SEPTEMBER 2013

Autumn
Morning
Star
Page 36
 MAGIC - UNITY - MIGHT
Editor
Michael Close
Editor Emeritus
David Goodsell
Associate Editor
W.S. Duncan
Proofreader & Copy Editor
Lindsay Smith
Art Director
Lisa Close
Publisher
Society of American Magicians,
6838 N. Alpine Dr.
Parker, CO 80134
Copyright © 2012
Subscription is through membership
in the Society and annual dues of $65, of
which $40 is for 12 issues of M-U-M.
All inquiries concerning membership, change
of address, and missing or replacement issues
should be addressed to:

Manon Rodriguez, National Administrator

P.O. Box 505, Parker, CO 80134
manon@[Link]
Skype: manonadmin
Phone: 303-362-0575
Fax: 303-362-0424

Send assembly reports to:

assemblyreports@[Link]

For advertising information,

reservations, and placement contact:
Lisa Close
M-U-M Advertising Manager
Email: magikgal@[Link]
Telephone/fax: 317-456-7234

Editorial contributions and correspondence

concerning all content and advertising
should be addressed to the editor:
Michael Close - Email: mumeditor@[Link]
Phone: 317-456-7234
Submissions for the magazine will only be
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4 M-U-M Magazine - SEPTEMBER 2013

M-U-M SEPTEMBER 2013
Magazine Volume 103 • Number 4

42
cover story
page 36
30

S.A.M. NEWS
6 From the Editor’s Desk
8 From the President’s Desk
10 Good Cheer List
11 M-U-M Assembly News
22 National Council Meeting Minutes 68
52 2013 Christopher Awards
69 Our Advertisers

THIS MONTH’S FEATURES

27 Paranormal Happenings • by Charles Siebert, MD
28 The High Road • by Mick Ayres
30 Nielsen Gallery • by Tom Ewing
32 On the Shoulders of Giants • by Scott Alexander
36 COVER STORY • by Lindsay Smith
42 Convention Photos
48 Mental Breakdown • by Christian Painter
50 Stage 101 • by Levent 32
54 Ebook Nook: Roger Klause In Concert
58 Building a Show • by Larry Hass
59 Tech Tricks • Bruce Kalver
60 Informed Opinion • New Product Reviews
68 Salon de Magie • by Ken Klosterman
69 Inside Straight • by Norman Beck
70 The Dean’s Diary • by George Schindler
70 Basil the Baffling • by Alan Wassilak

Cover Photo by Don Eastburn

M-U-M (ISSN 00475300 USPS 323580) is published monthly for $40 per year by The Society of American Magicians,
6838 N. Alpine Dr., Parker, CO 80134 . Periodical postage paid at Parker, CO and additional mailing offices.
POSTMASTER: Send address changes to M-U-M, c/o Manon Rodriguez, P.O. Box 505, Parker, CO 80134.

SEPTEMBER 2013 - M-U-M Magazine 5

 Magicians who live in the Milwaukee/Waukegan/Chicago
area should mark October 19, 2013, on their calendar. This is
the date for the Jackie’s Magic Food Drive, which benefits the
Warren Township food pantry and the Warren Transitional
Students (special needs students). This is the tenth year for the
Editor’s Desk event. Both close-up and stage magic will be featured. Perform-
Michael Close ers for the show this year include: Mark and Sue Holstein, Bill
Cook, Joe Diamond, Trent James, Chezaday, Big Bob Coleman,
Trent Rivas, Jimmy Stanislawski, and Jim Stan – Magic Man.
In July, I had the pleasure of meeting Autumn Morning Star For more information go to [Link].
and her husband Brian at the S.A.M. national convention in Presenting close-up magic at magic conventions has always
Arlington, Virginia. A few months before that, Lindsay Smith been a thorny problem. For years, the standard solution has
had pitched the idea of doing a cover story on Autumn. There been to split the attendees into smaller groups, which means the
were several reasons why I agreed with Lindsay that an article on close-up performers repeat their act many times. This was taken
Autumn would make an interesting read: she is a busy, working to its extreme at the second MAGIC Live convention. The manner
pro whose name is probably unfamiliar to most compeers; she in which the close-up was presented was exquisite, with bar, res-
has a wide range of interests and talents; and she has found a taurant, trade show, and formal close-up settings constructed
way to utilize her talents to bring the story of her culture to the just for the event, but the performers worked from 4:30 in the
general public. You’ll find Autumn’s story, written by Lindsay, afternoon until 1 a.m.
starting on page 36. One thing you learn when you work magic conventions as a
On page 42, you’ll find part one of our photographic coverage close-up performer is that you have to play big if you want the
of the Arlington convention. (Part two will appear next month.) spectators to appreciate what you are doing. Although this tends
I was very pleased that many of the regular M-U-M colum- to turn close-magic into parlor magic, it still retains many of the
nists were at this convention: Christian Painter, Levent, Steve essential aspects of close-up magic.
Marshall, Bruce Kalver, Tom Ewing, Dean George Schindler, However, I have noticed a huge change in “contest” close-up
and Denny Haney. (Technically, Denny doesn’t write for the magic, a change that certainly has its roots in Johnny Ace Palmer’s
magazine, but his repertoire has been chronicled by Scott contest act more than two decades ago. The aspect of Johnny’s
Alexander, who also showed up for a day.) If you attended the act that has taken hold is the production of a large, unexpected
convention and saw the lectures and performances by Christian, item as the finale of the act. (In Johnny’s act it was two doves.)
Levent, Marshall, Kalver, and Haney, you can appreciate how Although the final production item has changed over the years,
fortunate our organization is to have magicians of this caliber the method (which involves performing behind a draped table)
donating their time, energy, and knowledge to this magazine. In has not. This production gets a big reaction from magicians, and
particular, Denny Haney gave a condensed version of his Egg people win contests because of it.
Bag seminar (featured in the January and February “On the The other change in convention close-up is that acts are now
Shoulders of Giants” columns), and Levent covered his rules of being done silently, to music. While this certainly eliminates the
stage magic, which he has been discussing all year in his “Stage language barrier for competitors, it also eliminates one of the
101” column. It was great to see this material come to life. things that I think makes a great close-up performer: the ability
At the convention I met Dr. Charles Siebert, who has been to interact with spectators verbally.
named the new chairman of the S.A.M. Paranormal Investigation At the Arlington convention, several competition acts required
Committee. Since few compeers (myself included) understand that their draped table be set up behind a curtain. When every-
exactly what the role and goals of the PIC are, Charlie suggested thing was set, the performer worked silently to music. In one
a bi-monthly column that would discuss these issues: I agreed. case, the act seemed to be designed solely for the video camera.
You’ll find the first installment of “Paranormal Happenings” on The result, to me, appears to be “stage magic done at a table,”
page 27. rather than close-up magic.
My old friend Max Maven dropped me a note to offer a clari- Whether this change is good or bad is not for me to judge. But
fication to something that appeared in last month’s issue: “I’ve it’s interesting, and it might be something you’d like to discuss at
been enjoying the Scott Alexander/Denny Haney series. But, I your assembly meetings. 
must offer a correction to Scott’s intro to the August column.
He writes, ‘The club date, as I imagine, gets its name from the
heyday of the various nightclubs and cabarets of the ‘50s and
‘60s.’ That is incorrect. Scott goes on to cite Denny’s ‘wider defi-
nition’ of the term. But, in fact, Denny’s definition is the accurate
one. The term ‘club date’ goes back over a century. In magic
literature, I’ve found it in a 1909 Sphinx, but it is likely a bit older
than that. It has nothing to do with the ‘club’ in ‘nightclub,’ and
everything to do with social organizations (Lions, Rotary, etc.)
that sometimes book entertainment to augment their meetings
and events. Thus, a ‘club date’ is usually a one-time booking,
as opposed to a run at a nightclub, on a cruise ship, or any other
continuous entertainment venue.” Thanks, Max.

6 M-U-M Magazine - SEPTEMBER 2013

 feel let down and lonely. The hotel or casino that has hosted the
magicians has shifted their attention to the next group of conven-
tioneers. They aren’t concerned about your needs anymore.
This isn’t true at the Castle. Their concern is always the
President’s Desk magi who are there. The magicians are treated specially and the
laypeople who have figured out a way to visit are the outsiders.
Dal Sanders I have always loved wandering from room to room at the
Castle. I love inspecting the posters and art on the walls. I love
wandering the back passageways and exploring the various
I am writing this month’s column from Los Angeles, Califor- rooms, be they public, private, or secret (yes, there are secret
nia and the eightieth annual P.C.A.M. convention. I think there rooms). It is always a pleasure to land in one of the seats in one of
must be more magicians per square foot in L.A. than anywhere the many showrooms, enjoying the great magic that is presented
else on the planet. I’m sure that’s because of the close proximity daily.
to the Magic Castle. This convention was loaded with excellent I feel comfortable at the Magic Castle. I have been lucky
talent. Since my recent visits to Southern California have been enough to perform there a couple of times and while I felt a
business-related performances with very little free time for little intimidated by all the magicians in the audience, I still felt
myself, I almost forgot how many friends I have in Southern Cal- comfortable performing there. It was like I was home, entertain-
ifornia. After this weekend I’ve rekindled those old relationships ing the members of my own magic club. One time while I was
and made many new friends from the Pacific Coast. The lifelong visiting there, I started thinking about what room I liked best…
friendships that are formed are one of the best things about being where I felt most comfortable. After a while my thought process
a magician. turned to where in the Magic Castle I belonged.
I love the Close-up Gallery. With just twenty-two seats, it
While at the P.C.A.M. is the perfect place to watch close-up miracles. I love visiting
that room, but I don’t “belong” there. The Houdini Séance Room
I presented my first Presidential Citation to S.A.M. Lifetime is also a great show. They host a wonderful séance there…but
Member Shawn Farquhar, who is also the President Elect of the I don’t “belong” in that room either. The Parlor of Prestidigita-
I.B.M. I have known Shawn since I started my career in magic. tion is perfect for my stand-up comedy magic and I’ve enjoyed
In fact, I don’t remember when or where I first met him but I also working the stage of the Palace of Mystery as well, but with all
don’t remember a time that I didn’t know him. Shawn has always the headline acts that take those stations, I have to wonder if I
done everything he could to elevate and advance the art of magic. really “belong” in those rooms. There are other rooms and spaces
I was proud to have President Elect Kenrick “Ice” McDonald join too. There is the Pellar Theatre, the W.C. Fields Bar, the Library,
me on stage for the presentation. and The Inner Circle. There is Invisible Irma’s Room, the Grand
Salon, the classrooms, and even the dining rooms. They are all
wonderful, but probably not where I “belong.”
I finally figured out where I “belong” in The Magic Castle
(and indeed in magic) as I prepared to leave that night. I was in the
foyer when a young magician visiting from Iowa (who had used
his S.A.M. membership to gain entry to the exclusive clubhouse)
and his assistant-girlfriend tried to figure out the magic words
to make the sliding bookcase open. Abracadabra they shouted…
nothing happened. Shazam…Hocus Pocus…Purple Puppy
Chow. Of course, the bookshelf stayed shut. I walked behind
the magician and whispered “Open Sesame.” “Open Sesame,”
he shouted as if it was his idea and the bookshelf opened. The
magician and his date entered the wonders of the Castle and I
couldn’t miss the look in her eye as she admired his apparent
ingenuity.
My place at the Magic Castle is near the front door to help
guide the neophytes and uninitiated. My job is to help them at
the beginning of their journey through that wondrous place. I
love all of the rooms of the mansion, and I visit them when I
can, but I really belong near the opening. I admire and revere the
people who belong deep inside that building’s wondrous rooms. I
After the P.C.A.M. imagine them sitting around the upstairs bar discussing Vernon,
Miller, and Marlo, or comparing Blackstone and Henning. I
When the convention was over, many of us headed out to visit would love to belong at that table, but my place is at the front,
the Magic Castle. I love the Castle. It is the center of the magi- encouraging others to go deeper into the Castle and reassuring
cian’s universe. It’s the one place on earth that we truly fit in at those who might be too timid to make that move without a little
any time of the year and any time of the day. We get a brief sense push.
of that when we go to a magic convention, but if you have ever This is my place at the Magic Castle, it’s my place in magic,
stayed in the convention city a day longer than the convention and it’s my place in the S.A.M.
(when everyone you know has gone home), you can’t help but Have you ever thought about where you belong?

8 M-U-M Magazine - SEPTEMBER 2013

 S.A.M. National Officers

Dean: George Schindler, 1735 East 26th St.,

Brooklyn, NY 11229, (718) 336-0605, Fax (718)
627-1397, showbiz10@[Link]
President: Dal Sanders, 3316 Northaven Rd,
Dallas, TX 75229 (214) 902-9200,
Dal@[Link]
President Elect: Kenrick “ICE” McDonald, P.O.
Box 341034, Los Angeles, CA 90034,
(310) 559-8968, ICE@[Link]
First Vice President: David Bowers,
(717) 414-7574, David@[Link]
Second Vice President: Jeffrey Sikora, (402)
339-6726 Jeff@[Link]
Secretary: Marlene Clark, 274 Church Street,
#6B, Guilford, CT 06437, (203) 689-5730,
Skype: [Link], Marlene@[Link]
Treasurer: Eric Lampert, (215) 939-5555,
Eric@[Link]

Regional Vice Presidents

New England: CT MA RI NH ME VT
Joseph Caulfield (603) 654-6022,
rvpnewengland@[Link]
North Atlantic: NY NJ
Eric DeCamps, (718) 896-5861,
rvpnorthatlantic@[Link]
Mid Atlantic: PA DE MD VAWV DC
Phil Milstead, (703) 481-5271,
rvpmidatlantic@[Link]
South Atlantic: FL AL GA MS NC SC
Debbie Leifer (404) 630-1120
rvpsouthatlantic@[Link]
Central Plains: KY TN OH IN MI
Steven A. Spence, (317) 722-0429
rvpcentralplains@[Link]
Midwest: IL MN WI MO ND NE KS SD IA
Shaun Rivera, (618) 781-8621
rvpmidwest@[Link]
South Central States: TX AR OK NM LA
Michael Tallon, (210) 341-6959
rvpsouthcentral@[Link]
Southwest: CA AZ NV HI
Ron Ishimaru, (808) 428-6019,
rvpsouthwest@[Link]
Northwest: WA OR UT ID CO AK WY MT
James Russell, (360) 682-6648
rvpnorthwest@[Link]
Canada: Rod Chow (604) 669-7777
rvpcanada@[Link]
Society of Young Magicians Director:
Jann Wherry Goodsell, 329 West 1750 North,
Orem, Utah 84057 (801) 376-0353.
bravesjann@[Link]

Help Wanted get involved spreading the word about Living Past
the S.A.M., please contact me at Dal@ National Presidents
Over the past couple of years, The [Link].
Bradley M. Jacobs, Richard L. Gustafson, Roy A.
Society of American Magicians has been Speaking of social media, have you
Snyder, Bruce W. Fletcher, James E.
raising its visibility through various been following our Facebook fan page? Zachary, David R. Goodsell, Fr. Cyprian Murray,
forms of social media. This work has We post interesting magic news there Michael D. Douglass, George Schindler, Dan
mostly been done by a handful of people almost every day. Go to [Link]. Rodriguez, Dan Garrett, Donald F. Oltz Jr., Craig
(including me). We need to expand our com/TheSocietyOfAmericanMagicians Dickson, Loren C. Lind, Gary D. Hughes, Harry
social media team. If you are profi- and like the page to follow it. We also Monti, Jann Wherry Goodsell, Warren J. Kaps,
cient in Facebook, Twitter, Pinterest, have a Facebook page just for members Ed Thomas, Jay Gorham, John Apperson, Richard
M. Dooley, Andy Dallas, Maria Ibáñez, Bruce
LinkedIn, Google +, Instagram, Tumblr, of the S.A.M. It is the S.A.M. compeers’
Kalver, Mike Miller, Mark Weidhaas, Vinny
or anything else Internet related that we group page. Follow it at [Link]. Grosso, J. Christopher Bontjes
should be aware of, and if you want to com/groups/SAMcompeers. 

SEPTEMBER 2013 - M-U-M Magazine 9

Good Cheer List
Please take a minute to spread a few words of cheer with a card or note to one of our less fortunate members. Send additions, changes,
or deletions to: Anthony Antonelly, Chairman, Sick and Convalescent Committee, (215) 820-3192 ext. 1512. magicforfun60@[Link]

Roger Barr Bob King James J. Morrisey Pat Ryan

883 B Leverpool Circle, 304 Suburban Court, 24 Grove St. 43 Fairbanks Rd.
Manchester, NJ 08759 Rochester, NY 14620 Wayland, MA 01788 Churchville, NY 14428

Daniel Cudennec Robert D. Knigge Anthony Murphy Matt Savin

“Dany Trick” PO Box 5, 11 Angel Rd., P.O. Box 7693
225, Stang-ar-Veil- Jones Borough, TN 3765 North Reading, MA 01864 Alhambra, CA 91802-7533
d’an-Traon, Mellac-29300,
Quimperle, France Stanley R. Kramien Nahmen Nissen Sybill Simons
11205 SW Summerfield Dr. PO Box 1856 65 West 95 St. Apt 3A
Dan A. Dorsey Apt 161 Colfax, CA 95713-1856 New York, NY 10025
98 Woodvalley Dr. Tigard, OR 97224-3391
Fayetteville, GA 30215 David Oliver Hank Strasser
Richard Laneau 141 Audaubon Rd. #201 46 Bordentown-Chesterfield Rd.
Joseph H. (Ben) Grant 4020 55th St. N. Weymouth, MA 02188 Chesterfield, NJ 08515
400 Commonwealth Ave, Unit 9 St. Petersburg, FL 33709
Warwick, RI 02886 Larry Poague Mario Susi
George Gilbert Lott 34221 West 90 Circle 6 Bristol Rd.
Charlie Gross 1725 Great Hill Rd. Desota, KS 66108 W. Peabody, MA 01960
16745 Gertrude Street, Guilford, CT 06437
Omaha, NE 60136-3023 Jim Relyea Jack White
Frank J. McNaughton, Sr 241 W. Lakeshore 4288 Arguello St.
Roy Horn 1926 Apple Street, Rockaway, NJ 07866 San Diego, CA 92103
c/o Siegfried & Roy Williamsport, PA 17701
1639 N Valley Drive, Harry Riser
Las Vegas, NV 89108 11755 N. Michigan Rd #313
Zionsville, IN 46077

10 M-U-M Magazine - SEPTEMBER 2013

 ASSEMBLY NEWS SEPTEMBER 2013 Volume 103, Number 4

Society of American Magicians Monthly News

Go to: [Link]
and use the easy submission form to file your report

1 Throwdini made was that of Past

President Richie Magic as the
salt on a rubber band causing
its molecular structure to
Hot Magic at Ambassador of Magic for the PA change. While a laser beam
PA 1 in the City 1, a role he is truly suited for. I was flashing on the rubber
was voted by the board to be the band, his assistant Rob
New York, NY— Max Droge, historian of PA 1 at the recom- pulled his finger through
who had just returned from Paris, mendation of new president. With the rubber band without
delighted us with stories of his trip our yearly plan in order, we are damaging either. Next Walt,
at the Magic Table this month. The prepared for a wonderful year while blindfolded, showed
Magic Table has been meeting in of fun and magic here in the Big his skill at ascertaining a
Times Square since its first days at Apple. —Tom Klem chosen card.
the Dixie Hotel in the early 1940s. Parent Assembly Number One Corky mystified us with President Brian Hurlburt (seated)
Lee and Jerry Oppenheimer, Scott meets usually on the first Friday Henry Evans’s Tribute to with (L to R) Larry Grossman, Ed
Mero, Richard Bossong, and Rene of the month at 7:15 on the Mount Varone, an enchanted effect Hanisco, Suess Metivier, Jim McElroy
Clement continue to come as Sinai Campus in the Goldwurn in which a selected card and Andrew Stillwell at the Assembly
regulars to the Table. The Table Auditorium, 1325 Madison vanishes and is discovered 4 Summer Organizational Meeting
meets to share magic over lunch Avenue, NYC Contact Tom Klem in a miniature card box.
at the Edison Hotel Café on 47th Reporter tpk47@[Link] (212) Next Corky performed Assemby 4 members had been
Street off 7th Avenue. When in 725 5258 [Link] for Matrix Poker, a stunning display invited at the Tiffany Diner on
the Big Apple come and visit with more details. of magic based on numbers. Roosevelt Boulevard in the City
your compeers.
The Parent Assembly does not 2 Rob, well-known balloon sculptor, of Brotherly Love. Approximately
made a balloon rabbit and, after twenty-one members and their
meet over the summer in July SOMETHING OLD, NEW, putting it into a cabinet, pressed guests were on hand to assist in
and August, but our members BORROWED, BLUE a heavy wood mallet into the planning the Assembly 4 meeting
and board are still very active. cabinet bursting the balloon. We agenda for the 2013-2014 calendar
PA#1 Magicians of the Year Doug SAN FRANCISCO, CA— were happily surprised to discover year. Those in attendance, who are
Edwards gave a great lecture at The evening before July 4, mages a stuffed cloth rabbit in its place. a major part of the heart and soul
Rogue Magic in Queens. Roger, and guests gathered to liberate Setting a capped bottle of water on of Assembly 4, included President
the owner of Rogue, also has their magical powers and display the table, Hippo placed a straw on Brian Hurlburt, Jeff Carson, Peter
hosted fundraisers for the PA 1 wondrous feats of wizardry – the cap. With a natural flair, Hippo Cuddihy, Phyllis Cuddihy, Mort
Gravesite Restoration Committee based on the theme “something gestured at the straw causing it Feldman, Kurt Garwood, Rick
and to support the “Do Magic for old, something new, something to rotate around the bottle top. Greenberg, Larry Grossman,
David Oliver” group. At the well- borrowed, something blue.” In The straw revolved one way and George Hample, Ed Hanisco,
attended social at I.B.M. Ring place of a teach-in, Rich Seguine then reversed itself. John Caris Donna Horn, Larry Horn, Eric
26, PA 1 member Kamaar was staged a giveaway, offering three deftly revealed the power hidden Johnson, Kim Matthews, Sidney
honored before a wonderful show magic items: a tray for vanishing in Howard Adams’s Reversee, Matthews, Charles Murter, Jim
produced by Frank Reyes. Many objects, a small table for vanishing, an ESP card effect. Mary Caris McElroy, Seuss Metivier, Helene
PA 1 members are members of producing, and predicting, and a enjoyed the night’s conjuring and Schad, Andrew Stillwell, and Jim
both clubs. I guess we just cannot CD of jokes and comic routines. did her part in vanishing the gin- Straub.
get enough magic here in NYC. Beginning the evening’s per- gerbread cake. —John Caris All in attendance had a delicious
Bob Friedhoffer has returned formances, Stu Bacon amazed Golden Gate Assembly 2 meets dinner while Brian led the dis-
from a very successful perfor- us with a card routine invented first Wednesday at 7:30 p.m. at cussion and took suggestions
mance tour in Europe. Rene by Albert Einstein, or so we Community Room of Taraval about topics and formatting for
Clement, Richard Bossong, were told. Hippo Lau assisted by Police Station, 2345 24th Avenue, upcoming meetings. The member-
and many PA 1 members have cutting the deck into four piles and San Francisco. Contact Tamaka ship in attendance unanimously
been performing throughout the selecting a card. Using the Austra- Tamaka3715@[Link] (415) agreed that all future meetings
summer. lian shuffle, Hippo dealt the cards 531-9332 [Link] should begin promptly at 6:30
We met as a board for the to the table. The final card was the com/groups/249018441875771/ for p.m. as soon as the doors open in
summer organizational board chosen one. The routine definitely more details. order to get the business meeting
meeting in July with thirteen of
the sixteen PA 1 board members
involved space curving back upon
itself. 4 out of the way and allow the magic
to begin. Additionally, it was
in attendance. We set the meeting Rich then demonstrated his SUMMER agreed that the judging of con-
dates for the year, which Dr. Jerry mind power with Jim Kleefeld’s ORGANIZATIONAL testants once again be opened up
Waye is now clearing with Mount Cinema Verite, an engaging MEETING to the full membership instead of
Sinai, who hosts our meetings. effect utilizing cards with images having a select number of judges.
Committee heads and presiden- of different movie posters. Rich PHILADELPHIA, PA— On Numerous other subjects were
tial appointments were presented correctly identified the films Thursday, July 18, 2013, newly discussed and everyone in atten-
by newly-elected President David mentally selected by Rob Shapiro elected Assembly 4 president dance expressed enthusiasm over
Adamovich (you may know and Corky LaVallee. Walt Johnson Brian Hurlburt enthusiastically the upcoming year. With Brian at
him as “The Great Throwdini”). presented two amusing routines. convened a two-hour organi- the helm, it promises to be a good
One of the yearly appointments First he sprinkled some popcorn zational meeting to which all one. —Peter Cuddihy

SEPTEMBER 2013 - M-U-M Magazine 11

Assembly News
The James Wobensmith Assembly prediction and Andy London causes coin transpositions, all
4 meets the third Thursday at 7:00 passed around his NOC deck and over the place. Steve Barcellona
p.m. at the Bustleton Memorial did some amazing card magic with showed his tried and true Two
Post, 810 (American Legion) 9151 it. It was another great evening of Coin Trick. Ron White and Randy
Old Newtown Road. Contact magic, and the feedback from the showed magic with smart phones.
[Link]/ for more details. members helps us all improve. Larry Minth shook it up. Lots of

6 —Eric Hoffman
The Kellar/Thurston Assembly
fun for all!
June 29th Relay for Life Charity
“MAGICIAN FOOLERS” 6 meets every first Thursday at Event: Over a dozen members
NIGHT 8:00 pm at the Magic Warehouse, came to perform Saturday. There
11419 Cronridge Drive suite #10 were all kinds of effects for the
BALTIMORE, MD— Under in Owings Mills, Maryland. 410- participants. Steve Barcellona
President Andy London, the 561-0777. Contact Andy London not only organized our part in
business part of our meetings alondon@[Link] www. the event, he brought his family
rarely exceeds two minutes. We [Link] for more and performed too. John Davit
voted on a plan for a November details. Bending a quarter for performed several rope effects in
lecture, and then it was off to
our theme, “Magician Foolers” 7 Greg Schuerman front of our booth. Jason Stack and
Sandy Weis taught and handed
(but don’t we try for that every Wisdom from a the total effect more spectacular. out free tricks. Randy Kalin
month?). Newcombe(r) Then he swallowed a razor blade, performed several coin effects for
Guest Les Albert kicked things acknowledging Dan Sperry’s the young ladies who just could
off displaying recently mastered Omaha, NE— The July technique. He claims to have only not get enough magic. In addition
moves with his Boston Coin Box, soiree at the Omaha Magical four books in his library; however, to those previously mentioned,
using heavy silver dollars and Society started with announce- one is a volume with the complete Greg Lewis, Michael Long, Larry
making them disappear silently. ments of our upcoming August set of Tarbell books. Minth, PNP Harry Monti and
He followed with a fine coins- sessions and a reminder that His lecture continued with
through-clear-shot glass and anyone wanting to serve on the melting a quarter and penny
some card magic, ending with his Wizard’s Banquet Committee together, an ESP effect in
signature floating card. Howard should come forth soon. We which the audience could
Katz, who graciously lets us meet in were then treated to insights read Professor Emeritus
his Magic Warehouse, performed from newly-elected 2nd Vice Tom Zepf’s mind , a card
a beautiful Sharpie through President Jeff Sikora regarding force and reveal, a predic-
Card. Guest Craig Feinstein did the wonders of the recent S.A.M. tion of the total bill for
a home-brew version of 20th convention near Washington D.C. a three-course dinner,
Century Silks and a linking ropes Briefly, some highlights were the shoving a needle through
(essentially Dean’s Box without Comedy Magic Show, a show his arm, and a version of
the box). His six-year-old son by deaf magicians, plus buskers a Devin Knight illusion
Jordan, also a guest, performed an and a plethora of great activities, with a Travis Newcombe
unusual Socks Across version of including S.A.M. President Chris twist. Travis then fielded
the Piano Card Trick. Joe Bruno, Bontjes laying a wreath at the questions about the life of Assembly 8 - Relay for Life 2013
our walking encyclopedia of Tomb of the Unknown Soldier, a busker. If one wanted to
magic, demonstrated several ways donations toward the double lung know how to “busk,” he would be Trudy, Adam Putnam, Richard
to cheat in poker deals and an transplant for David Oliver, and a good role model. —Jerry Gol- Thompson, Dan Todd, and more
apparent demo of stacking while the Wounded Warrior collection manavich contributed to a great day!
shuffling. Joe has long offered this for our servicemen. Jeff is slated Assembly 77, the Omaha Magical July 11th Convention Review:
effect in manuscript form. Eric to be the 100th president of this Society usually meets on the In our short meeting we got our
Hoffman showed the danger of classy organization and I am proud third Monday of each month at bylaws officially updated. Randy
placing dissimilar metal fasteners to have him as a friend. Last, the Southwest Church of Christ Kalin taught safety pin magic
together, with a steel nut weirdly but not least, Jeff was awarded a near 124th Street and West Center to all attending. Kris and Kevin
spinning off a brass bolt all by document recognizing our brand Rd. right across from where Allen visited and got hooked, like
itself. Mike Schirmer performed new S.Y.M. group. Hooters used to be. Contact jerry everyone else. A panel of distin-
Marc De Souza’s Die of Destiny, Larry Brodahl then explained golmanavich golubki@cox. guished magicians reviewed the
a favorite effect for many of us. that our November soiree will net (402) 390-9834 www. S.A.M. convention, including
Tony Anastasi did a nice two-deck be the liquidation of the donated [Link] for Shaun Rivera via Skype. PNP
magic paraphernalia from the more details. John Apperson, Dick Blowers,
estate of Warren Mattes. We thank and Andy Leonard connected
Warren’s wife for thinking of us.
Next up was Travis Newcombe, 8 pins too. Randy, Gregory Green,
and John Davit all performed card
a recent addition to the Omaha Practice Makes effects for us. Jason Stack taught
Magical Society, and our resident Perfect a rubber band effect, with a twist.
busker. Travis started by dem- PNP Harry Monti performed
onstrating some of his busker Saint Louis, MO — June the linking hangers with finesse.
skills by swallowing a balloon, 27th Practice Makes Perfect: After Derrick Daniels performed two
bending a quarter, and transport- a short meeting, Randy Kalin em- cool effects with cards. Kris
ing a quarter from his right to his phasizef the importance of practice Allen performed a classic version
left eye. He then gave insights and taught us the straw penetra- of the Cups and Balls. Dan Todd
into his family-friendly shows tion effect. He took time to ensure performed Three Cards in Three
and showed his adaptation of a everyone had time to practice the Pockets with Creative Magic’s
Russian Roulette routine with moves required. George Van Dyke Flash Cards. Columbus Smith
sacks holding glasses; only one of showed Douglas Clark the Robin taught us a version of pencil
Howard Katz those would have poured water on Hood Sequel. Columbus Smith through bill and card. What a
performing Sharpie an assistant’s head. He spends a lot showed his mettle with great coin night! —Dan Todd
Through Card of time selecting music to make magic. Randy explained how he Assembly 8 meets at Mount

