FOL Module 10 Review
FOL Module 10 Review
OF LIGHTING:
MODULE 10
REVIEW
[Link]
Partial attendance will not be eligible for the IES CEU certificate of
completion. Individuals are responsible for their respective
credential maintenance reporting requirements.
Increasing wavelength →
← Increasing frequency
“Light is _________that is
capable of exciting the
retina and producing a
visual sensation.
Increasing wavelength →
← Increasing frequency
“Light is radiant energy that
is capable of exciting the
retina and producing a
visual sensation.
The simplest definition of light is “visually perceived radiant energy.” “Visible” light, then, is just a small
segment of what we call the “electromagnetic spectrum” — a broad range of radiant energy that also
includes X-rays, ultraviolet and infrared energy, microwaves and radio waves. This small segment is
what stimulates our visual system and enables us to see. Any form of electromagnetic energy, including
light, radiates outward from its source in straight lines at “the speed of light.”
The wavelengths of light that stimulate the human visual system range from approximately 380 to 770
billionths of a meter. And since a billionth of a meter is a nanometer, we say that light, as part of the
electromagnetic spectrum, occurs in the range of wavelengths from 380 to 770 nanomenters (nm).
What I hope you take away from this course is applying the fundamentals of what you do everyday.
Source Interpreter
Receiver
Reflecting
Surface
(modifier)
The visual system is perhaps the most important sensory system for humans, as vision is our primary
means of interacting with and learning about our world.
Our eyes and brain are the primary organs of our visual system; however, our ability to see is as
dependent upon light and objects as it is on our biology.
Vision is the result of a complex interaction of four components:
Source: Light is emitted from a source (the sun, an electric lamp, etc.) and then interacts with surfaces
and objects in a space.
Modifier: Light reflected from or transmitted through an object or surface is modified (i.e., it is no longer
the original direct light source) and is then directed into our eyes, where it is processed by the visual
system.
Eye: The eye acts as the receiver of light stimuli and initiates neural processing.
Brain: Nerve impulses from the eyes, which are initiated by light, are interpreted in the brain, thus
bringing perception to consciousness , resulting in vision.
Contrast
Darkness
Adaptation
Color
Color Metrics
[Link] | © Illuminating Engineering Society, 2023 FOL 10-9
Throughout the previous 9 modules, we introduced vocabulary to build upon the understanding that Light
and our Perception of our environments is intertwined.
• Task size
• Contrast
• Color
• Luminance
• Speed/Time
• Age
• Task size
• Contrast
• Color
• Luminance
• Speed/Time
• Age
Light, and the lack thereof, impacts our ability to perform daily tasks. We reviewed all of the impacts on
visibility in Module 1. We will revisit Contrast and Color in this review.
Before we get too far, let’s take a look again at which receptors are responsible for color and black and
white vision.
White Dog effect - The grey squares in the black and white lines have the same reflectance.
Simultaneous contrast
is the heightening of the difference in brightness when objects are placed next to each other.
Movement
Multiple traffic modes
Multiple perspectives
Adaptation refers to the adjustment of our visual system to lower or higher light levels, than what is
currently experienced. We talked about this some in Module 1 and again in Module 5 when we discussed
compensating daylight contribution.
What have you learned about spaces you occupy and these types of contrast issues?
1 Contrast
2 Rendering (CRI, TM-30)
3 Temperature 3
4 Consistency (source to source) 4000K
4
And: 4000K
Objects themselves do not have an inherent color; rather they reflect, transmit, and absorb various
wavelengths of light in different proportions.
A key point in understanding color is to understand that the color we see in objects is the result of the
spectrum of light energy that reaches our eyes, which itself is a result of the complex interaction between
the spectrum of light produced by the light source and the modification (i.e., reflection, transmission, or
absorption) of that spectrum by an object.
