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Music Sheet Compilation for Various Styles

The document contains a collection of musical scores and arrangements for various instruments and styles, including traditional Celtic, Scottish, contemporary rock, soul, and chillout dance. Each section lists the voice, style, and specific musical pieces, along with their respective notations and instructions for performance. The document appears to be a compilation for musicians to reference during practice or performance sessions.

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Babu Balaraman
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© © All Rights Reserved
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0% found this document useful (0 votes)
90 views20 pages

Music Sheet Compilation for Various Styles

The document contains a collection of musical scores and arrangements for various instruments and styles, including traditional Celtic, Scottish, contemporary rock, soul, and chillout dance. Each section lists the voice, style, and specific musical pieces, along with their respective notations and instructions for performance. The document appears to be a compilation for musicians to reference during practice or performance sessions.

Uploaded by

Babu Balaraman
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

- lvgilnil

'o3 ?" oovlunJ 'tt -l pI bu!^utulsl Aq puelbq ul paluud


gqu4 adoln3 tsnn eqeup1 1o Asepno: ebeurg .ralo1
'laqs1;qnd aq] Jo uotsslrxlad [Link] aq]
lnoqlt,t\ sueaur Aue Aq -ro ulo;
Aue ur parnpo_rdel:o perdo: eq Aeul uorlml;qnd srql 1o ped op
leba;;1 sr bnlAdoropqd paspoqileun
ua11r1 {tuery r{q',qlea ptpMatloH, }dolxa
sseld lfl Aq pebuelte pue peldepe sa:erd 1;y
g[02 leqo]lo '[Link] 1s-rrj
pjt ssord uopuot eba;1o3 A11u;4 g1971q6uAdo3 g
tZlgZL6O'ou Aueduol
pue;6u3 ur pe:e1srOeg
uot'e0e;1o:,Qruu1
pll ssard uopuol aba11o3 I11u1.r1
lq paqsrlqn6
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speoluMop eaJl
0
zzoz-6toz
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rol IroM lPf,tutllaf 3 salald
ouvo8Aly
f rNourfrls
C)
n
U
rll
sslud NocNot lclttol
ilNlut
Voices: Bagpipes, Square Lead
Style: Celtic Dance

Scotland the Brave


Trad

J:ros
Bagpipes

a)
f
b.
:
Rhythm on
Accomp off
-5

3
4
5 2 3

-.{------l-5- -tj---rJ--+--f-
- -

---l------r-----l-J-
a)
-
-^-- :-.5 >€_-
-^r* -^r-
t^
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l3 21 2
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ttJ ffi
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--- -^r* ---
#
-b
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e
\-z-
-^-* -^rV -

-b. -P- -P-- z1*

:e 2 2

--l-r---+----t- __l-
L
-.-- ,- :^--- >^r* ---
4- :^---
_b__
-F_\..=- -1--
t olord lxou aql rol dn los aseold
Z
t9
C V C c o
Z I _9-c
<
V o c o
----a-
I ZI a
It
C V o c o
uo druollv
a Z
t G It
LV C c C
peol arenbs
Voice: Baritone Sax (sounding an octave lower)
Style: Scottish Reel

Charlie Is My Darling
):sz Trad.
Bari. Sax
Bm Em Bm
2 12 2

lntro "!f

4 Em Fil7
3
Bm F#
4
Bm
I
F#
1
Bm

Bm G D Em Bm F#
J 4 3 4 2

2nd time Fill to B

Bm Em Bm
9
12 12 2

1: Em F#7 Bm Em F# Bm
3

Ending

Play repeat in the exam

Please set up for the next piece


9 alerd lxau aLll JoJ dn las asPald
------a
'--'--"7
I Z a Z I Z
t v v 6Z
ruc t V uJC Luc q8 LUC urc
{
---4-
tZ Z
I t 9Z
c I V Luo
JOprolau
Z t Z
n
IE
V q8 LUC ruc
fi"
----4-
ZT IZ c
Z I
c I V LUC It
E 01 illl
t
[Link] Luc q8 LUC
tt
LV J L)
fril
----4-
c LUC 6
I V
suroH Mollol
I v I Z I s e
Z s s E t t
V !8 LUO uJc
{*
t 't s Z a a
E v t t
c I V ulfl
lrJepul ebLoeg JOpJOIaU
lopuPH
ztv A/\ H toutyy o ut alns LUoIJ 09="
epuegeJes
(apeualas)zlleA/1 :e1415
(JaMol enello ue butpunos) suloH Mollot
'(roLl6tr.l
onello ue burpunos) loplola5 :salton
Voice: Overdriven Guitar (sounding an octave lower), Big Synth
Style: Contemporary Rock