12 M-U-M Magazine - SEPTEMBER 2013

 Assembly News
Tabor United Church of Christ Following the lecture, Daryl in very fine fashion. Scott Wells shown at the convention. After
at 6520 Arsenal in Saint Louis Sprout performed during the used a website with photos to dem- it was shown there, Dan and a
MO 63139. Contact Dick Blowers open session, and spoke a bit of onstrate his mindreading powers handful of volunteers passed
rmblowers@[Link] (213) his methods of performing with with Randy Stulken and Anthony “the hat” (purple buckets) and
846-8468 [Link] children. Dinardo as his participants. Gene collected nearly $1,500 for the DO
for more details. The Dallas Magic Clubs meet at Protas used his recent trip to Fund. Dan also reported that in
Crosspointe Community Center, Australia as a story line for a con the previous two weeks, another

13 Theater 166 on the third Tuesday

of the month at 7:00 PM in Carroll-
game using three coins and three
shells. Randy Stulken changed the
$370 came in from PayPal. Many
thanks go to Steve Wronker for
Performing Children’s ton Texas Contact Reade Quinton pip colors of two dice while held in putting a lot of information out on
Magic [Link]@[Link] (972) his hand. Rick Hebert claimed that Facebook and his blog. Because
400-0195 [Link] he had a dream in which randomly of all the work our assembly
Dallas, TX— President for directions. selected cards matched his red members put into this project, the
Derrel Allen welcomed the Five and Three, and he was right! National awarded Assembly 21
members of the Dallas Magic
Clubs to the July meeting, and 19 Chris Alonzo caused the four Aces
to change places with the Four
the S.A.M.’s 2013 Humanitarian
Award. It was on display for the
welcomed visitors Marcus Koch, Fourth of July Magic in Kings. Shane Wilson changed rest of the evening.
Caleb Weateen, and Michael Houston blue-backed cards into red-backed After the meeting, Norman St
Blum. The first order of business cards, one at a time, and then the Laurent did a trick that involved
was to congratulate DMC member Houston, TX— Houston whole deck. Thanks to all of our tearing up a piece of rolling paper
Dal Sanders on his ascendency to had lots of magic to help celebrate July performers. —Miles Root and restoring it. He taught us all
the presidency of the Society of the Fourth of July. The evening’s Assembly 19 meets the first how to do it afterwards. Lastly,
American Magicians. teaching session was centered on Monday of every month at the Dan demonstrated the iPad app
The main event of the evening the first magic trick that you ever International Alliance of The- Mind Lister that Bruce Kalver
was a lecture by Dal and Cinde learned. We had lots of participa- atrical Stage Employees Local had shown the conventioneers.
Sanders on performing magic for tion and just good fun. 51 Meeting Hall, 3030 North —Dana T. Ring
children, occasionally featuring Scott Wells threaded a Freeway, Houston, TX. A teaching Angelo’s On Main, 289 South
effects to illustrate a point. Dal needle with a piece of rope lecture begins at 7:30 pm with the Main Street, West Hartford,
discussed the importance of wrapped around his thumb. meeting beginning at 8:00 pm. Connecticut 06107 Contact
writing a script, for he believes Anthony Dinardo pulled his Contact Miles Root milesroot@ Dana T. Ring dana@danaring.
that children will “do everything thumb right off his hand. Dick [Link] (281) 334-7508 com (860) 5239888 www.
to derail your train of thought.” Olson tied a knot in a piece of [Link] for more [Link] for more details.
They also discussed the impor- rope without letting go of the details.
tance of an assistant. The magi-
cian’s assistant can focus attention
ends. Gene Protas didn’t actually
perform, but shared a funny story 21 22
and direct the children’s gaze. about almost blowing smoke out of A Stunning Award GREGORY WILSON
Cinde discussed the importance his ears. Johan McElroy shared his LECTURES IN LOS ANGELES
of setting rules, in a firm but kind first coin vanish, as taught to him Hartford, CT— MI Dan
way. Dal described techniques by our own Scott Hollingsworth. Sclare, just back from the con- Los Angeles, CA— The
for picking assistants from the Mark Melchor shared his first card vention, related the good news July 15, 2013, meeting of the
audience. He prefers to pick the effect using a gimmicked set of about David Oliver: only the week Southern California Assembly
quiet child with the biggest smile cards. Rick Hebert shared his first before, David got his lungs! He 22 was presided over by First
rather than the most excited kid magic with cards and how he was underwent a double transplant Vice President Michael Perovich,
with his hand raised the highest. able to locate a chosen card from and was doing very well. The day standing in for Tom Meseroll.
A pre-show should have about a deck. before the meeting, Dan was able Secretary Ed Thomas, P.N.P., gave
ten minutes of music, and the Randy Stulken restored a to speak with David by phone. a short report about the recent
music should get gradually more broken match. Chris Alonzo (Dan was so flabbergasted by this, S.A.M. national convention and
exciting. A voice-over countdown located a lost card in shuffled David spoke better than he did.) presented some awards and certifi-
is given every few minutes. An deck. Shane Wilson performed Dan shared a David-honoring cates to members unable to receive
inexpensive, but effective, way to a torn and restored mis-made video with us that had been them at the June banquet. Mike
do this is to use [Link]. Pro- dollar bill effect that could not then moved the meeting directly to
fessional quality voice-overs, and possibly have been the first bit our scheduled program, a lecture
other services, can be obtained for of magic that he ever learned. by Gregory Wilson. A two-time
a minor fee. Gene Protas shared a second FISM winner and a magician with
The opening act should be fast story concerning a crawling a national and international repu-
and colorful. The middle of the nickel that his grandfather used to tation as a performer and lecturer,
show uses variety. Dal doesn’t perform. Frank Price performed Wilson is also a frequent and very
constantly do magic; juggling, the infamous 21 Card Trick in popular Magic Castle performer.
puppets, and storytelling may all a very different and unusually Gregory Wilson performed and
fit into the show. After closing long drawn out and entertaining explained, by my count, at least
the show, Dal talked about the manner. seventeen effects that were all at
importance of a meet-and-greet. The regular performances were a doable skill level for most in the
Sometimes the “show after the led by Johan McElroy, who had audience who would be willing
show” might be the most meaning- Anthony Dinardo’s selected card to devote some time and practice
ful part for both kids and parents. appear almost restored inside necessary to learn and perfect
Wrapping up, Dal and Cinde a sealed fortune cookie. Jaden the effects. Going beyond just “a
discussed how to optimize control Rhodes produced the four Aces lecture,” it was very entertain-
of your performing environment. with a series of cuts and flour- ing to see Wilson perform. He is
This included the importance of ishes. Mark Melchor’s Torn and very personable and fun to watch.
a using a backdrop, especially in Restored Newspaper routine had Included in the lecture were
people’s homes. This is a psycho- music provided by Scott Wells. several very good tricks from a
logical edge, and helps focus and Anthony Dinardo performed The 2013 series of articles Wilson wrote
control. Gregory Wilson’s Weighted Aces Humanitarian Award for MAGIC magazine, circa 2011,

SEPTEMBER 2013 - M-U-M Magazine 13

Assembly News
called “Coffeehouse Conjuring.” blue rope. stones. This was an effect that [Link] for
After the lecture, Wilson had Tom Winterrowd continued John had brought back from one of more details.
some of his magic and his excellent
DVDs available for purchase. With
the festive spirit by producing
red, white, and blue silks from a
the lectures at the convention and
the assembly meeting served as a 47
some members lingering on late “church collection bag,” trans- sort of dress rehearsal for John’s Rainy Summer Update
into the evening, it was close to forming them into white, blue, and first audience presentation of the
midnight before Gregory Wilson red silks. He then mixed things up mystery. Rochester, NY— First of
finally left our meeting hall. It was by producing a psychedelic silk For the August meeting, Bob all, Assembly 47 wants to extend
another great evening of Southern with a mixture of all three colors. Wallin offered to host a picnic their best wishes to any of our
California Assembly 22 magic. Tom capped it off by producing of sorts at his home as a change western compeers being attacked
—Steven L. Jennings an American flag to thunderous of pace for the assembly and the by the savage fires of summer. We,
Southern California Assembly applause. President Taylor next other members thought this would on the other hand, are experienc-
22 meets the third Monday each explained the origin of the phrase be a good idea. Thanks Bob, we ing just the opposite – days and
month at 8:00 PM, St. Thomas “two bits, four bits, six bits a will see you then. —John Jennings days of rain. Our annual summer
More Parish Hall, 2510 South dollar” and dramatically demon- The Hersy Basham Assembly 32 picnic in June was cancelled for
Fremont Avenue, Alhambra, strating the concept with the help meets the third Tuesday at 7:00 the first time in unknown years
California Contact Ed Thomas of his little black money bag. The p.m. at Tharp Funeral Home, 220 (I believe Professor Rem would
magicmred@[Link] (213) evening concluded with a presen- Breezewood Drive, Lynchburg, know). The annual July Fourth
382-8504 for more details. tation by Taylor of “coin through VA. Contact investigatefire@ parade in Penfield (the location
the back of the hand” and “coin [Link] (434) 851-6240 for more of our meetings) was cancelled

31 through leg” from Bobo’s Modern details. for the first time in twenty-seven

THAT FESTIVE SPIRIT

Coin Magic. —Steven A. Spence
Assembly 31 meets the first 37 years, too! I performed in the rain
as probably many of my fellow
Monday of each month at 7:00 Lectures 2013 club members did, also. But, I
Indianapolis, IN— In late [Link] Irvington United Methodist have been reading, practicing, and
June, the Harry Riser Assembly Church, 30 Audubon Rd., on Denver, CO— One of the supporting magic and I hope you
31 joined forces with I.B.M. Ring the east side of the City unless biggest benefits of being a Mile all do, too!
10 for our annual magic picnic, otherwise announced. If the first High Magicians Society Member Fellow member Vasisht Sriniva-
proving once again that a group Monday conflicts with a holiday is attending outstanding lectures san and I represented Assembly 47
of magicians have no difficulty weekend, we postpone the meeting throughout the year for extremely by performing under a tent at “The
making large quantities of hot by one week. Contact Taylor minimal fees. Generally the club Strong Stroll,” which was a re-
dogs disappear. Martin kazoo23@[Link], (317) has the funds to provide ten to sounding success, drawing almost
In honor of Independence Day 413-1320 or visit [Link] twelve lectures to our member- 5,500 participants and raising
the theme for the July meeting for more details. Contact Taylor ship each year. Our club’s wealth a record-breaking $415,000 for
was Red, White,and Blue magic. Martin kazoo23@[Link] (317) comes from the two public shows Golisano Children’s Hospital
Your humble scribe started off the 413-1320 [Link] for we produce each year. The 2013 at the University of Rochester
evening with a brief video presen- more details. list for lectures we have already Medical Center. As the partici-
tation of his recent pilgrimage to
the House of Robert-Houdin in 32 been privileged to attend include
the showmanship and skill of
pants came by before or after
their competition, we performed
Blois, France. Robert-Houdin’s Mentalism Eric Anderson. Eric was particu- close-up magic for them. Since
genius still shines forth when mini-lecture larly enthralling by using his own the event was held on June 1, we
seeing his automatons over 150 personal life to add stories to his were lucky. It looked like rain, but
years after their creation. Newly Lynchburg, VA— motivational magic. The club was
installed President Taylor Martin Assembly 32 held its meeting on fortunate to have Hannibal lecture
kicked off the magical portion of July 16 and compeer Glen Rae before his performance at Joe and
the evening with a brief history was featured as he presented a Carol Massie Givan’s Theatre of
lesson on phlogiston, an invisible mini-lecture on the ins and outs Dreams. Dan Harlan provided a
substance that alchemists believed of mentalism. Glen shared a theatrical based lecture along with
was released when there was bunch of clever ideas emphasizing a unique display of magic wares
heat and fire. Taylor entertained inner actions with the audience. for sale. Devin Knight provided
the group with the Green Purple Another segment of the meeting the club a new mentalism lecture at
Orange Mystery, an effect origi- was a recap of the recent S.A.M. the end of April that was followed
nally described in The Discoverie national convention as those that by an entire mentalism meeting in
of Witchcraft in 1584. One red, attended discussed the highlights. May. America’s Got Talent’s Eric
one white, and one blue rope (the Three local members attended; Buss threw in some improv to Vasisht & Mike at
mystery is why is the effect called Bob Wallin, Mike Kinnaird and our magic mix while the always Strong Stroll
the Green Purple Orange Mystery) John Jennings. The convention unique Nathan Kranzo brought his
were tied together. The ropes were program was passed around for all delightful lecture and personality it held off! Next year, we hope to
sprinkled with phlogiston by a to see Assembly 32’s ad as it was for a nifty close-up lecture. Nathan have a few more magicians doing
willing spectator and mysteriously placed in the program. provided the most interesting take walk around at the slides, bounce
fused into a single red, white, and Bob Wallin then performed an on his magic. His excellence can houses, and dunk tanks! Magic
effect in which a coin only compare to his wonderful is fun and a good way to spread
penetrated through a solid teaching skill. Everyone walked happiness. Hope your summer
disk. He followed this up away from his lecture with a smile remains safe! —Mike Ihrig
by performing a relatively and a wonderful magic item to add Assembly 47 meets the third
new trick called the Tiny to their repertoire. We were Kran- Tuesday of the month (Sept-May
Plunger – an impressive zo-sized! —Connie Elstun at 7pm at St. Joseph’s School,
effect. Bob Staton offered Assembly 37 otherwise known as 39 Gebhardt Rd, Penfield, NY
some helpful suggestions. “The Earl Reum Assembly” meets 14526. Contact Mike Ihrig
John Jennings finished the at The Riverpointe Senior Center ihrigmagic@[Link] (585)
magic for the evening by the 2nd Thursday of each month. 377-1566 [Link] for
performing a prediction Contact Chad Wonder Chad@ more details.
Picnic Celebration effect involving colored [Link] (303) 933-4118

14 M-U-M Magazine - SEPTEMBER 2013

 Assembly News

51 showed several effects with rope,

including Ring & Rope, Pet
routine using red, white, and blue
hats with a comedy finish.
Winters joined our members and
talked about their books, which
Summer of Magic (June Ropes that changed color and then Thank you so much to Don involve magic and magicians as
and July 2013) blended into striped ropes, and Moravits, who stepped in at the their theme. Ms. Brown’s book is
Jump Ropes. last minute and taught the breather Born of Illusion, and Ms. Winter’s
Peoria, IL— Lots of magic Doc Lowery shared a gag he crimp. Don says this is his go-to book is In the Shadow of Black-
happening in Peoria this summer, used to use on TV called Frozen move because it never fails. He birds. Ms. Winter’s next book,
including performances at the Hair Tonic. Finally, Jerry Tupper gave us several examples of its The Cure for Dreaming, is set in
Heart of Illinois Fair July 12-20 returned to the spotlight with an use. Great practical information. the year 1900 with a young stage
and at the Riverfront Farmers inspired rendition of Gene Ander- Thanks, again, Don. hypnotist as the protagonist.
market on the second and fourth son’s “Old Mother Hubbard” Die Door prize winners tonight were Assembly 59 welcomed two new
Saturdays all summer, as well as Box routine. Wayne Kunkler, John Murphy, members to our ranks: Jay Freder-
our regular meetings. There was a lot of small group and RayAdams. icks and Craig Anthony Perkins.
The June meeting began with discussion after the meeting Brother John Hamman Assembly They are both energetic and enthu-
President Jerry Tupper having before several of us met across the 52 meets at 7:30 p.m. on the first siastic young men who will bring
various members give updates on street at a restaurant for dinner, Thursday of the month at La new ideas and skills to our ranks.
the events mentioned above and drinks and more magic talk. Madeleine Restaurant, located at Showtime performers for the
discussion on new business cards Assembly 51 meets on the third 722 N.W. Loop 410. The restaurant evening were Randy Stumman,
for the PMA. Monday at 7pm at Lakeview is inside Loop 410 on the access Tom Waldrop, and Mel Anderson.
We had one guest this evening, Public Library in Peoria - road between Blanco Rd. and The theme was magic with
Logan. Jerry Tupper began the 1137 West Lake Ave. Contact San Pedro. For more information, borrowed objects.
magic with a silk production that [Link]@[Link] for contact douggorman@[Link]. Assembly 59 draws the curtain
transformed into a silk fountain more information. after the June meeting and will not
with a flag finale. Michael Baker
056 meet again until our annual picnic
brought along a new item he had
made, The Okito Tea Canister 52 July Meeting
on August 24, 2013. This event
will be hosted by John Edsall. He
Mystery, which he performed. RED, WHITE, AND BLUE and his wife are well known to
Michael then performed his MAGIC Dayton, OH— Our July organize many such gala events.
Famous Five Card Trick at the Meeting was held at the home of Following that in September
request of Grant Golden. SAN ANTONIO, TX July Compeer Jim Rawlins. Jim has a we return to our regularly
Gambit did a cool trick with 18, 2013, Brother John Hamman very extensive collection of magic, scheduled program with our swap
reversed card, in which the entire Assembly 52 held its monthly and with our meeting theme being meet. Till then, Happy Trails!
deck reversed itself around a meeting at LaMadeleine Restau- “Old Magic,” it was the perfect —Glen L. Bledsoe
selected card. He then did Francis rant. Newly-elected President Don location. We had sixteen members SAM 59 meets on the fourth
Menotti’s toxic prediction. Finally, Moravits welcomed everyone. and one guest in attendance, which Wednesday of each month
he demonstrated his handling of He announced that he plans on wasn’t bad for a summer meeting. except Jul/Aug/Dec at The
The Hopping Halves. A few days running things loosely this year, After our business meeting we Beaverton Elks, 3500 SW 104th,
later in this week of lots of magic, but above all, he wants us to see broke for refreshments provided Beaverton, OR 97005. Contact
Oscar Munoz treated us to a fine a lot of magic and have a lot of by Barbara Pfeifer. Glen L. Bledsoe glenbledsoe@
lecture. fun. One of his goals for this year Meeting chairman Thurman [Link] (503) 967-9151 www.
President Jerry Tupper opened is for us to grow and improve our Smith then introduced our theme [Link]/ for more
the July meeting by presenting magic with honest feedback and and we got right into the magic. details.
Doc Lowery with a can of road
kill possum in honor of Doc’s vent
constructive criticism. Also, he
hopes that we can all be creative
We had performances by Bill
Hagen, Scott Miller, and John 88
puppet, Awesome the Possum. each month with our perfor- Love, who did a routine that Unofficial Meeting and
Guests, Logan and Bob were then mances. Don announced all of his paid tribute to beloved member July Cookout
introduced to the group. suggested themes for the year and Mike Herrick who passed away
We next heard updates on the thanked his wife Dahnene, who the previous week. Scott then Ann Arbor/Ypsilanti,
Heart of Illinois Fair, where was the one who actually came up presented a card effect using MI— The Ann Arbor Magic
several of our members were per- with all of the clever and creative antique-looking pasteboards. In Club doesn’t have any “official”
forming. There was an official ideas for the themes. Thanks, addition we had performances meetings in July or August, but
club good-bye for CJ Diamond, Dahnene. Now it is up to the by Thurman Smith, Oran Dent, that’s not to say that we don’t get
who is moving to Boston later this membership to use those themes Paul Burnham, Craig Morgan, together for magic fun! On July 10
month. in creative ways to entertain each Fred Witwer, and Jim Rawlins, some of our members got together
Grant Golden began the theme month at our assembly meetings. who presented a couple of great for an “unofficial” meeting at
for the month of “Magic with a Starting off the open perfor- items from his collection. After the Denny’s restaurant in Ann
Message.” He showed rope and mances for tonight was Ray the performances we continued Arbor, where they had good food
silk tricks that tied nicely into Adams, who did a three-card to explore Jim’s amazing collec- and showed off their magic skills
his message of fire safety. Terry matching effect with the help of tion. A great time was had by all. to each other! July 13th was our
Meridan demonstrated how it is Fran Gorman. Wayne Kunkler —Matthew David Stanley magic cookout, held at Pam and
impossible to catch a bill dropped, entertained with a red and blue Assembly 56 meets in various Randy Smith’s house in Dearborn
even though it is easily within the rubber band effect that left us locations Contact Barbara Pfiefer Heights. We ate plenty of food,
grasp of the person trying. Jerry wondering, “How’d he do that?” [Link]@[Link] for more hamburgers (provided by the
Tupper was the unfortunate person John Murphy did an effect that details. club), and all of the side dishes that
who kept missing the money, but
segued nicely into his perfor-
he called An Empty Box. Using a
mummy, Ed Solomon told a story 59 friends and members brought. Af-
terwards a few members showed
mance, with The Mother of all about a pharaoh that proclaimed “I Literary Magic! some magic; I even worked in a
Diamonds, a wonderful story with will stand for you, if you need me.” trick to celebrate member Tony
a message about having patience. Doug Gorman did an oil and water Portland, OR— The Saputo’s wife Betty’s birthday,
Mike Tate showed his floating effect based on Bruce Cervon’s meeting of Assembly 59 for the which happened to be the same
water bottle and then gave a safety Black and White Trick. Michael month of June took a rare and re- day. It was a great time for fellow-
message using a finger in a box Tallon closed the performances freshing literary turn. Portland ship and relaxing on a beautiful
that came alive. Michael Seyfert with a sort of Cups and Balls authors Teri Brown and Cat summer day! —Randy A. Smith

SEPTEMBER 2013 - M-U-M Magazine 15

Assembly News

Porfido showed a card effect he outdoor venues, in Port Coquitlam, Assembly No. 95 meets the
had just started working on, and BC, a suburb of Metro Vancouver. first Tuesday of each month at
asked for group to help with [Link] was conceived and headed by members’ homes. Contact Rod
Quite a number of ideas for pre- Shawn Farquhar, under the banner Chow rod@[Link] (604)
sentation came up. Kim Silverman “The Magic Festival.” Shawn’s 669-7777 [Link] for
vision was for this to be an annual
used cards to illustrate a “lecture” more details.
on advances in neuroscience, with festival to “bring magic to the
a series of mind-reading and pre-
diction effects.
masses.”
Shawn’s message to the media 104
Larry Wright said that one night was: “The Magic Festival aims Salem’s busy bees
at CDT, which features table-side to introduce the widest possible
magic before dinner, customers audience to the fascinating world Witch City, Salem, MA— In
mentioned that five people did of magic, providing adults and the wake of Assembly 104’s instal-
Ambitious Card routines. children with an opportunity to lation of officers banquet, on June
The open performance part of access a diverse range of quality 5, the summer free of meetings
our meeting started with Hugh magic shows that will entertain, was launched. This by no means
MacDonald showing a magic enrich, challenge, and inspire would indicate a lack of magical
Randy with a Dancing piece of paper all folded up. He them.” activities by our hardy horde. In
Wand snipped scissors around it, but not Assembly 95 members, which fact, here and there, in addition
Hank Moorehouse Assembly cutting it, unfolded it to show a included Henry Tom, Juan to hot weather gigs, the gang kept
88 second Wednesday at 7pm, circle, then refolded it, had RamonGarcia, Jeff Christensen, Dennis busy.
Faith Lutheran Church, 1255 East “cut” with his fingers, and showed Hewson, Lon & Linda Mandrake, On June 25, our Kayla Drescher
Forest Ave, Ypsilanti, Michigan. Tony Chris, Steve Dickson, Jens
first a flutter of little pieces, then joined area magicians, perform-
Contact Randy A. Smith randy. the circle with pieces cut out. Henriksen, Rod Chow, and Shawn ing her close-up at the 6th Annual
remarkable@[Link] (313) Hugh also balanced an egg on a Farquhar, performed stage and Connecticut Children’s Medical
562-3875 [Link] for paper roller standing on a Sesame close-up at various events during Center “Cycle for Life” Cancer
more details. Street DVD, then knocked the the week. The feature show for Survivor’s event. July 3-6 brought
DVD away and the egg fell into Assembly 95 was the “Magic the S.A.M. National Conven-

94 the water. Then he did an antigrav-

ity thing with the jar of water and
Gala” on the last day of the
Festival, emceed by Jeff Chris-
tion to the Marriott Hotel Crystal
Gateway for an explosion of
Pick a Card, the filter. Tom Collett performed tensen. The audience was treated magical events. Not the least of
Any Card Charming Chinese Challenge. to exceptional professional talent these was the amazing Washing-
—Joe Caffall in a very impressive stage show by ton D.C. Fourth of July fireworks
Silicon Valley, CA— For We do not currently have a regular the assembly members. Specially viewed by attendees. Among the
our Learners’ Workshop, Kim meeting location. Please email printed custom Assembly 95 S.A.M. faithful were 104’s Kayla
Silverman taught an entertaining jocaff@[Link] for informa- autograph cards designed by Drescher, Vice President Eddie
presentation and some handling tion about an upcoming meeting. Shawn Farquhar, with a built in Gardner, and Blake Barr, along
refinements for a simple pick- Contact Joe Caffall jocaff@ secret trick, were handed out to with his children, S.Y.M. 124
a-card effect, showing how our [Link] (408) 5788387 for more the audience members who were members Matt, Blake and Diana
sense of smell can identify a card details. thrilled to use them after the show Barr. From their reports, it was
chosen by a spectator. to obtain the performers’ auto- a whirlwind experience in four
The formal meeting continued
the pick-a-card theme. Hugh 95 graphs.
At the opening day event,
days. Eddie Gardner pointed to
Thursday’s “Silent Magic Show”
MacDonald likes having a The Magic Festival 2013 Assembly President Lon Mandrake of magic performed by gifted deaf
spectator identify or reveal a set up and headed an info booth at magicians as a highlight, hosted
chosen card, putting power in Vancouver, Canada— the festival to promote the S.A.M. by Simon Carmel, along with the
the hand of the spectator. As an Assembly 95 had the privilege of Rod Chow had the honor of World’s Funniest Magic Show,
example, he had John Jones pick a participating in Canada’s first- producing the Assembly 95 show hosted by the legendary Denny
card and send it mentally to Don ever magic festival. Running from as well as the “Magical Matinee” Haney on Saturday. Evidently
Serena. Larry Wright (Zappo), June 23 to June 29, 2013, this was by the Vancouver Magic Circle, Steve Bargatze and manic Chipper
who works at California Dinner an entire week of professional and taking on the role of stage Lowell were in also in great form.
Theater, likes to have a card magic shows and events for the manager for these shows, as well Ed was also blown away by the
selected so it doesn’t look like a lay public, in various indoor and as at the outdoor opening ceremo- view of fireworks in Washington
card trick. He had Tom Collett nies and first show. Shawn and by the amazing juggling of
hold a bicentennial half dollar in Farquhar presided over Tempei during the Friday pre-
his fist, had a card selected, shown the opening ceremonies, sentation of Japanese perform-
around, and returned to the deck. where the mayor of Port ers. Blake Barr also raved about
Then he had John Jones turn a Coquitlam cut the ribbon to Tempei’s Diablo routine and about
surgical (?) laser on Tom’s hand signify the opening, only to the time pros like Eric Jones spent
and the name (7H) of the card was have Shawn restore it, and with the kids during the wee “Un-
burned through the coin. then have the mayor cut it derground” magic hours.
Kim Silverman had a card again! Shawn also arranged Also on the kids’ front, Assembly
chosen and mixed back into the for the mayor to cut his 104 is very proud, as the parent
deck. The card he turned over wife, Lori, in half, to the assembly of S.Y.M. 124, that
was not right, so he changed it to excitement of the outdoor member Derek DuBois, in his
the selected card. Ramon Ybarra audience, utilizing the first visit, won second place in the
had Leonard Levine select a card Modern Art Illusion. The Junior Stage Competition at this
and shuffle it back into the deck. SAM95 Magic Gala Stage Performers Magic Festival 2013 was a summer’s Tannen’s Magic Camp.
While he was shuffling, Ramon (L-R): Jeff Christensen; Henry Tom, great success and everyone Plans for SAMCON, our annual
got a call, said it was for Leonard Tony Chris, Juan Garcia, Rod Chow, is already looking forward convention that will bring Eugene
– it was his card calling and its Dennis Hewson, Linda Mandrake and to next year! —Rod Chow Berger, Bill Abbott, and Andrew
picture was on the phone. Roy Lon Mandrake The Carl Hemeon Goldenhersh to Peabody, Massa-

