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Eric Christian

The document is a musical score for 'Valse Sentimentale Nº 2' by Eric Christian von Fricken, presented in a revised edition. It includes various musical notations and instructions for performance. The transcription is credited to Eber Josué.

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Amor Panda
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© © All Rights Reserved
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0% found this document useful (0 votes)
460 views50 pages

Eric Christian

The document is a musical score for 'Valse Sentimentale Nº 2' by Eric Christian von Fricken, presented in a revised edition. It includes various musical notations and instructions for performance. The transcription is credited to Eber Josué.

Uploaded by

Amor Panda
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Valse Sentimentale Nº 2

(Edição revisada)
Eric Christian von Fricken


Andante
                    
        


 
      
                       

                       
    



             
               
 

15
              
         


    
        
             
    

                  
21

     


  
  
    
       
       
 

                   
27

       

 

 
 



 
 








  


  


 
 

 

                           


34

   


          
             
       
   
 
    
 
Eric Christian von Fricken - Transcrito por Eber Josué
Valse Sentimentale Nº 2, by Eric Christian von Fricken 2
41
      
    
      


 
  
    
      
 
         
  
    
       
  

           
       
49

       



                
         
           
 

  
      
       
57
         



 


 
   
   
                        
  
     
63
     
    




             
      
  
          
          
 
68




                        
    

        
        
 
73



 
     
     
     
    
- Transcrito por Eber Josué
Valse Sentimentale Nº 2, by Eric Christian von Fricken 3
                   
     
       
78



  
   
  
           
     

        


83




    
 
  
      
      
   
    
    

                   
     
88




   
             
  
       

    

 

     
         
94

             


  

          
   
  
 

 
    
   

        
     
101

      


 



        
      
    
   
   


- Transcrito por Eber Josué
La Valse Magique
Eric Christian von Fricken
elizavvtt
 = 50

       
       
 = 100
   


 


     
           
   
  

         
                 
9

   








    
    
          
          

      
15
                







             


             

 
      


  
21


       


           




      


  
     
      
     

         
 = 110
 
28

    
  


            



    
   
  
 


  
     
  
 

                   
34

  
                          

  
    
     
    
 

  

   


 
 
2

                     
 
40


               

  
 

         

 
   
       
  
  

46
                   
               
 

      


         
 
    
  
            
  
 
     
    
            

   
             
   
55

    



    
   
 
   
             
        

  
  
          
62

    


       
 
 
                   
   

     
        
67

        
   


     
  



          
  

    
    
 
      
       
     
    
72

          


 
   

               
      
3


 = 130
     
          
78

 

 
     
  
  
           
            
84
             
            


     

           
    
         
rit.

 = 130

             
90

           


        
  
        
 
 
 
    
    
        
96
                
                   


 

              
              
  
102
                      
                

 


   
          

   
  

       
     
108

    



   
  
         
      
 
4
          
       

    
113



    
 
     
     
  
   

rit.  
 
  
     
     
118

     


       
     
       
   
 

 (rit.)                    
123  = 120
  


                  
        
           
   
          

130
              
           


          
     
         
  

                      
             
136


  
         
               
  

  
141
                 
            

                   
 
            

5
 = 80

       
        
 = 100
 
147

      





     
            
      
 
 

        
      
154

       
     


  


  


 
          
    
 
   
      

 = 45
   
 = 30   
161
            
       



 


 
     
      
       

 
Promenade d'automne
Eric Christian
Arranjed L.Vázquez-Puga

     
  
        



     
   

5
               
    


   
      

9
        
         


   
     

        
13

            


     
     

    
17
        
    



      

Le rêveur
ERIC CHRISTIAN von FRICKEN

    
Modéré

                      


 

  

            
          

   
       
7

      
    

      
  

   


 
  
 
  
  

              
13

     




               
  
   
       


                               
19



     
           
   
     

        


25

      


       
    
