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0% found this document useful (0 votes)
33 views7 pages

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Uploaded by

Poet Cruz
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© © All Rights Reserved
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movie vlog 1 COM260 - The Jazz

Singer
Transcript
0:00
hey guys it's Corey and in today's movie
0:04
review I'm going to be talking about the
0:05
1927 film The Jazz Singer released by
0:09
Alan crosland back in the day um so this
0:13
movie I actually learned throughout uh
0:16
my research about this film is actually
0:17
the first film to in incorporate uh
0:21
Sound and Music throughout the entire
0:22
film and while there are still some
0:24
aspects of you know the silent movies
0:27
like the kid that not the kid the gold
0:29
rush like that we watch with uh Charlie
0:32
Chaplan uh they incorporate music in
0:34
such a unique way that obviously had
0:36
never been done before and it was really
0:38
cool to see so El Johnson plays the main
0:41
protagonist in this film and that is
0:43
Jackie rabitz SL Jackie Robin and Jackie
0:48
Robin is the stage name that he adopts
0:50
when he runs away from home at a young
0:52
age because his father wants him to
0:55
become a caner and his father is wa
0:57
played by Warner uh
1:01
uh and his father just wants him to
1:03
become a a cancer like the father before
1:06
him and his father before him and just
1:09
follow the family traditions but Jackie
1:12
really wanted to pursue his dream of
1:14
being a jazz singer and his mother uh
1:17
you uh played by Eugene besserer who
1:19
plays Sarah roboz actually supports
1:22
Jackie and she is I I think she probably
1:25
gives some of the best performance in
1:26
the entire film in my opinion especially
1:29
in the early stages where Jackie gets
1:32
beat by uh uh caner roboz and the emot
1:37
the pure emotion on her face is probably
1:39
some of the best acting that I've seen
1:41
in the silent film era that we have seen
1:44
uh then later on after that as the film
1:47
progresses it's years later down the
1:49
line and
1:50
Jackie uh or Jackie is actually an adult
1:53
now and he's now Jack Robin that's his
1:57
stage name the name he adopts and he's
2:00
on stage singing some songs and it's
2:02
really cool how they incorporate you
2:05
know sound especially because I know
2:08
that like this was done outside of the
2:11
filming itself it wasn't you know it
2:14
wasn't actual sound like that uh the
2:17
actor was saying it was actually synced
2:20
up later in post production and I
2:22
thought that was a really cool thing
2:24
especially when I obviously the most
2:26
some of the most pivotal parts of the
2:28
film is when he's like you ain't heard
2:29
nothing yet uh and that was probably the
2:32
first time ever in film history that
2:35
there was like a synchronized talking
2:38
and that wasn't just music it was
2:40
synchronized talking I thought that was
2:41
a really cool moment and you could just
2:44
like I don't know it was it was really
2:46
cool to see that that was that first
2:49
instant of that going on uh furthermore
2:53
you know Jackie sees his mom and he's uh
2:56
singing and there just such and there's
2:58
a lot of really great emotional
3:00
undertone throughout this entire thing
3:01
because obviously Jack is defying
3:03
everything that you know his father
3:06
stood for even to certain point his
3:08
mother even stood for and even at the
3:11
same time his mother is very proud of
3:12
him and it's just a very mixed uh bag of
3:16
emotions there and then later when
3:18
they're at the synagogue and uh you know
3:21
he's singing for his father when he's in
3:24
uh his father's robes actually and just
3:27
fulfilling his father's wish I thought
3:30
that is just so powerful and there's
3:32
this emotional shot uh of Jackie and he
3:35
just uh he just reconciles with his you
3:39
know what he wants and his uh family or
3:42
his uh his cultural roots and I just
3:45
thought that was really great and along
3:47
with the lighting and just the framing
3:49
that uh the director decided to use I
3:52
thought that was absolutely amazing to
3:54
overall capture the gravity of that
3:57
moment how impactful it was for Jackie
4:00
self and then we get to the end of the
4:04
film that is wow oh my God so basically
4:09
uh Jackie finally performs on Broadway
4:12
and um it is very very very
4:16
controversial um now a few things I have
4:20
wrong about this film wow in the middle
4:23
of the film they have
4:25
blackface was not expecting that
4:27
especially in today's society
4:30
uh I didn't know that so I was very
4:33
caught off guard by it and I can see
4:35
well I actually looked at like uh some
4:38
other places for reviews on it and wow
4:41
it is reviewed bomb because of that
4:43
moment and it is bad it is real bad now
4:46
I do think this film is uh historically
4:49
besides that um it's just a real
4:53
exploration on cultural identity and uh
4:56
Jackie Ritz's uh exploration of who he
5:00
is as a man throughout his culture and
5:03
it's I think that Al Johnson's
5:06
performance he Port his performance is
5:09
so moving and it's just I just
5:12
absolutely love it all in all guys like
5:17
I will say try to watch this film and
5:20
have an open mind to it it's definitely
5:23
not for everybody I will say that there
5:24
are some parts that glowy are
5:27
snoozefest um but
5:30
at the end of the day you kind of what
5:32
we talk about in this class you have to
5:34
see where you come from and seeing the
5:36
first time music was like you know these
5:39
the silent film era it's done it's over
5:41
we're in the Takis now my guy so it is
5:44
very cool to see how it slowly
5:47
progressed and even this little inking
5:51
of sound is just such a revolutionary
5:54
part of Cinema and just so important so
5:58
all in all guys I gave this I'm not I
6:00
give this movie a one out of five uh
6:03
it's it's okay it's all right it gets
6:06
the job done but yeah i' say give it a
6:08
try and yeah all right talk to you guys
6:10
later

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