Tools such as IES/ANSI TM-30 Technical Memorandum: IES Method for Evaluating Light Source Color
Rendition can help a designer understand the spectral components of the light source. This resource
must be combined with an evaluation of the object reflectance in order to understand what the resulting
color impression may be in the space. We talked about TM-30 in Module 1 for color, and in Module 6 for
photometry.
Objects themselves do not have an inherent color; rather they reflect, transmit, and absorb various
wavelengths of light in different proportions. When an object is viewed under various light sources both
the object and the light contribute to color appearance (what we see). On the left, the spectral power
distribution of daylight just as we saw SPDs for electric sources in the previous slides. In the center, is a
red apple’s spectral reflection distribution, or SRD. And on the far right, is how this red apple would
appear to us in daylight. If we swapped out daylight for a different source, the reflected spectral
distribution would change (even if the apple remained the same). A key point in understanding color is to
understand that the color we see in objects is the result of the spectrum of light energy that reaches our
eyes, which itself is a result of the complex interaction between the spectrum of light produced by the
light source and the modification (i.e., reflection, transmission, or absorption) of that spectrum by an
object.
• Color Rendering Index (CRI) • ANSI/IES TM-30 describes a method for evaluating light
measures the fidelity of a light source source color rendition that takes an objective and
statistical approach, quantifying both overall average
compared to a reference of the same
properties (color fidelity, gamut area) and hue-specific
CCT
properties (fidelity, chroma shift, hue shift) .
• CRI is reported as an average
Learning to navigate color rendering metrics is critical to understanding colors in our built environment.
Explain the definition to the class, and then provide a few examples. Do you have a favorite? Can you
associate different CCTs now with different environments you occupy?
CCT
[Link] | © Illuminating Engineering Society, 2023 FOL 10-23
As we reviewed in Module 5, tunable white a method of mixing LEDs of different colors to achieve a
range of tonalities of white light and independently dim light output. Today the most popular approach in
commercial applications is a mixture warm and cool LEDs. Given what we’ve learned about the impact
of CCT on our impressions of a space, what applications can you imagine that might benefit from this
adjustability?
Light sources
Photometry
Throughout the previous 9 modules, we introduced vocabulary to build upon the understanding that Light
and our Perception of our environments is intertwined.
N S E W
• Less shading means • Overhangs control • Afternoon façade • Morning façade
sustained daylight high-angle summer shaded: conditions shaded: conditions
delivery annually sunlight similar to North similar to North
• Easiest to control • Blinds and shades • High solar loads
• No direct (except high control low-angle occur late afternoon
altitudes early/late winter sunlight during peak temp; high
summer) • High latitudes have cooling loads
• Lowest available lower sun angles • Blinds and shades control low-angle morning
incident daylight • High solar loads sunlight in work areas
• Most stable occur during the • Vertical shading devices control morning
coldest time of year winter solar angles at higher latitudes
• Quality diffuse daylight
These notes are copied directly from the IES Lighting Practice LP 3-20 Designing and Specifying
Daylighting for Buildings. They capture the important differences, benefits, and disadvantages in
daylight experience according to the cardinal orientation of a façade.
1 2 3
Daylight
Daylight zone
h Daylight h
h zone zone
Understanding daylight zones is critical to navigating today’s codes and adjusting electric light
accordingly.
INTERIOR
EXTERIOR
Electric light
10%
Dawn Dusk
Daylight harvesting is highly suitable for lighting zones adjacent to windows and clerestories and under
skylights and roof monitors—anywhere daylight is consistent and plentiful. Once favored as a stretch
option for LEED and other green projects,
Daylight harvesting is now required by the latest generation of energy codes and may be adopted in
support of sustainability and cost reduction strategies, as well.
Daylight is the most dependable light source we have. However, obviously electric lighting supplements
our interior environments. Reminder of key terms.
Shape Power
Color
Base Efficacy
Output
Size Life
Distribution
Intensity
All light sources share these ten attributes. Of course the specifics vary by source as we will see.
