How to draw engyclopedia ‘body ox : a 39 Tips for P1 ly Drawing lp Each Body Part| € k a ely >. ; TYPEcorp.) = SS" oe IDO & Hl How to draw encyclopedia *digital illustrationInquiries regarding this book Thank you very much for purchasing cur book We accept questions regarding the contents ofthis book. you have any ‘questions as you read this book, please contact us. Please note that we have established the following guidelines regarding inquiries. We apologize forthe inconvenience, but please check the following guidelines first when asking a question. Please check the “Errata” on our website. The latest err information is posted on the following web page. Book support page| hi [fisbn.sber Please click on the "Correction information’ ink onthe above page.f there is no correction information, the link will not be clickable, + Please make sure to sendany questionsin wring, suchas by emailer post We do nt accept questions over the phone + We are ony acceptin questions about the descriptions in this book Therefore, please clearly state the locaton ofthe description such as page rum line number, et. the locations not clearly stated, we may not be able o answer your question. + The copyright of our publications belongs tothe author. Therefore, we will basically check with the author before answering any questions. As a result, it may take several days or more for us to reply. Thank you for your understanding For any questions, please use one of the following methods: From theweb page Click on “Inquire about this product here* onthe support page above to open the email form. Pease filin your {question according to the guidelines and press the send button. F 106-0032 ‘SB Creative Reader Support “Digital lustation Body Drawing Encyclopedia" (0201 Gunu Tr Aeap) Th cnurs coe bck ww pc by epi nw Cong dicing eroding tba in wlPreface Many people want to be able to draw the pictures they want, so they pick up a book like this one. However, not all of them will suit their tastes, There are probably some bocks that you dont understand at all.|am no exception to this, and Ihave often felt frustrated by books that explain things based on intuition or that leave out the important points. Asthodthese experiences repeatedly. decided that should make abook hat compledalthe techniques {or drawing. | made a notebook compiling all the techniques tha found in books and studies, and used it when was caning. ‘Two years ago, | started a “Drawing Lesson" on Nico Nico Live Broadea based on that “Drawing Notes." Many people have been abl to watch and participate, and the broadcasts are silongeing. Over the years. ve come to understand what people who are just stating to row ned, what ther concerns ae and what tumbles they encounter. ‘This book s a compilation of the knowledge gained from those experiences. "think he most important thing nhen raving a characteris the sketch Andthe outing which makes he sketch ‘more accurate, is also important. is packed with information that makes people lok like people, and if the ‘outing is curate, you won't get loti the sketch the sketchis accurate, you wot get lost inthe rough sketch o ine drawing ‘Thisbook ems explanations of thebody structure alesened tom medal anatomical agrams andintroduces only the body structure thats useful for sketching and rough sketching. By explining the steps for making rough sketch using a simplified body structure, you willern the body structure and how a draw. rough ‘etch that younaed tohnow to draw character statins nd sim treat ol ston In aston rather than jutinteducing the shape of each part, we have nludedexplanations of why the ‘shape slike tht, examples of what nt todo, and points tobe careul of Furthermore, by providing advice on how totake yourlevelupa stop and summarizing more dotaled articles onthe structure of the body, itis designed to atow oven intermedi and advanced usr to gin adeeper undertandng ‘hope