    
 


             
      
2

      



31

 

       
   
  

     

 

37
                      
              

  

 

 

   
  
 
  
 
  

43
                             
         



        
     
      

       
            
     
49

   



    
           
             
    
    
        

    

55

     



      

  

      
    
      


       
     
 
61

              

  

  

 
  
 
  
  

  

 
 
3

      
        
67

        


 
                
          

73
       
      


   
                
         

79
                          
         

  
  
 
   
  

 
 
  
 
    

           

85

           

      
 
        

  

  

91
                       
             

    
   
 

 

 

   
  

97
                        
            



     
     

     
 
4

      


                    
103

     



      

      
       
     
      
         

            
 
109

  


  


 
  

 
 


  


   
 



        
       


            
115

  



         

      
    
     

  
  
   
   
 
121

                


   
             

   
             

      
      
127

          

      
  

    
   
 
  
  

rit.
  
      
133
     


  

         
         
 

Nocturne in D-Flat Major
"un rêve"
ERIC CHRISTIAN von FRICKEN
Coulant doucement
   
       
comme un rêve

   
  



 



 

   
    

      

5



   


  
 
     
 
 


    
  
    

    
9

   

   



    
  
 
 
 

  
 
 
 
 
  


          
13

  

  
 
     
3
    
 
       

 
               
              
17



   
  
    



 
 
 
 
2
    
19
          
                 

  
  

    



    

                   
21
    

        

   
  
    



    

  
23

        

   
  
 
   
 
 
       
   
  
     

              
27

       

       
    
                 
     

      
         
    
31

       

                  
              
    

           
                
    
35


      

                 
             
    

 
3

        
    
     

39
 
  

    
 

  
pesante

       
        
 

                            
42
 
  

  
















                 
          
44
       
 

   



 
 
   





 
              rit.
 
             
46





    
      
     
 


48

 


               





  
       
    
   
  
4


51
   




          
             


    
    
54


 
  
      
 
  
 
 
      
       
  

     
58


  



       
 
        
    
       
 

rit.

  
         
62

     








    
3

      
         
 
 
 
Nocturne in B Minor
"L'ocean" ERIC CHRISTIAN von FRICKEN

  
Sombre et mystérieux
   


 
                       
        
  
       

   
5
 
     


  
                        
        

    
     
9

   

                  

  
 
          

        
13
 
              
  
         



              
                 
 

     poco rit.

               
17
 
   


     

                               
 
2

   
 
  
21
  



                      
          


          
25
  



              
      
 
   

          
  
28
     


  
                          
      
   

   
     
32
 
      


 
    
      

    
       

    
  
   
 
35
  
     
       



 
             
     
            
 

 
   poco rit.
   
39
    
 


      
      

           
             
 
  
   
  
3

        


45

  


     
   


           
           
 

  
49
        


          

    
       
       

    

     
    
       
53

 




 

           
      
 
  

        
57
    
        


 
 
     
    
          
  

61
      
        



     
      
                  

    
       
   

   
 
65
     


          

    
                   
    
         
    
    
4
     
    
        
69


 
     
              
                  
 
 
 

 accel.
   
        
73
         
 


      
  
    
      
                
 
  

       
     
79


     
   

 
 
 
      

    
  
 
          
          

84

 

    

              
      

         
 
88
        
   

        
           


 
            


5
 
94
 
           


        
                   
                    

  

   

100
    
        


   
    
   
       
  
         
    

105
  
    



 

 
         
 
  
        
          
          
         
 

  
 
   
108
 


 
                          
     

    
112
 
     


  
                          
      
rit.