Eine Kleine Nachtmusik


K.525,1st movt
Wolfgang Amadeus Mozart
,: 110

Overdriven Guitar 5

;f nnyffrm on
Accomp off
D7 G D7 5
G 5
3
3 2
5 3 2
4 -

Accomp on

u D7 GD7 GD7
13
G
C D7 Em
3 13 1
3
9 1 2 3

/.1 C
3
D7 GDG 3
1
C D7 Em
J

G D7G A7

17 C D7 G D7G D7
J

Big Synth
D D7 GDTG 4
D7
3
GDTG 5 3
C
2 2 2
22 1 I

f Fill to B

D7 Em C D7 GDG C
3
27

D7 Em C D7 G D7 G
5 4
2 2
31 1

PIease set up for the next Piece


_ aletd lxau eql ioJ dn +as aseeid
'solard uorleloJdJolut uMo JoJ sluoulollnbol snqpllAs
lualtnl oq] ol loloJ plnoLls solpplpupl ,
LUexa aLll ut leadat Aeld
s s
C V LUE 9I
o c C V VO
t
LU8 Et
OLV VC CVC C
E I t € Z
Z €
urf v 6
c o 3 c LQ I c C
--?-
c
Vf V ,#J V urE I
LJ V o
#
t
CV cLvurSvc C VC o
08=r
lopuPH lrJopuj ebtoel
)tsnyv JaJeAA LIlolJ
J!V
:a1415
(s)aJoA
*uolleleldlelu! UMO
Voices: Organ (Rotor) (sounding an octave lower), Harmonica
Style: Soul

Summertime
f rom Porqy and Bess
George Gershwin,
DuBose & Dorothy Heyward
l: roo and lra Gershwin

Organ (Rotor)

Am 5 5 > D7 J
Am D7
2 5
1
>

*f
Am Bb7 Am Am7 A7
5
)- > >

Dm F7 87 E7
9

13 Am B;7 Am D7
2

Harmonica

17 Am7 D7 E7 Am Bm7 E7
>

f
Am Bb7 Am Am7 A7
21 I

,',':rds and l"lusic by GtORGt GERSHWIN, DU BOSI and DOROTHY HEYWARD and IRA GERSHWIN
- 1935 iRenewed 19621 George Gershwin Music, lra Gershrvin Music, Chappell & Co. lnc., and Du Bose And Dorothy Heyward Memorial Fund
-- s a.':';:-en: 3 2O'18 George Gershwin Mustc, lra Gershwin Music, Chappell & Co. inc., and Du Bose And Dorothy Heyward Memoria Fund
' i:' 3::';:
tr :-.. 3:-sf ,. - r'"1usic lra Gershwin Music and Chappel & Co., lnc. Administered by Warner/Chappell Music Ltd, London W6 BBS and
::': - I ;^..':')-
,,1 '.'-. - l-r 3:sa Dloth','fie\,,i!':rd [4emor:ar Fund Adm nister:C t,t'Dc"';ntot','n l'/usic Pub rshinq. Gershl;ln3 And George
.=-.- '-- '.=aa:.:-::-':::--:-'sl'l:'.-,',-:"::r:-s:s.'aae-sf",r' 51-':-:-:r'aiG:'cr"!ri"::"1'i-:es r!rg','A'C3essi sA
_:::a:-'.'_:,_::
::-:-:-:- ':a--- _ -::i.:--------- l:--::-- .:-- *'-::'.'-:::-:-: _=_'.".--'-:=--'-:
. alard lxeu aLll JoJ dn +as osPald
< tt
LUV urv
lo
t€
LQ LUV LUV
lq
#" E ol il!J
t Z
Z <
< I [Link]
t€
LQ La LO zuV c
(rolou) ueblg
t
LlrV 6Z
LQ 11tl urv
t t c -----J-
9Z
LA LE Lt LUC
Voice: Piano
Style: Chillout Dance

Arabesgue in A Minor
op. 100, no.2
triedrich Burgmuller
- :80
Piano Dm Am
Am
l
-l-

,!f

C G7 C E7 Am
4
-j 3

--a- ----{-

Dm Am C G7 C
l
6
i

2nd time Fill to B

E Am E Am A Dm 4
2 2
9 2
1
2

F 4
ryp

E Am Dm Am E7 Am
12 43 4 2
2l

Fill "!f
E7 Am Dm Am Dm Am
16
oPt.$aa- I 5 +
ffi -?