that by reading this book, ewer people withave to go through the same frustrating experiences as 1a hati wil readers make ram covers inthe otf dang Matsu(A-TYPEcorp.)Terr om Drawing basics face dy proportions aii ieele iMustration érawing Body parts digital illustration m Body, = Drawing Encylopedia Fe a ( par 39 Tips for Properly Drawing a Each Body Part ips SS ip? aa “Sa Le Gear p.45 & brie ®) PAG (Technic) ow to dow aface trom dteret angie pss| 9.80 se p.140 | > is » pan Appendix draw a charact .168 skin paintingHow to read this book In this book, we wil e “The digital psintng sofware used is Paint Too! SA Ver. 12.5, This artic introduces the basic functions, o please read itaccoringy if you jn the structure of each body part and how to draw the outline. ‘are using other painting software. parts an roerions teed indrawing. cokenampie NG example any OX dn eam reposted {or that item tote poem [Point: Here are some things you should know al ‘SEBUGTA summary of what you need to know to improve page JumpUp: Includes tips to help you level up even further. ‘Acalecton ot hstrationtocngues Youcan ship ahead andread this artle. Oigtak This ‘elated tohow to draw the body is an article about how to use Paint Tool SA, —Part Drawing Basics body proportions illustration drawing important body parts Illustration drawing tipsbody proportions Here are some body proportions that you should know fret when drawing an aketration. Maintaining the ratio of hands to arms, and hands to face in particular isthe first step in drawing the body properly. L The basics of ratio Here, wel introduce the basics of body proportions imagining _Use it asa guideline when thinking about different characters. a character with a 7-head body ratio. t's not a mistake if the proportions aren't exactly the same. 1 Divided 1:1 around the crotch 1 Chest:Lumbar: ‘The proportions rohan bt Thighs: Calves: Feet = 3:3:1 2 ite lnge than this, but f they setootong itt tobalance the legs. @ Face: Chest = 4:5 @ Face: neck = 3:1 Head: Shoulder width = 1:2 1 ] z Aetna ndings ‘The head wit have mre volume than you ight hink de — to the hair and accessories, so try not to draw ittoo big.i hand to arm ratio The most important ting in shaping yourbodyisthe ratio of your hand and arm|ength. Upper arm Forearm length = waist to groin Hand length = Groin to thigh you get this ratio right, it wil look realistic. With practice, you can design your own body type to suit your taste. Regus of head and bodys the f hand to face ratio 2 2 soseq6umeiaillustration drawing ‘This book introduces the stops involved in drawing a character and the mearing of each step. This book {focuses onthe steps of ough sketching and stration crowing, @ Draw an Atari Draw the bones of the character. This line drawing is called an atar, Consider ‘the proportions of the body and deci the logth ofthe parts andthe pose of the character. ' "iow to get abetter view of the hits parts overlap, changing the color will make it easier to see. TESTIS MaHe yourmusctes eat you can draw muscle shapes more sccustely end inmore detail youwilbe | 4Drawaline drawing Finish with five colors and you're done! rough sketch.i Illustration drawing stage division Unt you get used to thnk of raning anstraton as being divided into “stage where yout deci and "stage 2, where you draw inthe muscles" sonea tamer PP First stage Second stage and size, soit’ okay tobe rough. tobuild muscle. but also facial ofthe navel and othorfne deta. We f ‘Concept of illustration drawing Myoupay atenton tothe fine muscles, jos, and Bones ofthe body cdr thom a if hey wer resthunans, yuwllbe abe tocrest mere ‘yang mast nth ‘Youwilbe shia to draw mazes Ingreater deta and even bones ai ge, such as elbows and fists Layer Opacity Each time you ich raving an out, lustation sketch or rough sketch select hat layer snd move the Opacty barin th center ofthe Layer Related panel to reduce the