   
 
    
    
116

      


  

       
    
                 


Amour lnterdit
ERIC CHRISTIAN von FRICKEN
Andante moderato
   con molto espressione

         


      

        
  
      
          

7
           
      



   
     
             

    
13
        
  



       
     
 
 
    

           
     
19



  
    
 

 

  
   
  


25

        
   

   

  
 
   
 

 

 
2


31

        


        
     
   
            

 
   
37

      


  

     
   
             

     
    
43

    

  
       
 

         

            
    
49

        

   

 
  

  
 

 

 

       
                              
55

 

  
         
 
  

    

           

      con forza 

           
61


 

             
           

3

  
67
             
       


        
       
       
 
 
 


           
             
73

  

 

       
 
      



 
  
 
  
     
         
   
79

 

  
      
  

 

  
     

     
        
     
85

  

  
   

  
   
     
  

 
        
91

          


  
      
        
 

  


  
97

       


     
             
      
4
   
         
103

   


 
         
     
 
    

    
109

                 
 

  
     
  
 
  
 
   
    

   
           

115

    

  
    
 

 
      
   

         
    
        
121

 

   

 

 

    

    

      subito        


             
127

   
       



           
  
              

     

133
       
      


   


     
   
 

  
  

Valse de l’adieu
ERIC CHRISTIAN von FRICKEN

    
Adagio
   
           


        
 
  
                                
      

   simile

              
   
8

          



 

    
                        
         
       

15
             
      
   



 dolce
     
                  
                 

      
 
               
22




                        
            

  
            
       
29
      
    




  
            
7

                        
  
2

  
                         
35
  


   


                                  

 sim.

  
   
42
        
     



 dolce
                    

                    

  
   
49        3 4  1 2     

21




 
   
  
  
              
     
        
      

55
          
         
           



14

  
    
           
          
  
 

                  
61
     
poco rit
  



    
 
                    
            

       
poco accel. rit.
     
       
68
              


 
 

                     
             
           
   
Le mal du pays
ERIC CHRISTIAN von FRICKEN

   
Adagio

      

 
   
 
     

con
 
 
 
         
 
 
 
 

     
5

      

    

 
 
 

  

   
               

 
9

       



                          
       

  
      
13

  

    

 
 
 
 
 
 

 
 
     
 
 
 
 

     
     
17

      

        
                         

  
 
21
      


 
                          
         

dolce
     
25

 

    

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
2

  
     
29

   

      
   

  

  
 
 
 
 
 
 
 
 

   
  
      
33
  



                     
            

 
 
      
     
      
37

       

       
         
               
 

   
    a tempo

41

    



               
    
     
         

  
  
      
45
    


 
           
                     

     
    
  
49
    



       
                         

rit.

      
53

     

         3 
                        
  

Valse Sentimentale N° 1
ERIC CHRISTIAN von FRICKEN


Andante
   
     

   
  
 
    
  
 
     


   

6

      

   

 
     
     

 
11

      


   
              
  

            

   
  
17

      


 
    
     
     
  

       

         
   
23

       


 
   
       
       
         

       
     
29


         


  
    
  

  
       
    

2

           
35


            


 

                

      


  
          
42

  


 
 

 
 
             
      
    


 
         
49

        

    

      
 
       

 

 


   

57

      


   
 
           
        
 
  
 
     


 
64

       


  
       
  
   
         
 

Valse Masquerade
Mystérieux mais grandiose
 
ERIC CHRISTIAN von FRICKEN
         
            
  



  

   

5
                 
poco accel.
       
    
          


    
 3 3 3

                                 
     

   
       
11

        


        
   

                     
           

17
                  
         


     
  
 
 
   

            
       


       
          
23
    
   


   

     
   
         
      
2
                 
29

          


      

  
 
     

            
      

 
            
     
35
 
       


    
   
           
  
           

          


           
41
     
      

    
   
 
  
 

 
     

  

  
 
                          
47


    
           
  


 




       
 

                
         
     
53

  



  
      
 
  
            

             
       
59

       


    
       
       

     
    
3

      
         
      
65
 
     

  




 




      




 




     

       
    
   
71

    


    
      
            
        
       


 
        
         
  
        
77
     


  
 
              
       
  
         

   
           
 
83

    



   
        
  
  
    
 
rit.
1. 2.
  