16 M-U-M Magazine - SEPTEMBER 2013

 Assembly News

passed away a couple of years My Daughter”. Scott had a card shows for children, especially at
back; his wife wanted our club selected and showed us an array birthday parties. His presenta-
to have his magic supplies. She of wooden blocks in a box with tion included advice on what sort
wanted them to go to good use. a mixed up pattern on them, like of tricks to perform and how to
A special thank you to Delores his granddaughter’s play blocks. prepare for the event, as well as
Shaulis for inviting us. We all Scott carefully removed the blocks how to handle the business side of
purchased some items and what as a group and with a shake they the event.
was left the club purchased for instantly revealed a depiction of a The night’s performances
any new S.Y.M. members in the chosen card. followed the theme of Magic from
future. Al Bienstock was the final My Books/Library and began with
Our August meeting was our performer of the evening. Having John Gyllenhaal and a not so tra-
annual family picnic. We had a card selected from a shuffled ditional rabbit from a hat routine.
Matt Barr sits in during a a small turn out but we still deck and kept secret Al removed Because of the shortage of magical
Washington S.A.M. convention enjoyed our magic fellowship. a sealed, prediction envelope from rabbits, John ended up retrieving
late-night session S.Y.M. member John Bamman his jacket pocket. The prediction an armadillo from the hat. He also
performed a levitation with was correct in that the prediction pulled out a set of large bunny ears
chusetts, on November 9, continue cards and fellow S.Y.M. member was the actual card selected as it for his assistant, CaroleYvonne
to develop, including a special Aaron Trulik had put three orange- was now missing from the deck. Kula.
close-up show with Eugene the colored silks in a tube and changed Non-participating members Bob Holdridge followed with an
night before. More of them will them into real oranges. S.A.M. decided that the evening’s winners effect called Mind Control, during
be announced at our website. Reg- member Dody-Jane Svetahor were: First, Frank Bianco; Second, which he correctly predicted the
istration before November 8: $85 performed her Stratospheres, Scott Corell and Third, John color of a selected display card
and $95 at the door on November adding a different twist. Gary Sergott. and then entertained with a ring-
9. Our second annual S.A.M. Weimer did a wrist escape with As an additional item, President on-rope routine, proving that
104/S.Y.M. 124 bash at Camp two volunteers tying him up. Dan Snyder had requested that if one solid object can indeed pass
Evergreen on August 25, where Miller did his Split Deck routine. anyone had any items or themes of through another.
a magic flea market will be held Good food and fun was had by historic interest they could present
and huge quantities of hot dogs all. The August meeting will be them tonight. Rod Ries brought
will be consumed, wraps up the on the 12 Golden Rules of Magic with him an unusual goblet-like
summer then it’s back to business from Roberto Giobbi. We thank cup made of aluminum or tinned
on September 4. —Bob Forrest to Mr. Giobbi for his generosity. metal. No one knew exactly what
Assembly 104 meets on the —Dan Miller the item was or had even seen
first Wednesday of each month, Assembly 108, The James Swoger anything like it. Al Bienstock
September-June, 7 p.m., at the Assembly, meets on the third presented a short history of our
First Baptist Church of Salem, Monday at Wheeler Brothers Club which was founded in 1940.
292 Lafayette Street, Salem, in Somerset. The SYM meets Joe Homecheck, SAM Assembly
MA. Contact Bob Forrest at 6:00pm and the SAM meets 110 Meets 2nd Thursdays, 7:00pm,
captainalbrightsq1@[Link] at 7:00pm Contact Dan Miller at John’s Diner, 146 Sheridan
(339) 227-0797 [Link] miller magic@cent u r ylin [Link] Drive. New Cumberland, PA
for more details. (814) 733-4978 for more details. 17070 Email: Secretay@SAM110. John Gyllenhaal and
com armadillo friend with
108 110 CaroleYvonne Kula
Magic is up in the air After Meeting 112 Next up, Zappo magically trans-
Book Learning formed a silver coin into a sea shell
Somerset, PA— The theme Harrisburg, PA— The with a wave of his hand. Then,
for our May get-together was levi- theme for the month was to be red, Pleasant Hill, CA— Our using a trick he had learned from
tation, which included the S.Y.M. white, and blue magic, however, June meeting began with Larry a book by Bro. John Hamman, he
and S.A.M. members. President only Scott Corell had anything “Zappo” Wright introducing Rick caused the four Aces to switch
Gary Weimer spoke on levitation that would match the theme. Scott Allen, who related several stories colors.
and then several levitations were showed us the interesting butterfly of the legendary Dennis Loomis, Jerry Barrilleaux followed, dem-
performed in various ways along production items he had obtained who passed away earlier this onstrating both a short routine of
with making a levitation. As the at the national convention. It was year. One tale of Dennis’s adven- ring-on-shoelace that he learned
title stated magic was in the air in decided that since there were five tures traveling about the country from Harry Lorayne and a unique
May. people willing to compete in an included one of his most challeng- feat with a ring on a string called
Our June meeting was held at a un-themed contest we would do ing performances when he discov- Loop to Loop from magician Ray
former member’s home who had that instead. ered upon arriving at a show that Grismer.
Lou Abbotiello was first with a all of the audience members were Afterwards, Roy Porfido dem-
Bar Bet concerning the circumfer- either deaf or blind. onstrated a card effect with Aces
ence of the rim of a glass versus Following Rick’s talk, Ric Ewing and Jacks that transpose with each
its height. Frank Bianco was next stepped up to perform and teach other, a trick learned from a recent
with a Lie Detector effect using the Trick of the Month. You will lecture by Tom Ogden.
Izzy Schwab as his helper. John destroy a few playing cards for The fun and informative evening
Sergott brought us a variation this effect in which torn halves concluded with a presentation by
of Pandora’s Box wherein two are shuffled and dealt onto a table Bob Holdridge who produced a
helpers were given groups of into two piles. Even though the tall card castle from under a hand-
“word” cards. Each selected a audience chooses which pieces go kerchief. —Bill Marquardt
word and through mental powers into each stack, the resulting pairs Diablo Assembly #112 meets on the
alone John was able to discern the match each other, torn from the third Wednesday of every month at
words. same card. the VFW building in Pleasant Hill,
Gary Weimer performing Scott Corell showed us something Ric continued with an informa- California Contact Doug Kovacich
Three Card Prince new from the convention called tive lecture on how to perform douglassthemagicman@hotmail.

SEPTEMBER 2013 - M-U-M Magazine 17

Assembly News

com (925) 435-4824 www.sam112. beer, and comedy magic. jumped over to the red rope. After Thursday, July 11, Fort Worth
com/ for more details. Dealing with summer schedules the knot disappeared and reap- Magicians Club members
is difficult, so it looks like our peared, Jeff untied the knot, only honored Dal Sanders, the new

115 summer picnic will wait until

September 14, when Al Palmero
to have it dissolve into a white
section of the red rope!
2013-2014 national Society of
American Magicians president,
Convention offered to host the picnic at his Some hot magic during the July with honorary membership for
Highlights lakeside home in Middlefield, heat spell, and we look forward the year and a special award rec-
Conn. We will have more details at to our August meeting and “Chil- ognizing him for his “outstanding
Charlottesville, VA— the August meeting. At our July 16 dren’s Magic.” —Dick Hodes achievements in magical enter-
Our July meeting met one week meeting we welcomed our newest June, July and August meeting at tainment.” Club president Larry
later than normal due to the member, Arthur Guagliumi. He is the Libero Pensiero Italian Club, Heil presented Dal with the mem-
national convention in Arlington. a professor of art at Southern Con- 91 Dudley Ave, Wallingford,CT bership citation while Hal “Doc
Attendance was light due to many necticut State University and a Contact Dick Hodes Halliday” Hudgins presented the
on vacation but included George longtime magic enthusiast. richardhodes@[Link] (203) plaque of achievement, featuring
Buckley, David Clauss, Nathan After the business meeting, Soll 287-1635 [Link] a handsome golden personal-
Clauss, Dan Rowan, and Wes Islei. Levine and Dick Hodes did effects for more details. ized, “sheriff’s-style” badge. This
David, Nathan, and Dan discussed from the Tarbell Course, while was Dal’s first adventure out into
highlights from the recent S.A.M.
convention. Dan showed a PDF
President Jeff Doskos presented
a Daryl rope routine. Soll showed 129 the national magic community
following his inauguration on July
file that he purchased at the two silk effects: an instant knot July theme 6 as S.A.M. president.
convention that contained tricks in a silk handkerchief and a dis- “A Night of Teach Ins” Dal responded with remarks
from the last fifty years of M-U-M solving knot, both very nicely about the special services of the
magazine. Nathan told of the done. Slydini’s magic with silks Pensacola, FL— Fifteen S.A.M. for its members and the
great things the S.Y.M. is doing is well known and Soll explained members and friends showed up roles the organization plays in
and the activities they offered for Slydini’s square knot release. Soll for the July meeting of the Gulf promoting the art of magic, par-
youth members at the convention. brought his mammoth one-volume Coast Magician’s Guild. VP ticularly among newly inspired
David passed around the conven- book containing all of the Tarbell Beau Broomall presided over the young magic aficionados.
tion program and talked about books. meeting in the absence of Nate Other program features included
highlights from the week’s worth Dick explained a coin vanish Nickerson. remarks by LeeAnn Levulis,
of lectures and performances, The theme for this month’s daughter of the late Al Levulis,
including Al Cohen in the dealer meeting was “Night of Teach Ins.” past club president, whose award
room doing what he does best. Each member was encouraged to in his name recognizes the talents
Some of the magic that was shared teach a trick of their choosing. of young magicians in the club.
for the evening included George First up was Bill Mikulas, who LeeAnn related marvelous tales
showing the Nine Card Trick. This showed us some fun with money. of growing up in the circle of
is the perfect card effect when Among the goodies were how to legendary magicians from the
you want to impress someone use a dollar bill as a tape measure Southwest.
over the phone. Wes shared his followed by bar bets with a dollar Walt and Ruth Porter shared
technique for his card manipula- bill and upside down George. Al their appreciation for the club’s
tion act, which includes split cards Grimm taught a card trick in which support of Leland Van Deventer, a
and a diminishing card sequence. a selection had “Your Name” on member who passed away earlier.
In the fall, we plan to have a talk the back of the card and was the At the time of his passing, Leland
presented by club member Robert only blue card in a red deck. All was ninety-two years old, and had
Spencer about his lifetime in the other red cards had different been honored just the previous
magic including his knowledge of names on them. Perry Vath taught year with the designation of the
Hen Fetch. Jeff Doskos doing the a coin trick using the Bobo switch “2012 Magician of the Year.”
Assembly 115 meets the first Acrobatic Rope and a key for misdirection. Dave Ron Wilson performed his
Friday of the month at 7PM at the Kloman showed a nail up the nose, “totem” act of restaurant magic,
Forest Lakes Pavilion Building in from a square of paper, as a silk to duck, and a deck pen- explaining his initial approach to
Forest Lakes North Subdivision. described in Volume One of the etration. Beau Broomall taught a tables and the timing of magical
Tarbell Course. He brought extra trick using business cards. Last pieces at different points in

127 papers for the members to try.

He also showed the members
up was Gene Burrell, who gave a
mini lecture on how to organize
patrons’ dining experiences. Ron
passed the totem wand, carved
Magic — and the Karrell Fox’s Dot’s Right from your act, gorilla advertisement, especially for the club by Doug
weather — Heats Up the Tarbell Course. With the help costuming, how to rehearse, and Wilson, to club mentalist Mike
of Jeff Doskos, who did the card how to have fun with your magic. Ince who will bring his “A”-level
Wallingford, CT— spreading, a card was selected and —Beau Broomall magic to the next club meeting.
Assembly 127 members are busy the magician spread the cards in The Gulf Coast Magician’s Guild Eight-year old James Irwin,
doing magic at various venues; the shape of a question mark with Assembly 129 meets the third son of club member Bill Irwin,
some are volunteering for fund one card as the “dot” at the bottom. Thursday of each month at the
raising efforts. One such special When the spectator named his Bay View Senior Center Pensacola
event was held for fellow magician card, the “dot” was turned over Florida at 6:45 pm Contact
David Oliver. Several members and shown to be the selected card. Beau Broomall beaumagic@
have gigs in local restaurants, and The magician says, “Dot’s Right!” [Link] (850) 994-2446
in New Haven at BAR, the monthly It’s a groaner and typical Karrell [Link].
comedy magic night has included Fox. com for more details.
assembly members Bill Hoagland
and Adam Parisi. Jim Sisti, Peter
Jeff Doskos presented an enter-
taining rope routine, Acrobatic 138
Samelson, Pete Haddad, Bob Knot. Showing two ropes, white Fort Worth Magicians
Carroll, Matt Franco, and Eric and red, Jeff tied a knot on the Honor Dal Sanders
Dittelman have also appeared. white rope, but after the two ropes Hal Hudgins Honors Dal
This is a fun night with pizza, were intertwined, the white knot Fort Worth, TX— On Sanders with club badge

18 M-U-M Magazine - SEPTEMBER 2013

 Assembly News

performed a magical set, rep- on that fragment. The magician The election committee gave their The evening began with the
resenting the Cook Children’s names (or writes) it and is always report for new officers. Current magicians sharing their newest
Hospital Young Magicians Club. 100% correct. officers are willing to continue magic with each other. Sometimes
His act was accompanied and Later in the lecture, Kranzo did another year. Nominations from the best ideas come out during
perfectly timed to a musical a book test, revealing a line from the membership and voting will be these types of sessions. Once the
score and included production, anywhere in the hundreds of next month. Reports of the S.A.M. pizza was served, the cards and
vanishes, and the transformation pages. He also showed a number of convention from those attending coins were temporarily put aside,
of a magical monkey! miraculous card effects using two were very good and that the shows but not for long.
Michael Stein, club program types of rough and smooth Mene were superb. They also announced After dinner, an audience and a
chair, completed the evening, Tekel decks: plain and alternating the next few year’s convention magician are bound to meet, and
leading a discussion of magical red and blue backs. It’s incredible cities and the combinations with no table is missed by our serial
outs, the things you do when a how many different routines he the I.B.M. performers. Just like a songbird,
magical piece begins to fall apart. has come up with using this classic Teach and Learn was on “Openers our performances are done at our
The topic brought a number of gaff. To close the lecture, Nathan and Warm-ups” with Eric Davis own expense, but it is fun to watch
clever reports from seasoned performed his No Smoking presenting. Several members
performers in the attendees who Zone. In effect, he started with a showed what they do when opening
knew all too well what it is like to cigarette in his mouth, realized for various types of audience.
mess it up. that smoking was prohibited, and Performances were emceed by
All members and guests left did a 360-degree turn in place, John Buckwalter. Don Moody
the meeting with a greater revealing that the cigarette had presented MultiMental, a card
love of magic and apprecia- transformed into a lollipop. He trick in which he had three partici-
tion for the expertise they had then explained how the principle pants think of a card and placed
witnessed during the evening. can be used with a wide variety of on table face up. Don shuffled the
—Geoff Grimes objects. His sales table was very deck and placed a card face down
The Fort Worth Magicians Club, busy after the lecture, reflecting next to the others. Participant
Assembly 138, meets at 7:00 both the quality of the items and chose one of the face-up ones. Magicians at Work
p.m. on the first Thursday of his great lecture-only prices. Face-down one was the same.
each month in the Energy Au- In lieu of a July meeting, a number Ray Lucas had participant pick how many smiles we produce.
ditorium of the Tarrant County of members performed at our a card (Two of Hearts). He had a The tableside performances are
College-Trinity River Campus. annual Hines Veteran’s Hospital prediction card (Queen of Clubs). not something we have to do; they
Contact Geoff Grimes ggrimes1@ show. Unfortunately, your scribe When he showed it, participant are just something we like to do.
[Link] (972) 740-3125 couldn’t make it this year due to stated it was not the chosen card. Magicians can be such generous
[Link] an out-of-town gig, but he heard He flicked the card and two heart- people.
for more details. great performances were given by shaped pieces fell out. Doug After a summer recess, our
Rudy Alfano (who also emceed), Ries produced a tennis ball and regular schedule of assembly

148 Don Dvorak, Gordon Gluff, Don

Clancy, and the always-wonderful
proceeded to make multiples of it.
Jim Tate showed everyone a book
meetings will begin in September.
I hope you can attend one.
NATHAN KRANZO Trent James. Those who were at he had brought. He passed it to —David Zboray
LECTURE the S.A.M. convention in Wash- several members asking for how Assembly 181 of Hightstown
ington this year know that Trent many pages. Another participant meets the first Thursday of every
Elmhurst, IL— Members walked off with two major awards found “someone sick in hospital”: month, September thru June
of Assembly 148 enjoyed the at the Stage Contest. —Tony Noice another page number showed “an at the First United Methodist
magician/inventor/madman from Assembly 148 meets on the third archway over door”; another had Church, 187 Stockton Street,
the adjoining state of Michigan. Monday of every month except “up in Heaven in clouds.” Jim Hightstown, New Jersey 08520.
Nathan stated off with what he July and August at the Evangelical stated the book has all the instruc- Doors open at 7:00PM. Contact
calls his Mean Coin Routine, Epihany Lutheran Church (down- tions. Eric Davis shook a bag of Stephan Sloan lands10@
basically 3-Fly with lots of Kranzo stairs) on the corner of Vallette and coins, all quarters in bag. Initials [Link] (732) 757-5337
touches. He eliminated the real Spring Rd. In Elmhurst, IL, 60126 one and puts all quarters in bag, [Link] for more
knuckle-busting sleights without Contact Tony Noice noicea@ shakes, and pulls out initialed details.
sacrificing impact and taught a
routine that was easily within
[Link] (630) 993-3740
SAM#[Link] for more details.
one. He then showed five cards,
removed one, snapped fingers, 200
the reach of mid-level (even low still had five, removed nine, still One-Ahead
mid-level) coin guys. One thing
that always stands out about this 157 had five. —Judy Steed
The Mystic Magicians of Beaver
Principle

magician is his range: finger-fling- Summer Valley meet the second Thursday Seattle, WA— Bill Murray
ing, comedy, mentalism – it’s all Slow Down of every month at the Towne presented a nice prediction effect
there in abundance. As if to prove Square Restaurant in Beaver, PA. with cards in which the spectator
this point, Nathan performed Card Beaver, PA— I.B.M. Ring Contact Judy Steed heyjude1943@ choose three cards from a deck
from Fly and Tru Test. In the first, 13, another group of the Greater [Link] (330) 525-5389 for more and Bill was able to select the
he found a named card (not physi- Pittsburgh network of magicians, details. matching pair from the deck for
cally selected – just named) in met with the Mystic Magicians each card selected. Chuck Kleiner
that unusual part of his wardrobe.
However, he also suggested other
of Beaver Valley, Assembly 157,
because of holiday and convention 181 presented a similar version of the
effect except the spectator was
effective locations for those whose conflicts. Rich Howard modeled Pizza and Magic able to pick from the deck the three
audiences might not take kindly to and stated that the sixtieth anni- cards that Chuck was thinking of.
unzipping in public. The second versary shirts are still available for Hightstown, NJ— Pizza Chuck had a very nice presenta-
effect, Tru Test, was a stunning $24, $27 for XXL. and magic, is there any better tion to go with the effect as well.
piece of mentalism. A spectator The GPMN picnic is 9-29-13 at combination than that? At the Hugh (Danny Dragon) Castle
tears up a page from a magazine Brady’s Run Park, shelter 6, 1pm end of each magic year, our club told his theory on how early man
like Time or US News, then very to dusk. There will be a flea market treasury pays for a pizza party was able to survive with the help of
fairly eliminates all the pieces for the members to sell items not at a local restaurant, and a lot of extra sensory perception. Danny
but one, and thinks of any word in use and/or buy something new. hungry magicians attended. had a spectator write the numbers

SEPTEMBER 2013 - M-U-M Magazine 19

Assembly News

one through nine on business the Adequate. Assembly VP Dan Assembly 206 welcomed its
cards and the spectator was able to Page served as master of ceremo- newest member, Albert Lucio,
correctly choose which card had nies. a card specialist originally from
which number on it. Kent began by noting that magic Nebraska. —R.A. Dyer
Roger Sylwester had a wonderful can be a very effective tool when Assembly 206 meets at the Omni
prediction effect in which he the message to be delivered South Park Hotel, 4140 Governors
correctly predicted in envelopes requires a soft touch. He gave Row, Austin, TX 78744. Contact
a spectator’s choice of where they as an example a lecture he once Jake Dyer jakedyer@yahoo.
would shop, what they would buy, provided relating to gun safety. com (512) 658-0017 http://
and how much it would cost based Because his audience was small [Link]/ for more details. Frank Edens (right) performing
on the a random selection of sale children, he used a loaded snake a card trick for Penn Russell

226
tags. The effect was enhanced can instead of a gun to illustrate (left)
because each envelope was clearly his point. “When you talk about
labeled with the prediction number guns, people get tense, but when Auction quarter and a penny in which
on it. Roger tipped the method, you talk about magic, people the penny became a dime. Frank
which was quite clever. relax,” Kent noted. Williamsburg, VA— Edens did a card trick. Penn
Evan Reynolds presented Dan J.D. Stewart provided a President Michael Heckenberger Russell was asked to shuffle the
Harlan’s The Awakening with a wonderful demonstration of called the meeting to order at 7:00 deck, pick a card, and show it to
very nice story line he had been gospel magic that including a par- p.m. at the Williamsburg Presby- the audience as Frank turned his
working on. Evan told the group ticularly effective trick in which terian Church. Members present back. Frank riffled the deck as
about the psychic little person who he discussed the seeming con- were Tom Armentrout, Bill Baber, Penn inserted the card back into
was on the run from the law as he tradiction between God’s sover- Frank Edens, Alexander Goldberg, the deck. At the end the selected
presented the effect. Amy Goldberg, Howard Karnes, card was revealed.
Ben Eskenazi presented a very Michael Heckenberger, Watt Hyer, Alexander Goldberg used a deck
nice effect in which he had a Phil Thorp, and Harold Wood. We of cards to illustrate his annoying
spectator choose a favorite card had one guest, Bob Corson. habit of losing things on his desk.
while he chose a least favorite The program this month was an But with a snap of his fingers he
from a different deck. The decks auction of books, tapes, and CDs could always find the lost item.
were switched and cut revealing purged from the assembly library. —Phil Thorp
that both cards where the same. We thank Alexander Goldberg, our Assembly 226 meetings are
Mark Paulson gave a great dem- new librarian, for his hard work in generally held at 7pm on the 4th
onstration of his memorization going through the records, iden- Wednesday of each month and
skills; he asked people to name tifying those titles that had little are in room 009 (basement) of
ten random items from the group usage or were duplicates. Master the Williamsburg Presbyterian
and Mark was able to recall all the magician Harold Wood served Church at 215 Richmond Road,
items that were simply thought of. as auctioneer and all his many Williamsburg, VA 23185. Contact
J.R. Russell showed he would talents were in full bloom. He is (757) 229-2329 [Link]
never be without grapes as he had Magician Chris Walden a grand entertainer. When the last com/site/samassembly226/home
delivers an environmental
a spectator take a small bunch message with a self-lighting item was auctioned off, Harold for more details.
of three from a larger bunch and light bulb had raised $ 145 for the assembly

266
continued to produce more grapes treasury. Let’s have a hearty round
while eating them or putting them eignty and the notion of free will. of applause for Harold!
in his pocket. J.R.’s magic was “You want to make sure the magic The balance of the meeting MAGICAL FIREWORKS FILL
very entertaining per usual. doesn’t overpower the message; was given over to magic JULY’S MEETING
The Emerald City Wizards, what’s key is not the magic, but the by members. First up was
Assembly 200, meets at 7 p.m. on message,” he said. Michael Heckenberger with a trick Lakeland, FL— Our July
the first Thursday of each month Chris Walden performed an en- that he had purchased from Al business meeting consisted of a
at a King County Library branch tertaining bit with a self-lighting Cohen. Michael reminisced about quick review of our upcoming
location (Typically Mercer Island). light bulb, which he employed visiting his shop in downtown lecture followed by a presentation
For location and updates, please to relate a message about envi- D.C. The gimmick looked like two by Florida Magicians Associa-
check [Link]. ronmental stewardship. Chris short sections of plastic pipe that tion President Dan Stapleton. Dan
org explained that the light bulb effect he screwed together. He dropped explained about plans for their

206
is included in an environmen- an assortment of four coins fiftieth anniversary convention
tal magic set that he and Kent through the opening. When they coming next year. It sounds like
Magic Cummins created some years wouldn’t pass through he said the there will be lots of fun surprises
with a Message back. The set was distributed to battery died. Out fell a battery. in store for the attendees. If you
educators, and is still in use. “The Next up was guest, Bob Corson, want to join in the fun and get more
Austin, TX— Magic with challenging thing was to create a a.k.a. “Yankee Doodle Dan.” info, check out [Link].
a message was the theme of kit that would be useful for folks Using a special deck of cards, Dan After the business Dan kept the
Assembly 206’s July meeting who don’t know too much about spun a tale that went back to revo- floor to start the July fireworks by
in Austin. Local veteran Kent magic,” he said. lutionary times. For him the cards demonstrating and explaining a
Cummins led much of the dis- Former Assembly 206 VP Peter came to symbolize his faith, patri- neat multiple card effect in which
cussion, explaining how he has the Adequate performed a sucker otism, almanac, and values. At the two cards reversed in a borrowed
successfully employed magic trick using a ketchup bottle. He end he turned the remaining cards deck. By popular demand,
for corporate and public service noted that sucker tricks are par- over. They formed a picture of the Assembly President Jerry Kardos
messaging. Kent was joined by ticularly effective when delivering flag being raised at “Ground Zero” brought back his jewel prediction
other local pros, including Chris a message for a young audience. shortly after 9/11. chest – an amazing piece of work-
Walden, J.D. Stewart, and Peter Also during the July meeting, Watt did a coin trick with a manship and a baffling effect in

20 M-U-M Magazine - SEPTEMBER 2013

 Assembly News

Go to: [Link]
and use the easy submission form to file your report

which a chosen jewel was foretold. the position of any named card in a magic show that included
Scribe Al D’Alfonso presented the deck. members of S.Y.M. 141 showcas-
an effect from David Parr’s Paper The Sam Schwartz Assembly ing their up-and-coming talents,
Prophecies. Al tempted Dean Bob meets on the 1st Monday at the and many experienced magicians
Macey with the seven deadly sins JCC in Boca Raton, [Link] in- – from mind reading to sword
in a playful presentation. Amazing formation call Marshall Johnson swallowing. With all the fun that
Sammy did a routing in which a (561) 638-0043. marshj4magic@ we had this year, we are eagerly
one- and a five-dollar bill changed [Link] anticipating what’s in store for
places multiple times than shared next year, which hopes to include

291
how to easily make one yourself. the tri-tip and many other goodies,
Our other workshop wizard, along with more talents for the From left: Dave Miller, Brian
Beverly Kenemuth, dug out a Paul Fourth Annual Pool showcase. —William Dow Hallisey, and Janet Miller
Osborne plan from the November Party / Barbeque Assembly 291 meets the second also members of the sister group.
2011 M-U-M and created her own Tuesday of every month at the Other Presto-Digitators attending
Diseccto for the group – another Venice, CA— On Sunday, Boys & Girls Club, 2232 Lincoln included Dan (Magician@Play)
great example of a beautiful prop July 14, 2013, Assembly 291 Blvd., Venice, CA Contact Les and Andi Jasperson and family,
and an entertaining story about hosted our fourth annual pool Cooper Cooper@[Link] (310) Cody and Maria Landstrom, Lloyd
how she constructed it. party/barbeque. Treasurer 473-1820 [Link]. (Lloydini) and Linda Mobley,
Elmo Bennet closed the magic Stephen Levine and his lovely org for more details. Andy and Kristi Paulsen and
with a multiple card effect using wife Carol hosted the party at their family, and Geoff Thompson.