Play repeat in the exam

D,e:se se: -: '3- :^e ^e!: 3 ece


.- alard ]xau aLl] Jol dn las asPald
I t Z
s
I + IT
I LC I L3 /ul9
t a ?
t 8e
I q8 LJ 3 t! c I
t t t
1A LI I /(
{ II!J
+ Z 0e
L) J LJ 1c
t. s
Z 9I
suJor.l [Link]
urc LV I LJ I L)
aAourau
{*
----4-
I Z I v
q8 EI
I LJ I LJ J LC I
suroH LlruaJl ppv
2__<
:Et-
I I n a
g
8
I L) I q8 LJ
----4-
Z Z ? € I
J LJ 'I J t
{
Z , c t
J
sOurrls
-PruJorls uoqou 3 pJPr_llru 00r: I
6ueg 6ueg Amqf, AUqf,
LllreN :ol^ls
(roMol o^ello ue burpunos) suroH r-lluoJl'sbuuls :salron
Voices Strings & Trem. Mandolin, Brass, Sax (sounding an octave lower)
Style: Mambo

Mambo ltaliano
Bob Merrill

F'reely, rubato
Gm Strings & Trem. Mandolin Cm D7
l f,

nw
Accomp on
Rhythm off
D A D
J
Gm Eb Cm7 A
I
2
A
2 2
t, \
- --?'----t

_ 11

It Gm D7 Gm D7

(Accomp on)
Rhythm on

Brass
Gm Am7 D7 Gm Am7 D7
14 2 > >
5 >
i_
f
1.\
Gm
>
Am7 D7 Gm
(3 2
> J I 1..)

Fiil

Gm Am7 D7
>
Gm Am7 D7
>
)-

UM Am7 D7 Gm
>-
>

>
:- alard lxau aLll Jol dn 1as aseald
________j
1
- -----{ Z
s 9t
l- - - Luc LO zuV
-rr8'tdo
----{
< < ZI
LUE LUC
LO zuV
< < oc
LO zuV ure LQ zUV LUC
sserS
g ol illl
!
)-
I I Z
t s E s I tc
Lu3 urc
&a
--4-
n
I 0€
LUC q8
I zC
xes
Voices Strings, Pan Flute
Style: Ballad

Homeward Path
l:oa Nancy Litten
f::-.
Stnngs I

F Dm Gm C F Dm Bb C
321 zl2
I 3

Intro "!f
Accomp B

Am Dm G7 Bbm F Dm BI, FBbF


-t 1A
4 +

-t- \

Fill to A

Pan Flute -
Am Bb F Dm Am Bbm F A7
I l'i
5

ryp

Dm BI, F Dm G7 C
3

,!f
Fill to B

Stri nqs
F Dm Gm C F Dm Bb C
21 4 3
212 J
54J

.f

Am Dm LT' Bbm F Dm BI, F

-+ 1
--t
__-___J________ J

Ending

P ease set up for the next piece


osDJoxo lllsruPrd iJ0Ao 0L!ec 't
asDJexo )tlels snlrf 'z
0sDraxo suor]lun] plPoqAoli zllP/l Arlunol 'l
[Link] aq o1 sosDJoxe oMl bululeLl-lat aLll jo ouo +roles uor..ll slouluexl .1s]j Aeld o] osDloxe auo osooLll saleptpuel
'sosDroxa aoJLll lle olpdaJd soleptpuel _ (posn oq IeLU }snu.r) sSslf,uf xf .g
ro
(elrorll s,oleprpuel) JOUrur I roleLU !
,{1uo ;-11 lo Atuo HE :sAeI burMolloj oUl ul l-rA-Al-l ]o uolssoJbotd ptorll
roqlo60] spueq J UO bUrlrels uorJoLU _.lpllLUrs ut olels [Link]
a^ello ouo )ruoleJuod Joutu.t l
Aleleredes spueq
lruoleluod Jo[eL].] ,,:
I
([Link] s,olPpt puer)
I UO 0lels sonlB
6unrus -io lqbretls '1;uo 119
08=r !"
'u!ul olebat
I uo olels uPuoc
saAe]lo oM]
I UO alpls uerpAloxrtr/\l
:eqiebol spueq
(JOUtr.l_.1 leJnleLj
JO lrpol0Lx Jo lruoulleL.l taLllta ]o 0ltoq) s,elpptpuel) toutLU f
roleLr-r I
:bul^ ollol aql uorl llalos sJauluexf - (AtoLuaLU uloJl) lcol-IMoNy ouoHf It s]-lvf,s .z
raqill
(a)oLll s,aleprpuel) Joutul lruoLuJeLl f lo loleL! !
'9;. ebed uo paletlsnllt se'Hl oll] ut rn pue Al ', sploql Aq peruedr_uotle ,HU aql ut solels burnol1o1 or.i] lo ouo Aeld plnoqs soleptpupl
(9t ooed aos - posn aq IeLu rlsnLu) ISIIUIXI OUVOSAIy .l
't uor]las Jo'Z uotJlos Jaqlla pup.l uotJlos etedetd solpptpupf
IJorn lec!urfcol
1. Keyboard exercise
t major scale accompanied by LH chords I, IV and V7