         
       
87

   
     




 
               
 
   

             
  
          
91
       


  

     
          
  
 

4
         
95
                   
      
        


     

  
          



      
    

   

    
       
  
   
     
         
100

       


    
        
          
   
   

            
105
      
                  


      
          

           
      
 
 
      
 

 
                 
         
110

               


          
 
     
          
     
    
       

           
116
                 
         

   
 
   
   
 
   
 



 



 

122
                       
     


 
 
      
 

      
   

5
       
127
       
           



   
            
    

          
                                 
131
       




       
          
  
  

135
                                         
        


    
 
       
 
      
      

139
           
                                      

  


  
 




 




 

 
 


         
             
143
 
                      


 
           

         
   
6
                
                            

147

 

   








 










 


                      
                  
      
151





    



   

 

    
 

  


 
155
      
     




    
   
  
  


Déjà vu
 
ERIC CHRISTIAN von FRICKEN
 
   
    
poco accel.

Adagio



 
    
               

              
          
9





              

         
15

       


 

                         
      

    
    
 
20

     

                                   


poco rit.

   
24
   
      


  


                                       
   

2
 

27

                  


    



           
                                  
    

  
         
30 poco rit.

        


      




     
                               
      
  

33
       
            
  




                                          

                    
 
38

  

                           


 

  

 
                       
43

 

 
            


 

  
    
    
50
poco accel.

 

   
    

  

  


Soleil blanc
Eric Christian von Fricken
elizavvtt

     
    
    

        


 

    
 
  

 

     
    
7

    

       


 
 
  

     
 
 
  

14
            
      

 

          

    

 
 
 

  
 

      
  
22

  
      



                
         
     

          
29

      


 
     
       
    
 
 

    
      

    
     
37

             


 
         
       
      

 
    

2

       
47


         

 

    
 
   
 
 
  

  
 




            
55

     

  
   
 




 
 



 
  

 

        
   
61

      

     
  


 
  



 
 

  
 
 
 
 

   
  
    
69

      

   
 
 
 

 
  
 
  
 
     
      
 
 

          
   
76

  


  
            
           
       

 
83


   


   
     
 
          
 


    
88

    



        
  
          
3
93
     

   

   
           
    

98
       
          


   
     
         
         
   
    

103


      
   

    
 

  

 
   
    
    

  
    
   
   
109

     



   
              
        
  
 

        
115


       

  


  

 
 
  

   
  

 

       
            
122

       

 
 
     
 



 
rit.

    
128

    





  
  
          
  
   

La Valse au Clair de Lune
Eric Christian
Ksenia Kalydina
               
       




      
         

Фортепиано

   
 

 
  
5

  


   
  
     

       
     
9

  




       
       

             
13

  
 



 
    
        





2

   
rit.

     1  2   1 5 2  4 1  5  
17 9


5

  


 


    
   
       


(rit.)
 
21
          
     
  





     
      

 

25
        
       






       
          

   
          
29

 

  



       






         
4

      3
3 5
2

  
1

       
33

     

   
 
 



 



 




3

       
rit.
  
37

         



 
    
            
  

    
    
41

    


         




   
                  
     

  
    

45 
       

    
 
    
    
  
      

                 
49
           


   




 



                
      


4

         
     
 


53





        
   
 
 

 

       
   
  


57


 



 
      




 




       
  
    
61



      
     




)     
(
              
     
65

     

  

 
 

 


  





  
)       
    
69 (

       



 
    
  


  
 
5
a tempo
73
       
     


  


   
         

              
 
77
 



     
  




  

     5
        2  4 1  5
81 9

 
   
1 2 1 5


  


      
          



     
rit.
85
       
     

  
 


 


 
 

 
6

 
(rit.)

89   




  



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