292
Ed McGowan and visitor Dan. He beautiful home. S.A.M., S.Y.M., In addition to the fellowship and
also did an encore performance UCLA Magic Club, Ring 21, and excellent food, highlights included
of his Three-card Trick with Four Ring 280 members attended. We JOY IN JULY watching a big screen television to
Cards, which always entertains. enjoyed a delicious smoked tri-tip see a video of the public show at
Even with summer heat, the by former President Frank Padilla, Greeley, CO— Our July the 2012 Magic in the Rockies con-
magic at Assembly 266 lights up who worked on his labor of love meeting was a special treat: a joint vention. It was a pleasure to once
the sky. Make sure if your vacation since 10:30 am to get the meat to picnic of S.A.M. Assembly 292 again see the act of the Millers’
plans bring you to Central Florida perfection using his secret recipe. and I.B.M. Ring 250, our sister daughter, Laurel (the Mighty
that you visit us for a fun evening. Also, there was a tasty potluck group, the Presto-Digitators of Mini), who was only sixteen when
—Al D’Alfonso created by the attendees. Between Fort Collins. Dave Miller and his she performed a fine levitation
Jim Zachary Assembly 266 meets the tennis court, trampoline, wife Janet opened their home for it of a little girl from the audience.
the second Monday of each month ping-pong table, and a relaxing and did a gracious job of hosting. Laurel tied a light pink helium
at 7PM at the I-Hop at Rt-98 7 I-4 Jacuzzi and pool, there was no Lew Wymisner was to coordinate balloon to the girl’s wrist, which
in Lakeland. Contact Al D’Alfonso shortage of food, entertainment, attendees bringing side dishes or floated a couple feet above it and
keeper0499@[Link] and relaxation. desserts but did not need to do so created a great visual, implying
(321) 437-3814 for more details. After a huge and delectable feast after all. The clever “punchbowl” that everything was lighter than
of tri-tip, burgers, hotdogs, salads software invitations displayed air. Laurel, now seventeen, and

274
and other scrumptious items, we who was coming and what food her boyfriend joined the pic-
all sat down for the main event. they were bringing. The clubs nickers, as did her older brother
HERB ARNO First was a comedy act in which provided amenities and hamburg- Chris. The Mighty Mini is soon
MINI-LECTURE ers, hot dogs, and chicken. Dave to appear with traveling illusionist
handled the grill. All agreed Reza when he brings his show to
BOCA RATON, FL — At our the food was both plentiful and Loveland.
July meeting we were treated scrumptious. There were children For help with this report, many
to a lecture by our very skilled playing on the grounds, a patio, a thanks to Ed Hurtubis and Dr.
member, Herb Arno. Many of pool, and even four horses. It was Lloyd Worley. —Ron Dutton
our new members asked for help just what a summer picnic and The Dr. Ronald P. Dutton
with basic card sleights. No one cookout should be. Assembly 292 usually meets at
was better qualified than Herb to Many of Colorado’s well known Kenny’s Steak House, 3502 West
teach sleight of hand. He demon- magicians attended, together with 10th Street (corner of 35th Avenue)
strated numerous forces and even the presidents and other officers of at 11:00 A.M. (lunch optional) on
the more difficult Elmsley count. Our Tri-Tip Master - Frank the two clubs. Our assembly was the second Saturday of the month.
Padilla
At the end of the session several represented by Brian and Bonnie Contact Dr. Lloyd Worley lloyd@
members presented and explained four male guests dressed up as a Hallisey, Ed (Mr. Magic) and [Link] (970)
their effects. Billy Byron came up hot chili pepper, a dancing baby, Mimi Hurtubis, Tim (Tim Foolery) 356-3002 [Link] for
with an original effect, Patriotic Michael Jackson, and Lady Gaga, and Donna Pendergast, Dr. Lloyd more details. 
Balls, in honor of the holiday. and danced along to the music. Of (Worley the Wizard) and Maydean
Marshall Johnson vanished four course, Lady Gaga stole the show. Worley, and Lew (Loudini)
large coins. Phil Labush located Next, Raul Fernandez emceed Wymisner. These magicians are

SEPTEMBER 2013 - M-U-M Magazine 21

SOCIETY OF AMERICAN MAGICIANS

22 M-U-M Magazine - SEPTEMBER 2013

NATIONAL COUNCIL MEETING JULY 5, 2013 ARLINGTON, VIRGINIA MINUTES (DRAFT)

SEPTEMBER 2013 - M-U-M Magazine 23

SOCIETY OF AMERICAN MAGICIANS Continued

24 M-U-M Magazine - SEPTEMBER 2013

SEPTEMBER 2013 - M-U-M Magazine 25
26 M-U-M Magazine - SEPTEMBER 2013
 Par anormal happenings
By Charles Siebert, MD
research, communication, and participate accessible to members and lay people as a
in PIC related activities. Investigations, source and resource where they can go to
both physical and academic, are part of our get reliable and truthful information to the
organization as described in our directive. best of our abilities regarding paranormal
Our primary goal is to network with one events and practices. Along these lines
I would like to start off by thanking another and compile historical and current though, it is important to keep in mind
National President Dal Sanders for having data to share with our members on all that the promotion or condemnation of
the faith in appointing me as the new aspects on the occult and paranormal. any particular religious beliefs or practices
chairman of the Paranormal Investigation Our goal has been, and will continue is a clear breach of the objectives of the
Committee (PIC). For those who don’t to be, to become a recognized source committee. When speaking as a member
know, I am taking over for PNP Andy on the subject of the paranormal and the of the committee, personal beliefs and
Dallas, who has been the chairman for the occult as it relates to magic and magicians practices are to be kept just that, personal.
past ten years or so. But don’t worry, Andy and to form an alliance of magicians who While not the main focus of the
is not going anywhere and will still be a through their membership would establish committee, the PIC does have the ability to
big part of the committee. Andy joked that themselves as experts to be recognized by perform physical investigations, i.e. onsite
the number-one requirement for his re- the scientific community, and hence the investigations of an alleged paranormal
placement was that they needed to be able public. occurrence, providing that strict condi-
to send an email! I can, and I hope I am a To quote past Chairman Andy Dallas: tions set forth by the PIC are met.
little more qualified than that. “The S.A.M. mantra 'Magic–Unity– Another topic of great concern is the
My name is Charles F. Siebert, Jr., Might' really taps into the commitment of exposure of methods. The PIC and its
MD, but you can call me Charlie. I am a the PIC. It’s our understanding of magic investigating panel will follow S.A.M.
board certified forensic pathologist and principles and the art of deception that guidelines regarding public exposure. We
own my own forensic consulting business. gives us the insight into those who inten- will not expose secrets used by magicians
I have worked for almost twenty years as tionally or inadvertently could do us harm. and mentalists to the public for purposes
a medical examiner and have therefore It’s our common interest in magic that has of education, demonstration, or satisfy-
been in the investigative field for most brought us together to form a recogniz- ing curiosity. However, we can suggest
of my life. I also perform as a part-time able unified alliance. Through our unity research sources that may include some of
professional magician under two similar we have established a reputable academic those secrets or principles to those with a
but different personas. One is Dr. Funny source that can justify others to see us as legitimate interest. This is along the lines
Bone, who does mostly children’s birthday experts. This recognition gives our obser- of sending those interested in learning
parties, library shows, and school shows (a vations, opinions, and insights credibil- magic to the magic section of their local
health and safety show). My other persona ity with the public, media, and all others library.
is Charles Francis, a Victorian-era doctor, represented in this field. This will create Those of you who are interested in
who does teen programs and adult shows a might whose opinions are considered joining should log on to the S.A.M. website;
with a more bizarre, educational, mentalist credible and respected.” in the left-hand column of the members’
angle. My scientific thought processes I feel that the PIC is more important home page, click the S.A.M. Programs tab
and magical knowledge, I feel, make me now than ever due to the enormous growth and then the Paranormal Investigation tab.
quite suited for the tasks at hand with the in the interest in the paranormal. For I will be compiling news clips that will go
committee. Also, I am a skeptic but not a example, you probably can’t flip through out to members on a more immediate basis
cynic. more than five or ten channels on the televi- via email that will be open for comments to
Now back to the committee. The sion without coming across a ghost or para- initiate some dialog among those who are
committee has its roots going back to normal related show. The public interest for interested. If these sorts of things interest
Houdini; up until a few years ago it these shows is gluttonous and there is no you, please join.
was known as the Occult Investigation shortage of innocent and not so innocent Over the coming months I will be
Committee. The PIC is dedicated to the individuals willing to give the people what digging further into the history of the
education and continued research and they want. Humans have always had the committee; I hope to have some interest-
enlightenment on subjects regarding the innate urge to want to believe in things, ing news of the past, reviews of famous
occult and the paranormal as they relate and, unfortunately, there are many un- events, as well as reporting current
to the principles of magic and magicians scrupulous individuals out there preying happenings from the world of the paranor-
defined by the constitution and bylaws of on these feelings. Sadly, this is a cycle of mal that I hope you will find interesting.
the S.A.M. events that has been going on for hundreds So for now I would like to end with a
It’s the PIC’s purpose to monitor occult of years. Therefore, my goal as chairman quote from the late, great Carl Sagan: “It
related activities, inspire skepticism, of the PIC is to make this committee more pays to keep an open mind, but not so open
but not cynicism, compile information, public than it has been in the past and more your brains fall out!” 

SEPTEMBER 2013 - M-U-M Magazine 27

 The High Road
script writing, char acter
development, and act construction
for the modern conjuror

By Mick Ayres

on a potential client, consider this simple that has me intrigued.”

idea: bring along an Invisible Deck and “Are you referring to the deck of
“Curiosity is one of the permanent and place it openly in view during the meeting. cards?”
certain characteristics of a vigorous Don’t mention the cards. Eventually your “Yes. In the letter you wrote, ‘You are
intellect.” – Samuel Johnson client’s curiosity will win out and he will probably wondering about the cards. When
ask about the deck without prompting. you want to know what they do, give me a
Exploiting Curiosity Say, “Long ago, I learned to trust my call. It’s pretty amazing when it happens.’
hunches no matter when or where they hit Those cards have been on my desk driving
There is an American proverb that me. Sure enough, just before I got out of me crazy for the last twenty-four hours.
declares curiosity will kill the cat; this may my car to walk through your door, I had You have officially gained my curiosity.
be true, but it can also provide one heck of a big one about a playing card…just one Please tell me about them.”
a living. As conjurers, we build our onstage in particular. Weird, huh? So I took that “I’d be happy to. Would you mix the
lives around the exploitation of curiosity. card and flipped it over in that deck. Since cards while I share a few things?”
By definition, a magician’s audience we are considering the benefits of working “You bet; I’m shuffling the cards now.”
consists of people who are curious enough together, wouldn’t it be nice to have “In my shows, the cards are used to
about our mysteries that they willingly confirmation of some sort? Now, I have demonstrate how I can interpret someone’s
give their time, attention, and money in already taken a chance and acted on my thoughts. People ask if I can read minds,
exchange for a few conundrums. instincts. The proof is waiting in that box. but the truth is I’m just good at noticing
There are times when it benefits us as It’s your turn. Go ahead; trust your gut, small details and I put them together like
conjurers to take our talents off the stage too. Name any card that comes to mind.” a puzzle until they mean something sig-
and use them to promote ourselves in a When you show his card to be the only nificant. Doing this long distance over the
business sense. For example, when seeking reversed card in the deck, be sure to act phone isn’t easy, but like I said, when it
permission to busk the streets in some just as amazed as your client or you’ll blow works it can be amazing. Your role is to
cities, it may be necessary to present a solid all the built-up believability right out the focus on a common object. That’s what
mystery to the official in charge of permits office window. the cards are for. However, for anyone to
– if only to prove you have a legitimate act Do you see? The script emphasizes the truly concentrate on something it helps if
ready for licensing. Close-up performers impossibility of the effect while gently there is personal significance or meaning
hoping to perform in restaurants or night- nudging the client with the idea that if you attached to that object – even if the object
clubs often find it necessary to “educate” both trust each other you can work well itself is silly – like a playing card. Are you
the venue’s general manager about how a together and get amazing results. with me so far?”
magician can increase customer return. Several years ago, I used this “creating “Sure.”
To accomplish this goal, an offer is made curiosity” approach and managed to gain “This means you will select a card by
to perform a complimentary set for a some publicity in a market magazine. My using a personal event from your past.
nearby table of guests while the manager earlier attempts to get noticed were not Please think back to when you went out on
observes. His patrons’ exciting and enthu- successful so I switched tactics. Now my your first date. Do you remember how old
siastic responses will do more to sell the goal was to make the hoped-for interview you were at the time?”
proposal than any brochure can possibly seem like the editor’s idea. For the record, “Of course.”
achieve. it worked like a charm. “Good. Then use that personal number
Obviously, any conjuring presenta- to find a random card. It is important to
tion used to sell ourselves to potential S’lie keep all the cards face down for now
clients requires the same careful attention because I don’t want you distracted by
to scripting, timing, and choreography Conjurer: “Hello?” other numbers, colors, or shapes. So, think
given to our onstage illusions – perhaps Caller: “Sir, I am the feature editor for of your age at that time and remove that
more so. After all, the script needs to be Entertainment News magazine. Yesterday, same number of cards from the pack. Don’t
written with two purposes in mind: to I received a parcel from you. I have read say that age aloud. Just keep it to yourself.
sell the illusion and to sell your business the letter describing your work and perfor- When you are finished, put the rest of the
goal. The next time you make a cold call mances – but it’s the rest of the package deck aside.”

28 M-U-M Magazine - SEPTEMBER 2013

 “Okay, I’ve done this.” you do not stop until I tell you – especially often buried in print. [This is also known
“Now pick up that packet you just made if you see your card! Just continue to deal as the Count-Back Force or the Ten/Twenty
and we’ll take this a step further. I assume and name each card.” Force, attributed to Billy O’Connor and
your age at the time of your first date is a “Okay: Two of Clubs, Queen of Clubs, utilized by Stewart James in his classic
number with two digits in it?” Seven of Diamonds, Ace of Spades, Ace of effect Further than That.]
“Yes.” Hearts, King of Hearts, Five of Diamonds, The 9-Principle requires your guest to
“We will use both of them then. First, Two of Hearts, Jack of Diamonds, Ten of work with a packet that ranges between ten
choose one of the digits and hold it in your Diamonds, Six of Spades, Four of Clubs, and twenty cards. The guest considers the
mind a moment. Now remove that same Three of Hearts, Eight of Hearts...” two digits in the total, adds the two digits,
number of cards from your packet and “Stop! Your voice has changed a little. and removes that many cards from the top
drop them on the table.” In fact, if you will pardon my frankness, of the packet. The next card is noted and the
“Can I take the cards from anywhere in you started talking in a monotone. So, I removed cards are replaced. The selection
my packet?” think you have named your card already. is now nine cards from the bottom of the
“If you wish. In fact, once you’ve done Is that true?” packet.
this, do the same thing with the other “Yes...” Obviously, you could just say, “Please
digit – that is, hold it in your mind briefly, “I learned to trust my hunches long think of a number between ten and twenty
remove that many cards and drop them on ago. When I think back to the moment and deal that many cards off the deck.”
the table, too. There are now some cards your voice started to change, you had just However, a guest might fairly ask, “How
on the table and some in your hand. No mentioned the Jack of Diamonds, I believe. come my number can’t be less than ten or
one but you knows how many are in each How close am I?” higher than twenty?” So, to avoid the ap-
place, true?” “You can’t possibly know that!” pearance of limitations, you ask the guest
“That’s correct. You can’t possibly “Yes ma’am, I can. The truth is, stuff to recall her age when she enjoyed her very
know that.” like this happens around here every day – first date. The answer is always between
“Okay, look at the top card of the packet and I’d love to tell you about it.” ten and twenty, and the goal is achieved
in your hand and remember it, please. This “Well, this has been far more interest- without giving any clues. An alternative
card is important because your personal ing than watching another promotional question: “How old were you when you
number and each of your decisions have video. Would you have time for a quick first drove a car?”
led you to it. Think about it: if you were interview?” If you wish, the S’lie effect can be
older or younger on your first date, you “Certainly.” layered within a larger presentation. After
would be looking at a different card now.” Method: To reveal the selection, just the deck is shuffled, have the guest hold
“Obviously.” count along as she deals and names each the pack face up and name the cards one
“Once you’ve had a good look, flip your card. Her selection will be the ninth card by one as she deals them to the table.
card back down on top. Pick up the cards every time. If you like, you can eliminate Remember the ninth card. After she has
off the table and drop them on top of those the process of the guest naming each card named and dealt about fifteen cards, have
in your hand so your special card is now by handling the revelation procedure dif- her drop the rest of the deck on top of the
buried again. In fact, pick up the rest of ferently. For example, after she has noted tabled pile. She now picks up the deck and
deck that you put aside earlier and drop it her card and assembled the deck, ask her holds it face down. Proceed with the script
on top of the cards in your hand, too. The to turn the deck face up and hold up the top as described earlier. You now know her
whole deck should now be together.” three cards in a small fan. After cogitat- card long before she gets to it and can take
“It is.” ing for a moment, tell her to discard those advantage of this information however
“Then we have reached our goal: a cards and hold up the next three. These you wish. This approach is particu-
common object that has been linked to cards are also put aside. Say, “Three at a larly effective with Confabulation-type
a personal event in your life. Is it fair to time is too ambitious; perhaps I’ll get a presentations. 
say that if you hadn’t gone on that first better feel if only two cards are involved.”
date when you did, you would not even The guest holds the next two cards and Mick Ayres enjoys an eclectic career as a
be thinking of that particular card right ponders them. After a moment, instruct parlor conjurer, storyteller and musician
now?” her to put this pair aside also. “Perhaps I – and now, as a writer for M-U-M
“That is true.” should try just one card at a time?” She magazine. For the past thirteen years, he
“There is just one more thing for you to takes the next card, which is the ninth one. has performed over 1,300 shows annually
do. Turn the deck face up please.” “Wow – loud and clear! What is the card entertaining guests from all over the world
“I’ve done that.” you are holding right now? The Jack of at the exclusive Walt Disney Resort on
“I don’t know what your card is, nor Diamonds? That’s the one you linked to Hilton Head Island…and is still at it. Mick
where it is located. However, I do need to your first date, isn’t it?” welcomes input (and dialogue) and can be
know what cards are in play. Please deal The method is purely mathematical, reached at (mick@[Link]).
the cards to the table one by one and name though the script hides that fact complete-
them aloud as you go. It is important that ly. It is based on the 9-Principle, which is

SEPTEMBER 2013 - M-U-M Magazine 29

 The Nielsen Gallery
Triple Alliance: Mlle LeRoy - Portrait
Dimensions: Half-sheet: 20" x 30" • Lithographer: H.A. Thomas and Wylie Litho, New York
Date: 1898 • Nielsen Rating: Unique

Mercedes Talma: The Queen of Coins

balls, and even eggs came in for my careful study and treatment
This month’s poster under the guidance of Mr. LeRoy, who believes in everything
features Mercedes Talma, being done with minute precision. I soon mastered the rudiment
a vivacious and talented of the art of deceiving the public by dexterity and speed.”
magician who for more That’s putting it mildly. Her first public engagement came at
than three decades the Oxford Theatre of Varieties and it occurred on August 28,
dazzled and delighted 1899. However, prior to that, she performed the act privately
audiences around the before a men’s club. Her sister later recalled, “My sister was
world as “The Queen of never nervous. I don’t say this just because she was my sister, but
Coins,” an act in which because it was true. The first day she did her coin act she went
she produced showers of before a club of men including the Prince of Wales. It was a kind
coins from her tiny hands of rehearsal for her music hall opening. She went on and did her
while dressed in a sleeve- show as though she had done it for years; so cool about it all. She
less gown. would make her entrance against a backdrop of red plush velvet,
Her actual name was dressed in a black velvet gown with a large red rose. Gracefully
Mary Ann Ford; she was dancing about, Talma would pluck many coins from the air and let
born in 1868 in London. them cascade down the large glass panels of her crystal ladder.”
In the mid 1880s she The press loved Talma and loved her act. The Standard of
served as an assistant to London wrote, “Talma, the Queen of Coins, is a young lady
a female mind reader and whose sleight-of-hand performance with pieces of money is
snake charmer working skillful to highest degree. Her hands are small but the fingers are
the British music halls. wonderfully lithe and by contracting the muscles of the palm and
On the same bill with her was the Belgium magician Servais back of the hand, she is able to make coins appear and vanish to
LeRoy. He engaged her services to appear in his Three Graces the complete deception of the audience. The entertainment is ex-
illusion, and, in 1890, she became Mrs. Servais LeRoy. ceedingly graceful and clever; the ease with which the tricks are
So began a show business career that found her playing an performed indicates a vast amount of practice.”
integral part in such famous magic acts as The Great Triple The New York Journal offered additional impressions: “With
Alliance, a three-person illusion show featuring LeRoy, Imro her supple hands, she tosses up a few coins, catches them, and
Fox, and Frederick Eugene Powell, and later, the more famous and tosses again and again, until a perfect shower of gold and silver
longer-lasting LeRoy, Talma, and Bosco show. The show was a pieces appear in the air. It is the rapidity with which she keeps
riot of laughter. At times all three magicians were performing the them in motion that makes a half dozen pieces actually appear
same trick – the Miser’s Dream – one in the balcony, another on like a half-a-hundred. It looks as if she were picking them out of
stage, and a third in the downstairs audience. They also carried a the air. If any man were skillful enough to do this act, it would
barnyard of animals (ducks, chickens, rabbits, roosters, and more) be said that he had the coins up his sleeves. But Talma has no
that literally covered the stage. Needless to say, stagehands hated sleeves…she depends solely upon the suppleness and dexterity
it. of her arms and hands to make the coins increase and multiply
Before getting to the coin act that made her famous, it’s worth and appear and disappear at will. A good many women have the
noting that as LeRoy’s onstage assistant, she is also the first faculty of making money fly, but Talma’s art lies in her ability to
person to ever fall under LeRoy’s hypnotic trance, be placed upon call it all back again.”
a simple couch, covered with a gossamer sheet, levitated above After retiring from active performing, Talma and her husband
the stage, and vanished in thin air – the now well-known Asrah lived out their remaining years in Keansburg, New Jersey. Talma
illusion. passed away on July 13, 1944. LeRoy and Talma’s sister, Elizabeth
She received her early magic training from her husband; de- Ford, continued to live in Keansburg until LeRoy passed away on
scribing her early years she told a reporter, “He taught me how to June 2, 1953. For a much more thorough and delightful treatment
conjure, you know. At first, I’m afraid I was rather underhanded. of this talented lady, I recommend interested readers acquire a
I used to watch Mr. LeRoy do his tricks and afterwards, when he copy of the book Servais LeRoy, Monarch of Mystery by William
was off stage, try to forage them out myself. After a time I began V. Rauscher and Mike Caveney. We’ll close with a quote from
to pick up a few and when Mr. LeRoy discovered that I could Houdini, “Talma is without a doubt the greatest sleight-of-hand
palm, began instructing me. So it happened that coins, billiard performer who ever lived.” 

30 M-U-M Magazine - SEPTEMBER 2013

 On the Shoulders of Giants
Stage M agic and Theory
from Denny Haney
By Scott Alex ander
you have to keep the pace going faster and climax of a trick is approaching to convey
faster. There has to be something going on, subliminally to the audience that they
and then you change it up and do something should get ready to be wowed.
to make it even more interesting, and then Let’s take a look at a basic Cups and
Closing the Show you even top that. You just have to keep Balls routine. After you have loaded
with the Big O hitting them, using music, lighting, and all the three final loads under the cups and
the tricks you can to let them know it is are ready for the reveal, you might say
“Sincerity – if you can fake that, you’ve time to stand up.” something like this in your head: “Here
got it made.” – George Burns Why would you want a standing it comes.” (Pause as you get ready to lift
ovation? Well, for one thing it feels great. cup number one and think this to yourself.)
In our last two columns, we have seen Also it carries a lot of weight with bookers “Look at that!” (Reveal first load.) “There
how Denny has opened his show over the who may want to hire you for the next gig. is another; I can’t believe it!” (Reveal
years and how he has structured his show But it also leaves the audience with a sense second load.) “Wow, there’s one more!”
to fit into nice, segmented sections that of excitement, enthusiasm, and satisfac- (Reveal third load.) “What do you think
give a well rounded program of entertain- tion at the ending moments of your show. about that?!” (Slam the last cup down on
ment. After the bulk of the show is over It’s like the dessert after a good meal. the table and pause.)
and you only have a few minutes left on Denny always received these ovations on By saying these things to yourself you
stage, how do you wrap it up? How do you a regular basis, not only because he had a create defined beats in your mind that
close your show and get the maximum killer show, but because he analyzed the separate each moment, making them clear
amount of applause and, moreover, how do performers who came before him, and and distinct for the audience. These words
you get the audience to leap to their feet studied the many ideas and techniques charge your own internal emotions and
and applaud wildly, erupting into a sponta- they have left for us to discover. these emotions register on your face and
neous standing ovation? come across as genuine reactions that are
There are tricks of the trade in both Magic Words not canned or faked. They appear spon-
structuring your show to build to a taneous because your brain is actually
standing ovation and even structuring Years ago when I asked Denny about thinking them. This is a technique used by
your bow to produce the maximum pos- this subject, he pointed me to a little eight- most professional actors.
sibility of getting the coveted standing dollar pamphlet by Henning Nelms called Nelms explains it this way: “A good
ovation. Remarkably, there is little in the Applause and How to Get It. In this short, actor does not fake emotions. He feels
magic literature that touches on these information-packed treatise Nelms states, his character’s emotions by thinking his
ideas and tricks. In his book Maximum “Getting applause requires a definite character’s thoughts. If he is to enter in an
Entertainment, Ken Weber aptly says, technique. Mistakes in this technique will angry mood, he thinks things that make
“I feel squeamish offering advice on the choke off applause, even when you have a him mad; if he is to enter in a happy mood,
subject, for, in theory, you either deserve strong act. Many magicians actually throw he thinks things that make him glad. These
an ovation – standing or otherwise – or you away more applause then they receive. are real Magic Words. If you think the right
don’t.” While this is true, there are ways They could double their applause simply thoughts, you can make yourself smile or
to up your odds of this happening; we will by avoiding mistakes. On the other hand, frown, show surprise or triumph, and the
explore how Denny has closed his show and real skill in controlling applause will make expression will seem spontaneous because
some of the tips and tricks he has employed your audience appreciate you more and it responds to what you are thinking at the
along the way to stack the deck in favor of help you build a strong reputation.” time. Furthermore, if you always think the
the many ovations he has received. We will Nelms suggests that the use of what same Magic Words at the same point in a
also touch on how to increase the applause he calls “Magic Words” can help you to routine, they will evoke a spontaneous ex-
you get during the routines that lead up to ensure that no applause is lost. The most pression each time, even if you repeat the
your final curtain call. obvious example that comes to mind is of same act daily for years. Magic Words are
Denny has performed literally Jonathan Pendragon. I had the opportunity the actor’s chief secret. They will work just
thousands and thousands of shows to watch him while working with him at as well for you if you give them a fair trial.”
throughout his career. When I asked him Caesars Magical Empire. He uses nods of
about taking bows and why he got so many his head and short phrases such as, “Like The Rule of Three –
standing ovations he said, “There are three that!” or “Yeah!” to punctuate beats during Employing the use of
things that you need to get the audience up the climaxes of a lot of his routines. Nelms Cumulative Climaxes
on their feet: pacing, action, and excite- recommends saying some of these things
ment. Everything has to keep building; to yourself as an internal dialogue as a Denny has taught me one thing that has

