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The Tempest Notes
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“We reader 9 ko usin the
soot orgincnt i o # Vex underlined WOrds in essays poo Se a evels of meaming meaning ins —> wees in “Text lo i Se Mepning 0 Eee vo ches 4 cone > Kherad \ cholenc ow ~ Fi gurahve * Shaved no | ponents 4 Concepred rene — ule? tke stuck monies, ore * ve fo eH tenias a a a a a 4 t 1 t (aEvfizabethan ( Jacobean Exnglank “The Ghtmnlretherndiea tok place from TBETEEOS and Is considered by many histonans to be the golden age in English History Dunng this era England experienced peace and prospenty while the arts flourished. The time period is named after Queen Elizabeth | who ruled England during this time The Elizabethan Era 's perhaps most famous for its theatre and the works of Wiliam Shakespeare E Renaissance theatr he opening of "The Red Lion’ theatra in S67 Many more permanent theatres opened in London ove ext several years including the Curtain Theatre in 1577 and the {gmqus Gigs Theatre in 1599 The period produced some of the world's great playwrights including Chostopher Thelimesbewrere was the time when James | was King of England, between [OUOMENBRE] Ve ale ‘Jacobean’ era because Jacobus is The Latin version of the name ‘James, Jacobean art and culture was heavily influenced by the {art and culture of the Elizabethan era. It was also Influenced by ancient Greece and Rome During the Jacobean era, England and Scaliand offically Became one country the Unied Kinadom During an event we now cal thexGumpawdlenPlot, 2 group of religious extremists ined to [Link] the English ‘Padliament building and kill King James on November 5, 7605 uckily far James. it didn't work out Dag i i eects coming oth vas founded n 1607 andfmmout=Meveeehnete] as founded in 1620 ‘Though rich, Jacobean literature is often darkly questioning, William Shakespeare’s{reatest tragedies were written between about 1601 and 1607,JOther Jacobean dramatic wnters became preoccupied vith the problem of evi the plays of John Webster, John Marston, Thomas Middleton, and George Chapman duce al the terror of tragedy but ite hits ply, Another feature of crama al this time, however was the development of the which reached ts Merary peak in the works of Jonson and Inigo Jones. come ae ee Se ae i elGreat Chain of Being: The Divine Order People. including c ing] The Divine Order was the Bre ploce- ancl ved Ste Thefoors anita person or object had the more pow? mpie of the Divine Order The Great Chain of Being Elizabethan die ofeowrse society was ek based on this Ren idea (a sort of hierarchy). twas ad almost impossible ery to move between reson human divisions nena J Most Amount of Spirt/Highest on the Divine Order- God Angels (ceraphin,cherbim) Humans kings, merchants, me, wemen) Animals (rice, dogs, ona, ee) Plants (grass, trees, oc) Leost Amount of Spit Lowest on the Dine Order- Nonlving Objects (rocks, metal, etc) | ‘Within each category there was more specific cataloguing. For example, humans were Helieved to have sifferent amounts of spirit. An example of the Divine Order for humans: Most Amount of Spint/Highest on the Divine Order- Kings | Queens Nobles | Merchants, Least Amount of Spirit/ Lowest on the Divine Order- Peasants Within families there was even specific cataloguing Most Amount of SpiniHighest on the Divine Order ~ Father Mother Sons Daughters Least Amount of Spiril/ Lowest on the Divine Order- Servants | WeEeeee eee ee PBF | - -What does all of this mean? The more "spin the person or object had. the more po» people or things below inthe order Poopla mn Eizavethan (God sst up this ordeij and wanted it to be followed lf someone or something ware to-break the f Yak being obedient to whatever was abo. s fs Bagge’ bet D beleved to bnng bigger sunishmerts by maller punishments For carpe | that a natural disaster (an earthquake @ om hha father. Eizabethan people believes theo Convenient way for people higher n tne Divine © What does this have to do with Shakespeare? ‘Shakespeare[believed in the Divine Order_and many of his plays revolve around this belief] Macbeth, Ta Romeo and Juliet, and Hamlet are just a few of lays that reflect Shakespeare's belief in the Great Chain of Being and his desire (0 maintain ‘God's Order. How can this apply to The Tempest? Renaissance