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GE008 LESSON 1 Compressed

The document discusses the evolution of the concept of art from ancient times to the 18th century, highlighting its transition from craftsmanship to an appreciation of beauty. It outlines three key assumptions about art: that it is universal, distinct from nature, and involves personal experience. The text emphasizes that art is a subjective expression of human experience and emotion.
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0% found this document useful (0 votes)
57 views20 pages

GE008 LESSON 1 Compressed

The document discusses the evolution of the concept of art from ancient times to the 18th century, highlighting its transition from craftsmanship to an appreciation of beauty. It outlines three key assumptions about art: that it is universal, distinct from nature, and involves personal experience. The text emphasizes that art is a subjective expression of human experience and emotion.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Lesson 1

WHAT IS ART:
INTRODUCTION
AND
ASSUMPTIONS
“ART”
2
• Art comes from the
Ancient Latin, "ars "which means a
“craft or specialized form of skill”.
Art then suggested the capacity to
produce an intended result from
carefully planned steps or method.
In ancient world, they define arts
by using the bare hands only to produce
something that will be useful to our
everyday life.
3
4
• Ars in Medieval Latin came
to mean something different.

It meant “any special form of


book-learning, such as grammar
or logic, magic or astrology”.

5
6
• It was only during the
Renaissance Period that the Early
Renaissance artists saw their
activities merely as
craftsmanship. It was during the
17th Century, when the idea of
aesthetic (study of beauty)
began to unfold distinctly from the
notion of technical workmanship.

7
• It was finally in the 18th
Century when the word has
evolved to distinguish between
the fine arts and the useful
arts. Fine arts would come to
mean beautiful arts, which is
something more similar to what
is now considered art.

8
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• The humanities constitute one of the
oldest and most important means of
expression developed by man"
(Dudley et al., 1960)

• Human history has witnessed how


man evolved not just physically but
culturally as well. From cave
painters to men of paintbrush
users of the present
1
7
• We can find cases of man's attempt
of not just crafting tools to live
and survive but also expressing
his feelings and thoughts, these
early attempts at recording man's
innermost interests,
preoccupations, and thoughts only
proves that the humanities/arts
have started even before the term
has been coined. 8
ASSUMPTIONS OF ART
1. ART IS UNIVERSAL
Art has always been timeless and universal,
spanning generations and continents through and
through. In every country and in every generation,
there is always art. It has been crafted by all people
regardless of origin, time, place, and that it stayed
on because it is liked and enjoyed by people
continuously. Art will always be present because
human beings will always express themselves
and delight in these expression. 9
ASSUMPTIONS OF ART
2. ART IS NOT NATURE
Art is man’s expression of his reception of
nature, it is man’s way of interpreting
nature. Art is not nature, it is made by
man, whereas nature is a given around us.
What we find in nature should not be
expected to be present in art too.
It is based on individual’s subjective
experience of nature. 10
THE ELEPHANT AND THE BLIND MEN
ASSUMPTIONS OF ART
3. ART INVOLVES EXPERIENCE
For most people, art does not
require a full definition. Art is just
experience. By experience we
mean the “actual doing of
something”. If one is to know art, he
must know it not as fact or
information but as experience.
16
ASSUMPTIONS OF ART
3. ART INVOLVES EXPERIENCE
In order to know what an
artwork as, we have to sense it,
see or hear it, one fully gets
acquainted with art if he
immerses himself into it.
subjective.

17
ASSUMPTIONS OF ART
3. ART INVOLVES EXPERIENCE
An important aspect of
experiencing art is its being
highly personal, individual, and
subjective. In philosophical
terms, perception of art is
always a value judgement.
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ASSUMPTIONS OF ART
2. ART INVOLVES EXPERIENCE
It depends on who the perceiver
is, his tastes, his biases, and
what he has inside him. One
cannot argue with another
person’s evaluation of art
because one’s experience can
never be known by another.
19
ASSUMPTIONS OF ART
3. ART INVOLVES EXPERIENCE
Every experience with art is
accompanied by some emotion.
With experience comes
emotions and feelings, after all.
Feeling and emotions are
concrete proofs that the
artwork has been experienced.
20

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