Guitar Fretboard Mastery Program
Guitar Fretboard Mastery Program
This newly updated 30-day Fretboard Wizard program uses a carefully crafted “micro-learning”
approach rather than the traditional information firehose of online courses or college curriculums.
This format has been shown to increase completion rates by up to 500%. This means when you invest
in Fretboard Wizard, you’re much more likely to see results. Here’s how…
First, we’ve selected the most potent 10% of all music theory that guitar players use nearly every time
they pick up the guitar.
Then, we’ve painstakingly sequenced this information so each day builds on previous days in a
carefully layered progression that pulls you through the program.
Finally, we’ve connected what you’re learning in Fretboard Wizard to the TAC Daily Challenges so
you can reinforce your new knowledge with hands-on guitar playing. This cycle between fretboard
concepts and your daily guitar routine will speed up your understanding while giving you a deep
sense of fulfillment.
Use the quick reference section of this course guide to practice your new
fretboard skills in the TAC Daily Challenges.
WEEK 01
This is the most foundational element of fretboard knowledge.
Musical Everything you learn in the rest of the program will build upon this
simple framework. Get ready for plenty of lightbulb moments! This week:
Alphabet learn the musical alphabet, create a major scale (and why it’s important),
find the key by ear, and learn the minor scale formula.
WEEK 02
The Chord Matrix is a simple tool you’ll use to find scales, chords within
Chord Matrix a key, and notes for improvisation among so much more. This week:
learn how to make a chord matrix, anatomy of chords & how to make
Fretboard Tool them major or minor, find the chords to a song by ear, and learn the
Nashville Number System that allows you to change keys instantly.
WEEK 03
Using the previous two weeks as your foundation, you’ll learn how the
CAGED system helps you find chords, notes, and scales in five different
CAGED locations to connect & unlock the entire fretboard. This week: learn what
CAGED is, focus on one chord shape and scale shape each day, then
see how they all connect. Prepare for your mind to be blown!
WEEK 04
This week you’ll connect all the concepts you’ve learned so far to actual,
hands-on guitar playing. This week: Learn the basics of improvisation
Building Blocks by playing a scale over a chord progression, get a bit more musical by
playing chord tones as you solo, add even more to your solos by finding
of Soloing the melody of any song, learn to find harmony notes (and the secret to
arranging any harmony!)
WEEK 01
WEEK 02
WEEK 03
WEEK 04
Day 5
Building Day 1 Day 2 Day 3 Day 4
Review &
Foundation Find Chord Find the Find the
Blocks of Soloing Tones Melody Harmony
Completion
of Soloing Certificate
3rd Fret 5th Fret 7th Fret 9th Fret 12th Fret
E F G A B C D E
B C D E F G A B
G A B C D E F G
D E F G A B C D
A B C D E F G A
E F G A B C D E
Using the low E string find the Name that note using the
STEP STEP
lowest note that works through the
01 entire song
02 musical alphabet
· Every series of natural notes issues a mode, a mode is an arrangement of whole and half steps.
· There are many other modes, but for simplicity, only concern yourself with major and minor modes.
· Model minor scale is A B C D E F G A
· Minor scale formula: W H W W H W W
WEEK 02
Creating a Chord Matrix allows you to see what chords are in a key and which notes each chord
contains. This can provide a wonderful basis for improvisation and give you some guidelines when
choosing which notes to play over which chords.
The chord matrix will show you the tonality of the chords — Major (M), Minor (m), or diminished (dim)
in whichever key you choose to construct it in.
The major key chord matrix also reveals the universal rule of any major key’s scale/chord connection.
The chords in any major key will follow this pattern:
The minor key chord matrix also reveals the universal rule of any minor key’s scale/chord connection.
The chords in any minor key will follow this pattern:
Workflow
STEP 2 Starting on the 3rd of that scale, write the scale in row 2 (this row is based on the 3rd degree).
STEP 3 Starting on the 5th of that scale write the scale in row 3 (this row is based on the 5th degree).
STEP 4 Once constructed, note Major, minor, or diminished below the columns that correspond to the
scale degree (This is the universal major key chord rule).
1 2 3 4 5 6 7 (1)
(1) D E F# G A B C# D
(3) F# G A B C# D E F#
(5) A B C# D E F# G A
M m m M M m dim M
E X A M P L E 02
1 2 3 4 5 6 7 (1)
(1) A B C# D E F# G# A
(3) C# D E F# G# A B C#
(5) E F# G# A B C# D E
M m m M M m dim M
1 2 3 4 5 6 7 (1)
(1) 1 2 3 4 5 6 7 1
(3) 3 4 5 6 7 1 2 3
(5) 5 6 7 1 2 3 4 5
M m m M M m dim M
Use the chord matrix to see what notes are in a given chord, then determine if that chord is major or
minor and manipulate it to your choosing.
Once fluent in chord manipulation, there is less urgency to memorize basic chord shapes due to
your ability to “create” chords based on their inner workings.
What allows you to analyze a chord are the spaces in between the notes called intervals.
