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Tibetan Calligraphy

The document provides a guide on writing the Tibetan dbu-can script, detailing the tools and techniques required for proper calligraphy. It includes information on the alignment of strokes, the handling of the pen, and variations in script styles. Additionally, it presents the Tibetan alphabet and vowel signs, along with examples of sub-scribed letters.

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0% found this document useful (0 votes)
357 views13 pages

Tibetan Calligraphy

The document provides a guide on writing the Tibetan dbu-can script, detailing the tools and techniques required for proper calligraphy. It includes information on the alignment of strokes, the handling of the pen, and variations in script styles. Additionally, it presents the Tibetan alphabet and vowel signs, along with examples of sub-scribed letters.

Uploaded by

iocapisco
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Tibetan Calligraphy http://www.btinternet.com/~c.fynn/tibetan/calligraphy/Tibetan-Calligr...

Index Tibetan Calligraphy


How to write the Tibetan dbu-can script

Tibetan dbu-can [pron: "u-chen"] script is traditionally written using a hand-made bamboo
or reed pen cut at an angle. A broad steel nibbed italic calligraphy pen may be used
instead. Calligraphic pens designed for left-handed writers of Roman script are slanted at
a suitable angle for a right-handed person to use when writing Tibetan dbu-chan script.

To produce the proper thickness of horizontal strokes, the width of the pen nib should be
about 1/12th the height of the letter ka.

The pen is held between the thumb and index fingers so that, as you write, the pen may
be rotated to obtain the proper thick and thin strokes. The other fingers are drawn up into
a fist, though some people extend the little finger to form a surface for the hand to rest on
and provide greater stability. Horizontal strokes are written from left to right and vertical
strokes from top down.

The top strokes of Tibetan letters should align with each other. This stroke is always
drawn first.

In complex "stacks" all elements of the stack are usually adjusted in size and shape. The
shape and angle of subscribed gi-gu (vowel sign "u") differs dependent on the letter or
combination it occurs with.

There are several styles of dbu-can script which vary slightly - the design of the examples
I've made for this page are based on a style from Amdo used for writing religious texts.
For combined letters only a few illustrative examples are given.

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The Thirty Consonants


or "Tibetan Alphabet"
ka

kha

ga

nga

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ca

cha

ja

nya

ta

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tha

da

na

pa

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pha

ba

ma

tsa

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tsha

dza

wa

zha

za

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'a

ya

ra

la

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sha

sa

ha

The four Vowel signs:

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gi-gu

zhabs-kyu

'greng-bu

na-ro

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Sub-scribed letters ('dogs can):


sub-scribed ya (ya-btags)

sub-scribed ra (ra btags)

sub-scribed la (la btags)

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wa zur

mgo-can
ra-mgo

la-mgo

sa-mgo

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Punctuation

Tibetan letters for transliterating Sanskrit


x

Related Pages:
Bhutanese style dbu-can
Tibetan Writing Course - by Palden Oshoe & Mark Turin, at Cornell
University Language Resource Center
Calligraphie Tibétain
A Model of the Tibetan gzab Script - with Rules for Calligraphy - T.
G. Dhonthog Rinpoche [in Tibetan]
Elements of the Tibetan Writing System.

| Index | Home |

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Copyright © 2004, 2005 Christopher J. Fynn

last modified: Sun, 22 Oct 2006 05:18:50 GMT

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