0% found this document useful (0 votes)
39 views8 pages

Kuratsa: Rooster-Hen Courtship Dance

The document outlines ten different types of folk dances in the Philippines, highlighting their origins, cultural significance, and unique characteristics. Dances such as Cariñosa, Tinikling, and Singkil showcase the rich heritage and diverse influences of Filipino culture. Each dance reflects various aspects of Filipino life, from courtship rituals to agricultural practices.

Uploaded by

acssandps2022
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd
0% found this document useful (0 votes)
39 views8 pages

Kuratsa: Rooster-Hen Courtship Dance

The document outlines ten different types of folk dances in the Philippines, highlighting their origins, cultural significance, and unique characteristics. Dances such as Cariñosa, Tinikling, and Singkil showcase the rich heritage and diverse influences of Filipino culture. Each dance reflects various aspects of Filipino life, from courtship rituals to agricultural practices.

Uploaded by

acssandps2022
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

10 DIFFERENT

TYPES OF FOLK

DANCES IN THE

PHILIPPINES

(Contemporary Arts)
Summitted By:

BEBE CONY LASCUÑA

Summitted To:

[Link] BOYLES

12-SOCRATES

CARIÑOSA
Cariñosa first introduced to the Philippines by the Spaniards in the 16th century,

the name of this romantic dance means 'loving one' or 'affectionate one'. Despite its
Spanish heritage, the dance has very much adapted to the local culture. It depicts the
courtship between a man and a woman during the colonial [Link] dancers use a
handkerchief and go through the motions of hide and seek or typical flirtatious and
affectionate movements.

TINIKLING

Tinikling is a traditional Philippine folk dance which originated prior to Spanish


colonialism in the area. The dance involves at least two people beating, tapping, and
sliding bamboo poles on the ground and against each other in coordination with one
or more dancers who step over and in between the poles in a [Link] Tinikling is a
Philippine folk dance that symbolizes the efforts of rice farmers to catch the Tikling
bird. The dance imitates the bird's movements as it walks on grass and dodges traps.

MAGLALATIK
The Maglalatik (also known as Manlalatik or Magbabao) is a folk dance from the
Philippines performed by male dancers. Coconut shell halves are secured onto the
dancers' hands and on vests upon which are hung four or six more coconut shell
halvesThe dance has four parts that represent the encounter and reconciliation of
the two groups it incorporates martial arts techniques of trapping and boxing. The
dance originated in Biñan, Laguna name of the dance means "latik-maker", from
latik, a coconut product that is used in Filipino cooking.

ITIK-ITIK

Itik-itik is a mimetic folk dance in the Philippines that mimics the movement of
ducks. It originated in Cantilan, Surigao del Sur in the Philippines. Itik-itik was
discovered in this town by National Artist for Dance Francisca [Link]
dance steps imitate the movements of ducks among rice paddies and swamplands,
such as wading, flying, and short, choppy steps.

SINGKIL
Singkil is an ethnic dance of the Philippines that has its origins in the Maranao
people of Lake Lanao, a Mindanao Muslim ethnolinguistic group. The dance is widely
recognized today as the royal dance of a prince and a princess weaving in and out of
crisscrossed bamboo poles clapped in syncopated rhythm.A woman wearing a
colorful gown acts as the [Link] holds two fans and wears ankle bells servant
dance around her and hold an umbrella to protect [Link] men act as angry
monkeys, banging bamboo poles on the floor.

KAPA MALONG -MALONG

Kappa Malong-malong, also called Sambi sa Malong, a Muslim influenced dance


that originates from the Maranao people of Mindanao in the Philippines. The dance
shows the many ways of wear-ing a ‘malong’, a simple tubular yet highly-functional
piece of [Link] malong is a traditional “tube skirt” made of hand-woven (and
sometimes machine-made) multi-colored cotton cloth, bearing a variety of geometric
or ‘okir’ designs aterm used for geometric and flowing de-signs.
JOTA ISABELA

La Jota Isabela, or Jota Isabelino, is a lively Filipino folk dance originating in Cauayan
Isabela, and is a version of the Spanish jota, a dance that was performed in balls at
elegant mansions. . It was said to originate in the grand ballrooms of elegant
mansions as guests dances to the rondalla while wearing their finest gowns and suits.

SAYAW SA BANGKO

Sayaw sa Bangko or also known as “Sayaw Ed Tapew na Bangko” is a Philippine Folk


Dance originated in Lingayen, Pangasinan of the Pangapisan Tribe and researched by
Jovita Sison. It is being performed by a couple on a narrow bench through inching
and hopping from one end to [Link] Sa Bangko, a traditional balancing
bench dance, originated in Pangasinan, Philippines, and is deeply rooted in folk
legends and mythological influences. This ancient art form has been a staple of town
fiestas for centuries, showcasing the region's rich cultural heritage.

KURATSA

Kuratsa is a dance of flirtation and courtship, designed to be danced with a partner.


Its movements mimic the mating ritual of a rooster and hen. Alcedo said that
different versions of the dance could be found in north and central [Link]'s a
popular dance in the Leyte and Samar provinces, and is often performed at
weddings, family reunions, and fiestas.

PANDANGGO
Pandanggo is a Philippine folk dance which has become popular in the rural areas of
the Philippines. The dance evolved from Fandango, a Spanish folk dance, which arrived in the
Philippines during the Hispanic period. The dance is accompanied by castanets.[1] This dance,
together with the Jota, became popular among the illustrados or the upper class and later
adapted among the local communities.

DIGITAL APPLICATION

WITHOUT USING DIGITAL APPLICATION

AFTER USING DIGITAL APPLICATION

You might also like