32 M-U-M Magazine - SEPTEMBER 2013

helped immensely in structuring not only The audience responds to the finish of on another. When three climaxes follow
my curtain call, but even the segments the trick and his question with applause. each other in rapid succession, they create
of my show. Denny calls it the Rule of Denny is basically using Nelmsʼs “Magic a sense of rising tension and excitement
Three. “There is an unwritten rule in show Words,” but he simply speaks them out that is out of proportion to their individ-
business that everything good happens loud to kick the applause up a notch. He ual importance. Obviously, much depends
in threes: boom, boom, bam. Here is one also uses some “chase music,” which we upon the particular routines and the way
thing, then you hit them with another, will discuss in a moment. To take things up they are handled. But if I had to choose
and then you top it with something else.” yet another level, he holds the tubes high between one large climax and a sequence
Everything in life, and especially in the- over his head and does a funny prancing of three small ones, I would decide in favor
atrical presentations, is usually broken dance move, wildly shaking the tubes in of the latter.”
down into three beats. Even jokes have this the air and hopping up and down like a Let’s take apart the ending of this trick
structure: the introduction, the set up, and crazy leprechaun with a pot of gold. The to see how it relates to the Rule of Three
the punch line. Three is a magic number. audience just goes nuts. Again, there are and to Nelms’s thoughts on raising the
It builds and then releases excitement. In three beats here. Each time he pushes the level of interest. We will simply examine
both of Denny’s closers, there are distinct audience further and further by adding from the moment Denny is revealed in the
sections of threes, one right after the other; new and exciting movements, music, box, since we will cover this trick in depth
even these sets of three are divided into and lines to ensure and sustain the best in a future article.
smaller sets of three. Let’s take a look at possible reaction he can garner. This type After Denny’s assistant Minh has
Denny’s two closing routines and break of structure is what Henning Nelms calls been locked into a bag with her hands tied
them down. “building levels of interest.” He states behind her back and placed in a locked
in his book Magic and Showmanship (a box wrapped completely in canvas, Denny
The Bottles book that comedian Steve Martin said he covers it with a curtain and steps inside.
got a lot out of in his formative years): Immediately, Minh pops out, undoes the
Section One: Denny sets up the premise “Let your movements become broader, canvas, and removes the lid of the trunk;
that the bottles are going to do what they quicker, more abrupt, and more varied. As the tied bag pops into view. The audience
do. Then he does the trick. He mistaken- the climax nears, introduce sudden shifts imagines that there is no way Denny can
ly reveals one bottle. Then he continues. in technique. A shift is stronger than an be in the bag. They have been saying “no
He then inadvertently exposes a second increase. Almost any progressive change way” to themselves as the bag is being
bottle. He continues on with the routine. in speech will build interest. When you opened. As a musical underscore to the
Right before ending the first section, he talk more rapidly and increase in volume, routine, the “William Tell Overture” is
sneaks up on the tubes only to discover you build interest by force.” pumping in the background. This is a
bottle number three. He now finishes up driving piece of music that adds to the
the first section of the bottles with one last The Canvas pacing, action, and excitement.
transposition. Covered Box Beat One: Minh cuts the bag open and
Section Two: In this section he repeats it drops, revealing Denny standing with
the effect with only one tube. He raises the Denny’s main closer of his big show his back to the audience. They see his
difficulty level and still manages to pull throughout most of his career has been hands are tied.
off the trick twice. This raises the interest the Canvas Covered Box. This trick is Beat Two: As Denny slowly turns
level of the trick, something you always the mother lode of sub trunks. Abbott’s around, they then realize that he is in an
want to do in the second act. advertised this trick as “A Complete Act entirely different costume.
Section Three: This phase builds and in Itself.” I will save the details of the Beat Three: Denny turns completely
crescendos with multiple bottles being trunk for next month and just cover the around and blows a big puff of smoke
pulled out until the whole table is full of ending now to show you how the rule of from the cigarette dangling from his lips.
bottles. It raises the interest level to the three comes into play at the close. All you The audience realizes that, not only are
extreme. He moves fast, with the laughs need to know at this point is that, in the his hands tied behind his back and he is
and amazement coming just as fast. show, Denny ties his assistant with her in an entirely different costume, but that
Once he finishes the third phase, he hands behind her back and places her in somehow he was able to light up a cigarette
then says in a loud voice “That’s the trick, a large bag that is tied at the top. He then while in the bag, in the box, with his hands
that’s my act, how do you like it?” This locks her in a trunk, which he wraps in a tied behind his back. The audience is just
phrasing is broken into three beats as well: canvas cover and laces shut. He then pulls bombarded with questions. To paraphrase
Beat One (That’s the trick!): After a curtained framework around the trunk what Juan Tamariz says in The Magic
revealing the two glasses, he picks them up and enters the enclosure. Way, he has simply “shut the door to all
and inverts them on the remaining bottles In a flash his assistant is free. She other possibilities other than real magic.”
in the tubes. This represents one beat. whips away the curtain, cuts the laces, and The audience gives up and just lets the
Beat Two (That’s my act!): Denny now reveals Denny tied up as she was, but he is amazement and wonder wash over them.
lifts the two tubes and shows the two ad- now smoking a cigarette and is dressed in These layers, with one thing topping
ditional bottles. a head-to-toe jesterʼs costume. This again another, drive the audience and the action
Beat Three (How do you like it?): He echoes Nelmsʼs words from Magic and forward simultaneously. But when you
then holds the tubes high in the air to signal Showmanship. “The best of all ways to combine this well thought out structure
a clear finish as the chase music starts. build interest is to pile one climax on top with some other tricks of the trade Denny

SEPTEMBER 2013 - M-U-M Magazine 33

ON THE SHOULDER S OF GIANTS
has also discovered over the years, you lighting guy push all the house lights in you just start it. Your hands may move
can’t help but get the audience up on their the room up to full. This causes a visual perhaps an inch or two without being
feet. cue to the audience that often stimulates obvious.” This does read cheesy, but just
an almost Pavlovian reaction in getting the look at many pros and you will see they do
Chase Music audience to stand. this very thing. Nelms suggests this very
Music Change: After you finish your thing in Applause and How to Get It. He
This is music that immediately follows last trick, and the applause for the trick says that he holds his hands out, palms up
a trick. David Copperfield is a master of itself is over and your applause for your toward the ceiling at about hip level. The
this concept. Each song he chooses is final bow is beginning, have the music great Charlie Miller did the same thing,
carefully selected to fit the theme, tone, kick over to another lively, upbeat musical but he held his hands a little bit higher.
and the action of the trick. From playing selection that suggests finality. There are Denny tends to start with his hands at
“You Give Love a Bad Name,” which ref- some songs that just sound like endings. waist level (Photo 2) and then quickly
erences being shot, as a chase song after Just listen to any songs as the music is lifts them up two feet or so to suggest an
doing his Jumbo Sidekick Routine, to rolling over the credits at a movie theater. upward movement with his hands. He does
following up his Snowstorm routine that You will get the idea. this in a friendly and exciting way. He has
talks about him as a kid with the song Move Forward: Again, as the applause an almost carefree attitude (Photo 3), as
“Forever Young,” his music selections is cresting, take a few deliberate steps if to say, “So that’s what I had for you, I
all relate to the tricks and have energy toward the audience. Look right at them hope you liked it!” Don’t take it over the
and built in emotional appeal. He takes and then make an advance like you are top, though. Use discretion and be subtle
advantage of the music. Denny does this as walking toward them to say thank you. about it.
well by using the “William Tell Overture” Denny often claps his hands when he does Use Magic Words: When you are
while lacing up the Canvas Covered Box. this (Photo 1). standing there receiving the applause,
This part of the trick takes a little while Lift Arms: In his amazing book simply think to yourself, “Yeah, I’m the
to do, but by adding the exciting music, it Maximum Entertainment, Ken Weber man! You guys are awesome, thank you so
takes the audience along for the ride and says, “Extend your arms to your side, much!” These thoughts will again register
provides much needed pacing, action, and palms turned toward the ceiling. In other on your face and create genuine emotion.
excitement. The “Can-Can” music at the words, it is the motion you would make if Don’t Run Away: I know that for a
end of Denny’s Bottles routine and the you were to actually signal the audience long time when the audience was applaud-
dance create this energy as well. to stand. You don’t make the full motion, ing, I would kill the applause by dropping
my hands too early, or turning and leaving
The Little Tricks the stage because I felt uncomfortable
for the Big O Photo 1 receiving the accolades. It took a while to
learn that you have to stand there. You have
There are some acts that use blatant to stand there longer than you think you
comedy or sentiment to not so subtly have to. I have come to call it “Applause
hint at a standing ovation. I do it myself Anxiety.” As a performer, especially as a
sometimes. There are all kinds of magician, you realize that you just fooled
examples of this. There is everything everybody with things as trivial as pieces
from Bobby Baxter’s “Daddy, Did They of black thread and plastic thumbs. There
Stand for You?” to Rich Bloch’s use of is an almost guilty feeling that you do not
patriotic music and a grandiose display deserve the applause because you have
of the American flag. And, of course, the deceived them. That doesn’t matter. You
ubiquitous Snow Storm sentimental sick entertained them. (At least I hope you
kid shtick we all know and love. Now, did.) So if you are getting some good
without the use of these funny or sappy applause, just stand
approaches, here are a few little tips and there and count to
tricks to help nudge the audience over the “Ten-Mississippi.” It
top. Assuming you have done a perfor- may feel awkward,
Photo 2
mance worthy of a standing ovation, these but they will continue
little tidbits will help to give them that to applaud. If it starts
extra little encouragement, without having to get quiet, you are
to play “Stand Up For the Champions.” obviously standing
Denny never pandered for a standing there too long. But do
ovation, he just downright got them. But try to take the time to
here are some clever tips we discussed that receive your ovation.
Denny has used and mentally catalogued You will find more
over the years. often than not that
Lighting Push: At the end of your they keep applaud-
show, just as the audience applause is ing, not just because
beginning to crest like a wave, have the you stayed there, but

34 M-U-M Magazine - SEPTEMBER 2013

 Photo 4

Photo 3

because they liked you and you gave them the chance to acknowl- and point directly at the person and mouth the words, “Thank
edge it. Your show is the gift you give them. The applause is the you.” This will make the audience look over to see what you are
gift they give you. Don’t deny them the chance to thank you. pointing at. They will then get the idea that maybe they should
Single Them Out: Sometimes you will spot one or two people stand, too. Sometimes Denny even gives them a short round of
who immediately stand up. Denny recommends immediately applause (Photo 4). As before, always err on the side of subtlety.
pointing that person out and getting the audience to notice they Take a look at all of these ideas. See how you might use them in
are standing. There is a technique here that must be employed, your own performances to help push your applause and ovations
however. If you see someone stand, use your Magic Words and say to a new level. But please use them with caution. Audiences are
to yourself, “Oh my goodness, you’re standing? I don’t believe it.” not stupid. They can spot insincerity a mile away. But if you use
This creates an internal feeling of genuine gratitude and surprise these tips and tricks and master their execution, you will be well
that should register on your face. Raise one hand to your face on your way to getting the big Standing O every time! 
as if to suggest you are embarrassed. Then take the other hand

SEPTEMBER 2013 - M-U-M Magazine 35

 Autumn Morning Star:
Native American Artistry

By Lindsay Smith

Her name is Autumn Morning Star. Denver. As you exit I-25 to the west toward Erie you’ll see
As Autumn’s beautiful name eloquently expresses, she an inspiring view of the Front Range and the awesome and
is a Native American Indian. She is also an accomplished often snow-capped Rocky Mountains. It is here you’ll find
professional magician, award-winning illusionist, and cultural Morning Star Studios, a well-used rehearsal space she calls
storyteller. There’s more. Much more. She is a native her “cherished secret jewel.”
flautist, a traditional buckskin dancer, an award-winning This is where Autumn brings her magic to life.
stone sculptor, a regalia and beadwork designer, a published
poet and short story writer, and an herbalist. And she can Entertaining the Lambs
perform her show in any of five languages.
Her many interests and talents played an important role Autumn was born in Shreveport and lived there for five
in her early development, and many continue to play an years; her family then moved to a farm in the deep woods
important role in her performances today. She embraces her of Louisiana. “We had acres and acres of woods to run and
heritage, respects her country, and loves her magic. play in and we had every kind of animal you could imagine.
Fortunately, her talents and contributions did not go I raised baby lambs and I used to perform for them.” She
unnoticed. Autumn is one of only fifty outstanding Native adds, “I was usually late for school every day because in the
American Indians honored by the Smithsonian Institute’s morning I’d feed my lambs, then sing and dance and put on
National Museum of the American Indian for her outstand- a little show for them on a stage made of hay.
ing cultural illusion show. “Basically, my mom took care of us. She was a Depres-
“The four things that I dearly love are my magic, my sion child and had it pretty hard growing up. She nearly
sculpture, my writing, and my music. I have tons of other starved to death, so she always made sure we had enough
interests besides those, but the best camera in the world to eat. She’s not even five feet tall but she’s tough. Very
won’t be able to take a good picture unless there’s focus. So tough. She pushed me hard in school, and made me learn to
I narrow my focus to these four fields.” sew. I am grateful, for I sew all my own regalia, costuming,
The quiet community of Erie, Colorado (population: and black art for the show.
18,505, minus two when Autumn and her husband are “My dad started off as a police officer. He was ‘Officer
on the road performing), is situated just minutes north of Safety’ on TV. I was very precocious and would sing, dance,

36 M-U-M Magazine - SEPTEMBER 2013

and perform on his show. Dad was my biggest magic Her Master’s Thesis, “American
supporter. He was always so proud.” Indian Cultural Survival: Re-
Autumn’s heritage is primarily a mix of Choctaw and sistance in the Diaspora,”
Blackfeet, with some Cajun French in her background. “I won the Distinguished
finally got onto [Link] and looked up the rest of Special Project Award from
my lineage. It turns out that, in addition to Blackfeet and the University of Memphis.
Choctaw, I am a Louisiana Creole mix of Cajun French, plus Unquestionably intelligent and
German, Scottish, African, Asian, and more. I’m kind of like intellectually inquisitive, Autumn
the ‘It’s a Small World’ ride at Disneyland. will be the first to tell you that
“If someone asks what I am, I say I’m Blackfeet and this is not as easy as it appears.
Choctaw. I could also use the word ‘Indian,’ but Indian is She has a significant learning disabil-
really generic and we’re all so diverse. Each of our tribal ity that is similar to dyslexia, particularly
nations is completely different with our belief systems, our affecting math, numbers, and symbols.
tribal dress, and our language. Indian is not an offensive “This is why I struggle at card magic.”
word. We’re a people. We’re native. We’re indigenous to
this land. We fight for this land. We serve this country in Speaking of Languages
numbers far greater than the norm in terms of ratio.”
On the flip side of the math equation is Autumn’s ex-
The Great Arturo traordinary facility with languages, a skill set that has served
her well. English is Autumn’s native language, in which she
Magic came into her life early. When Autumn was four is fluent and articulate – a definite must for her cultural sto-
or five, there was a vaudeville magician who lived down the rytelling. She also speaks four other languages: Choctaw,
street from her family in Shreveport. His name was The German, Japanese, and French.
Great Arturo. Years later, Autumn would learn his real name. “Before I even got to Germany,” she says, “I had a tutor
“I had seen Mark Wilson on TV, and Willard the Wizard translate and record my scripted show so I could memorize
at the fair, but The Great Arturo did magic right before my about forty percent of my show in German. I was told I
eyes! He vanished a quarter, then pulled the coin out of my didn’t need that, but I did it anyway. I prepared the same
little brother’s ear. This was amazing! I looked at my brother way for my shows in Japan and France. Everything in my
and thought, ‘He has some value now.’ So I kidnapped him show is completely scripted, translated, and committed to
and took him over to the side of the house, put my hand over memory so I can imitate it perfectly.”
his mouth and started digging in his ear. He was screaming The ability to speak five languages ought to be enough
and my mom got upset. to get you around the world. In Autumn’s case, it does. Her
“She said, ‘Don’t put your finger in your brother’s ear. If venue locations have included: Japan, France, Germany,
you really want to know how that’s done, go ask the
magician.’ So I tugged on his pant leg and pestered
him until finally he showed me. He taught me a basic
French Drop and a Classic Palm, which I didn’t truly
master for years.”

Top of Her Class

Academically, Autumn graduated at the top of her
class in college. After a mediocre academic showing in
high school, it was years before she attempted college.
In 1997, she was accepted at the University of Memphis,
graduating summa cum laude, earning her Bachelor of
Arts Liberal Studies degree with emphasis in American
Indian Studies. Graduating with the highest grade point
average in her college, 4.0, she was named Commence-
ment Marshall for her May 2000 graduating class.
At the time she was working as a magician, but
studying to be a physician. Autumn says, “I was going
to magically cut people in half in my show, then really
cut them in half at my day job!” As it turns out, however,
she found out she faints at the sight of blood. “I should
have known,” she says. “I did the needle though arm
once and I saw stars when the blood started running.
This was one of my early clues.”
Two years later, she was awarded her Master of Arts
in Liberal Studies from the University of Memphis, re-
searching both Native American herbal medicine and
American Indian poetry and literature. Yes, another 4.0.

SEPTEMBER 2013 - M-U-M Magazine 37

Sweden, England, Canada, Mexico, Italy, Switzerland, Lich- bership at the Magic Castle, it was necessary to audition. As
tenstein, Netherlands, and Bahamas, forty-four U.S. states she looked out from backstage to see who she would be au-
including Alaska and Hawaii, and over thirty different Native ditioning for, she thought, “That looks a lot like Dai Vernon.”
American Indian Nations. Her show has varied in size from Turns out she was right.
a tiny show lit by ten flashlights on her own reservation to a
personal close-up show for Bon Jovi, to over 20,000 people What’s Love Got to Do with It?
at the Delta Center in Salt Lake City.
While living in Memphis and going to school, Autumn
Intensive Magic Studies toured for a week in Germany. She was at the Nuremberg
International Airport, preparing for the long flight home, but
Ongoing education is a way of life for Autumn. She is found her flight had been cancelled. Frustrated, she went to
constantly looking for ways to improve her shows, explore the gate to wait. She had no idea she was about to meet her
new opportunities, and develop new skills and techniques future husband, Brian, whose flight had also been cancelled.
that she can incorporate. She had already changed her deutschmarks into dollars
In the area of intensive magic studies, Autumn credits and was trying in vain to find a place that would accept her
her long-ago magic shop job at Zeezo’s in Denver for the dollars to buy some tea because she was really thirsty. “I’m
magic education of a lifetime. Many magicians have added pushing these big magic trunks through the terminal and
to Autumn’s knowledge of magic, including Gene Anderson, noticed this guy following me. I had about three hours to
Dondrake, Doug Henning, Curtis Kam, Bob LaRue, Lamont wait when he poked his head around the corner and said,
Ream, Shimada, Phineas T. Spellbinder, Gary “Godzilla” ‘I see you’ve had a really difficult day. May I buy you some
Thompson, Dai Vernon, and many more. Magical inspira- tea?’
tions include: Ronald “Kotah” Dayton, Gene Poinc, and Ed “I thought, ‘He doesn’t look like an ax murderer’ so I let
Solomon. him buy me tea. We really struck it up, conversationally.
In the process of remounting her stage show after He was unlike any person I’d ever met. We discovered that
returning to the U.S., Autumn invited nearby friends and we would be on the same plane with seats directly across
fellow magicians Bob LaRue and Lamont Ream to share their from each other, with an empty seat by him. I had very little
thoughts and ideas. Bob explains the process this way, “The magic in my pockets, due to the new TSA rules. All I had was
weekly meetings/practice/rehearsals were a wonder. Autumn Scotch and Soda and a thumb tip, but that’s all I needed. He
encouraged new perspectives on the illusions, the storytell- was absolutely amazed. We were in love by the time we got
ing, and the process of creation. Her cast was a delight to to Amsterdam.”
work with. Each meeting opened with paying homage to
Native Americans and their love for their homeland, and
then the other magic began.”
Autumn’s formal magic education includes Jeff McBride’s
Magic and Mystery School in Las Vegas, where she studied
Marketing for Entertainers and Levitation for Parlor and
Stage. She also attended the intensive course Focus on
Magic and Masks, taught by Jeff McBride.
She is a member of many clubs and organizations,
both here and abroad, including several magic organiza-
tions. Autumn is a member of Denver’s Mile High Magicians
Society, the S.A.M., the I.B.M.’s Order of Merlin, and Holly-
wood’s Magic Castle.
In 1986, when Autumn was applying for a Magician mem-

Brian and Autumn (Photo by Lois Saum)

At the time, Brian was a captain in the Army, stationed

in Germany. Autumn recalls, “We courted for nine months,
flying back and forth across the Atlantic, and got married
May 11, 2002, on the Memphis Queen riverboat, while
cruising down the Mississippi River. Ours was a Choctaw-
style ceremony with military mixed in.” After the marriage,
they went back to Germany, where they lived for the next
six years.

Walking the Talk

Autumn credits Jeff McBride and Max Maven with the idea
of integrating her heritage with her magic. When Autumn
Autumn and the Professor, Dai Vernon 1987 first started doing magic, she was performing in a tuxedo
(Photo by Curtis Kam) and tails. Why? “All my role models were men,” she explains.

38 M-U-M Magazine - SEPTEMBER 2013

 “But then Jeff and Max took me off to the
side and said, ‘You know what, Autumn. You
need to incorporate your culture into this.’
And I thought, ‘Omigosh, I’m going to run
afoul of everybody I know.’ But they kept
pushing me.
“Finally I ran the idea past my peers, past
my family, and past the elders. They consid-
ered my request at some length. The theme
that ran through everyone’s answer was, ‘As
long as you don’t exploit the Sacred, you will
be fine.’
“So I make sure all of my stories are given
to me with permission from my two tribal
nations. I make sure everything is accurate.
And I make sure the stories are told properly,
because you can only tell certain stories at
certain times of the year. This way I stay in
balance. The people who work with me in the
show bring respect, honesty, and integrity to
the table. I strongly believe this is reflected
in our stage presence.
“Storytelling itself is a sacred art and
it’s a powerful educational tool,” Autumn
explains. “I combine my stories with singing,
drumming, flute playing, and dance, and il-
lustrate them with the magic of illusion.” As
one audience member said, “If Autumn tells
a story about winter, it snows! If she tells
a story about birds, real birds appear! She
brings her stories to life with magic.”

Culture through Illusion Autumn in an oil painting by Ed Kucera

You would never mistake Autumn’s large
stage show, Shadow of the Wind, for a typical, traditional it could be a problem.
magic or illusion show. Her opening act includes levitat- Another example is the Crystal Casket, which basically
ing buffalo skulls, masked characters, multiplying feathers, looks like a big aquarium. “When we finished, it became a
Blackfeet regalia, and powerful symbolism, performed to museum display case that worked into an amazingly funny
haunting Native American music. vignette called Day at the Museum. Our security guard plays
Her forty-five-minute show is designed for the Indian a goofy ‘Barney Fife’ style character, who falls in love with
casinos around the country that hire her to entertain their a pretty native doll, a lonely artifact in the museum case.
VIPs. The casinos want the audience entertained, but in Meanwhile, two Native Americans try to liberate the precious
and out quickly so they can get back to the gaming tables. doll, Mission Impossible style. This addresses contemporary
When she’s hired for convention centers or a big evening issues that native people face.
event, those are always ninety-minute shows. In the forty- “Even though it’s just a glimpse, my show still puts a
five-minute show, there’s a minimum complement of four in realistic face on our culture, and allows people to see Native
the cast. In addition to Autumn and her husband, the other Americans as human beings and people who still exist today.
principal cast members include Reina Shadow Dreamer and Afterwards, in the meet-and-greet, they find that we can
Michael Soaring Eagle. In the ninety-minute show, there are communicate eloquently in English as well as in our own
six cast members. native language. We are planting a seed for people who
She explains, “I use ordinary magic in an extraordinary don’t have a reference point other than Hollywood movies
way. Essentially I create story vignettes performed to music. and sports mascots.
When creating this show we looked at the different illusions “I’m so thankful that Brian is talented; he’s a real ham on
I had and thought, ‘What does this illusion make us think of? stage. My other cast members are really funny too. But when
How can we fit this into a cultural scenario?’” we need to be serious, we’re serious. There are a couple of
A wonderful example is Autumn’s unique cultural twist on pieces in the show that can take you from knee-slapping
the classic Hindu Basket, called The Basket Dance. Instead laughter to our finale piece called The Year of the Monkey.
of the attractive female assistant going into the illusion, it’s This vignette is beautiful, amazing, and so touching.
the white guy; in this case Autumn’s husband Brian, in a U.S. “The Year of the Monkey is about a man who leaves his
Cavalry uniform, who gets the swords thrust through the wife behind to go to Vietnam. This piece honors veterans
basket. Brian is a big, well-built guy and it’s a tight fit for him and is so moving that there’s not a dry eye in the house. In
in their standard-size basket. A couple more milkshakes and fact, many times when we’ve done this piece, and we line

SEPTEMBER 2013 - M-U-M Magazine 39

 up for the final bow, you can see
tears on the faces of my cast
members.”
A few of the other illusion
vignettes that have found their
way into Autumn’s show include
Mavila, a Conquistador/Choctaw
Indian encounter done with a
Metamorphosis; an Asrah levitation
that uses no table base, a Broom
Suspension that uses war lances
instead of brooms, and a Shadow Box made
from a Tipi.
Interspersed with the larger illusions are
smaller stage effects. She does a hilarious
version of the Gene Anderson Newspaper
Tear with a story about ecology. She even uses
an audience volunteer who tears their own smaller
newspaper.
Autumn uses a custom pottery-style Lota Bowl as a
running theme in the show because water is a part of native
and Blackfeet tradition. “I use the Lota because Blackfeet
people find water to be precious. I always pour out the
water because it’s traditional. If you don’t have water, you
can’t have life.”
When asked what she would like her audience members
to be thinking about as they’re leaving her show, Autumn
thoughtfully replies, “I want them to see the magic of how
everything is related: To walk out into the night and see
the Green Corn Moon levitate across the sky. I want them
to whisper my stories of enchanted birds, ancestral tradi-
tions, and smooth brown turtles as if they were incanta-
tions. Perhaps in the stillness of a summer night they will
feel compelled to walk barefoot down a moonlit country
road and search for the magic that connects all beings in
the Circle of Life.”

Shows, Lectures, and Workshops

Autumn offers a number of other specialized and au-
dience-specific workshops, programs, and lectures. Her
program, “Ancient Stories and Other Well-Kept Secrets,” is
unique to the educational world and customized for libraries
and schools. She does low cost/no cost presentations for
poor and underserved libraries each summer. Her favorite
area is the Mississippi Delta.
Autumn’s corporate show, “The Magic of Native America,”
is cultural entertainment designed for executive audiences.
Autumn points out that her presentations are not just shows
about Native Americans. “These are shows about everyone!
Native people value the importance of all people on this
Earth and our relationship with each other. We have many
more similarities than differences.” Who is that Masked Woman?
Her lecture for magicians is called “Make Your Show
Unique!” This workshop helps magicians identify and create Her name is well-known among her clientele but, for the
a unique stage character by using universally recognized ar- most part, the name Autumn Morning Star is one of the
chetypes to define and create an enchanting one-of-a-kind best-kept secrets in the world of magic. However, that’s
show. She also teaches magicians how to generate unique changing.
storylines and routines to match their character. “These Autumn is currently booked as one of the featured head-
shows, lectures, and workshops take me around the world liners on the public show at the twentieth annual Magic in
and back. At this point, I have performed for over a million the Rockies convention in Fort Collins, Colorado, October
people worldwide!” 3-6. As part of that weekend, Autumn also will be presenting

40 M-U-M Magazine - SEPTEMBER 2013

her lecture, “Make Your Show Unique!” It’s not too late to
register for MITR: [Link].
Jeff McBride says, “Sometimes it astonishes me how long
it takes the magic world to wake up and realize an extraordi-
nary talent like Autumn Morning Star. I have watched her arts
develop over the last twenty-five years to create powerful
magical theater pieces. Autumn’s skill set weaves inspira-
tional storytelling, symbolism, beautiful magic, masked ar-
chetypes, and evocative music into a rich tribal tapestry that
is theatrically stunning.”

Magic as Reincarnation
Autumn sums up her life in magic and her love of magic
this way: “If I had died twenty years ago, I would have
already lived ten lifetimes with what magic gives me. I travel
the whole world on a shoestring and stay in some great
places. Magic provides me with everything I need. Magic
pays all my bills; it’s paid for my education; it’s raised my
daughter, Red Fawn. Magic gives me the ability to express
who I am and educates hundreds of thousands of people
about who Native Americans are. The wonder of magic tells
Native American kids that they can achieve their dreams.
“My life of magic is the most amazing profession in the
world.”

Life Moves in Many Great Circles

Over the years, Autumn has often thought of The Great
Arturo, the magician who first plucked a quarter from her
brother’s ear. One day, several years after becoming a
professional magician and returning from a tour in Japan,
Autumn decided to return to Shreveport to see if she could
find him – even though she didn’t know his real name.
Autumn went to the old neighborhood. “I wanted to tell
him I was a professional magician. I wanted to thank him
for starting my interest in magic. I went door-to-door, but
couldn’t find him. Then, I remembered him telling me about
a Doll House illusion he was building. I didn’t know what that
was at the time, but it sounded cool. Finally, one magician

in Shreveport told me he bought a Doll House illusion from

a local guy named Arthur Frank. I said, ‘Quick, give me his
number!’”
Autumn called him, saying, “Do you remember me? I am
the little girl who lived on the corner! You taught me magic!”
Autumn was in town to perform six shows at the Red River
Revel in Shreveport. She asked The Great Arturo to please
come to one of her shows. “I don’t know,” he said, “I really
haven’t been well.”
Autumn scanned the audience in all six shows, looking
for what must be a really old man. “I was just so sad. I was
sure he didn’t make the show,” Autumn recalls. “Then, as I’m
coming off the stage for the final time, there’s an old man
standing on the steps. His hand trembled when he reached
up to me and said, ‘Little girl. You have a quarter in your ear.’
We both burst into tears.” 
Photos by Stephanie Jerome

Lindsay Smith is a fifty-six-year member of the S.A.M.

Since 2006 he has been the copy editor and proofreader for
M-U-M. He hopes there are no typos in this article.

SEPTEMBER 2013 - M-U-M Magazine 41

 What you missed if you
weren't at the 2013
Billy Scadlock as
Uncle Sam
S.A.M. convention in
WASHINGTON, D.C.
(Part One )
The Crystal Gateway Marriott Hotel in Arlington, Virginia,
proved to be an excellent venue for the 2013 national conven-
tion of The Society of American Magicians. An underground
mall attached to the hotel provided attendees with easy access
to dining and shopping alternatives. The subway line was also
available through the underground mall for those who wanted
to explore Washington, D.C. On the day before the official start
of the convention, PNP Chris Bontjes and MI Dal Sanders laid
a wreath at the Tomb of the Unknown Soldier.
The convention kicked off with Richard Kaufman
interviewing convention honoree Al Cohen. (A few people
were fortunate enough to catch Al pitching an item or two in
the dealers’ room.) Once again, the Stars of Tomorrow Show
proved to be an attendee favorite, and the Buskers’ Show
provided a novel and fun variation of the standard convention
close-up show. The lecturers (many of whom write for M-U-M)
offered terrific information.
For those of you who attended, the following photos will
bring back memories. For the rest of you, here’s what you
missed. – Michael Close

Laying the wreath at Arlington Cemetery

Convention Photos by Dale Ferris

42 M-U-M Magazine - SEPTEMBER 2013

 The Stars of Tomorrow stage show, produced by Marlene Clark, showcased some very
talented young magicians. Their efforts were well received by the audience.

