#22a. Baby, What You Want Me To Do (Tag)
from
ELVIS: A Musical Revolution
TACET Orchestrations & Arrangements by
David Abbinanti
CHUCK: "Because, kid. You're from the roots.." [GO]

15
? # # # # 44
Swing 8th's q=95

48
Trombone
#23. Can't Help Falling In Love
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
David Abbinanti
ELVIS:
"Now, there's a couple of things you
need to know about this crazy life." [GO]
ELVIS:
"...as much as your daddy

4 5 5 15
Sweetly q=72 loves you." [GO ON] Slightly faster q.=75

? 43 44 68 98 U 68
∑

? Œ. œ œ œ ˙.
31 Mute
˙. ˙. ˙. ˙. ˙. ˙. ˙.

P (delicately) P

˙. ˙. ˙. œ. 10
? ˙. ˙. ˙. ˙. Œ. 44
40

4 5 2
As before q=72 a tempo rit.

? 44 42 44 42
∑ ∑ 44
58

49
Trombone
#23a Caught In A Trap (Reprise)
from
ELVIS: A Musical Revolution

TACET Orchestrations & Arrangements by

David Abbinanti

18
Ominous q=70

? 44
Safety
.. ∑ ..

50
This page has been intentionally left
blank for page turns.

51
Trombone
#24. Trouble/Guitar Man/
A Little Less Conversation
from
ELVIS: A Musical Revolution
KID ELVIS:
"Yeah...a kid who changed the world." Orchestrations & Arrangements by
David Abbinanti
(ELVIS blows into his hands, wipes them
on his pants and shakes them.) [GO]

Menacingly q=90

ŒÂ = Œ lj
ä ä
? 44 j b œ œ .. œj ‰ Œ ‰ œj œ b œ œj ‰ Œ ‰ j b œ 3 œ .. œj ‰ Œ ‰ œj œ b œ
*Optional Vamp
3

œ œ fl œ œ
f fl fl
ä ä
? œj ‰ Œ ‰ j b œ 3 œ œj ‰ Œ ‰ œj œ b œ œj ‰ Œ ‰ j b œ 3 œ œj ‰ Œ ‰ œj œ b œ
4

fl œ œ fl œ œ
fl fl

? œj ‰ Œ ‰ j b œ 3 œ œj ‰ Œ Ó -- --
Œ œ œ œ œ œ b œ. Œ œ œ œ œ œ b œ.
8

fl œ œ w
fl P f 3 3

œ b œ œ œ Œ Óto Plunger mute 5

Rockin' straight 8th's q=120

? Œ œ- œ- œ œ. œ. œ œ œ. œ- œ- œ- b œ- ˙ ##
13

3 3

4 12 9
Plunger mute
Double-time h=120

? ## 22 >œ n >˙
Œ ∑
22

f
17
? # # # >œ n >˙ Œ ∑ Ó # >œ n >œ œ Œ Ó
49

52
2 #24. Trouble/Guitar Man/A Little Less Conversation
3 ˘ ä ä˙
? ## œ ˙. n ä˙ ˘
bœ œ Œ Ó œ Œ Ó
70

w ˙.
f fl

? ## ∑ ˙. n œ œ. Œ Ó œ. -̇ n œ œ. Œ Ó œ. ‰ œ. Œ n œ œ. Œ Ó
79

J
F f F f

? # # œ. ‰ œ. Œ n œ œ. Œ Ó ˙. n œ œ. Œ Ó œ. -̇ n œ œ. Œ Ó w
86

J
F f F f

5 >˙ n >˙ >œ b >œ

? ## w
œ Œ Ó Ó Ó Œ Œ ####
93

> ß ß ß ß
>˙ >œ >œ >œ >œ
˘œ ˘œ # ˘œ >œ œ
? #### Ó ∑ Œ Ó Œ Œ Œ Œ
103

>œ >œ >œ >œ >œ >œ >œ >œ >œ >œ œ- . - n œ-
? #### Œ œ œ
ΠΠΠΠΠΠΠΠΠJ
109

. . .
? #### œ œ Ó ∑ Œ ˙ w œ ‰ œj ‰ œj n œ œ ‰ œj ‰ œj n œ
115

? # # # # œ ‰ œj ‰ œj n œ œ œ nœ œ œ Œ Ó ∑
121

w ˙. bœ
fl

53
 #24. Trouble/Guitar Man/A Little Less Conversation 3

w> œ œ äœ äœ œ n äœ w œ n œ äœ # äœ œ äœ w>
? #### J ‰ J ‰
127

œ œ äœ äœ œ n äœ w œ n œ äœ # äœ œ ˘ ˘ ˘
Rockin' q=110
? #### J ‰ J‰ œ ‰ ‰ œj Œ n œ ‰ 44 œ ‰ Œ Ó
132