60A19CL
R20 R30
CL = Descriptor
(clear)
19 = Diameter (1/8”)
A = Shape
60 = Wattage T3 T4
All light sources share these ten attributes. Of course the specifics vary by source as we will see.
60A19CL
R20 R30
CL = Descriptor
(clear)
19 = Diameter (1/8”)
A = Shape
60 = Wattage T3 T4
All light sources share these ten attributes. Of course the specifics vary by source as we will see.
Reflectance ρ Percent %
When light is present, all six lighting metrics are also present.
60° 60°
30° 0° 30°
Applying photometry insight effectively into design and environments takes practice. As the photo on the
right illustrates, the precise lines of the intensity diagram do NOT represent the appearance of light on an
intersecting surface, despite how what the diagram suggests. Lighting designers learn to translate
photometric data into visual experience by correlating the data to what they actually see.
0°/180°
Along
1100 cd at 112° ∥
Vertical Angles
2.5° increments
1200 cd 135°
90°
45°
0°
Nadir
[Link] | © Illuminating Engineering Society, 2023 FOL 10-37
Applying photometry insight effectively into design and environments takes practice. Review Module 6 as
you learn more about calculations and visualization in your own work.
Once you have photometric information for a given source, horizontal and vertical illuminance can be
conceptualized either by hand or computer modeling.
Calculations require an understanding of a light source’s vulnerability to dirt, lumen depreciation, etc.
Considering these environmental factors is important.
1 2 3
Luminance expresses light directionally Illuminance luminous flux incident
reflected from or transmitted through a at a point on a surface.
surface to the viewer.
Luminance meters, illuminance meters and color spectrometers are the most common tools for
measuring lighting in the field.
on/off or dim?
Codes and cost have a
significant impact on these
decisions
How do you want How do you want
to control the to connect the
lights? controls?
wired or wireless?
manual or
analog or digital?
automatic?
stand-alone or
[Link] | © Illuminating Engineering Society, 2023 networked? FOL 10-41
As with other lighting decisions, there are numerous options for controls. You can think through the
choices in a four-step process.
• Passive infrared sensors (PIR) detect movement based on body heat. It’s passive because it on
receives – and doesn’t emit – radiation.
• PIR can only detect motion that is in direct line of sight.
• Once the sensor no longer detects motion, a clock starts the time-out period. If no motion is detected
before the time-out period expires, the sensor signals a relay to turn off the lights.
• If motion is detected within the time-out period, the lights stay on.
• PIR sensors are economical and flexible; they are widely used in interiors. However, they are prone
to false triggering, leaving occupants who weren’t detected annoyed and in the dark.
• The requirement for line of sight makes PIR sensors inappropriate for spaces with partitions (like
restrooms) or large furniture.
• Ultrasonic sensors emit inaudible sound waves. When ultrasonic radiation reflects off moving objects
and return to the sensor, the change in wave pattern (“Doppler shift”) indicates motion.
• As with PIR sensors, when an ultrasonic sensor no longer detects motion, a clock starts the time-out
period. If no motion is detected before the time-out period expires, the sensor signals a relay to turn
off the lights.
• If motion is detected within the time-out period, the lights stay on.
• Ultrasonic sensors do not require line of sight and so are suitable for spaces with partitions and other
obstructions.
• They are more sensitive than PIR types but are also vulnerable to false triggering.
• Occupancy mode and vacancy mode use the same presence detection (PIR, USR, or Dual).
• Occupancy mode provides the convenience of entering a space without touching the controls. It is
often preferred for restrooms, storage areas, or any space unfamiliar to those entering.
• Vacancy mode leaves lights off until the occupant wants them on, saving energy compared to auto on
(to 100% light level)
• Occupancy mode set to 50% light level (a common code-compliant option) also saves energy. Both
this approach and vacancy mode require the occupant to adjust the controls for full light output.