layer’s opacity. IMyoulomer the ayers opacity to around 20%, getinthewayof the next top! lope nett et When (Opacity) is"SO%- you sett tetas det 100%," nothing will be visible. nimportant body parts t parts to keep in mind when drawing to re rawI= Animportan part for balancing the entice body. The length of your arms afects the balance of the enti body [[eriots x $ soseq 6umesa E> sued fpoq weedIllustration drawing tips[fe net draw to Fil the screen fa Sa a : eae ee 2 é 4 toean Tes eneeemn tn ; a > KA wor 0 Draw while changing the campus size You can also adjust the size of the canvas by adding more ‘and drawing more. 7 a A — ee meee cota << Click the box next to the rumber bot change he nit Menu bar — [Carvas) of the number. ~*Seloct Penne camas] {haa nt bran change be ‘with andheight 15[[Refer to materials ‘Human memery is unvelable nd can be influenced by emetions, soy draninguhe aking at refrence materi, youcanketchiutrations youcantrelyonittoo much. f you tryto daw anilustraton basediona more accurately and you wonthaveto waste tine remeibrng or geting ‘vaguememory when youre stilinesperenced you probably wen'the ale coven o yar nok tiene wi ese atc estan sone a they Youcaneven get samaone abe your model! [J[mester the selection tools ] vcore ghee hata Howe, Woon dune ur enroute ab ad {yout tomichont te human ody mete ped pepe, down, souse it only for eugh hatches Lm Selection tool basics Selection tool location ‘the Clr and Tess pare mAgust with selection tool CQO? ® types of selection tools, Bh econFace eyes eyebrows nose lips teeth ears hair © eSi front face proportionHow todrawa face from the front Draw circle and draw the center line arene at then cht [Score he enon Shenton A 4 Draw the nose Comet a * Deciding the positon ofthe nose firsts useful when drawing fcenwan anges. maton oth tis as ase toachew balance by droning the face rating ou from the cantar ofthe face or fp x yous in inthe mi,5 Draw the eyes ‘The dtncebetweenthe Part ‘6 Draw the mouth Draw two vertical lines to create a symmetrical shape. yaseanoe thin chin yuo nara Stroeg jaw 28 Draw horizontal lines around the cheeks 2. Connect the cheek line to the chin line to create the contour. @ Draw the hairline 2 10. Draw eyebrows and ears Refer to Eyebrows 12 Follow the sketch to finish the rough draft UEInleitkey(o lence ry elave (ete te=veX=) [Bosom a circle and craw the conte line @ Part we 2.Draw vertical ines from both ends ESE rH! | 3.Connect the two ends of the line =5 Draw the nose | svi pen hm [edrow the eyes | @Q i ) qi a) Ve a gle@ Draw the jaw and mouth ‘8 Draw vertical and horizontal reference lines to determine the contours, such 1s the size of the chin, ‘The end plots 12. Clean up and finish the rough draft Using the completed ‘Adjust otha te hele face forma single ciel 25Tewmeele ve yercaile [raw circle and a straight line to determine the size of the profile slightly shorter than men 2 brow the ose [Rbrow the mouthond ein Leave ate space under yournese OK) xd) ¥ you put i too tightly, your ‘note wil ook too big Beconsciueof he Ele ‘raw hemouth and chin using the ine (p19) ab guide {KO ‘The trea to mabe your snare eet te your chin iat — youre tong dom,4. Draw a vertical line through the center $5. rawa horizontal ine from the corer of the of the circle. ‘noun a rat cin Part — est 6 Draw the eyes Eye eight sat tho base ofthe nose Draw eyebrows and ears to complete the sketch © Clean up and finish the rough draft oe Based onthe completed shetch, dam Inthe parts yourave decide en aeye “This isthe most important part ofthe face. Its no exaggeration to say thatthe quality of the {ace is determined by how well itis done, er Eyes ae apart that can change in how reatstie they are awn "Ther are many more. The following fv elements ace ofan depicted depending on the styl. oe) inside yes \ a Tears [ecsw ciccerrstn Depending on the style you want to draw, choose how many parts to