J fl J J

? #### ∑ # œ ˙. j‰ Œ Ó
œ. œ. Œ Ó Œ Ó œ. œ. Œ Ó
137

œ. œ. œ œ.
f
>
?#
7 ˙ n˙ œ. ‰ Œ Ó äœ œ b œ œ >œ
˙ Œ ‰ ≈ ≈
143

b˙ J
π F f
> >
ä
? # Œ œ ‰ œ œ≈œœ≈
b n œ œ ≈ >œ ≈ œ ≈ ≈ œ œ. œ n œ œ b œ
œ. œ. Œ Ó œ
œ #œ œ
154

> P build

? # œ nœ œ bœ œ nœ œ œ œ bœ œ œ œ nœ œ œ œ bœ œ Œ Œ ≈ œ
j≈ Œ Œ ≈ œ
j≈
158

œ. œ. - œ. œ. -
f

?# Œ Œ ≈ j≈ Œ Œ ≈ j≈ ˙ n˙ œ. ‰ Œ Ó
œ œ ˙
163

œ. œ. - œ. œ. - b˙ J
π F
> >
?# Œ äœ œ b œ œ >œ äœ œ b œ œ >œ
‰ ≈ ≈ Œ ‰ ≈ ≈ w j
œ ‰ Œ Ó
168

f > >

54
4 #24. Trouble/Guitar Man/A Little Less Conversation

œ . w
?# # œ œ n œ ≈ œ ≈ œ ≈ œ ≈œ œ
˙ . œ œ. b ˙ . œ n œ. ˙ . œ # œ. w
172

w œ
> solo P cresc.
>œ ≈ >œ >œ >œ >œ >œ > > > > > >
ä b œ œ ä b œ œ ä œ œ œ
b
≈ ≈ J ‰ Œ Œ œ ‰ ≈œ ≈ Œ œ ‰ ≈œ ≈ Œ œ ‰ ≈œ ≈
?#
179
œ œ
ƒ f
> > > >
?# Œ œ ‰ä œ b œ œ œ . ä
œ ‰ œ≈œœ≈
œ b
≈ ≈ ˙b ˙ ˙ n˙ œ‰Œ Ó Œ
183

J
π F
> > > > > >
?# Œ œ ‰ä œ b œ œ œ äœ œ b œ œ œ ä
œ œ b œ œœ
≈ ≈ Œ ‰ ≈ ≈ Œ ‰ ≈ ≈ œ Œ Ó
188

. œ.

œ ≈ >œ ≈ œ ≈ ≈ œ œ. œ œ n œ b œ œ ‰ b œ œ # œ n œ œ œ
Applause segue
?# n œ
Œ Ó
œ #œ
œ œ b œ œ œj ‰ Œ Ó
192

œ. œ.
> fl

55
This page has been intentionally left
blank for page turns.

56
Trombone
#25 Finale
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
David Abbinanti
Applause segue from #24

9 12 œ.
Tenderly q=70

? # # # # 43 U œ
"Jailhouse Rock"