F
3
4 r BblF CTIE F
4 14
,+
31 13
--a-
*
:a +F .P e

- Chord V may be played in place of V? (ie C/E may be played in place of C7E)

E harmonic minor scale accompanied by LH chords i, iv and V7

Em 45 , Am/E B7lDfr Em
31 41
3
4 3

ffi

a) >L- ---- lr

\(\ *
lr\ a ru
/')

" Chord V may be played in place of V? (ie B/D# may be played in place of 87D#)

2. Scales & chord knowledge


F major scale (two octaves)
41
4l 4
l4 13 4

a) +- -.,tl - +tf+J
=Jlt
5
13 l I
41
4

E minor scale: harmonic (two octaves)


31 41 31 454 l3 t4 l3

a) fr _rr- +T1===

-al--T
^ t?fr+?fr+tt
5
13 14 13 31 41 5
3

Itr
rl'
---1
IZTV IZI ZIZl
zt t 1
? E vEZt '4:1
ctL
6unans ;o 1qbre.r1s '(salello oml) f uo olef,s sanlg
IE n
IT t1 NI I
'I
E#E o
TI vt ,st
"*f
TI I€ IV I'
(sa^elf,o-oM1) I uo olels ueuoo
1E IN 1€ €I s
tt tI
-_:
'1
-.. ?+o+"f ..
TI YI , t I' t?
'I rt
(sa^ello oMl) I uo olef,s uptp^lox!l
t n s
IT NI €1
'I
---u--
o??#ftf o
EI ,t €i f9n I' I'
I'
(sa^elso oMl) leJnleu :alers Jouil.u f
1E 1y I' s
€I TI tI
a
.L )- Pfr+FfFE c
--{
EI nt €1 t9t tv It
1€
(saAello o/v\J) stpolauJ :alels loutrll f
F major pentatonic scale (one octave)

r.h. 23 45
2l

123124
2
t.h. 21
543

543121

E minor pentatonic scale (one octave)


xh. 23
21 45

123123
2
t.h.
2
4

532121

Chromatic scale in similar motion starting on F (one octave)


1 3 131 3 123 I 3 I 213 1 321 3 1 3 1 3 1

o J*J t*J f #f i +fr+ 'n- fibr4* Jll

3131321 32123131231313

Chord progression of I-IV-V'Z-I in F major


[Link]. l.h.

---------6

Chord progression of i-iv-V?-i in E minor


,'ii l.h.

-
6l
--a+ -___2J
t c c
t ? t s
c C qf qE
{*
----OW+l .ffi
--{
- I
LY La q8 C
LlluAS
s8:r
LllJeN :e1415
rlluAS ialron
lrlels - sncJ!3'z
I t
I t Z
urc q8 6
I LJ c I LJ
ueoro ppv
Bol {*
il!J fui
----.4-
E t
3 zC J c q8 I
ofueE
0€I:f
zlleA Arlunol :alAls
(JoMol a^e]lo ue Ourpunos) (zzef) uebro'ofueg :safron
suorllunJ pJeoq^ol - zlleM Arluno3 '1
saslfJex3 't
3. Game Over! - pianistic

Voice: Electric Piano


Style: None

J: rso
Electric Piano
5 2 2

+s-+ff
QJI\
-!f

Accomp and Rhythm off

2 i3

l-) \v

---/
rl
#
2

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