includ. @®D ®@e @G® = Sass (cute orator atmo) ore ‘The basics of drawing eyelids Draw paral nes above and below the eyelte, being careful to make both eyes the same size. xa of 28Drawa line and make a rough outline 2.Draw aw iary lines above and below Part Hl 3. Draw the upper eyelid sing the auiliary lines asa guide 4. Draw the lower eyelid you makeit alittle I you makeita ite larger twillook ute mal, twilook ete 5 Dah eyes andthe hth compte |¢:clean up and fish the ough da Or ‘ram part sch a yl and pupil ratio eyes of the design you have deeded onbetorehand 2930 Tle) heeNy) | orew ne cutie otto face |=. ary ne to nb ia 3, Determine the ratio of the stitches 4. Using the auainy ine 8 guide, raw the upper and lower eyelids HE BE 5. Draw the eyesand the sketchis complete 6. Clean up and finish the rough draft ‘Youmaybe tempted to draw he auxiliary ins in aradalpaternto create a sense of perspctve. However, there ae only wo eyes that ony afew centimeters part cof yout to cesta snus of eitancy, wi nook unnatural. raw paral ines ures you ae tet cresting an angle forthe entire dustration due to composition or camera direction Oia» G e DG ® aHow to get the eye shape from above and below en domngeveston shh ow Habe cadreRenters 7253 [Jrsinting pattern There are many ways to paint eyes, and there is no theory. Divide the light into thea parts and design it however you like Here is an example, CE EE ‘unusually shaped rl nee Sip Nahant Basic rs and oe highlights hightignts [basic eye coloring ‘Wo wilinroduce abasic way to paint eyes. Its 2 method thats 6357 to apply [ 1. Decide on the eye color and paint it 2.Draw the pupils ‘Youcan choose any Cease sana at te0 dark 3. Draw a pupil-colored line at the 4 Draw the edge of the eye. ‘Your eee nillook bigger, => G&G WL (lon layer Giza eect bathed apt @BO@e®D GOC®D aS an ww we 32| sada shadows tothe ees ook more reais. Part a [ERIE 0 tose he atin tyer 2 Cok he [lena [EIEN owtouse tne amnescencel yer ‘When panting theirs, you can use the [Glow] layer 36. Draw the sparkle in the iris | Complete with highlights! ETSI te siteercebeweenis pate and highs iis Highlights are rnfletions rotedvhen Sghthits the eye, not patterns. [vm to paint eyes in various patterns | mbecide the eye color and raw he pul | 2. Draw a pupil-colored line at the edge of the eye. CSE CSCS [3 Draw the iris [4. Draw the iris CECE CEE 6 Add highlights and you're done! CES EEEHow to draw eyelashes Part fits too thin it will look Ayauparotcnesaovryur fake, ys ete ease mat [[eectash pattern made thicker to Eyelashes donot rom create eyelashes. Using ho (arrush gives ‘natural fish 3. Erase unnecessary lines = }5 Completed! ‘Addhighights to youriking for glossy finish 4Bteeth This is also an essential part when drawing a mouth. The amount of deformation will help you understand the is important. Ifyou understand the general structure tree-dimensional fect soit: worth keping in mind. [Jeon seen U-betsied scare Parts used in drawing canes al oper. how to drawiteeth raw the front teeth 2 Draw the canine teeth 3 Draw the back teath EF LW SF |s.orawthelover teeth and the ‘When drawing lower teeth clearly sketch is complete. ——— Points to note when drawing teeth yourbotom teeth are leat visible, ign them to folow the ne fof your mouth ‘depends onthe design but carfuly drawing each teath ean oten lok too reaitic and unpleasant, rotry not to draw the boundaries between eth or jut Cote J A yout ge wow yo eal youhe next most important part is the | people. Pay close attention toit and rent and sie ie then fil inthe spaces withhow to draw hair | m Decide the volume of your hair and 2. Determine the position of the whorl draw a guide line Part yu sartrawing the hair = fromthe topo he esd the hair wi stk the scalp and note soft [3.Braw a guide tine that flows from 4. orm teh hile Keping in mind the the whorl need to create hair bundles. ‘hebanedeia hesaneather ou have cy a het a a7How, toldrawjlong) hair, | Draw the main hair 2 Draw the sub hairHowjto/draw tied| hain [[0N] orew the bangs side har, and back ofthe head 2. Determine the location of the knot Part draw the main hair |4 Draw the sub hair Haiesliohas ent andback Hyoucan be aware of hat, you willbe able to take your drawing a step further. {2 “9Basics of hairtips: i number of bangsHow; toldrawia hairline | m draw the line of the forehead |2. Determine the position of your temples (| DP Temple lengths from the forehead ine oust below the ceyebeoms. 