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UMT 800 Studio Condenser Microphone

the m7 capsule mic for all applications

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riad
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0% found this document useful (0 votes)
72 views2 pages

UMT 800 Studio Condenser Microphone

the m7 capsule mic for all applications

Uploaded by

riad
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

SEIT 1928 KONDENSATORMIKROFONE

FÜR STUDIO - UND MESSTECHNIK

M I C R OT E C H G E F E L L
UMT 800
Transformerless Studio Condenser Microphone
with switchable polar patterns
The UMT 800 is a large format studio microphone featuring a
pickup capsule with a long history of reliable performance. Five
polar patterns make this microphone an ideal choice for a wide
range of professional and semi-professional recording
situations.
The UMT 800 produces a clean colorless sound ideally suited
for accurate recording of instrumental and vocal soloists in
music studios, motion picture scoring stages, and television
broadcast studios. Two distinguishing characteristics of this
microphone are its high sensitivity and the outstanding signal-
to-noise ratio.
The pickup capsule is a pressure gradient transducer using
dual diaphragms and a single brass back plate. The large
diameter plastic diaphragms are gold-sputtered. Varying the
polarization voltage of the diaphragms with the pattern switch
located just below the head grille, produces five patterns: omni,
wide cardioid, cardioid, hypercardioid and figure 8.
The direction of maximum sensitivity is perpendicular to the
microphone's axis (side addressed).
The microphone preamplifier is a transformerless design with a
symmetrical output stage. This design yields a wide dynamic
range and a low self noise floor. The sensitivity can be reduced
by a 10 dB switch located on the body of the microphone when
recording very loud sound sources. A low frequency roll-off
switch also located on the body of the microphone, reduces the
proximity effect for close-range applications.
The microphone is equipped with a standard 3-pin XLR
connector fitting to a microphone cable, e.g. C 70. The
operation voltage for the UMT 800 is provided by 48 V phantom
powering according to the international standards DIN 45596
and IEC 268-15.
It is available in a satin nickel or a dark bronze finish.
Delivery
Microphone UMT 800 in a wooden case L x B x H 262 x 107 x 84 mm
satin nickel Order-No. 211143
dark bronze Order-No. 211144
Accessories, optional
Windscreen, anthracite W 80 Order-No. 202406
Popscreen, black PO 70 Order-No. 600018
Microphone holder, turnable, satin nickel MH 80 Order-No. 202320
Microphone holder, turnable, dark bronze MH 80 Order-No. 202322
Elastic suspension, satin nickel EA 92 Order-No. 202312
Elastic suspension, dark bronze EA 92 Order-No. 202313
Power supply N 200 Order-No. 202101
Connection cable C 70 Order-No. 202212

MICROTECH GEFELL GMBH GEORG - NEUMANN - PLATZ D-07926 GEFELL TEL. ++49 (0)36649 / 882-0 FAX ++49 ( 0) 36649 / 882 11
INTERNET http://www.microtechgefell.de e-mail [email protected]
Specifications UMT 800 Certificate
Polar patterns omni, wide cardioid, cardioid, hypercardioid, fig-8
Acoustical operating principle Pressure gradient transducer
Frequency range 40 ... 18000 Hz
Switch position "reduced bass roll-off" at 90 Hz -10 dB
Sensitivity 8/cardioid 13 mV/Pa
Rated impedance 150 Ω
Equivalent loudness level CCIR 468-4 (qps) 26 dB
due to inherent noise DIN EN 60 651 14 dB - A
Equivalent loudness level CCIR-weighted 68 dB
due to inherent noise A-weighted 80 dB
Max. SPL for THD ≤ 0,5 % 139/135 dB
with 10 dB preattenuation 149/145 dB
Total dynamic range of the microphone preamplifier 121 dB
Current consumption (P 48, DIN 45596, IEC 268-15) 3 mA
Output connector 3-pin XLR connector, goldplated contacts
Weight 540 g
Dimensions (L x ∅) 195 mm x 70 mm
Finish satin nickel, dark bronze

0° 0° 0°
10 330° 0 30° 330° 0 30° 330° 0 30°
dB 0°
-10 -10 -10
0 300° 60° 300° 60° 300° 60°

-20 -20 -20

-10 270° dB 90° 270° dB 90° 270° dB 90°

-20 240° 120° 240° 120° 240° 120°

-30 210° 150° 210° 150° 210° 150°


50 100 200 500 1000 2000 5000 10000 20000 Hz 180° 180° 180°
omni
0° 0° 0°
10 330° 0 30° 330° 0 30° 330° 0 30°
dB 0° -10 -10 -10
0 300° 60° 300° 60° 300° 60°

-20 -20 -20

-10 270° dB 90° 270° dB 90° 270° dB 90°


180°
-20 240° 120° 240° 120° 240° 120°

-30 210° 150° 210° 150° 210° 150°


50 100 200 500 1000 2000 5000 10000 20000 Hz 180° 180° 180°
wide cardioid
0° 0° 0°
10 330° 0 30° 330° 0 30° 330° 0 30°
dB
0° -10 -10 -10
0 300° 60° 300° 60° 300° 60°

-20 -20 -20

-10
180° 270° dB 90° 270° dB 90° 270° dB 90°

-20 240° 120° 240° 120° 240° 120°

-30 210° 150° 210° 150° 210° 150°


50 100 200 500 1000 2000 5000 10000 20000 Hz 180° 180° 180°
cardioid
0° 0° 0°
10 330° 0 30° 330° 0 30° 330° 0 30°
dB
0° -10 -10 -10
0 300° 60° 300° 60° 300° 60°

-20 -20 -20

-10 270° dB 90° 270° dB 90° 270° dB 90°


120°
-20 240° 120° 240° 120° 240° 120°

-30 210° 150° 210° 150° 210° 150°


50 100 200 500 1000 2000 5000 10000 20000 Hz 180° 180° 180°
hypercardioid
0° 0° 0°
10 330° 0 30° 330° 0 30° 330° 0 30°
dB
0° -10 -10 -10
0 300° 60° 300° 60° 300° 60°
180° -20 -20 -20

-10 270° dB 90° 270° dB 90° 270° dB 90°

-20 240° 120° 240° 120° 240° 120°


90°
-30 210° 150° 210° 150° 210° 150°
50 100 200 500 1000 2000 5000 10000 20000 Hz 180° 180° 180°
fig-8 1 kHz
250 Hz
1 kHz
2 kHz
1 kHz
8 kHz
500 Hz 4 kHz 16 kHz

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