Nick Alex Boyce Elizabeth Rogan

Diffatte

Chase Hasty

Elizabeth Scalf

Kimberly Zoller

SEPTEMBER 2013 - M-U-M Magazine 43

 Richard Kaufman interviews Al Cohen

Trent James
(Second Highest Score
Award, Brad Jacobs
People's Choice Award)

Benjamin Zabin

Christian and Katalina

emcee the stage contest

Chang Min Lee

(High Score Award)

Steve Owens
(Presidential Award)

John Walton
(Originality Award)

44 M-U-M Magazine - SEPTEMBER 2013

 Alberto Lorenzo
Michael (High Score Award,
Silver Medal of
Tallon emcees Merit, Brad Jacobs
Shin Li m
the close-up People's Choice
contest Award)

Lion Fludd Daniel Garcia

Youri
(William Andrews Rune Carlsen
Mystic Craig Award
for Professional
Promise)

Alan Wu Davio Wu
(Presidential Award) (Second Highest Score
Award, Originality
Award)

SEPTEMBER 2013 - M-U-M Magazine 45

 Buskers show featuring (clockwise from top left)
Bob Sheets, Bobby Maverick, and Michael Hilby

46 M-U-M Magazine - SEPTEMBER 2013

 Christian & Katalina
Covering
Close-up, Stage,
Comedy, the
Classics, and
Mentalism,
the lecturers
in Washington
certainly
delivered the Bob Sheets
goods!

Denny Haney

Bruce Kalver

Simon Carmel

Steven Bargatze

Levent

Shoot Ogawa

Steve Marshall
Rick Merrill

Convention coverage continues next month...

SEPTEMBER 2013 - M-U-M Magazine 47
 Mental Breakdown
By Christian Painter
in his video Nothing. What follows is an mentalist explains that even if he were
effect I worked out for my own “nothing” trying not to relive his particular emotion,
show. This was inspired by a Rick Maue once he heard it read out, he would still
plot, although my routine and his bear experience it, even if only subconscious-
little resemblance. As per the requirements ly. Furthermore, the mentalist explains,
of a “nothing” effect, it can be made at a as the audience member reads through
moment’s notice with items that can be the emotions, he is also experiencing
purchased just about anywhere. (Or, you each emotion, albeit only slightly. The
The Milbourne Christopher awards can obtain them for nothing if you cop important point is that if the onstage helper
were once again presented this summer some business cards from the manager’s concentrates on his emotion, while the
at the S.A.M. national convention. In the desk at your hotel.) person in the audience is reading through
category of mentalism, the award went to his cards silently, it may be possible to
Christopher Carter. Most magicians are The Plot: The mentalist explains that sense when the two people are feeling the
unfamiliar with Christopher Carter. He while it may not be possible for most same emotions at the same time. Again the
does not attend magic conventions and people to sense the detailed thoughts of mentalist turns away from the helpers. The
seldom releases material to the magic others, most people do seem to be able to audience volunteer is requested to continue
community. I thought this would be a good feel or sense others’ emotional states. He reading through his emotion cards, one at
time to introduce you to this world-class brings two people onstage to participate a time. Soon the mentalist calls for him
performer and mentalist. in an experiment of “emotional transmis- to stop, claiming that the two helpers are
I’ve known Christopher Carter for sion.” now experiencing the same emotional
many years. He specializes in the college When the helpers arrive, each is state. When the emotion is read aloud, the
market and has earned every major award handed a stack of index cards and asked onstage helper confirms that he was indeed
in that market, including Entertainer of to mix them. The mentalist explains that thinking of the same one, and returns to
the Year, Best Performing Artist, Best written on each index card is a particular his seat.
Male Artist, and Best Novelty Artist. He emotion, such as hate, love, lust, etc. While
has won some of these awards more than the performer’s back is turned, each helper The Method: The coolest part of this
once. In addition, he is the only performer chooses an emotional state to focus upon, routine is how hands-off it seems. There
to ever achieve all four awards in the same and is asked to recall something from is only one moment when you handle
year. his life that would elicit that particular the cards, and the move is so natural that
Christopher not only performs at 150 emotion. The two packets are reassembled most people will remember that you never
colleges a year, he also packs in corporate and handed to a person in the audience. touched them at all.
dates as well. Last time I checked, he was The mentalist asks the person in the You will need to create two packets
doing over 200 shows a year. In college, audience to read the emotions aloud, one of ten emotion cards. You could use more
Christopher studied to be a theater at a time. The onstage helpers are in- than ten, but I suggest no more than fifteen
professor. This becomes very apparent structed that when they hear their particu- or the trick will drag a bit. The emotions
when you see the thought he puts into his lar emotion read out, they are to mentally on the cards are as follows. Stack 1:
performances. Always unique and surpris- relive the experience that would bring that Anger, Hate, Awe, Envy, Fear, Lust, Fury,
ing, Christopher’s shows are a study in emotion to the surface. If they truly do ex- Happiness, Terror, Love. Stack 2: Sadness,
how to entertain an audience. perience that emotion, the mentalist should Confidence, Regret, Passion, Confusion,
You might be familiar with one of be able to sense it, even without looking at Rage, Glee, Joy, Boredom, Disgust.
Christopher Carter’s tricks that was made the volunteers. If you haven’t already noticed, one
famous by Doc Eason, Anniversary Waltz. While the mentalist is turned away stack contains emotions that begin with
Christopher and I have stayed up well from the onstage helpers, the man in the letters that consist only of straight lines;
past midnight discussing and debating audience begins reading through the the second stack has emotions that begin
all things mentalism. His breadth of emotions. At some point, the mentalist with curved letters. It is very important
knowledge on this subject is impressive. tells him to stop, claiming that he just that you are able to identify whether the
During one of our late night sessions I was sensed something from one of his two word is “curved” or “straight” by sound
able to convince him to part with a gem helpers. Assuming, hypothetically, that the alone; you will never look at the cards.
and share it with our readers. Please enjoy emotion just read was “fear,” the mentalist The move involved is Gene Finnell’s
Christopher Carter’s thinking in: points to one of his helpers and says, “I Free Cut principle. It works like this. Stack
just sensed a feeling of fear coming from One is given to the man to your right (let’s
Emotion in Motion you. You don’t have to tell us what you call him Al); Stack Two is given to the man
were thinking of to create this feeling, on your left (let’s call him Bill). As they
In an old issue of Bascom Jones’s but if you were feeling fear please return complete their mixing of the packets, you
Magick, Barrie Richardson explored to the audience.” The helper then agrees turn your back to them and extend your
the idea of what he might perform if the that fear was his emotion and returns hands. Ask Al for his packet. He will place
airline lost his luggage. This problem was to his seat. it in your left hand (the hand now closest to
addressed again recently by Max Maven One person is left onstage. The him). Ask Bill for his packet. He will place

48 M-U-M Magazine - SEPTEMBER 2013

it in your right hand. Ask them to each cut volunteer. When instructing this person example, if the first is a “straight” and
off a bunch of cards from their respective how to read through the emotions you the second is a “curved,” then the second
packets and to look at the emotion they must be very precise. I start by having him emotion is the target. You simply identify
cut to. As they do so, you turn to face the turn the packet toward himself and reading the person who had received the “curved”
helpers, and extend your hands for their off the first emotion. Here I explain to stack and have him verify that he had just
packets to be replaced. In the simple act the onstage helpers that if they hear their heard his emotion. If the third card breaks
of turning around, you have changed the emotion read out, they are to relive the the pattern, that is the target card. If the
location of the packets. Al will actually experience they focused on. I then tell the fourth breaks the pattern, then that is it.
be placing his cards on the remainder of audience helper to move that emotion to the And so on.
Bill’s pile, and similarly with Bill. Reas- back of the stack and read the next. I act as Once the first emotion is identified,
semble the packets into one pile, which if I am trying to sense something from the you don’t even have to listen to them be
produces the following interesting result: onstage helpers, and then I give the same read out. The next thought-of emotion will
the thought-of cards will be exactly ten instructions again. By the third time, the be precisely ten cards away. You simply
apart in the pack. Even better, the sequence third helper is properly conditioned and all instruct the audience helper to look at the
of the stack remains unchanged. The ten you have to say is “Next.” next one, claim you get nothing, and have
“straight-line” emotions will be in a group, While the audience volunteer is reading him move that to the back of the stack.
as will the ten “curved-line” emotions the emotions, you simply decide mentally Repeat this procedure nine more times and
(assuming the pack is considered cycli- whether they begin with curved or straight you will arrive at the remaining thought-of
cally). letters. The first emotion read that breaks card. 
The pack is handed to a third audience the pattern will be the one thought of. For

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SEPTEMBER 2013 - M-U-M Magazine 49

 Stage 101
By Levent
and not a cognitive illusion. But I would palming the lemon is coming out of the
add that when I do The Miser’s Dream in pocket, the other hand could lift up a cup
my show, I actually retain the supposedly- to show that a different small ball had
dropped coin in my right hand about eight appeared under it. The appearance of the
inches above the pail (as suggested by Roy ball under the cup misdirects the audience's
Benson) and then (a split second later) drop attention to the table as the performer loads
[This is a continuation of last month’s a duplicate coin with the left hand. So the the lemon under the cup. Now at this stage
discussion of rule seven.] audience never sees the coin fall downward if the performer suddenly produced the
through the eight-inch gap between my lemon, the audience still might figure out
Causality right hand and the top of the pail. Yet the that the fruit was stolen from the pocket.
illusion of dropping the coin is perfect, So in this case it would be wise to use one
There was once a towering polymath because the spectator’s mind believes that of the greatest weapons in the magician's
from Greece named Aristotle (384 BCE – the coin had been dropped. So while there arsenal: time misdirection.
322 BCE), who wondered about the world. is a sensory aspect to The Miser’s Dream,
By the end of his life, the insights that he it is the cognitive aspect that is the foun- Time Misdirection
gained and the discoveries that he made on dation of the trick, and it is driven by the
a vast variety of subjects were immense. natural human understanding of causation. It turns out that if the magician secretly
Among the areas that Aristotle explored loads the lemon under the cup and delays
was cognition as well as causality. The When Causality revealing the load for a period of time (pref-
subject of causality can be very complex, Harms the Magician erably by doing tricks with the other two
and it has immense importance in both phi- cups and the remaining balls), the specta-
losophy and science. But for the purposes As can be expected, since the public tors’ recollection of what the magician did
of this essay, this is what you need to understands cause and effect, they (the will become hazy and they will probably
know. Causality is defined as “the relation public) can also utilize their knowledge of forget about the moment when you reached
between an event (the cause) and a second how the world works to figure out how a into the pocket to secretly get the lemon.
event (the effect), where the second event is trick is done. For example, imagine that a This use of a long time delay between
understood as a consequence of the first.” magician shows a single cup (from a Cups the cause and the effect is an extremely
Historically, the concept of “cause and and Balls set) to be empty; then, in full effective technique that masks causality
effect” (causality) lays the foundation for view of the audience, he reaches into his for a magician.
experimentation and leads to the “scien- coat pocket, withdraws his closed hand,
tific method.” But it does something more, and immediately covers his palm with The Three-dollar
because it shows people that actions have the cup. Next, the magician lifts the cup Lesson
consequences. And this understanding of off of his hand and shows that a lemon
causality becomes deeply rooted in the has appeared. That would not fool anyone When I was eleven years old, I used to
human mind, to the point where a magician because the principle of cause-and-effect purchase magic tricks from a man named
can use it as a means of deception. is accepted by everyone. Therefore, people Bill Farkus, who demonstrated and sold
Let’s look again at the example of The can easily understand that reaching into tricks at a flea market in Brooklyn, New
Miser’s Dream. Practically everyone has the pocket to steal an object (The Cause) York. One day in 1975, my school friend
dropped a piece of trash into a waste can, had led directly to the production of the Jason and I were visiting Bill’s magic
so they know that if you let go of an object lemon (The Effect). counter and I saw a trick that completely
it will fall to the floor. Also, everyone blew my mind. Bill had Jason and me stand
has dropped a coin and they have heard Masking Causality at opposite ends of the counter so that we
the noise it makes when it hits the floor. were about ten feet apart. Bill then asked
Therefore, if a magician drops a coin into To some extent a magician could me to get a quarter from my pocket and to
a pail, the spectators know what it should possibly mask the cause and effect of the mark the coin with a pen. Next he showed
look and sound like. load of the lemon into the cup by creating a us a clear drinking glass full of water and
So when a coin is shown, secretly logical reason for his hand to reach into his had me hold it on my outstretched left
palmed, seemingly dropped into the pail, pocket. For instance he could visibly pick palm. And then he placed my marked coin
and the coin sound is heard, the viewer up a small ball and say that he was going under the silk and draped the silk over the
believes the illusion that the coin was to get rid of it and place it into his pocket, drinking glass; he had me hold the coin
dropped. Now some might argue with me then as he put the small ball away he then by my right fingertips (through the silk)
and say that (as I mentioned last month) secretly palms the lemon. directly over the glass.
this is a sensory illusion (sight and sound) Furthermore, just as the hand that is From his pocket, Bill took out a flat,

50 M-U-M Magazine - SEPTEMBER 2013

round metal box that was held closed by came with a clear plastic cup and a clear sleight or secret move actually happened
a trio of rubber bands; he gave the box to glass disk that is the same size as a quarter. much earlier and in this way wands can
Jason. Bill then stood far away from us To make a quarter disappear, you first fill mask causality.
and instructed me to drop the coin into the up the glass with water and secretly palm As I’ve mentioned, Aristotle wrote
glass; I clearly heard the plopping sound the clear disk. A quarter is shown and about a great many subjects, such as
of the coin as it hit the water and I could supposedly placed under the silk, but you causality and cognition; he also wrote the
feel the coin drop into the water. Bill then actually palm the quarter and place the oldest book on public speaking and show-
proclaimed that he was going to magically disk under the silk. The spectator is then manship, The Art of Rhetoric. The man
transport the marked coin from the glass instructed to hold the coin through the who brought the works of Aristotle to my
to the metal box that Jason was holding silk along the edges of the coin. (If he held attention is Toreno, the superb manipula-
ten feet away from me. Bill asked me to the coin along the face, he could feel the tor from Norway. Toreno is mostly retired
remove the silk that covered the drinking smooth face of the glass disk through the from performing, but he is a man of many
glass and to my utter astonishment the coin silk.) Then you completely cover the glass talents and he possesses a great intellect.
was gone! Then Bill asked Jason to remove with the silk and have the spectator hold Since late last year, I have had a very in-
the three rubber bands from the metal box. the “coin” (disk) directly over the opening teresting email dialog with Toreno about a
Inside that box was another similar (but of the glass. When the disk is dropped, it wide variety of subjects. When I discussed
slightly smaller) metal box covered with sounds and feels like a coin, but the disk my rules of magic and time misdirection
rubber bands. Jason removed those rubber eventually settles onto the flat bottom of he brought up a very interesting point.
bands; inside of that box was a small cloth the drinking glass where (because of the Toreno pointed out that causality can also
bag that was held closed by a single rubber clear water) it seems to disappear! be masked if you create a physical distance
band. After Jason removed that rubber In the case of the trick that Bill Farkus between the move and the magical effect.
band, he pulled out my marked coin from had showed us, he simply switched my To illustrate time misdirection and
the bag. coin for the disk under the silk and then Toreno’s comment, I will conclude this
I was so amazed by this that I could not loaded my coin into the nest of boxes essay with a discussion of my Sympathetic
wait to purchase the props so I could learn that he gave to Jason. I assume that Bill Silks routine, which you can easily see on
the secret of this miracle. It turns out that combined both tricks because it was a way YouTube.
what I saw was a combination of two tricks, to sell a customer two tricks at the same I start out with six silks in my hand.
the S.S. Adams Jiffy Coin Trick and the time. As I remember it, I paid $1.50 for the Three of the silks are loose and the other
Vanishing Quarter Trick. According to the Jiffy Coin Trick and an additional $1.50 for three are secretly tied together with false
instructions of the Jiffy Coin Trick, it was the Vanishing Quarter, which means that knots, which can be removed rapidly. On
intended to be performed by borrowing it cost me a total of three dollars. On the the chair to my left there is a sign that says
a marked coin and placing it into your grand scale of the Art of Magic, what Bill “KNOT” and on my table to my right there
pocket and then instantly removing from did was not particularly original; after all, is a sign that says “NOT.”
your pocket the nested boxes with the coin the original coin in the ball of yarn trick I false count the silks, so that the spec-
inside. In other words, it was like an instant also used a coin switch at the beginning tators believe (incorrectly) that there are
penetration of the coin into a nest of boxes. of the routine. So I guess what Bill did six loose silks. I then place three silks on
The trick has its roots in the nineteenth was not earth-shattering. But I must say my table. Note that these are the three silks
century trick in which a magician made that it truly shattered my world, because it secretly tied with dissolving knots; I have
a marked coin appear inside the center of was the first time that I had learned that a not started the trick, yet I am already two
a large ball of yarn by means of a hidden magician could actually alter the percep- steps ahead of the audience in terms of
gimmick consisting of a flat metal tube. In tion of the spectators so that they did not deception.
the case of the Jiffy Coin Trick, the end know “when” a trick had actually been I visibly tie the remaining three silks
of the flat metal tube is covered with the executed. Therefore, if the people don’t together, but as I put them down on the
cloth bag and the two nesting metal boxes. know when you did secret move, it will be chair, I actually untie them with a sleight.
When the coin is placed into the pocket it much harder for them to figure out how the I then remove the letter “K” from the sign
is actually inserted into the tube; the coin trick is done. And so, at the age of eleven, I on the chair and move it to the sign on the
slides through the tube and into the bag learned one of the greatest secrets of magic table. The “K” acts as a magic wand in the
that is inside the two metal boxes. When and it only cost me three dollars. time misdirection sense, because I act as if
the tube is slid out of the bag, the rubber Incidentally, in the April 2013 issue of the position of the “K” is what causes the
bands instantly seal up the boxes and the M-U-M, I wrote about rule number three silks to tie and untie, but in truth it’s just a
bag with the coin inside. The tube remains and “wand theory,” which is how a wand ruse that hides the fact that I am actually
in the pocket, while the metal box is helps psychologically mask the presence doing the moves earlier than it seems.
removed and given to a spectator who then of a palmed object. But I should point out With the “K” in the new position, the
has to remove the rubber bands to find the that for hundreds of years wands have table now says “KNOT” and the chair
coin. The trick performed in that manner is also been used for time misdirection: a says “NOT.” I show that the silks on the
more like a puzzle. magician would sometimes wave a wand table are tied, but when I place them back
As for the vanishing quarter, the trick to make the magic happen. But the real down on the table I secretly untie them. I

SEPTEMBER 2013 - M-U-M Magazine 51

STAGE 101

then turn to the chair and show that those table are untied. I go to the chair and show building time misdirection after stealing
silks are no longer tied. When I return the that the silks are now tied in a single knot. the load. I then produce the two bottles and
three silks to the chair, I secretly tie them As I do this I actually steal a secret load the rabbit puppet. My entire Sympathetic
together. I remove the “K” and place it from inside of a black container that is Silks routine is actually one big lesson in
behind my back. I then show the silks on sitting behind the chair. The load contains the application of time misdirection. [To
the table are no longer tied together. As you two bottles and a rabbit puppet. watch this routine, go to YouTube and
can imagine this first phase is extremely For the final phase I discard some of the search on “Levent’s Scarf Trick.”]
deceptive, because I perform the secret silks so it appears that I have only three I had previously mentioned that my list
moves long before I reveal the effect. silks in my hands. I walk away from the of rules will evolve over time. After the
On the second phase I visibly tie the chair and table so that I can increase the input of the brilliant Toreno, I have now
three loose silks together with a single physical distance between me and the amended rule seven as follows:
knot; as I place them onto the table I place where I stole the load. This is exactly “Deception can be enhanced by
secretly remove the knot. I then move the the same kind of thing that Toreno talked lengthening the time and/or the physical
“K” from the table to the chair so that the about! I then use the old Max Londono distance between the secret move and the
table now says “NOT” and the chair says “this silk” ruse so that it seems that the magical effect.” 
“KNOT.” I then show that the silks on the silks are empty. I do this as a way of Copyright 2013 Levent Cimkentli

2013 Milbourne Christopher Foundation Awards

The Milbourne Chris- the magic community. William V. Rauscher functions as
topher Foundation was chair. Other judges include Thomas A. Ewing, Raymond J.
established to encourage Goulet, Tony Clark, and Michael Miller. All the officers of
excellence, original- the corporation and the award judges donate their services to
ity, and leadership in the the foundation.
magical arts and to help
keep conjuring on a level The 2013 Milbourne Christopher Awards were presented
with the other popular to:
entertainment forms:
dance, drama, comedy, Lyn Dillies – Illusionist Award
and music. Eric DeCamps – Close-up Magic Award
The annual Milbourne Christopher Carter – Mentalist Award
Christopher Awards Shin Lim – Most Promising Young Magician Award
Ray Goulet and Bill Rauscher
celebrate the best magic Barry Wiley – Literary Award
has to offer contemporaneously in performing, writing, David Ben – Masters Award
publishing, and invention. The charter also authorizes the Raymond Goulet – Lifetime Achievement Award
use of the foundation’s resources to keep classic books of
magic such as Christopher’s Illustrated History of Magic and Prior to the awards presentation, the attendees viewed
his Houdini biographies in print. The winners’ plaques are a wonderfully produced video created by S.A.M. National
proudly presented at the convention banquet of The Society Historian Thomas Ewing that highlighted many of the past
of American Magicians. honorees. It was a marvelous banquet and the award winners
The Milbourne Christopher Foundation award winners were all very gracious in their acceptance speeches. – Eric
are selected by a panel of judges comprised of leaders from DeCamps 

52 M-U-M Magazine - SEPTEMBER 2013

EBOOK NOOK
Stack the dimes in
Photo 1 your right hand and put
them into your thumb tip,
Excerpt From: beveling them to your right
Roger Klause In Concert as you insert them (Photo
Written By: 1). The dimes should be
oriented so that when you
Lance Pierce
are wearing the tip, they
Description: lie comfortably against the
Ebook, 286 pages ball of your right thumb.
Available From: After they have settled
[Link] in the bottom, place the
sponge in the opening of
Photo 2
I met Roger Klause way back in 1976. He had a wealth of infor- the tip, slightly protruding,
mation, information that had not yet appeared in print, and back to form a plug (which keeps
then such information was not easy to obtain. I spent a lot of hours the dimes from spilling
sitting in coffee shops with Roger, eagerly absorbing whatever out). Store this assembly in
tidbits he chose to share. your right trouser or jacket
With all the routines that he adapted and performed, Roger’s pocket and you are ready
goal was to eliminate all “tells,” any visual cues that something to perform.
sneaky was going on. These “finesses” elevated his material into While chatting with
the realm of “real magic.” When Roger finished a trick you simply your audience, reach in
had no clues to help you discover the method. your right pocket and
Klause in Concert contains most of Roger’s best creations, Photo 3 grasp the thumb tip. Your
which are commercial, real world routines. Of equal interest, right third finger is curled
however, are the stratagems Roger used in constructing these around the end of the tip
routines, and in particular, the use of what are dubbed “half- to hold it in place as you
moves.” Author Lance Pierce writes, “In brief, [a half-move] is a pinch the sponge with your
manner of dividing a sleight into smaller movements, each more first finger and thumb and
easily executed, more easily concealed, than the larger movement roll it out of the opening
they replace...Wisely used, the idea has many applications, from (Photo 2). Once the sponge
breaking down a complex action (like forming a cone from a is clear, release it into
dollar bill while secretly loading a thumb tip within), to conceal- Photo 4 your pocket, insert your
ing the most basic of movements (like classic palming a coin). thumb into the tip (Photo
Whether you are covertly placing a selected card in your wallet 3), and bring your hand
or performing billiard ball manipulations, the Principle of Half- back into view. Removing
Moves can bring your performance one step closer to the illusion the sponge and loading the
of actual magic.” thumb tip is the work of
My thanks to L&L Publishing for allowing this excerpt to but a second or two and is
appear in M-U-M. – Michael Close an action unnoticed by the
spectator when executed
The Miser’s Cornucopia in a casual and innocent
manner.
To prepare, you will need a thumb tip (in many of the applica- Ask for the loan of a
tions in this book, Roger prefers rubber thumb tips, because their one-dollar bill. As you
flexibility allows for some unique advantages), ten dimes, and a take it from the spectator,
wad of cosmetic sponge at least one inch in diameter. Although glance at it twice with
the sponge is never seen by the audience and red or black sponge an expression of mild
balls can be used, they are not recommended, because they tend to surprise, then slight disap-
discolor the thumb tip over a short period of time. Neutral-colored Photo 5 pointment as you say, “Oh.
cosmetic sponges are available at all drug stores and can be cut or For a moment I thought
formed as desired. this was one of those silver

54 M-U-M Magazine - SEPTEMBER 2013

 certificates, which are now quite valuable. People collect
Photo 7 them.” While you speak, hold the bill face toward you,
the thumb tip being hidden on your side. Turn the bill
end for end, showing both sides, in this manner: Release
the left end of the bill, placing the right end in your left
hand (Photo 4). As you turn the bill around, your right
Photo 6 hand travels behind the dollar so that you can grasp what
is now the right end of the bill (Photo 5). Display it full
face to the spectator. In this way, the bill is fairly shown,
yet the tip is constantly behind it and never seen. Your
hands are obviously otherwise empty.
Continue by saying, “You see, they used to say ‘Silver
Certificate’ right here...” With your left forefinger, point
to the top of the bill where the words “Federal Reserve
Photo 8 Note” appear. Finish your sentence by saying, “...but I
don’t think they make those anymore.”
Adjust the orientation of the bill so that you are
Photo 9 holding it with the short edges at top and bottom, your
right thumb and forefinger at the now upper right corner
at a forty-five degree angle (Photo 6). As you begin to
form a cone from the bill, say, “Back then, you could take
a one-dollar silver certificate to the bank and exchange
it for an equal amount in pure silver. Of course, back
then, they had the silver to back it up. What you never
saw, though, was that when they redeemed your certifi-
cate they would take it and roll it into a cone, like this...”
The Cornucopia: The cone is formed by rolling the
Photo 10 bill around the thumb tip. As your left hand comes up
Photo 11 to execute the first movement, pinch the nail of the tip
slightly with your left thumb so that you can partially
extract your other thumb from it (Photo 7). Your right
thumb is now applying only enough pressure to keep the
tip from falling. This half-move avoids having to roll the
bill around your thumb, which would appear awkward
and, because you’d eventually have to remove your
Photo 12
thumb from the tip anyway to release the dimes, the first
part of the action is performed now to prevent ungainly
movements later.
Continuing without pause, turn the upper left corner
of the bill toward you and around the tip (Photo 8), and
clip it in place with your right forefinger. Hold this con-
Photo 13 figuration as you grasp the lower portion of the bill with
your left hand (Photo 9) and move it up and over the
thumb tip. As the bill wraps around (Photo 10) push the
thumb tip further into the forming cone with your right
thumb.
After the tip settles deeper in the funnel, pinch the
upper layer of the bill against the tip with your right first
and second fingers (Photo 11). This forces the bill to
wrap further around the tip so you can re-grasp it with
your left hand as in Photo 12. Now form the bill the rest
of the way to complete the cone (Photo 13) and retake it
Photo 14 Photo 15 with your left hand from beneath, which holds it upright,
concealing the tip within (Photo 14).

