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Video Production Lab Assignments

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0% found this document useful (0 votes)
36 views22 pages

Video Production Lab Assignments

Uploaded by

guptashriya2001
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as DOCX, PDF, TXT or read online on Scribd

Course Code: BA (JMC) 253 Video Production Lab

Assignment– 1 Draw and label various parts of the video camera.

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Course Code: BA (JMC) 253 Video Production Lab

Assignment– 2 Capture/Click and paste various types of shots.

Camera
Visuals
Angle

Extreme
Long
Shot

Long Shot

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Course Code: BA (JMC) 253 Video Production Lab

Mid Long
Shot

Mid Shot

Close-up Shot

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Course Code: BA (JMC) 253 Video Production Lab

Extreme
Close-up Shot

POV (Point of
View) Shot

OTS (Over the


Shoulder Shot)

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Course Code: BA (JMC) 253 Video Production Lab

Assignment-3 Capture the visuals and paste in the box against different types of camera angles
indicated.

Camera
Visuals
Angle

High Angle

Low Angle

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Course Code: BA (JMC) 253 Video Production Lab

Eye-Level

Bird's Eye
View

Slanted

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Course Code: BA (JMC) 253 Video Production Lab

Assignment-4 Keep the rule of thirds in mind, paste an image in the space provided below and
highlight the intersection points in the visuals.

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Course Code: BA (JMC) 253 Video Production Lab

Assignment – 5 Observe the basic camera movements indicated in each of visuals; now
describe the situation where they can be used in the space provided.

Camera Movement Visuals Usages

Pan

Tilt

Dolly

Pedestal

Truck

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Course Code: BA (JMC) 253 Video Production Lab

Assignment – 6 With the help of lighting symbols draw the position for three-point lighting
technique for the Subject below.

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Course Code: BA (JMC) 253 Video Production Lab

Assignment-7 Identify the types of lights and accessories used for video production and
describe their usage in space provided against them.

Sample Usage

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Course Code: BA (JMC) 253 Video Production Lab

Assignment-8 You have already studied different types of microphones used in audio
production. Identify the types of microphones given below, label them and describe their
characteristics on the basis of their directionality, in the space provided below.

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Course Code: BA (JMC) 253 Video Production Lab

Assignment-9 Identify and label the connectors and describe where they can be used.

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Course Code: BA (JMC) 253 Video Production Lab

Final Product

Video Brief

A video brief is an outline of the main points that need to be considered.

Title

Format Audio- Visual

Duration 8 minutes

Language Hindi

Target Audience 18-60 years old

Objective Highlighting Importance of breaking free from routine and


rediscover passion and find balance in life.

Program Objective

The short film CHAKRA aims to explore the modern struggle between career demands and personal
fulfillment, emphasizing the importance of reconnecting with one's passions and nurturing meaningful
relationships. In today's fast-paced world, it’s easy to become trapped in an endless cycle of routine,
where the pursuit of professional success overshadows personal joy and self-care. This film follows
Vihan, a young professional whose life has become a monotonous repetition of work and exhaustion,
leaving him detached from his true interests and the people who care about him.

Through Vihan's journey, the film encourages audiences to reflect on their own routines, to ask if they
are genuinely living or merely existing. When Vihan receives a heartfelt reminder from his past, he
rediscovers a passion that reignites his happiness and inspires him to break free from his cycle. The
film’s goal is to remind viewers of the necessity of balance, encouraging them to take time for the things
and people that bring them joy and fulfillment, leading to a more holistic approach to life.

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Course Code: BA (JMC) 253 Video Production Lab

Program Title: CHAKRA

Synopsis

This story of Vihan, a young professional caught in the monotony of daily life, where work
overshadows every trace of joy. Each day unfolds in a repetitive cycle—an alarm clock
ringing, a rushed routine, a day at the office, and an exhausted return home. The weight of
this endless loop begins to wear on him, but he's too immersed to notice until a small,
unexpected package changes everything.

One evening, Vihan finds a box from his mother waiting on his doorstep. Inside, he discovers
childhood photos and an old diary filled with his artwork—a vivid reminder of his lost
passion for drawing. The memories trigger a transformation, and he decides to take a day off
from work, something he hasn’t dared to do in a long time.

The next morning, Vihan wakes up with a renewed energy. Free from the pressures of his
routine, he reconnects with friends, indulges in simple joys, and even calls his mom to check
on her, reawakening a side of himself he’d forgotten. As the day ends, the once-familiar
alarm clock now sits quietly beside his memory box—a symbol of his newfound resolve to
balance life and work, rekindling his passions and reuniting with what makes him truly
happy.

The story captures the universal struggle between ambition and fulfillment, serving as a
reminder to pause, reconnect with the past, and rediscover what truly brings us joy.

