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QuantifyingMusic ClassNotes

The document outlines a course on quantifying music, covering topics such as mathematical models in music analysis, rhythmic and harmonic quantification, and the role of machine learning in music. It emphasizes the relationship between music theory and numerical data, and explores the impact of technology on music composition and perception. Key takeaways highlight the potential of quantification in enhancing music understanding while acknowledging the intrinsic human element of the art form.

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0% found this document useful (0 votes)
12 views3 pages

QuantifyingMusic ClassNotes

The document outlines a course on quantifying music, covering topics such as mathematical models in music analysis, rhythmic and harmonic quantification, and the role of machine learning in music. It emphasizes the relationship between music theory and numerical data, and explores the impact of technology on music composition and perception. Key takeaways highlight the potential of quantification in enhancing music understanding while acknowledging the intrinsic human element of the art form.

Uploaded by

adnlovesreading
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
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Download as PDF, TXT or read online on Scribd
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Quantifying Music

Class Notes

Week 1: Introduction to Quantification in Music

●​ Definition of quantifying music: applying mathematical and computational models to


music analysis.
●​ Overview of music theory and its relationship with numerical data.
●​ Historical approaches to measuring musical elements.
●​ The role of quantification in performance, composition, and music technology.

Week 2: The Mathematics of Music

●​ The relationship between frequency and pitch.


●​ Harmonic series and overtone structures.
●​ Logarithmic nature of pitch perception (equal temperament and just intonation).
●​ Applications of number theory in rhythm and scales.

Week 3: Rhythmic Quantification

●​ Measuring beat, tempo, and rhythmic subdivisions.


●​ Understanding time signatures and metrical patterns.
●​ Swing ratios and microtiming in performance.
●​ Using statistical models to analyze rhythmic variations.

Week 4: Pitch and Harmonic Analysis

●​ Methods for identifying pitch and harmonic structures.


●​ Chord progressions and probability models (Markov chains in music).
●​ Computational analysis of tonal vs. atonal music.
●​ Applications in automated transcription and harmonic prediction.

Week 5: Timbre and Spectral Analysis

●​ Defining timbre: the role of overtones and formants.


●​ Analyzing frequency spectra using Fourier Transform.
●​ Measuring harmonic content and envelope structures.
●​ Digital tools for timbre analysis (spectrograms, machine learning models).

Week 6: Musical Form and Structure

●​ Algorithmic methods for detecting repetition and variation.


●​ Quantifying phrase structures and cadences.
●​ Graph theory applications in form analysis.
●​ Fractal patterns and self-similarity in music.
Quantifying Music
Class Notes

Week 7: Machine Learning in Music Analysis

●​ Introduction to AI and machine learning for music.


●​ Training models to recognize patterns in melody and rhythm.
●​ Predictive analytics for musical compositions.
●​ Case studies in AI-generated music.

Week 8: Emotion and Expressiveness in Music

●​ Measuring expressive elements: tempo rubato, dynamics, articulation.


●​ Machine analysis of emotional content in music.
●​ Quantification of mood using audio features (valence, arousal models).
●​ Applications in music recommendation systems.

Week 9: Quantifying Improvisation

●​ Statistical models for melodic and harmonic improvisation.


●​ Analyzing jazz improvisation through probability and set theory.
●​ Comparing structured vs. free improvisation quantitatively.
●​ Case studies on real-time music data processing.

Week 10: Digital Signal Processing (DSP) in Music

●​ Overview of DSP techniques in music.


●​ Signal processing applications in music production.
●​ Quantifying reverb, delay, and modulation effects.
●​ Using DSP for audio restoration and enhancement.

Week 11: Music and Data Science

●​ Large-scale music datasets and corpus analysis.


●​ Using big data for trend analysis in music.
●​ Applications of network science in studying music communities.
●​ Visualizing musical trends through data-driven techniques.

Week 12: Music Perception and Cognition

●​ Cognitive models of musical processing.


●​ Psychophysical studies on music perception.
●​ Neural correlates of rhythm, harmony, and melody.
●​ Experimental approaches to measuring musical engagement.

Week 13: The Economics of Music Quantification


Quantifying Music
Class Notes

●​ Streaming data and algorithm-driven recommendations.


●​ Quantifying listener engagement and hit prediction.
●​ Metrics in digital music marketing and social media.
●​ Case studies on how music analytics shape the industry.

Week 14: Computational Composition and Algorithmic Music

●​ Rule-based vs. generative composition techniques.


●​ Algorithmic approaches to melody and harmony creation.
●​ The role of randomness and stochastic processes in music.
●​ AI-assisted composition and its future implications.

Week 15: The Future of Quantified Music

●​ Emerging technologies in music analysis and composition.


●​ The ethical considerations of music quantification.
●​ How AI and data science will continue to shape music research.
●​ Final reflections on the balance between human creativity and quantification.

Key Takeaways:

●​ Music can be analyzed and understood quantitatively through mathematical,


computational, and statistical models.
●​ Rhythm, pitch, timbre, and form can be measured, predicted, and replicated using
algorithmic techniques.
●​ Machine learning and AI are playing a growing role in music analysis, recommendation,
and composition.
●​ Understanding the quantification of music opens up new possibilities for composition,
production, and musicology.
●​ Despite advancements in quantification, music remains a deeply human and expressive
art form.

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