∑ # # 42 ∑ 44 Œ ‰JŒ

. œ. ‰ œ Œ œ. Œ Ó
? ## œ Œ Ó Œ J
w w ˘ ˘
Œ œ ‰œŒ
25

? ## Ó ‰ œj œ ˙ Ó Ó ‰ œj œ ˙ Ó Ó ‰ œj œ ˙ Ó
31

> > >

? ## Ó j ˘ ˘ œ. œ œ. . œ
œ
‰œ œ œ‰Œ ‰œŒ ∑ Œ ‰JŒ Œ Ó Œ ‰JŒ
37

> J J

. ˘ ˘
? ## œ Œ Ó w w Œ œ ‰œŒ Ó ‰ œj œ Ó ‰ œj œ
43

J > >

˘ ˘
? ## Ó ‰ œj œ œ Œ Ó Ó ‰ œj œ œ Œ Ó
49

> >

57
2 #25 Finale

˘ > ˘ œ. œ œ.
? ## Ó ‰ œj œ œ Œ ‰œŒ œ Œ Ó Œ ‰JŒ Œ Ó
53

> J

. œ. Œ Ó ˘ ˘
? # # Œ œ ‰ Jœ Œ w w Œ œ ‰œŒ nw
58

? # # >œ >œ >œ >œ >œJ ‰ Œ œ. œ œ. œ

bb Œ ‰JŒ Œ ‰JŒ w w
64

. œ. >œ
? b b Œ œ ‰ œJ Œ Œ
œ
‰JŒ w w œ . Jœ ˙ Œ Ó
69

œ ˙ >œ ˘œ ä ˘
? bb œ . J Œ Ó Œ Œ œ œ Œ Ó
75

? bb w
79

bw w bw

? bb w Œ Ó Ó œ Œ
83

bw w bw œ >
fl

58
Trombone
#26 Bows
from
ELVIS: A Musical Revolution
Orchestrations & Arrangements by
David Abbinanti

11 ˘ > œ. ‰ Œ œ ˘œ ‰ j
Burnin' h=145

? # # # 22 ‰ Ó œ œ ‰ Jœ w J œ w
>
ƒ
˘ œ. ‰ Œ œ ˘œ ‰ j
? # # # j ‰ Œ œ œ ‰ >œJ w j # # 44
J œ. ‰ Œ Ó
16

œ. œ w
>

˘ 16 ˙ œ . œJ w
Rockin' q=150

? # # 44 ‰ ˘œ ‰ ˘œJ ‰ # ˘Jœ ‰ œJ Œ ˙ œ. œ w
21

J ˙. J
â f f

? # # Œ œ œ . œJ ˙ ˘ j ˘ ˘ ˘
Œ œ ‰ n œ œ. ‰ œ- œ ‰ œ ‰ n œ- œ. Œ Œ œ ‰ n œ œ. ‰ œ-j
43

œ. œ- œ J â J J J â
f

˘ ˘ >œ . ˙ œ. œ w ˙ œ . œJ w œ œ. œ ˙
? ## œ ‰ œ ‰ ‰ Œ
48

J J J J œ. œ- œ
f f

b˙ 7
? ## b >œ ‰ Œ Ó # # # # >œ ‰ Œ Ó
55

w b˙ J J
ß ß

59
2 #26 Bows

œ. œ w
? #### ˙ œ. œ w
J
˙ J Œ
œ œ. œ ˙
J
66

œ. œ- œ
ƒ ƒ ƒ

? # # # # Œ ˘œ ‰ n äœ œ. ‰ œ- ˘œ ‰ ˘œ ‰ n œ- œ. Œ ˘ ä ˘ ˘
Œ œJ ‰ n œ œ. ‰ œ- œJ ‰ œJ ‰ n œ- œ. Œ
72

J J J J J

? #### w nw j
w nw nœ ‰ Œ Ó
76

w bw w
>
n >œ >œ > > > > > > > # œ- œ. œ. œ- œ- œ- œ. œ. œ-
? #### Œ J ‰ ‰ J Œ ‰nœ œ œ œ œ œ œ Œ Œ œ- œ. œ. œ-
84

- . .- - - . .-
?# œ œ œœœ w w Œ œ œœœ œ œ œœœ
89

- - . .- w w

- . .-
?# Œ œ œœœ œ œ œœœ w w Œ œ œœœ
96

- . .- - - . .- w w

? # œ- œ- œ. œ. œ- Œ œ œ œ œ œ œ œ œ œ w w
103

- . .- - - . .- w w
Much faster h=145
3
?# ∑ ###
110 ("See See Rider")

60
 3
#26 Bows

? ### Ó
˘ >œ w
œœ‰J œ. ‰ Œ œ ˘œ ‰ j ˘
j ‰ Œ œ œ ‰ >Jœ w
J
114

œ w œ.
>
ƒ
. ˘ ˘ > œ. ‰ Œ ˘
? # # # œJ ‰ Œ œ œ ‰ œj w j œ œ ‰ Jœ w œ œ ‰ œj
œ. ‰ Œ J
120

> >

˘
ANNOUNCER:

? ### j œ œ "Œ j
Elvis has left the building. [GO]

œ. ‰ Œ œ ‰ Œ Ó
125

w w
>

61
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