3. Draw the sideburns Draw ane at ight ein cvded 729 angie “comet the cars the raugh dat incomplt! EXETER How to draw temples more realistically Ii you draw theredine at an angleinseadof aright angle, the temple will ook more realistic ‘Moka your sideburns triangular 31f Type of hairline The ost conventions ine. Aslightly masculine image. ‘Ansdine wt feminine nage. 35 to keep in mind when drawing the harine isnot even twilook ke the persons balding souhile let's, yousrestilgeting usedtoit craw the hating andereate standard. Create a strong hating The ophairin is perceived sethe forehead [Pierson tienace OQGlow toc lewieseceaenswieS [[steignt bangs (Hi"Draw long bangs [zeue Part ror [eee stackhearts Tiendtntpotintean —[Frenevinnit srg adconiet heart shape ‘The variations change’ the shape of aheatt. L all back [Tv venterencinesog mDrawradiallines along 3 0raw line onthe side [aeange aa comple ‘the top and sides of the head. the reference line oie youmerevolane! 33how tojpaint hair f ‘When olarng hak is inprtanti pay atenton Oghghs ‘The secret to beautiful hair coloring isto add shine (highlights) to the hai ts easier ocean beautiful than acing shadows Woes tein because yu need abe Paint highlights with a special layer By usng layers with speci effect, you can lmnat the hal of choosing coer and pint shiny hac ‘lick the [Blending Mode] ‘menusin the contr ofthe four fe YB [Lees of hair hightights ust by drawing tue tooks Bk the design youwant. Best of lt loks sparkly and prety! isin the centr of the The color of the painted area is ied wth clr the laa stow to-reate a bright color. ea withthe clr ofthe ayer below to create a righter eal The color is not ava the ow ye There are many diferent types of highlights, s0 choose the one you lke best. that aletof deta andi often sedin manga Iean express Muy hairstyles. tis TD ean create smooth hairstyle. Used or thick pit and more relate designe 4How to draw a face from different angles ‘When drawing a picture, you want to draw a character from various angles, but itis true that many people find itcificult to do so because the drawing tends to fall apart when the angle changes. Here, we will introduce some tricks for drawing {tom above and below for those who ate not good at drawing, Please keep in mind that these ave only methods fr crawing. They cannot be used at the rough or line drawing stage. Part TnloN Ako) CCLRENNT eNicleX= acelin) xe} (ce) fell) tee | Draw a frontal face sketch 2. Draw the outline ofthe face ( i i 3. Move the face along the outline 4. Move the nose further down tocrushits 5. Move the ears up 6 Draw the neck 55nce ouhar te ee. oth 8. Draw a face and finish ‘the drawing i complete. off the rough sketch! iomeyes tombe nd coy atcmae etching below’ (9.3. Ifyoutry to do this ‘stage twit umatra sobe careful. the wings of the oracter "hpi te atroun, when drawing women! Howjtojdrawjalface|seen| from below, [ 1. sketch the face from the front, then draw |2. Move the face along the outline the outline of the face.3. Move the nose and mouth 4 Draw the chin @. YF |6. Draw a face and finish off the rough sketch! 