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Course Code: BA (JMC) 253 Video Production Lab

Short Film Script

Title: CHAKRA

Scene 1: Morning Routine (Day 1)

INT. BEDROOM - MORNING

CLOSE-UP of a hand reaching out to silence the alarm clock as it blares at 6:00 AM.

WIDE SHOT of the protagonist, VIHAN (mid-20s), blinking, staring at the ceiling, looking worn.

CUT TO:

INT. BATHROOM - MOMENTS LATER

MEDIUM SHOT of Vihan brushing his teeth, absent-mindedly looking into the mirror. He appears tired and
unmotivated.

CUT TO:

INT. BEDROOM - LATER

CLOSE-UP of him putting on shoes, then grabbing his briefcase, glancing at his watch, and rushing out the
door.

Scene 2: At Work (Day 1)

INT. OFFICE - DAY

WIDE SHOT of Vihan entering the bustling office, surrounded by colleagues focused on their tasks.

MONTAGE of Vihan working at his desk: typing, looking at documents, zoned out. Time passes, as the
office gradually empties.

WIDE SHOT - Vihan, now alone, realizes the time by looking at the clock, his face betraying exhaustion.

CUT TO:

INT. BEDROOM - NIGHT

WIDE SHOT of Vihan lying on his bed, eyes staring blankly at the ceiling before closing them.

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Course Code: BA (JMC) 253 Video Production Lab

Scene 3: Routine Repeats (Day 2)

INT. BEDROOM - MORNING

CLOSE-UP of the alarm clock ringing at 6:00 AM again. The same hand reaches to silence it.

MONTAGE REPEATS - Vihan gets up, brushes, eats hastily, and goes to work, the routine taking a toll.

Scene 4: Disappointment at Work

INT. OFFICE - DAY

WIDE SHOT of Vihan in a meeting room as his MANAGER scolds him for a delayed file submission. His
shoulders slump, and he nods quietly.

CUT TO:

INT. APARTMENT DOORSTEP - EVENING

MEDIUM SHOT as Vihan arrives home, noticing a small BOX on his doorstep. Curiosity flickers across his
tired face as he picks it up.

Scene 5: Rediscovery

INT. LIVING ROOM - NIGHT

MEDIUM SHOT of Vihan sitting on his couch, opening the box.

INSERT - Childhood photos, an old drawing diary, and a note from his MOM: “Remember what makes you
happy.”

CLOSE-UP of his face, a subtle smile breaking through as he flips through the diary, rekindling memories of
his love for drawing.

MUSIC CUE - Soft, reflective music starts, indicating a change in his emotions.

CUT TO:

INT. BEDROOM - NIGHT

CLOSE-UP of Vihan drafting an email to his boss: “I won’t be coming in tomorrow.”

He lies in bed, eyes open, gazing at the ceiling with a hint of excitement.

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Course Code: BA (JMC) 253 Video Production Lab

Scene 6: A New Beginning

INT. BEDROOM - MORNING

CLOSE-UP of the alarm clock ringing. This time, he stops it with a smile.

WIDE SHOT of Vihan dancing to upbeat music as he brushes his teeth.

INT. KITCHEN - MORNING

MEDIUM SHOT of him preparing and savoring breakfast, looking relaxed and happy.

Scene 7: Rediscovering Joy

MONTAGE - Vihan reconnects with life:

MEDIUM SHOT of him calling old friends, laughing.

WIDE SHOT of him binge-watching movies on the couch, snacks around him.

INSERT of him looking at old drawings, smiling.

Scene 8: Calling Home

INT. BEDROOM - NIGHT

CLOSE-UP of Vihan lying on his bed, holding his phone and talking to his mom: “How are you, Ma?”

WIDE SHOT of Vihan smiling, feeling a sense of peace.

CUT TO:

INT. BEDROOM - NIGHT

CLOSE-UP of the side table, focusing on the ALARM CLOCK and the MEMORY BOX beside it.

FADE OUT

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Course Code: BA (JMC) 253 Video Production Lab

Technical/Equipment Requirements

S.NO Equipment Required Quantity

1 DSLR Camera 1

2 Microphone 2

3 Tripod 1

Crew List

Designation Name

Director Shriya Gupta, Mehak Talwar, Nistha Gupta

Ideation Mallika Gajwani

Script Writer Nishtha Gupta, Mehak Talwar

Camera Shriya Gupta

Sound Recording & Video Editing Shriya Gupta

Talent Vishes Nagar

Supporting Roles Mallika Gajwani, Ananya Gupta,


Mehak Talwar, Nistha Gupta
Special Thanks Hriday, Kushagra, Vandan, Pihu, Pari, Riya, Riddhima

Submission & Publicity Plan

Google Drive Link:


Social Media Link:

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Course Code: BA (JMC) 253 Video Production Lab

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Course Code: BA (JMC) 253 Video Production Lab

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Course Code: BA (JMC) 253 Video Production Lab

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Course Code: BA (JMC) 253 Video Production Lab

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