SEPTEMBER 2013 - M-U-M Magazine 55

EBOOK NOOK

Photo 16 Photo 17 Photo 18

Photo 21

Photo 20

Photo 19

Finish your sentence by saying, “...and they would get your tip are concealed
silver for you in a most unusual manner.” The cone is formed behind the fingers.
in the second or two it takes to say this sentence. The complete, Immediately move
unbroken patter is: "What you never saw, though, was that when your right hand to
they redeemed your certificate they would take it and roll it into your left to take the
a cone like this, and they would get your silver for you in a most dimes and, under
unusual manner.” cover of this large
Ask your spectator to hold out her left hand, palm up. With movement, transfer
your right hand, take her hand lightly from beneath, your thumb the tip to right Photo 22
overtaking hers as in Photo 15. This forms an extra shelf and helps finger palm (Photo
hold her hand steady as the coins are produced. Many women will 20). Pick up the
jump at the appearance of the dimes and this manner of holding dimes between right
her hand ensures that none are dropped. thumb and forefinger and hold them before the spectator as in
Pour all the dimes into her hand, moving the cone in a circle Photo 21. Because we are using a soft thumb tip, it is squeezed flat
as you do, so that the coins cover as large an area on her palm as within the hand, giving the appearance of emptiness. Ask, “Mind
possible. Pause several beats, not moving either hand. When the if I keep these?” as you place your hand in your pocket to put the
effect has fully registered, release her hand and begin to unroll dimes – and the tip – away.
the cone. This routine demonstrates that even in the simplest of effects,
To do so, insert only the extreme end of your right thumb into an attention to detail is critical. By breaking down any over-
the tip – another half-move (Photo 16) – and relax your grip with bearing actions, by honoring the finesse, the details ultimately
your left hand so that the cone begins to unravel (Photo 17). Once disappear (from the spectator’s perspective) and you are left with
the binding pressure is released, your right hand travels upward, a clean and elegant mystery.
unrolling the bill and carrying the loose tip with it (Photo 18). When working under subdued lighting, such as some restau-
When the bill is extended, hold out your left hand for the spectator rants or lounges provide, the final display can be altered by elimi-
to return the dimes to you. After she has done this, shake your nating the finger palm of the thumb tip at the end. In this case,
hand, settling the coins into a loose stack. you simply push the tip back onto your thumb as you pick up the
Extend your right hand as in Photo 19, returning the bill to her. stack of coins, which you then display head on to the spectator as
In this position, the bill curls around the thumb, hiding the tip from in Photograph 22 before putting everything away. 
all angles. When she takes the dollar, your right thumb and thumb

56 M-U-M Magazine - SEPTEMBER 2013

SEPTEMBER 2013 - M-U-M Magazine 57
 Building A Show
By Larry Hass

card inside. Newton from Mac’s shoe, rock from the

5. Billy the earthworm is placed into a shoe, worm from the shoe, and phone in the
cereal-box sleeve and vanishes. “Where did shoe. Inside the earpiece of the phone is the
the worm go?” Mac makes a big swallow signed hundred-dollar bill.
and yells, “Tequila!” 11. After getting the audience to call
6. “Time to go camping.” Mac slides a his name louder and louder, Mac takes
nylon tent to center stage and brings a girl the stage again for a big finish. Covering
I am frequently asked to recommend a up. Asking if she is scared, Mac talks about himself with a gold lamé drape that has
magic show for someone’s upcoming trip camping while showing her that the tent a caricature of Liberace on one side and
to Las Vegas. I like to mention a few, but is empty. He makes hand shadows in the Elvis on the other, Mac impersonates each
I always insist that they go see Mac King. tent and has the girl guess what they are. one and then steps into a cardboard box
There are many reasons for my unquali- Then Mac holds his hands in a scary way on stage, which suddenly collapses flat.
fied recommendation. First, Mac’s show and says it’s a bear. “You’re not scared of Instantly, Mac appears at the back of the
is unbelievably fun and funny, and it is my bear? You will be.” With a huge roar, house banging cymbals. He takes the stage
excellent for people of all ages, interests, a bear jumps out of the tent! After the girl to thunderous applause.
and professions. Further, it is an afternoon recovers, the bear “high-fives” her and runs 12. After words of thanks, Mac has
show, which means people are more likely off stage. one last thing for the gentleman who
to go to it, and it won’t break the bank. 7. Keeping the girl there, Mac performs helped with the bill routine. Holding a
But the biggest reason is because Mac has Aerial Fishing. He takes out a fishing pole, plaid foulard, Mac offers to buy the man
composed a virtually perfect magic show. casts it into the air, and suddenly something any drink he wants. After the man calls
Spoiler alert! If you haven’t seen this golden flutters on the line. He takes it off it out (at this show, a Coors Light), Mac
show, stop reading now, and go book your and drops it into a goblet of water: it’s a reaches under the foulard and removes...a
flight to Las Vegas. Otherwise, read on and real goldfish. Mac appears to remove the Fig Newton. “Would’ve been cool though,
relive one of the best magic shows in the goldfish and eat it, but then reveals it was wouldn’t it?” Then Mac twists the foulard
world today. just a trick. To explain, he makes a piece of – pop, fizz – and whisks it away to reveal an
carrot look like a fish, pops it in his mouth, open bottle of Coors Light. After giving the
Mac King’s Comedy & Magic Show and then...wait! It slowly slides out of his beer to the man, Mac also gives him back
Harrah’s Hotel and Casino mouth into another goblet: it is a second his wristwatch, which he had stolen earlier
August 25, 2010, 1:00 p.m. goldfish. in the show!
8. Bringing a newlywed couple on Observations: Again, I regard Mac’s
1. Pre-show song and audience play- stage, Mac performs his hilarious Three show as a model of magic show building.
along: “If You’re Happy and You Know It.” Cards Across routine using his Mac King The comedy is strong and constant, and
2. Entrance: Mac runs on, sets down his Cloak of Invisibility. the magic is profoundly deceptive. (Mac
suitcase, and greets everyone: “Howdy, I’m 9. Mac King’s Hiccup Cure. He puts never sacrifices the magic for a laugh.)
Mac King!” a brown paper bag over his head, turns But more: using both comedic and magical
3. “Time for a rope trick!” Mac’s excep- upstage, and then suddenly pushes it flat. “call-backs,” the show plays like a coherent
tional rope routine: cut-and-restored rope His head is gone! whole with many layers, rather than just
(twice), vanishing ends, and changing ends; 10. Joining Mac on stage, a man takes “a series of tricks.” And you can’t help but
he cuts the rope into “little tiny pieces” and out a hundred-dollar bill, signs it, and love him: from his folksy greeting, to his
restores it to one long, knotted rope. The seals it in an envelope, which is mixed baggy plaid suit, to his kid-like playful-
knots are pulled off and tossed aside. with three other envelopes and numbered ness, to his three big finishes, Mac gets a
4. Mac brings a woman on stage; she (in a hilarious way). After the man selects standing ovation every time (at least, every
selects and signs a playing card. It travels one, Mac burns the other three envelopes. time I’ve seen him).
to Mac’s jacket pocket twice. Then it comes While they are blazing, Mac has the man One last thing to which I want to draw
out of Mac’s fly four times (huge laughs). select a playing card and return it to the your attention is the extraordinary quality
Shift to Mac’s Thumb Tie routine: his arms deck. Going into a “spirit trance,” Mac of Mac’s presence in the moment and to his
link to a chair and then to the woman’s eventually names the card. He then has participants. This is what allows his show
arms (“In Kentucky, this means we’re the man open up the envelope to take out to be both perfectly scripted and yet feel
married!”). Mac directs her to look in his his hundred-dollar bill...oops! It contains totally spontaneous.
pocket for her signed card – she finds a Fig the card not the money, which apparently Wow! Funny, deeply deceptive,
Newton cookie. Untangling himself, Mac was burned in one of the other envelopes. coherent, a lovable character, superb
has her look for her card in the deck, to no After pretending to run away, Mac comes scripting and acting: Mac King’s show has
avail. Mac hands the woman a small box back to “get this right.” What follows is it all. 
of cereal: she opens it to find her signed a wonderful series of productions: Fig

58 M-U-M Magazine - SEPTEMBER 2013

Calculated Wonder perfect prop to use with the Cesaral iCalc Pro for the predic-
tion, or anytime you need to write something onstage for all
Cesaral is a well known magic to see. ZipBoard Roll-Up Travel Whiteboard is available at
dealer who now has an app version [Link] for $30.
of Add-a-Number that has some nice
hidden gems within. The app, called Your Autograph Please
Cesaral iCalc Pro, allows you to
set up a final total and store it in the Compeer Dave Arch
calculator. A group of spectators add wrote to me about an app
up random numbers; the final total that he was having some
matches your prediction. You can fun with. Although not
also set up a partial prediction. In magic (unless you believe
other words, the prediction will be the in things like horoscopes),
last two numbers in the total. If you Handwriting Booth is
buy their Bluetooth Marker, you can an app that allows people
control various things on the app remotely. to write on your iDevice
My problem with the app is that the instructions are horrible. and have their handwriting analyzed. Once you write on the
Someone should rewrite them to make sense. They tell you to screen, it scans your peaks and valleys and comes up with some
press the % sign when they mean the ÷ sign. Have a drink and very well written specific generalities about yourself. It’s a fun
muddle through the instructions. In the end, it will be worth it. time-waster; I’m sure you will find a place for this app in your
Cesaral iCalc Pro works with all iDevices; it is available in the repertoire. Handwriting Booth is available in the iTunes App
iTunes App Store for $7. Store for 99 cents.

Whiteboard Magic Fortunately Predictable

Mentalists are Zoltor is not magic, but it is a
not the only ones great conversation piece. Remember
using whiteboards. those animatronic fortunetelling
Magicians use machines in amusement parks and
whiteboards and carnivals? You know, the machine
dry-erase markers that made little Tom Hanks big?
for various Well, Zoltor is an app for iDevices
moments in their that either tells your fortune or gives
act. I always had out lucky numbers. It’s spooky and
one in the wings; great eye candy. The sound effects
when I selected a are fun, too. Zoltor is available in
few volunteers, my assistant would write their names down on the iTunes App Store for 99 cents.
the board. That way, I didn’t forget them during the presenta- Here’s an idea that incorpo-
tion. rates three of the items above. Before a birthday show starts,
I always use one when I lecture, but found myself buying prepare a prediction written down in a birthday card for the
them in cities I had to fly to and then giving them away. No end of the show. On the note, write something like, “I wish you
more! [Link] now sells ZipBoard Roll-Up Travel 6,172 birthday wishes.” Keep the envelope in full view. Now
Whiteboard. This technological savior looks like a fat wand. go around to each child and find out their lucky number from
When you pull the whiteboard out scroll-like, it unrolls and Zoltor. At the end of the show, have each child add their number
then becomes rigid. Reach on the side of the scroll, pop out plus their age in Cesaral iCalc Pro. The total is written down
your marker, and begin! The marker doesn’t need a cap because on the ZipBoard Roll-Up Travel Whiteboard. The birthday
it is snapped into the tube. When you are done, roll it up like a card is opened and read. The numbers match! 
window shade and tuck that lifesaver away.
The ZipBoard comes with a belt clip, two strap hooks, Found a cool gadget, app, or website for magic applica-
and a black dry-erase marker with an eraser at one end. When tions? Share your discovery with Bruce to include in a future
open, the board is 17 inches by 12 inches. Retracted, the tube is column. Email him (SAMtalkBruce@[Link]).
3⅛ inches wide, 12 inches long, and 2⅛ inches deep. This is a

SEPTEMBER 2013 - M-U-M Magazine 59

 INFORMED OPINION
Latest Product Reviews
Compiled and Edited by W. S. Duncan
There are lots of card tricks this month, and some solid mentalism, including a surprising amount of varied magic and mentalism
with an iPhone. But mostly card tricks. Mostly packet tricks, come to think of it. You’re going to want to read Curtis’s review of The
Eden Project and Dan Garrett’s review of Hide and Seek, even if you don’t use an iPhone yourself. The effects taught on those DVDs
work with a borrowed iPhone, and as Curtis notes, you are more likely to borrow one of those than a pack of cards. Oh, and Payne has
an actual book review, like the kind of book you read without a pack of cards in your hands.

Confident Deceptions Book & Performance DVD Other personal favorites include: It’s All in the Hands, an
By Jason Ladanye updating of Ted Annemann’s classic Card In Hand; Bringing
Available from: [Link] Down the House, a powerful answer to the dearth of blackjack
Distributed by Murphy’s Magic Supplies demonstrations in the literature; and Through and Through, a
Price $50.00 practical answer to an idea posed by Darwin Ortiz in Strong Magic.
Through and Through starts as a very good card through the table
Review by Antonio M. Cabral routine, then ups the ante by having the whole deck penetrate the
table except for the selected card – again, so powerful and yet
I met Jason Ladanye almost two so accessible. I could quack on about each of these routines, but
years ago, thanks to mutual friends this material deserves to be discovered. Like his mentor, Jason
and mutual interests. I knew nothing of Ladanye uses a variety of methods to accomplish his goals. Some
his card work outside the fact that for a are well within the reach of the average card worker, some venture
dozen years he’s been a dedicated and out into the world of false deals, riffle shuffle work, and perfect
serious student of Darwin Ortiz. I don’t faros. I can say that none of these routines are about technique for
mean in the way that some of us have all technique’s sake, and all are well worth any effort and practice
of Darwin’s books and study them fre- required. My recommendation is to watch the accompanying per-
quently; I mean that a few times a year, formance DVD first. Watch the tricks in action, be impressed, get
for the past twelve years, he’s made fooled, and then go back and learn the methods. The proof of the
the three-hour drive to sit with Darwin pudding is in the eating, and the proof of this material, like any
and take lessons. Yet, somehow, I was professional-caliber material, is in the performance.
still blindsided when he proceeded to I’m reviewing the book in digital galley format, because I had
unload on me with both barrels a barrage of the best card magic the privilege of helping edit the manuscript. I’m guessing that
and gambling routines I’ve seen in a long, long time. After having the final, physical product will be another example of the high
raved about the material for almost two years, I get to give it a quality books Vanishing, Inc. puts out. There are over 150 full-
proper review with the release of Confident Deceptions. color photos laid out to maximize ease of learning, the writing
The material in Confident Deceptions is what you get when you is clear and precise, and the explanations more than thorough.
combine a mastery of effect construction (as outlined in Darwin Ladanye makes a point to cover blocking, misdirection, pacing,
Ortiz’s Designing Miracles) with a ruthless distaste for mediocre and alternate methods for practical performance situations. Es-
effect. Whether it’s a magical effect or a gambling miracle, sentially, the same ruthless attention to detail went into the book’s
Ladanye refuses to settle for “decent” or “that’ll do.” In some production as went into the material.
instances, he ends up with killer versions of plots most of us card Card magic as a field tends to be largely about exploration
monkeys already know, versions that are actually worth doing and experimentation, and that’s much of the appeal and fun of
beyond a mere study of a “card problem.” In others, he manages it. When someone hits this much strong, practical pay dirt in one
to end up somewhere fresh and exciting. An example that still go, however, it’s definitely time to sit up and pay attention. Highly
has me shaking my head is The Big Blind. This is a Texas Hold recommended.
‘Em poker deal that begins with an audience participant shuffling
the deck and dealing two hands of Hold ‘Em. The performer Miss Illusions Novel
proceeds to divine the flop, turn, and river cards (seeing past the By Terry Abbott
burn cards, no less), then reveals that he also managed to receive Available from: [Link]
four Aces. This isn’t just the best Hold ‘Em routine I’ve seen, it Price $13.99
may be one of the best gambling routines I’ve ever seen. It’s not
the typical display of skill or super-skill; it’s just plain uncanny. Review by Payne
Another example is Forging Ahead, a signature transfer routine
in which the signature leaps from the face of one card to another. Miss Illusions is a novel of magic, mystery, and misadven-
Achieving an effect this strong with a method this accessible is ture that centers on Jacob Reese, the owner and sole proprietor
downright criminal. If this one doesn’t find its way into a number of Reese’s Magical Pieces, a fast failing magic shop in Seattle’s
of working repertoires, there’s no hope for card magic. historic Pioneer Square district. Mortgaged to the hilt, severely in

60 M-U-M Magazine - SEPTEMBER 2013

 debt, and with an impending IRS audit, back when they were the new school, rather than the old guard.
Jacobs only hope of saving himself as This latest three-volume set continues that legacy with two dozen
well as his shop is to win a magic contest packet tricks, almost all of which can be done with normal cards.
being held by a soon-to-open nightclub Perhaps more surprising than that, is the fact that only two or three
in downtown Seattle. The prize for this of the tricks could be considered “filler” by the most skeptical
contest is not just enough cash to get him viewer. (That would be me.)
out of his current financial foibles; it will The rest of the material represents the major plots and themes
also land him a steady gig at the club. of small packet card magic: twisting effects, printing effects,
Into the unlikely scenario that a transformations, and transpositions. There is a metric ton of good
theater featuring a regular magic show card magic here, and even though I own a number of the sets from
was ever going to open in Seattle, enters which the material is culled, I found myself watching them all
Ms. Nikki Summers, the petite, shapely anyway. And I even found myself working on a couple of effects
blonde around whom the story revolves. that I’d passed by over the years. Since all of the material comes
She enters Jacob’s shop in an attempt to from other sets, some of which you may have, for the purpose of
elude and escape Edelard Gault, the gumshoe detective who is this review we’ll treat them as individual offerings, because I’m
following Nikki at the behest of shadowy and possibly nefarious working on the assumption that any card trick lovin’ magician
Mr. Morrow. will want at least one of them. I mean, who doesn’t like mix tapes?
Yes, the book is cliché and full of unlikely scenarios. Jacob The fifth item (of eight) on Volume 1 is the trick that really
Reese seems to live in the same universe that the old The Magician should have been first: Alex Elmsley’s Four Card Trick, the effect
TV series was set in. Just like Tony Blake, Jacob always has the that introduced the Ghost Count to the world. That simple sleight,
perfect trick in his pocket to get out of a sticky situation; the now known as the Elmsley Count, inspired Vernon’s Twisting the
handcuff key he has secreted upon his person always fits the cuffs Aces and started the packet trick craze that overtook the magic
he finds himself in; and there isn’t a lock his handy dandy lock world in the latter half of twentieth century. Oddly, Vernon’s
pick set can’t open. But the author makes no pretense that this tale Twisting the Aces doesn’t appear on this disc. There is another
is anything but a genre piece. So he has a great deal of fun with twisting effect though, Roger Smith’s overpowering Maxi-Twist,
it. It is well written and he has a knack for a clever turn of phrase. which starts like Vernon’s effect and adds a kicker ending,
It is also a book by a magician written for magicians. There another staple of small packet magic. The volume ends with a
are inside jokes and asides, and the scene in which Jacob gets to pair of effects by John Guastaferro, and
cheat a cheater in a rigged poker game at the request of the casino Darwin Ortiz’s perfected handling of
owners I’m sure was put in because it was the author’s (and many Peter Kane’s Jazz Aces. It’s hard
a magician’s) deep seated fantasy. As is getting dragged from one to imagine anyone interested in
unlikely scenario to the next by an over attentive hot blonde. The card magic who doesn’t know
book is PG13 or possibly even R rated. While there is no harsh Jazz Aces, which redefined
language, there are adult situations and a couple of mildly erotic the Ace assembly for an entire
scenes, one involving an impromptu magic show at a strip club. generation of card workers.
Will Nikki find the letters she is looking for? Or does that This disc is full of commercial
envelope she is desperately looking for actually contain letters at material that ranges from easy (a
all? Was her recently deceased husband murdered by the myste- handful of Elmsley Counts) to very
rious Mr. Morrow? Or was his death just a tragic mishap? Is he complex.
in fact dead at all? Was Nikki ever really married to him? Will Volume 1 probably has the most original
Jacob make his appointment at the bank, let alone make it into material, by which I mean effects that differ from
the unlikely magic contest? Can the last Magic Shop in Seattle the usual packet trick fare. Larry Jennings’s Close-Up illusion is
be saved? a penetration effect, something you seldom see in packet magic.
Well, I’m certainly not going to spill the beans here. You’ll just Jazz Aces, The Four Card Trick, and Maxi-Twist all inspired
have to pick up a copy of Miss Illusions for yourself to find out. countless variations. Virginia City Shuffle provides an ungaffed
You won’t regret it. It’s a fine summer read and the perfect book handing one of the best-selling gaffed packet effects ever. Oh, and
to while away the time with on that long plane flight to the magic our editor Michael Close teaches Pink Floyd, a very strong color
convention. change effect. This volume is recommended for its variety and for
the strength of the material.
The Secrets of Packet Tricks DVDs If you’re on a budget, you can give Volume 2 a pass. It starts
Available from: [Link] with Sam Schwartz’s Back Flip; if you can do this trick without
Distributed by Murphy’s Magic Supplies someone snatching the cards from your hands to examine them,
Price $19.95 each volume, 3-volume set $49.85 you are ready to leave the temple. It’s a twisting effect with backs
that change color at the end and a now-standard bad joke ending
Review by W.S. Duncan stacked on top of that. It is un-examinable, gaffed to the hilt, and
undeniably commercial. Back Flip has inspired almost as many
For seven years I have reviewed DVDs in the World’s Greatest variations as Twisting the Aces itself. One of those variations is
Magic series from L&L Publishing for this magazine, and I still John Cornelius’s Marked for Life, taught by Michael Ammar.
get a bit excited when one appears in the mail. The individual Both tricks feature another standard of small packet magic, a card
volumes represent some of the best values in magic, and col- displacement move in which a card is drawn out of the back of
lectively they offer a unique history of our art, because they the packet for no particular reason (except that it’s required to
are drawn from many years of video instruction. It’s fun to see rearrange the cards). Like a number of moves done with playing
longtime favorites like Daryl, Michael Ammar, and Darwin Ortiz cards (I’m looking at you ATFUS), it gets the job done, but always

SEPTEMBER 2013 - M-U-M Magazine 61

looks like you are doing “something.” The best you can do is make puts a signed coin into a block of ice, by apparently creating water
eye contact, smile, and hope they’re not paying too much attention from the air and freezing it around the coin between his bare
to your hands at that moment. For me the standout on this volume hands. But that’s something you will need to purchase separately.
is John Mendoza’s handling of Bro. John Hamman’s The Magic In Chaotic, Johnson presents about ten dynamite routines of
Cards. This is a small packet Universal Card effect that has long varying effect, from the instant production of a lollypop from a
been a favorite of mine. The only other trick on the set that I would flame to a fun and engaging sponge ball routine performed on the
use is Paul Wilson’s Motel History, a mildly salacious story trick stage of a comedy club. He has developed a quirky performing
that involves four Jacks and a pair of Queens. The Queens are persona. It is this persona that inspired Johnson to describe his
referred to as “ladies of negotiable affections,” which gives you magic as “chaotic.” As a spectator, you sometimes wonder if he
an idea of the audiences you could use the trick for, and the main is barely holding it together. Then he creates the most astounding
reason magicians seem to love this trick. moments of magic that expose the brilliant creative mind under-
Bill Malone’s best-of-breed handling for Re-Set leads off neath the zany character.
Volume 3. A misprint on the cover indicates that it is Larry Jen- One of my favorite routines on the disc is his rising card. A
nings’s version. Don’t be disappointed. Malone’s addition to the signed card rises mysteriously out of a “borrowed” (which means
shopworn plot of Aces and face cards transposing is wonderful simply a normal, unprepared deck) pack of cards that is in the
and dead simple. Next Paul Wilson is back with a version of card case and trapped between a pint glass and a second glass
Eight-Card Brainwave that can be done without a table. Then Dan inverted over it. There is a clever version of a borrowed iPhone
Fleshman does a simple trick in which four Aces (almost) change inside a balloon. Yes, we’ve seen this idea before, but Kieron adds
to four Ace of Spades before they all change to face cards. Two some very clever elements to strengthen the effect.
relatively simple moves lead to a surprisingly good effect. This is Whether it’s the incredible version of card in orange, or
one of the two tricks I’ve been playing with this week. It goes on amazing video tricks with your Smartphone, all the effects here
the short list of tricks to do when someone hands me a deck and show interesting thinking from a budding magical mind. I expect
says “do something.” Finally, the set ends with Michael Ammar to hear much more from Kieron Johnson in the future.
teaching Vernon’s Twisting the Aces. Dare I mention that when you view the section on fork bending,
Also on this volume, James Swain teaches The Capitulating you will have an uncontrollable urge to pause the video and run
Cards, an effect that Larry Jennings used even though it violated right out to the store to purchase a few dozen metal forks? I did.
his self-imposed rule against gaffed cards. Swain’s trick is one With all the variety of magic on a single disc, considering the
that hardcore card guys (like our own Tony Cabral) hold near and quality of the effects taught, this video has the most bang for the
dear. The method is simple, the effect way out of proportion to the buck of any product I’ve seen in some time. A subtle bonus ac-
work involved, and if you are willing to do a bit of extra work to companies the disc. If you have any creativity in you, Kieron’s
steal the one trick card out of the packet, you can end with four way of thinking will inspire you to be more creative yourself.
examinable cards. Highly recommended.
Most of the plots in small packet magic are well represented
here. The two major plots that are missing, Wild Card and Oil and The Eden Project DVD
Water, have already been covered in DVDs of their own, so their By G. Clarke
absence can be forgiven. If I have a disappointment with these Available from: [Link]
discs as a set, it’s in the opportunity lost. Given all the great magic Distributed by Murphy’s Magic Supplies
included here, and in the L&L catalog from which they have to Price $25.00
draw, it would have been wonderful to see a historical approach
taken that started with the Elmsley trick, and progressed chrono- Review by Curtis Kam
logically. Still, the entire set makes for a solid collection. Grab at
least one volume now. Warning: If you, like me, read your first
magic instructions on sheets of mim-
Chaotic DVD eographed paper, or typed up your
By Kieron Johnson first effects on a manual type-
Available from: [Link] writer, what I’m going to say
Distributed by Murphy’s Magic Supplies here might be disturbing. To
Price $30.00 others, this is obvious: the times,
they are a-changing. The task of
Review by Dan Garrett creating seeming impossibilities
with everyday items is entering a new
Kieron Johnson is one of the new gen- time, changing as quickly as the items
eration of magicians with real-world we consider “everyday” are evolving. We
experience and outside-the-box all knew this would happen, as people carry smart
thinking. If you want to know the phones in their pockets every day, and cards and coins not at all.
type of magic he creates, search The good news is that there are clever people adapting to this
for the video demo of his best- change. The bad news, for me, at least, is that heretofore, I haven’t
selling effect To the Max. In fact, been one of them. If you’re with me on this, I think you’ll find
he sneaks in a performance during this DVD enlightening, after you get over your initial alarm over
one of the performance segments on having lagged behind. The good news is that G. Clarke’s DVD,
Chaotic. In this Malini-esque effect, The Eden Project, is an accessible first step towards applying our
Kieron produces a block (really a cube) time-tested strategies and skills to the things people carry with
of ice from nowhere, or alternately even them today. The lessons are taught in the contexts of three effects,

62 M-U-M Magazine - SEPTEMBER 2013

and the first one’s a killer. of ladies ranging in age from twenty to sixty-five, accepted the
In Passcode, you divine, without any fishing, asking, or results completely.
previous writing down (unless things go sideways), the four-digit Second, the idea of potentially prank calling someone added a
number a spectator uses to unlock his or her smart phone. Specifi- touch of slumber-party naughtiness to the proceedings that pushed
cally, only iPhones and iPod Touches are discussed, but most of skeptical thinking aside, at least temporarily. While I thought that
these principles are probably applicable to other devices. Needless I’d only perform this crazy idea in order to test it, I might just
to say, this is a strong, slightly disturbing, intrusive effect, akin bring it out again when the mood is right.
to divining someone’s PIN code. Mr. Clarke’s solution to this What’s nice about this DVD is that you are provided with more
problem is not technology-based. There is no App to download, than just the bare mechanics of the effect. G. and his associate,
and no secret website to access. Rather, it is a skill that you’ll have Lloyd, cover some sound psychology that enhances the illusion,
to master, like glimpsing a card or peeking a billet. And, as smart however temporary, that the number arrived at is a random one.
phones are already more ubiquitous than cards, I suspect this is The use of the spectator’s phone to make the call is nicely worked
the future. So, welcome to the glimpses, forces, pencil writing, into the routine, and the boys share some other ideas that make
and false shuffles that we’ll be doing in the years to come. Like this effect stronger and also useful for the unmarried performer
those techniques, this will take practice. I was not able to do it on on the prowl.
my first try, but I’m game to keep trying. Fate 2.0 is an updated and revised version of an effect G.
Like any good card trick, there is no one single method. G. released previously on Theory 11’s Wire. While that effect was
Clarke reveals several strategies, based on proven psychology, for presented as a prediction of seemingly random events, and thus
obtaining the information and making the revelation appear un- had something to do with predetermination or fate, this version
premeditated. In fact, the other two effects are designed to help is instead a demonstration of telepathy. In other words, the
make this stunning effect possible. It is, like the best “miracle” performer has one or two spectators step through the songs stored
effects, a bit opportunistic. Which is to say, you might not be able on a borrowed iPhone that is set to shuffle mode. They remember
to do this effect on request or demand, but G. Clarke and company the songs that come up, and the phone is then locked so that only a
provide several intriguing techniques to make sure those oppor- blank screen shows. In spite of the fact that all this happens while
tunities arise. the phone is in the spectator’s hands, and the performer need
I’m going to describe the effect of NonToxic in detail, in order not touch the phone once the selections are made, the performer
to address a concern that you might have. In it, a card is chosen divines the titles of the song, or songs, that the spectator(s) are
and concealed in the spectator’s pocket. Random spectators are thinking of.
asked for dates and other numbers that the performer could not Again, the method is not technology based, and in fact, the
possibly know. These are multiplied, added, divided, subtracted, performer’s phone is not involved at all. I did not get the chance to
or otherwise combined, and for this task, the performer offers try this one out under fire, but do believe this technique will be as
the calculator on his iPhone. When this is done, the performer deceptive as the previous one, if not more so. Just as a card sharp’s
notices that the resulting number has the right number of digits actions are disguised within the natural handling of the cards, this
to be a telephone number. Someone is asked to dial the number handling emulates the natural actions one uses when operating
on their phone, and performer suggests that if someone answers, the phone – a false shuffle for the new age, if you will. And again,
that person should be asked to name the chosen card. The number G. and Lloyd pass on valuable handling and presentational tips
is dialed, anticipation mounts, and then...the performer’s phone that show they have performed this effect extensively. In fact, G.
rings. He answers and names the chosen card. says that the original Fate dates back to 2008 or 2009, so we’re
Although there are many possible applications for the technique talking about years of development.
described here, this is the effect taught on the DVD. I thought Old guy rant: As facile as young Mr. Clarke is with applying
it would be the best test of the deceptiveness of the technique, established techniques to this new device, he does not appear to
which allows the calculator on your phone to serve as an add-a- be as familiar with the basic precepts of mentalism. For instance,
pad. Here, the fact that the total of random numbers just happens he prefaces his effect Fate 2.0 with a discussion of fate. He then
to add up to the performer’s cell phone number is so improbable proceeds to perform an effect in which “fate” plays no part. In
as to border on exposure. Since the method would be transpar- fact, the idea of a predetermined outcome is something of a “tell”
ent in this context unless the secret functioning of the calculator that leads to the method. This quibble aside, however, I learned a
was above suspicion, I decided to road-test this precise effect. The lot from this DVD, and I will be using what I learned. I suggest
results were enlightening. that you, the reader, do likewise, or risk being left behind.
First of all, there was no heat on me during the brief moment
that I had to handle the phone. You see, while I cannot reveal how Uprising Trick
this works, I can tell you that this is not the method known as (sixty-minute DVD and custom black cloth)
Toxic (hence the title) used in effects by Marc DeSouza, Richard By Richard Sanders
Osterlind, and others. That method has the advantage of being Available from: [Link]
completely hands off. However, like many hands-off techniques, Distributed by Murphy’s Magic Supplies
it is susceptible to failure in the hands of rowdy, confused, an- Price $19.95
tagonistic, or nearsighted spectators, who have a tendency to
make errors entering their numbers, and who then press “clear.” Review by Curtis Kam
This method requires you to handle the phone just a bit, but is
not affected by this sort of mishap. And for that reason, this is The box and the trailer promise an “eerie, slow motion,
the method I’ll be using in the future. The heat that I feared was impromptu card rise,” and that’s what you get, which is no small
simply not there. Apparently, the use of the phone as a calculator claim. The illusion of a selected card, or cards, rising slowly out of
is so common today that its presence is practically invisible – the a deck is one of the strongest effects in card magic. And the ability
new “normal,” if you will. The audience I tried it on, a group to jump into this effect anytime a deck is at hand is a powerful

