Dorado Audrey D
BSN1-A
The 1993 Jonathan Demme film, starring Tom Hanks and Denzel Washington, is the first
cinematic triumph in addressing the complex issues of law, human rights, discrimination, and
societal prejudices. Set against the AIDS crisis and the significant stigma against
homosexuality in late 20th-century life, the movie tells the story of Andrew Beckett (Tom
Hanks), a successful lawyer who has just been dismissed from a very prestigious law firm
based on the fact that employers learn he is gay and has AIDS. The story canters on Andrew's
legal battle against his former employer, assisted grudgingly by Joe Miller (Denzel
Washington), a lawyer who holds many of the era's common biases.
It is an emotionally powerful view of Philadelphia, urging audiences to confront the
complexities of discrimination and to reflect on their own beliefs, biases, and roles in society.
This analysis will explore the thematic richness of the film, its portrayal of societal attitudes,
the moral evolution of its characters, and its wider significance for empathy and human
rights.
Essentially, Philadelphia narrates a tale of discrimination. Through this film, it is evident that
the bias—fear, ignorance, or socialization sets it apart—can be both institutionalized as well
as individualized. In this movie, Andrew Beckett is presented as a profoundly competent and
dedicated professional who has helped his firm greatly in its prosperity. But the minute his
colleagues suspect him to have AIDS, they start distancing themselves and, in the end, even
craft a reason to terminate his contract.
The discrimination Andrew faces is dual, both in terms of diagnosis and sexual orientation.
AIDS in the early 1980s and 1990s was often referred to as a "gay disease," which
heightened existing prejudices against the LGBTQ+ community. Firmly, the behaviors were
reflective of a larger tendency on the part of society to dehumanize others, positioning fear
and bias over fairness and mercy. This theme extends beyond the legal realm and continues
an ongoing struggle in multiple aspects of life for marginalized groups.
The legal drama within the film serves as a backdrop to explore larger ideas about justice.
Can the law protect an individual from entrenched systemic biases? How can one show
discrimination when it hides in places not above the water line? Andrew's case offers an ugly
mirror to the preying that institutional power sometimes exercises through practices
internalized with prejudice. His suit is at least as much for rehabilitation of dignity as it is for
the setting up of a precedent for others who face similar injustice. Watching Philadelphia is a
very moving experience, not only because of its emotional depth but also because of the
questions it raises about morality, justice, and human connection. The movie made me think
about my own beliefs and biases and challenged me to consider how I might respond in
similar situations. Would I have the courage to stand by someone like Andrew, despite
societal pressures and personal fears? How can I make my life contribute to a more inclusive
and compassionate society?
The movie also emphasized the value of empathy. Andrew's story is a testament to the power
of understanding and the need to see beyond superficial differences. His courage in the face
of adversity serves as an inspiration, reminding us of the resilience of the human spirit and
the enduring value of dignity and respect.