5. Move the ear down to complete the drawing. ‘The original nw Ene canbe Tha jaw ine shouldbe connected ‘smoothly tothe neck, Inthe caso Ar tit in an inverted shape Took ike a frown The bottom part of raw the nots senate vba ee ee oe o a tesa to nt dam ost 7Tern) an angled) overhead view of a face | m Draw the profile |2. Draw a guide line bs) QD 3. Copy and shift 4, Erase the extra lines on the copied side ' f ) Zz iG Z 5 Draw the outline 6. Erase unnecessary lines on the original face ( (») x[Draw the eyes |. Move the face down to complete the drawing The eyes are Part i 2. Draw the neck and face to finish off the rough sketch! Forthe neck, refer to"How to daw the neck from bom (o70) How to draw a face in profile ‘8, eplyng the methodinroduced here, youcan also dram profile images at sharp anges 2Erase! ocaw! Sketch completed! (, (, LY CY \4 59How to|draw,an angled|face) tm brawa profile and make a rough [2Copy 3. Erase unnecessary lines ecessry lines and draw |6 Move the face up the eyes SS) a9 Draw the lower jaw 8. Draw the neck and How to draw a nose and then the face tofinish mouth at an angle the rough sketch.body body breast—a / AL I body | ( I dere we wieslainthe at stn htting th cutie oft rT ith tan emeaneen eeneeeaten eenantnerceen \ J eee een eee 1 Parts used in drawing Qe mor00 Orne fuselage proportions To sketch the torso, there are three proportions to remember: A oT) Ribs at various angles Being able to daw iv outines rom various angles wil broaden the scope of your drawing © + Using the ris as 2 guide add the([ii]] Draw the head, then the ribs TERIEGY Ribs and pelvis together Think of your ribs and pelvis together as your torso. ° x [Oo] gis, Zen YN WN ‘Separating the ibe and pov mates th ng th rt nae 2 g ‘pea ND | 2. draw the curves ofthe ribs on the torso. 3 Draw the spine 6 The spieissshaped 4 Draw the pelvis [straw the coiabone ‘p09 Dean the curve around the carte ne deat doe tad too much x Q~ 5 Q- sso 63© Draw the leg joints vertically aan down from the shoulders. D termine the shoulder position 8. Draw the outine of the hands and feet and its done! * youheepinmind that the stodders and ips fom aretang, the with of he ‘enides an Hos wil charge. reverting he drawing am ling art I you use the collarbone as the shoulder guide, the shoulder width will be abnormally narrow. To widen the shoulder width, ‘raw the shoulder int onthe outside ofthe colarbone guide. you dt confusing when drawing the arms andother parts, youcen OG O or Oo yas pice ne cabana Tomake tmore feminine, move your[EERIE spine Draw a line from the neck to the pelvis, imagining the spine connecting in a gentle curve. spina ilbe curve, When drawing from the back, it is easier to draw f you draw the spine fist. ed a g ‘p09, ‘p04 65neck Itis easy to draw in a bust-up composition, but when drawing a full-body characte, it becomes an important part for balancing the head and torso. [veatedsincue 1 Parts used in drawing I "Neck ratio ead widthineckwithis 2Rrrratcletauroutccis [El] ovaw tne neck sng the outn of he spine as a reference, @? @ @) mete 1 te rachiscranm tf fora the ‘out on ean anneal cavty._resuking nan unnatural structure [2.10 ecotabore basen the outing ‘The clave ienot at . butanged ‘Trapezius muscle width 4. Draw the neck line and finish the ‘5. Clean up and finish the rough draft sketch of yourneck, z g voor Ny‘The backof the chnisan important feature when drawing face looking up. etaed structure Parts used in drawing \ ) ‘nen deformed, it eee [@ Draw a line [20etermine the postin of thechin _|3, Draw a diagonal line S [steps to draw ‘nen wed rom th et aut the rato of nose to mouth: wer |4. Finish the jaw sketch by adjusting it (o,0) >How, tojdrawithemeckvareajat an angle @ Draw a face sketch 2. Take a mark of the neck o%§ ‘ \ @& x far forward. 