SEPTEMBER 2013 - M-U-M Magazine 63

 thing. The basic method taught the past ten years” potentially misleading. Anyone familiar with
here is not new, but for my David Blaine’s work or the movie Now You See Me knows which
money, it is the most deceptive mental force I’m talking about. I don’t know who invented it,
and reliable handling for the either, but it goes back further than ten years.
Impromptu Card Rise going.
(Although some of Jack Car- Miracles of the Mind Volumes 1 and 2 DVDs
penter’s work on the plunger By T.A. Waters
method give it a run for its Available from: [Link]
money.) And Richard Sanders’s Distributed by Murphy’s Magic Supplies
handling fixes some of the nagging Price $34.95 per volume
angle and setup problems, making
this method practical for the average Review by Marc DeSouza
performer working “in the trenches.”
If you’ve just come to magic in the last ten years, The late T.A. Waters wrote one
you likely don’t know this handling at all. There hasn’t been much of the most recommended
said about it, except on Richard Sanders’s own earlier DVDs, The books on mentalism, the huge
Richard Sanders Show, which I have not seen, but that’s what I’ve volume Mind, Myth, and
been told. If you’re new to this, and you’d like to be able to do a Magick. All of the routines
slow motion, eerie card rise, with nothing more than a deck of on these two discs are taken
cards, a silk handkerchief (optional), and a moderate amount of from that incredible tome.
practice, this is highly recommended. Mr. Sanders teaches the If I have a criticism, it would
technique in great detail, and adds additional tips that improve the be that the contents are over-
illusion, and/or the deceptiveness of the trick. Most significantly, whelmingly focused on playing
he has developed a simple way to get into position for the rise(s) cards. In fact, out of the eighteen
that even a ham-fisted, or slightly inebriated, performer can use effects (well, actually sixteen, one
reliably. effect has three different variations)
In addition, he has added a prop, which is provided with the found on these two volumes, thirteen are card
DVD, that makes the presentation better, and the method angle- routines. That being said, there is a nice diversity of
proof. It’s a sheer black handkerchief, and you don’t even have to effects among them. But if you do not care for the use of cards
use it. After some practice, you can do this with the thicker silk in mentalism that will certainly impact your enjoyment of these
pocket squares that tuxedo shops sell, and many magicians carry. discs. There are also a number of theoretical discourses between
In the context of the multiple rise, the handkerchief allows you to the effects. As a side note, I should mention that Waters’s actual
cause the first card to rise under cover, saving the more visible performances here are far more pleasing than those found on a
rises for the end. It also allows you to be as “hands off” as this previous video effort.
method will allow. Mr. Sanders has also added a nice touch in The opening item on Volume 1 is Folderoll, which is a superb
which the spectator ends up holding the deck after the last card opening for any mental act and an ingenious handling for the
has risen. classic Swami Gimmick. Carto Manic is the Princess Card Trick
If the handkerchief doesn’t appeal to you, there are two other meets the Tossed-out Deck. It’s a great idea and plays very well.
approaches offered for covering the slight finger movement Verbal is a very cute version of Just Chance involving plastic
necessary for the rise. Both allow the deck to be held still, which Easter eggs. The presentation is engaging and everyone ends
enhances the effect. (Previous handlings have kept the deck in up with a tasty treat, though if you do it at anytime but Easter,
slight motion.) In one version, the deck is held by two hands, but many will be suspicious of the freshness of the props. Spectri
it does not appear, to my eye at least, that the hands have anything features three different methods for the same basic effect in
to do with the cards rising. Coincidentally, this was also the cover which a spectator locates another spectator’s chosen card. All
originally used in the Jack McMillen plunger card rise, which this three methods are vastly different and play very differently for
method is not. the audience. Symbo Chart is a device used to force a symbol that
You don’t get the additional surprises included in the Krenzel/ would be better served in a magic act, while Myth Adventure is
Kaufman text, in which the last card visibly reverses, or changes. a very commercial routine with halves of jumbo cards matching,
So if you really like this method, I would suggest that you also based upon the Smith Myth. There are also a couple of card tricks
look up On the Up and Up to see what else is possible. I would also that were not terribly impressive.
suggest that you do whatever you can to see Earl Nelson perform Volume 2 starts off with Synchroincidence, an effect using
the effect, as his handling is lovely, and it incorporates the finale two decks in which cards are chosen in a very fair manner and yet
reversal. I suppose I should also mention that Mr. Sanders doesn’t both match. The effect and method are both excellent. Tryonic is a
offer much in terms of a script, other than “concentrate on your fine lesson in the use of a Bank Deck and Fishing. Waters empha-
card and watch this.” But the effect speaks so strongly for itself sizes the script and has some fine ideas about pumping. Cut Out is
that it’s hard to say if much more is necessary. another card effect taught that centers on the pumping procedure.
The credits on the rise itself are good. Mr. Sanders explains Count Frame is another chart that forces a symbol, but seems too
the differences between what’s already in print and what he’s “magic-y.” There are two effects using Tarot Cards. Quindry is
offering. He shares useful insight on the details that make the rise a good effect with a fascinating method used to find a selection.
look very good. There is a force that he explains that is uncredit- Gypsee involves a prewritten prediction that directs a spectator
ed, however. It allows you to claim to do this trick with a thought- to carry out a number of actions and then reveals the location
of card. The force is not Mr. Sanders’s creation, which makes his of the chosen card. This one is based on the classic Lazy Man’s
only statement about it, “this is something I’ve been doing for Card Trick. Neo-Paper is Waters’s handling for the Newspaper

64 M-U-M Magazine - SEPTEMBER 2013

Test, popularized by Al Koran. He actually teaches two different As Michael says, it is rare that a single subject (remote viewing)
methods for the effect that eliminate the need for memorization is covered in such depth. Depth leads to mastery. Indeed, we are
or complex mathematics. The set is rounded out by Thrink, an used to buying a trick and, we hate to admit, performing it that
effect using ESP cards that seems a bit complex for real perform- night at our local magic club meeting. The serious mentalist (or
ing conditions. magician) wants to master the effect, which means looking at it
All in all, this set is a mixed bag of both effects and com- from every angle. That is what the tele-seminar provides us – the
mercial viability. If you like mentalism/mental magic with cards, fine points of presentation (such as the concept of a delayed peek
there is a lot for you to enjoy here. If you don’t like cards, there are for center tears or peek wallets, for example) that make the pre-
still some very worthwhile effects here that are very commercial sentation of mentalism seem real. Bob defines this as entertaining
and usable. As such, I would recommend this set of DVDs. theatrical presentations of what you would see if it could really
be done.
The Artful Remote Viewer Audio CD Remote viewing is perfect for the intimate home gathering,
By Bob Cassidy or other small group, or for a television demonstration. When the
Distributed by Murphy’s Magic Supplies remote viewing is initiated in another room, as described above,
Price $47.00 by a person selecting a random, unseen drawing, for example, the
performer in the second room knows what that drawing is. That
Review by David Goodsell is the simple secret. In an effective presentation, he involves the
members of the group in the experiment. They participate. They
Some forty years ago, my late sister seek mental impressions and begin to jot down notes or sketch
awoke in the night from a terrible simple figures and shapes. The performer casually works with
dream in which she saw densely them to draw out similarities to what he knows to be the selected
overgrown hills, valleys, and item. When that selected is finally revealed, the performer gets it
napalm. Within forty-eight exact, or almost so, but many of the group get parts of it. This RV
hours she had been notified stuff must be real!
that her son, a medi-vac he- That is what you gain from the combination of the PDF notes
licopter pilot in Vietnam, and the sound recording. This is excellent material from a top pro.
had been killed. Had she Recommended.
experienced remote viewing?
Had she seen a place and an Hide & Seek DVD
event that was unknown to her or By James Brown
anyone around her? To the day she died Available from: [Link]
she believed she had. Is remote viewing Distributed by Murphy’s Magic Supplies
possible? Whether or not it is, Bob Cassidy would suggest Price $30.00
that mentalists should do their homework; they should be knowl-
edgeable about current scientific experimentation in the fields Review by Dan Garrett
they use for their presentations. This is just one example about
presentation techniques and preparation that Bob shares on his This DVD is available from
CD release of the Anthony Blake tele-seminar with Bob Cassidy, magic dealers worldwide
hosted by Michael Weber. and also from James
Remote Viewing is not telepathy and it is not clairvoyance; it is Brown’s website (www.
the ability to see or sense from a distance. For example, if a person professional-opportunist.
in one room removes a random playing card, face down, and does com). James revealed
not look at it, and a person in another room divines the value of the to me that he has a few
card, it is remote sensing. Had the first person looked at the card signed copies of the DVD
first, the divination would be telepathy. available, first come. James
On the CD is a twenty-six-page PDF file containing a set of bears no relation, to the best
notes that describes five routines for remote sensing, including of my knowledge, to the original
The Ultimate Mind Trip, a variation on Bob’s Telepathic Diary, Godfather of Soul.
and one of Bob’s most sought after routines. In this RV effect, the Upon reading the words “based
spectator describes a place and an individual that appeared to him on an original idea by Pat Page” on the DVD
in a dream. A spectator names any date, such as March 13. The box, my anticipation was heightened by an order of
spectator opens a pocket diary to that date; the entry corresponds magnitude. Those of us fortunate enough to have known Patrick
with the particulars of the dream. There, in about fifty words, is can attest that he was one of the deepest gold mines of practical
the effect. It is described and the method explained, along with methods for almost any magic effect you can think of. James
patter ideas, in ten pages of notes. This effect is worth the cost of Brown was one of the fortunate magicians to have known Mr.
the CD. But what is of excellent value is the discussion between Page. With the permission of the Pat Page family, Mr. Brown
Bob and Michael Weber in the form of a two-hour MP3 recording shares some of his own routines with one of Pat Page’s “vanish
that includes a full discussion of this effect and its presentation, and load” techniques that can be used to devastating effect.
plus great discussion and ideas not included in either the notes or Here’s some bad news for those who purchased the Kaylor/
the ten-page “post notes” (another PDF on the CD) about remote Ammar trick Any Signed Card to Any Spectator’s Wallet. With
viewing and how it should be presented. For example, both Bob the knowledge imparted by Page and Brown, you can probably
and Michael agree that remote viewing is not suited for stage do most of the routines described in ASCTASW without the
work. Why? Listen to the MP3 and find out. expensive gimmick.

SEPTEMBER 2013 - M-U-M Magazine 65

 Although no there are no gimmicks to purchase, there are Included in the simple packaging is a pair of plastic “vampire
a couple of things you should have before diving in to Hide & fangs,” a vinyl cardholder and the specially printed poker-sized
Seek. The first is a jacket or blazer. The second is a Kaps-Balducci cards. The instructions are printed on the front and back of two
Wallet, the type designed to load a signed card into a zippered letter-size stapled pages. The routine utilizes a series of basic card
compartment in the wallet. The wallet should be of the long design sleights that are covered in the instructions. There are no photos
(not a hip pocket wallet) and should have enough space to load in or illustrations for the sleights needed to perform this effect, but
a borrowed iPhone. If you can live with this, I assure you that the instructions provided make it fairly simple to learn if you are
you will receive knowledge to create some of the most amazing not already familiar with the counts used. Bob also suggests using
up-close miracles for non-magicians on the planet. YouTube as a resource for learning the sleights by video and there
Many effects are possible with this technique. The most as- is a video demonstration of this effect on Bob’s website.
tounding, perhaps, is this: The magician borrows an iPhone from This is a lighthearted vampire-themed packet effect that has a
anyone. The mage hands his wallet to the lender as “collateral.” feel of the packet tricks from twenty-five years ago. I suggest you
The wizard wraps the borrowed iPhone in a napkin, whereupon visit Bob’s site and watch the demo video to see if this is the type
it instantly vanishes into the vast space-time continuum. Mr. of routine that is for you. It is a short and to the point routine and
Magician asks another bystander to dial up the missing phone. is well constructed. Priced at $19.95 this is worth a look.
Suddenly, the wallet in the spectator’s hand begins emitting a ring
tone. The shocked spectator opens the wallet, unzips the compart- Babel: The Ultimate Book Test Trick
ment and removes her own ringing telephone! All this takes place By Vincent Hedan
well away from the magician. Note the sequence of events, in that Distributed by Murphy’s Magic Supplies
the wallet is handed to the spectator before the magician vanishes Price $300.00
her phone! It’s one of the most devastating object-to-impossible-
location effects I’ve ever seen. For an offbeat use of the Hide & Review by Joshua Kane
Seek principle, check out James Brown’s book test. Several other
great routines are also included. Book tests have been referred to
While I always report on whether ideas are credited or not, the as the Four Ace Tricks of Mentalism.
promised PDF file full of credits was nowhere to be found on this Indeed, it is so rare to find a performer
DVD. There was some verbal crediting during the explanations, who does not use one that at a public
which often referred to the invisible PDF. I was disappointed. But show of a mentalism convention, a
on the whole, I was not disappointed with the DVD. Thanks to spectator was heard to query whether
James Brown, and thanks especially to Pat Page and his estate, for mentalism had required routine
releasing such a cool video to the magic fraternity. elements like Olympic figure skating.
Book tests fall into two catego-
Bitten Packet Trick ries: those that can be performed with
By Bob Solari a borrowed or non-gaffed book, and
Available from: [Link] those that require one that is specially
Dealers contact: [Link] printed. The gold standards of con-
Retail Price $19.95 temporary book tests are Larry
Becker’s Flashback, which improved
Review by Jamie Salinas upon a principle first published by
Danny Tong; The Key by Terri Rogers; and Ted Karmilovich’s
Over the years, magic styles various incarnations of the M.O.A.B.T., which takes a principle by
have changed along with the type of U.F. Grant to such a level of improvement that it is now associated
effects sold. Twenty-five years ago, more with Karmilovich than Grant.
there were a lot of themed packet Vincent Hedan’s Babel Book Test comes with three specially
tricks, something you just don’t see prepared paperback books. One is prepared to force a pair of page
as often today. Bob Solari has created numbers, the other two are identical in text and page layout but are
a packet trick with a vampire theme of different sizes with different covers. His set will allow you to
that reminds me of the packet tricks reveal a word selected by a spectator, demonstrate a memory test,
from this era. and be part of a prediction force. He tells us that he created this set
In this routine, a packet of cards of books because he found the procedures used in already existing
is used to tell a story of vampires, tests to be complicated and the methods used to guess the words
with several surprises and a nice were, to his taste, unsatisfying.
finish. The story begins with four Methods built into the books to reveal words selected
blank cards shown and a spectator include: Becker’s Flashback (used with permission); an anagram
given one to hold face down between the hands. The blank cards technique; and a version of the Grant/Karmilovich Principle,
transform to images of bats that are then transformed into images which he credits to Grant but is built more upon an uncredited
of vampires. Finally, the vampires vanish leaving all blank cards. Karmilovich’s improvement. The only difference is that you ask
The blank card that the spectator has been holding from the very the spectator to think of the last letter of the word instead of the
beginning is now found to be punctured with bloodied bite marks. first. (Strategically, this makes no sense to me in performance; the
The magician is then seen to have the fangs of a vampire. No nature of such a reveal has always been asking the spectator to
mention is made of Michael Close’s effect Down for the Count send you an image or to send you the letters of the word one at a
from Workers 3, a paddle trick that ends the same way. Close’s time, in the tradition of a word game.) Two of the books are also
trick was released in 1993. set up to let you perform memorized book effects. The mathemat-

66 M-U-M Magazine - SEPTEMBER 2013

ics involved in producing the effects are much more complicated routine in which you draw and
to learn and master at speed than most people will be willing to sequentially erase six Xs on
invest. That said, if a memorized book effect is what you want, the paddle. He has a couple
then this will do the job. (I do feel that the idea of using one’s own of clever visual moves
books for a memorized test is counterproductive, because half the that apparently show
time that is the method that a spectator will accuse a performer you dragging or flicking
of using when the books are not borrowed.) Multiple spectators the drawn X from one
can choose words from the same book and there is a nice shared- end of the stick to the
vision effect in which a spectator starts reading from the top of a other, but other than that,
page and with minimal pumping you can describe the scene. The this is very basic stuff that
instructions are well written, but the link provided for templates almost every magician should
of labels to naturalize the book was dead when I visited it. know. After several iterations
The books themselves are fairly well designed. At first glance of drawing and shifting Xs on
they appeared quite normal. The paper is a bright white and the the paddle, I expected more variation.
covers include logos of prominent publishers, bar codes, and I was disappointed to see that the only two
quotes. The prices of two of the books are UK and the third is other versions were to draw red circles instead of
American. At second glance, I noticed that one of the volumes is black Xs and to draw six objects named by a spectator. That last
missing a spine logo and inconsistently switches from the serif one would not work very well, because what random spectator
font of the cover to a sans serif font, giving it edgewise the look of can think on their feet and come up with six disparate objects
a self published book, which is a shame as otherwise it is very well that can be clearly drawn in such a tiny space? Even Sanders had
designed. Another has the word “Fictional” in the genre location trouble thinking of six items. There is also a routine in which you
where it should read “Fiction.” Also, the Latinate spelling of En- write “Your Name” and it changes into the spectator’s name, but
cyclopaedia may throw American readers. This may sound like that feels contrived. The repetition of visuals is not as believable,
nitpicking and some people will say that spectators do not notice and the alteration of so many letters seems to point to the method.
such things, but I believe that a suspension of disbelief is chipped There are a couple of simple kicker endings shown, such as
away by inconsistencies and that these errors were avoidable. closing your paddle sequence by producing a marker or sponge
Hedan also chooses to use unnecessarily disturbing imagery in balls. These allow you to segue into different magic, and might
his text (e.g., “she gave me her baby, and I saw that it was dead, help the spectators forget that you just used a one-dollar toy to
that it had been dead for days...I was told she had been decapitated open your professional routine.
the next day.”). When designing a book test, it is important to keep The DVD is clear and thorough, but has a feeling of being
in mind that we are entertainers and that the words on a page we rushed. Sanders fumbles a bit in his pocket productions, makes
ask a spectator to look at should not ruin her mood or disturb her, an instructional mistake or two, and then corrects himself. He
unless that is the nature of the show. even makes a couple of corrections by superimposing text over
In an age where print editions of magazines and newspapers his voice instructions. How hard would it have been to simply
are on the way out and electronic book sales outweigh hard copies, reshoot that one-minute segment correctly? And although most
it is reasonable to state that book tests may soon be anachronistic. of the instruction is clear and simple, there is oddly no mention
If you are looking to perform the standard motifs of a book test at all of the marker, which in fact must be dry-erase. If you use a
and already have Flashback or the M.O.A.B.T., you do not need Sharpie, you will ruin the prop. Also missing is any advice about
this product. If you do not possess them, you would do better to pocket management. Sanders touts this as a great professional
buy them or hunt down a copy of Becker’s Final Flashback, which and corporate close-up opener, but if you do use Turbo Stick, as
combined the best of both. opposed to a pre-printed paddle, you will have to carry two props:
the paddle and the marker. Turbo Stick is not a bad product, but
Turbo Stick Trick & DVD at $25 for a plastic paddle and a few ideas on how to use it, this
By Leo Smetsers might be more appropriate for newbies who have discovered their
Available from: [Link] first magic shop, or hobbyists who just want one more new and
Distributed by Murphy’s Magic Supplies different thing to show off with a couple of times. 
Price $25.00

Review by Jim Kleefeld

I am fairly certain that anyone who is reading this magazine or

If you wish to have your
is a member of this fine organization either owns or has owned one
of these. Despite the fancy name and box graphics, Turbo Stick is
product reviewed,
simply a plain, white, plastic paddle, blank on both sides. I found
several among my magic sets from the 1940s and 1950s. Richard
please send it to:
Sanders, whom I normally admire for his clever and innovative
props and plots, has simply packaged a decent paddle with a clear Bill Duncan
video instruction set. The paddle is smooth and white on both
sides so you can write on it with a dry-erase marker. Leo Smetser P.O. Box 50562
is credited with its “invention,” but in fact the idea of writing on a
blank paddle is old, having surfaced among magazine articles and Bellevue, WA 98015-0562
Bill Severn books many years ago.
Sanders does his typically thorough job of clearly teaching a

SEPTEMBER 2013 - M-U-M Magazine 67

 Treasures from
the Salon de M agie
By Ken Kloster m an

catches. A quick twist of the lid releases the secret container into
the pan proper. In addition to the release mechanism, the lid has
two rings of air holes for the benefit of the bird hidden within.
The prop has seen better days. In hundreds of performances
it was used to produce China Boy, the pet rooster of Raymond’s
Raymond Duck Pan wife, Litzka. Although not as sleek in appearance as other magi-
cian’s props, Raymond’s Duck Pan does have an everyday feel to
it, lending an air of authenticity to the apparatus.
Perhaps the most attractive component of the trick is the 14”
x 20” embossed copper tray that Raymond used in conjunction
with the pan. His name in the center, the corner decorations, and
the raised border motif combine to lend it a regal air. Of interest is
the fact that the lettering on the tray, though similar to Raymond’s
name as it appeared on posters, advertising, letterheads, and
business cards, does not exactly match the style of any logo he is
known to have used.

From almost his very first one-man act through the final
days of his full-evening show, The Great Raymond provided a
humorous interlude with the production of one or more birds from
a piece of apparatus called in the nineteenth century the Magic
Skillet or Magical Omelet Pan. Later, in a somewhat larger size, it
came to be known as the Duck Pan. Because the production of live
animals has great audience appeal, this prop was a favorite with
most professional magicians. And because it is virtually foolproof
to use, it rapidly became, and remains to this day – commonly in
a small size called a dove pan or chick pan – a standard trick for
amateurs of all levels of purported skill.
Raymond’s typical presentation of the trick was titled “A
Lesson in Cookery.” Early photographs show him using a large,
round silver (nickel) pan about four inches deep with support-
ing feet and short side handles. The matching cover is as deep
as the pan itself. At some point that prop was replaced with the
thirteen-inch copper skillet shown here. It is essentially the same
as the omelet pan and the lid called The Wizard’s Omelet in
Modern Magic. Professor Hoffman does not, however, describe
the mechanism that releases the load pan concealed in the cover.
The Raymond Duck Pan was no work of art when it came to
mechanics. It worked with a basic, crude mechanism, which is a China Boy, who stepped from the pan, was not just a piece of
good indication that the pan was not constructed by a well known livestock used in the Raymond show, but Litzka’s favorite pet. In
magic apparatus builder. The pan may have been an ordinary item fact, the rooster sat at her feet as she played the harp and sang;
to which the other components were fashioned to fit. Or it may he sometimes sat on top of the instrument. His appearance from
have been specially made; close examination does not offer any the prop gave Litzka a logical reason to have her favorite fowl on
decisive clues. In particular, the lid, which is the key component, stage as she began serenading, one of the specialty interludes in
may have been an ordinary cover adapted for use, or one specially the Raymond show. China Boy also was an attentive viewer of
made. It conceals a load chamber held in place by sizable bayonet Litzka’s Chinese act. 

68 M-U-M Magazine - SEPTEMBER 2013

Our Advertisers
INSIDE STRAIGHT
Balloons to You 10 BY NORMAN BECK
Burgoon Magic 6
Denny & Lee Magic Studio 53
Cruise Control
Florida State Magic Convention 4
Glenn Gary 3 Cruise ships are great. I just took a week-long
cruise with my girlfriend and her family. To protect the
IBM/SAM 2014 71 performer we saw on the ship, I won’t tell you where we
Joe Mogar - Magic Stars 49 went. The cruise came at a really bad time for me, because
La Rock's Fun & Magic Outlet 7 I was invited to a magic get-together where some really
great magicians were invited. I won’t tell you where it
Levent Magic 53 was held to shield the people who ran it. (You would not
L&L Publishing 35 have been able to attend even if you knew about it.)
Magic In the Rockies 2 The cruise ship had a comedy magician on board, and
I was excited about that. The man was a person I had
Nielsen Magic 4 never heard of, and I thought that was a good thing. (I
S.A.M. Life Membership 57 don’t get out much.) I love the idea of meeting a working
S.A.M. on Twitter 49 pro who doesn’t go to magic meetings or attend magic
conventions, but who is simply out there working for real
Show-Biz Services 9 people. I wanted to talk to that guy; at least, I thought I
The Magic Bakery 72 wanted to talk to him until I saw him work. He closed his
T. Myers 49 show with what I think is the worst trick in magic. The
people on the cruise were all about sixty years old, and
this guy closed with the bra trick. I was embarrassed for
him and I was embarrassed for magic. I never told him I
was a magician.
Two days later he taught a class on magic and I did go
to that. Well, actually, I was only there for the start of the
class. In my most southern accent and with my Texas ver-
nacular I asked one question: What five books should I
buy if I wanted to learn magic? I was informed that books
on magic were out of favor. (I really hope that the guy
was wrong, because I want Mike Caveney’s new book in
the worst way.) He told me that the new and correct way
to learn magic was via DVD, and that his were for sale in
the gift shop for $20. I pressed the issue; he was not able
to suggest a single book.
I then told him that I had learned one trick, but it
wasn’t very good and didn’t last long. He agreed to
watch it; I fooled him and fooled him badly. The first
time anyone watches this trick they are fooled, and
there are not many tricks I would say that about. The
reason is not me, but rather the structure of the trick. He
complimented me while giving me a look that said, “I’m
sorry I didn’t watch more closely.” He asked to see it a
second time. I told him that I was sorry, but I once read
in a book that you should never repeat a trick.
At this point I wanted to tell him what I thought of his
act, but he didn’t ask me what I thought. Since he hadn’t
asked, I kept my mouth shut. My new outlook is “I will
never render my opinion without being asked.” 

SEPTEMBER 2013 - M-U-M Magazine 69

 The Dean's Diary
By George Schindler

Amedeo – “King of the Needles”

Whenever I look back to that day in 1974, I choke up. Rose
Vacca phoned with an urgent request from Amedeo, that I visit
him in the hospital that day. Nina and I had been visiting him
once a week during his illness. This time was special. I made the
trip by myself; he beckoned me to his bedside and told me that I
needed to know something of great importance. He began talking
as I drew up a chair. “You need to use only ‘Song of India’ for
the music,” he said. “And remember to thread the needles exactly
twelve inches apart. Do not use less than thirty needles.”
He spoke almost in whispers, although his normal voice was
unimpaired by his weakened condition. Knowing that his days
were short, it was obviously of great importance to him that he
imparted this “secret.” “A drum beat should punctuate the ap- George, Amedeo, and Al Cohen
pearance of each needle as they come from the mouth,” I was
told. “And remember that the lights should hit the threaded line of Frank Garcia and I became very close to Amedeo and he thought
needles across the stage.” of us as part of his family. It was Amedeo who commented that
The needle trick was always a part of his life in magic. In his we had written a “lousy book,” referring to the fact that it did not
vaudeville days he was billed as the “King of Needles.” Amedeo have a recipe in it as did our other books. This was remedied when
patterned his performance after the Houdini presentation, and I we added his Chicken Marengo to our text.
was more than flattered that he thought that I was the one to share Prior to his illness, I drove him to Washington, D.C., where
this information with. He often referred to his scrapbook, which he was to do a lecture in Al’s Magic Shop. In the afternoon I took
contained an X-ray of one needle that he had actually swallowed him to see Ford’s Theater, where he was impressed to see a life-
and which was still in his body. He was of sound mind up until the sized figure of Abe Lincoln dressed in the very same tuxedo he
end, but still preferred to remember the trick as “his,” although his wore when he was assassinated. Amedeo’s great sense of humor
secrets and the famous trick were already public domain. came forth as he commented in his Italian accent. “No wonder! If
While working on his book, Amedeo’s Continental Magic, I wore that tuxedo, my wife she'd shoota me too!” 

70 M-U-M Magazine - SEPTEMBER 2013