Humanism Humanism is the term generally applied to thefbverreaching sacial and intellectual, philosophiedlof the Renaissance era, or roughly the period from 1400 to 1650, in which the ‘beauty of the individual was elevated to pre-eminence, To puttin simpler terms, humanism is thelpelief that man has beauty. worth, and dignity The retum to favour of the pagan Greek ‘and Roman classics stimulated thefPhilosophy of secularism, the appreciation of worldly ‘pleasures. and abave all infensfed th nalindependence and individual[ The history ofthe te Lindon meen arm human is complex but enlightening. It was frst employed by philosophy ana pets fo the Renaissance emphasis on classical stuces of Greek Philosophy Te nie I included the sty of poetry ett, istry and mora Fates exert Test NOt hurantas’ denoted the development of human wrest their prudence foresee eet were understanding, benevolence, compassion, mercy asic ORueNE and even lve for honour. The source of uantas was einan fae ae human vitues instead of goay svength and omnipotence. They accepted V and the abilty of man's rise and ste ng ee OOK place in aly and inthe sistenth certury,t spread to England Soena Merle, polis, education, scenic and rational outlook. The words of Francis Sn cptamise Renaissance humanism ven he saic he took al aeas of knowledge a8 aes afumanism was thus applied to iassicism, modem concep of humanities and procical ame es’, Humanism gave rise to modern social science which became a eeeee sretument of social inquty. Renaissance realism also involved the unblinking cxemination of human uncertainty, fly and immeoalty. Personal autonomy and vdualism characterised humanism, leading to critical scrutiny and settinguy Bi h What led to humanism? During the Middle Ages, between about the 3rd and 13th centuries, fe and culture were primanily focused on the Church and religion, However, toward the beginning of the 14th century, the power of the Church began to greatly decline. This dectine is the main reason for the development of humanism, as people became less interested in thinking about God, the afferife, and the saints and more interested in thinking about themselves, their natural world, and the here and now. Many historians believe there were two main causes of this decline, the first being the bubonic piague which ravaged Europe and killed over half of many countries’ populations The Church was helpless to stop it. The second, and perhaps most profound reason for the decline of the Church, was the rise of the market economy, As money began to be amassed through trade, the power of the Church declined even more. From this rose city-states and monarchies governed more by economy than religious restriction. ‘The humanist mentality stood at a point midway between medieval sunematuralsm and the fem scienific and cilicalatttude, The man of the Renaissance lived, as it were, between two worlds. The world of the medieval Christian matrix, in which the significance of every phenomenon was ultimately determined through uniform points of view, no longer existed for him On the other hand, he had not yet found in a system of scientific concepts and socialn other words, Renaissance man may indeed faith and reason, principles stably and secunty for his have found himself suspended betw A the grip of medieval supematuraism began to diminish, secular and human interests became more prominent. The facts of individual experience in the here and now became more interesting than the shadowy afterife. Reliance upon faith and God weakened. Fortuna (chance) gradually replaced Providence as tne uriversl fran reference. The present world became an end in itself instead of simply preparato to come, Indeed, as the ag ance humanism wore on, the distinction be world (the City of Man) a of God) tended to disappear. That aspect of humanism which ca ;overeignty of tyrant, feudal for, Corporation, and tradition, has, for beter or worse, had a tremendous srs egy on Cuspa ioe 1 Ges tg ose cele Food individual expression and opposilion to authonty was first brought othe surface an an integral pat of the westem intellectual tradition. 