3. Draw ahoiontaline fom the base of theca to nD 4. Connect the intersection ofthe chin ti, thehoizontal the bate ofthe chin. line and the neck yo9u0ss01 y @ ') Draw the clavicle and neck muscles ‘@ Erase unnecessary lines, tidy up, and your 19s complete! C= 69How) to/draw theineck from/above: —_— E Steps to draw ] [ 1 Draw the outline ofthe torso 20raw the collarbone [2 orawing he waperise muscle ° KT oO f 5 Intersection of and 2 part of [5- Organize and finish the rough draft Be Cconbe sppiedto sconesLayering and coloring When drawing complex arts and poses JA] Wrencrwmnaitentone ith ot of ovelpping pst, many people sich as crosedtegs ‘get confused at the sketching stage, Ny saying things he: > 1 ‘onmy tah leg? In such cases, itis effective touse different layers and colors for each part, it > 7 Layers re transparent canvses he Wong paper, that alow yeuto jes wetorsewentpicens pier draw with layers and avoid clutter using multiples, you can avoid making mista he easing or ‘adding parts ofthe image you don't want to edit. Bc. Easy tof 60s. (Bide Raeanmeetoyoiensete Senet enly the ayer you want tomediy (Touch ony this canvas) smtayerscon bemanapedeneby one ‘You can meve only the selected layer, jutlike shifting stacked papers, or temporarily hide layers that you do not need, Ws easy to draw 09 ND Buiojoo pue Buyokeychest For men large pectoral muscles express strength, while for women, breasts express sexiness. Both are body parts that are worth drawing. [ese betaiedstucture Parts used in drawing \ / \ [[[Beeastbone marking iene ie at ca ec lara Oe nae say got Ihe chortena guide cron nga ‘to get the sternum. ae ‘The chest muscles pectoris) ae connected tothe arm bes, sawehen you"sse yout am, he shape of he pecorats major changes asi pled by the arm. G2 wa W When pulled upwards the musclehow toldrawichest [fi] Taking an outline for drawing 2. Draw alline from the edge of the collarbone to the the pectoral muscles mark you drew in step 1, as if drawing an X. Ve rom ont [Femeceindtoecattneninne |+meetear beet epider ma fog ROT tend of the x mark with a curved line. 5.Connect the lines under the pectoral muscles to 6. Clean up and finish the rough draft complete the drawing eet holo B(ons oleey Toles [Bl ora a sphere onthe chest and outine the beasts |2. Draw the breasts around the sphere. Part i 3. Adjust the breast shape as needed to 4. Clean up and finish the rough draft i complete the sketch. / We done it. The upperpartf the bests smooth Oo J toyourbreartienatra-fits too rounded wit x took fake. a Ze \ \[[eecotete the part iom the neckto the chest, andis one of the: {ul parts of a woman's upper body. Make sure to leave some space to create the décolleté. ‘itis too igh it wl ook ike an object‘There are surprisingly many variation in breast shape. ocd thom according to you pelerences andthe character fhe character, ss todean Tremere bo sett e 7 considered the ideal shape. if the breasts become too large, they will sag under their own weight, andi diel ie manta he herpetic shape wt soneiraosnprtitem ian \ for Ca, ‘The ver prt lth bess snot rounded and when vewedromthe side shapes angie Ancthet characte that nips pit pare. poeta “orghasie the lower prt of he beat underbob) without Breasts are tearérop-shaped. This shape often occurs when thebeats ae a catnin sin. Be careful not to draw them too carefully, as they can end up drooping and looking sloppy. UH tetstapes Bell-shaped breasts that protrude forward. Commonly known as “rocket boobs." The nipples emphasize, making them appea Tuller than thee actual size, S \ ”breast size Size is also very important when drawing breasts. However, size can vary depending on the body type and shape. Here, we will Te dieronce between your snderbust and bus sie will focus on bust cup sizes. Acitference of tem means an cup, 12Sem means Beup,1Semmesns aC cup and soon, with every Sem difference being an A cup. Ac ‘There is no breast swelling, and the -strectue is bce the same asthe fa man i Beup ‘Your breasts wilstarttobecome more G aticeable than an cup but they ae stit em F mallard wi not exceed the width your ody whan viewed ram the ont iceup ‘hebressts ae rounded thc, ad the size of the breasts exceeds the width of the body The breasts are still small, but they area sign of forint.