Within a triad, (the three notes that a chord contains) there are two types of naturally occurring intervals:
· Major 3rd - Equal to 2 whole steps
· Minor 3rd - Equal to 1.5 whole steps
The distance of these intervals is measured by calculating the number of steps between the given pair of
notes. Depending on the order in which the intervals occur, you will have a major chord, a minor chord,
or a diminished chord when using chords from a major scale.
1 2 3 4 5 6 7 (1)
(1) C D E F G A B C
(3) E F G A B C D E
(5) G A B C D E F G
M m m M M m dim M
C 2
A 1.5
B 1.5
E 1.5
C 2
D 1.5
G E F
• Between C and E there are 2 • Between A and C there are 1.5 • Between B and D there are 1.5
whole steps or a major 3rd whole steps or a minor 3rd whole steps or a minor 3rd
• Between E and G there are 1.5 • Between C and E there are 2 • Between D and F there are 1.5
whole steps or a minor 3rd whole steps or a major 3rd whole steps or a minor 3rd
• Due to the above layout this is a • Due to the above layout this is an • Due to the above layout this is a
C major chord A minor chord B diminished chord
Understanding chord analysis is crucial to your chord knowledge on the guitar. Once you understand
chord analysis you can then change any chord on the guitar using the following process.
Workflow
STEP 1 Make a chord shape.
STEP 2 Figure out the notes that you are holding down (hint: they will be in the chord’s triad).
STEP 3 Translate those notes into numbers corresponding to which row they’re located on in the chord
matrix (1,3, or 5).
STEP 4 Once you translate the notes into numbers identify the location of the 3rd (this could be
multiple locations depending on the chord).
STEP 5 Manipulate the 3rd raising it a half step to make any minor chord major, or flatting it a half
step to make any major chord minor.
A Am
Chords By Ear
Workflow
STEP 1 Find the key by ear.
STEP 2 Write out the corresponding chord matrix.
STEP 3 Identify the naturally occurring chords (3 major, 3 minor).
STEP 4 Start on the 1st major chord of the key (99% of the time this will be your starting point).
STEP 5 Identify the 1st chord change.
STEP 6 If it sounds happy, try out the remaining major chords, if it sounds sad, try out minor chords in
the following order (6m, 3m, 2m).
STEP 7 Repeat steps 5 and 6 for the remaining chord changes.
NOTE: If an odd chord change happens it will likely be the flat 7 chord or major 2 chord.
Major Chord Matrix columns will always result in the following chord tonalities
1 = Maj, 2 = min, 3 = min, 4 = Maj, 5 = Maj, 6 = min, 7 = dim
Minor Chord Matrix columns will always result in the following chord tonalities
1 = min, 2 = dim, 3 = Maj, 4 = min, 5 = min, 6 = Maj, 7 = Maj
Converting a chord progression to numbers then allows you to transpose to any key.
Major 1 2 3 4 5 6 7
Key of C C Dm Em F G Am bdim
Key of F F Gm Am Bb C dm edim
Key of G G Am Bm C D Em f#dim
Minor 1 2 3 4 5 6 7
Key of Am Am bdim C Dm Em F G
Key of Cm Cm ddim Eb Fm Gm Ab Bb
Key of Dm Dm edim F Gm Am Bb C
Key of Em Em f#dim G Am Bm C D
Key of Gm Gm adim Bb Cm Dm Eb F
WEEK 03
· The CAGED system is a way to navigate the guitar neck. It is a pattern for telling how chord shapes
and their associated scale shapes layout across the fretboard.
· The letters in the word CAGED are the exact order the chord shapes occur on the fretboard.
· The CAGED system involves two critical pieces of information: the first is knowledge of the 5 basic
moveable chord and scale shapes (C, A, G, E, and D), the second is the root note location for each of
those 5 shapes.
· Each chord shape in the CAGED system is moveable and wherever it is moved the root note will name
the chord.
E SHAPE D SHAPE
STEP 1 Pair the chord progression with the matching scale and play one note at a time. This helps you
get comfortable with the notes in a key that you can choose from when playing a solo.
STEP 2 Once you’re comfortable playing the scale over the chord progression, use rhythmic variation to
create phrases.
Workflow
STEP 1 Without the chord matrix, identify the root note of the chord within the scale shape.
STEP 2 Use the “every other note” approach to identify chord tones within the scale quickly and easily.
1 2 3 4 5 6 7 (1)
(1)
(3)
(5)
M m m M M m dim M
1 2 3 4 5 6 7 (1)
(1)
(3)
(5)
M m m M M m dim M
1 2 3 4 5 6 7 (1)
(1)
(3)
(5)
M m m M M m dim M
1 2 3 4 5 6 7 (1)
(1)
(3)
(5)
M m m M M m dim M
1 2 3 4 5 6 7 (1)
(1)
(3)
(5)
M m m M M m dim M
1 2 3 4 5 6 7 (1)
(1)
(3)
(5)
M m m M M m dim M