Process
Balancing needs
Throughout the previous 9 modules, we introduced vocabulary to build upon the understanding that Light
and our Perception of our environments is intertwined.
Post-
Schematic Design Construction Bidding Construction
Programming Occupancy
Design Development Documents Negotiation Administration
Evaluation
Gather relevant Create lighting Detail the chosen Fully document Evaluate bidders, Review submittals Assess installed
information about concepts for lighting concept the design in bids, and and RFI; project; modify
owner’s approval by owner in preliminary drawings, submissions; manage change aiming and controls
requirements and documents, specifications, Consider proposed orders; punch list; commissioning
constraints including luminaires schedules, and alternates aim luminaires;
and controls compliance supervise
submissions commissioning
Regardless of the planning strategy employed on a project, a lighting design process that parallels and
complements the building design process will make the most of lighting and of the architectural
resources involved.
Codes are laws that govern behaviors and are enacted by legislatures
• Codes may be enacted by Federal, State/Provincial, or Municipal
governments
• Regulations are rules promulgated by executive bodies
• The Authority Having Jurisdiction (AHJ) interprets and enforces codes
• The AHJ varies with the code (eg, energy vs. electrical vs. fire)
MUST
MUST NOT
Codes are laws, regulations, ordinances. These are set by various levels of government.
Standards are “the recommended way to do things”, and refer to best practices as determined by a body
of experts working under the auspices of a standards setting organization (like IES) that then publish
them.
SHOULD
SHOULD NOT
Daylighting
Codes and standards
Form
Composition
Style
We’ve reviewed daylighting, and codes and standards. What’s next is the balance of needs for the
human visual experience and the environment.
Thinking of color, contrast, controls, and photometry: take a look again at these spaces.
&
Work Leisure
&
Mechanistic
Humanistic
&
Utility Luxury
[Link] | © Illuminating Engineering Society, 2023 FOL 10-56
Carefully administered systems consisting of various techniques can offer efficiency and visual interest
benefits over single-technique approaches simply engineered to high illuminance values.
How would you describe the visual composition within this scene?
How do the layers of light here relate to one another? How might they be controlled?
How do the layers of light here relate to one another? How might they be controlled?
Human Well-
being
Visual Energy
Performance conservation
Preservation
of the natural Safety
environment
Mitigation of Historic
climate preservation
change
[Link] | © Illuminating Engineering Society, 2023 FOL 10-60
Numerous design goals must be balanced when lighting any space. Each project must simultaneously
meet code, regulatory and financial requirements.
Intrinsic value
Brand value
Real estate value
LIVING
PRODUCT
CHALLENGE
LIVING
BUILDING
CHALLENGE
A variety of rating systems address the need for sustainability goals, stipulating measures which can be
categorized, scored, and rated. LEED®, which is one of the best known rating systems in North America,
established a language for most other rating systems.
Sky glow: The brightening of the night sky that results from the reflection of radiation (visible and non-
visible), scattered from the constituents of the atmosphere (gas molecules, aerosols and particulate
matter) in the direction of observation. Sky glow may be natural or man-made.
Natural sky glow is attributable to visible radiation from celestial sources and luminescent processes in
the earth’s upper atmosphere. Man-made sky glow is attributable to man-made sources of radiation (e.g.
artificial outdoor lighting) including radiation that is emitted directly upwards and radiation that is reflected
from the surface of the Earth.
Think of the night conditions where you live. Can you see the stars? An interesting fact: during a
complete power outage in Los Angeles, emergency phone operators handled numerous reports of a
‘gigantic, silvery glowing cloud in the sky’. It turned out it was the Milky Way, never having been seen by
many residents in the city.
Learning what you have about lighting and dark environments, and the balance of human needs, would
you find this difficult to implement?
Topic-specific
IES elearning education
Introduction Fundamentals LC exam
Section meetings Join a
to Lighting of Lighting CLD
technical
Industry events committee at
IES
[Link]