1 influence ypan the Humanism and The Tempest In The Tempest, Prospero is a metaphor of the civiizing power ofthe artist and ducator His magical ads tame and the tsmpesis of tuman nature He possesses noble qualities of generosity, compassion, friendship and wisdom, ‘Shakespeare had a skeptical outlook and therefore presented human problems that result rom human weaknesses, ‘Skepticism san integral feature of Renagsance humensm He pays present Bian opasiton uch aston = contemplation. thean versus practice, 3 igniy versus depraviy, ndivicuaism) z versus society and soon ‘Shakespeare did not have much formal education unlike other dramatists of the period. & However his education was dearly grounded in humanism. n Hamiet and Julus Caesar, ies the principles of Renaissance humanism are dearly able. He celebrates humanism even in pile his tage pays, Hamlet, King Lear, Othelo and Macbeth sufer and meet api death but despite er sengs ey eb ote han ales ke compassion rue se pare ane rok fhman es case etsy en oa ta onese pation ie sea oaeacsses rarest Sethe Egan a rare ad die nah oe held Pal man ether al 03 nr al Saya and dine naturel Shakespeare premise ta a bad. i in The Tempest, rosceo represents Renaissance humanism. Ho onbodtes ont Renaissance spn fa dese fo lean and uphold justice ond inddualsm. AY the end, be evans ures magic that stands for power He res the noblemen from his magical Foner fo show Mises we ereunsian, ‘hat men should contol and shape their nm laws. They should have free access 10 Iinowiedge and earring. Renaissance humanism hghighted the idea that every indvicual must be a responsible clizen and leader inthe communi Even Prospee's fanaticism vith magi and education make him an rresconsbie,hearess ruler Howover, Rrospac's trageness and generosly symbotse Renassance humansm andthe fesh idea ofElizabethan Women Eventhough there was an unmaried woman on the tron in Eleabefan England, the roles women in society were very ied. The Elzabethans had vary cet expectations of men and women, and genera men wor expects oben ease ANS YORED tobe housewives and mothers. Or average. a woman gave bith to 9 child ever) Wo years, But as 4 lot of babies and children died from sickness, families were not always large. Steabethan society was patra ‘meaning that men were considered to be the leaders ind women their inferiors Women were regarded as "the weaker sex", not justin. [Link] plugcal engl but ermstonaly too tf they were married, thei fusband waa expected fo Tok fier them, ff they were singléthen their father. brother or anotber male relative was ‘expected to take care of them. “J — a ‘Many women in this period were highly educated, lke the Queen herself. Women were not allowed to go to school or to university but they could be educated at home by private {utors Women were not atowad tare sna psteaon 8 law, medicine, poltcs, but they coule work in domestic service as cooks, maids etc., and a female painter was employed by Henry Vill and later by Mary and Elizabeth respectively. Women were also allowed to write works of literature. providing the subject was suitable for women: mainly translations of religious works, Women were not allawed fo-act on the public stage or write for the public stage. ‘ASting was considered dshonourable for wamen and women didnot appear onthe stage in Para inte coverterih century. n Shakespeare's pas, he rls of wornen were ‘often played by young boys. ‘Women, regardless of social position, were to vole (however, anly men of a. certain social position were allowed to ote), Neither could men inherit thei father's titles. tiles would pass from father to son or brother to brother depending on the ‘ercumstances. The only exception was, of course, the crown.Arranged Marriages and Contracts InEtaabethan Enoland, the woman had ery le, any, choice in wh her husband might be Mariages were fequenty axenged so that both fies involved would beni, so ta the marriage would bring prestige or wealth (o the family. The children of landowners would be expected to mary tsineresea the aze othe acreage. Young mon were voateo in @ similar way to worten, Many caupies met forthe very fretlime anther wertdng day 7h was pariculary the case and polial purposes, rat ‘marriage Elizabethan women were expected to run the households and provide children. The law gav' re husband ful rights over his wife. She effesivaly Became 40 Fna Fis property” Fable buh de ne \Witn parental permission the legal age for Elizabethan At Mt marriages was as follows ign + itwas legal for boys to macy at 14 mio 5 ‘twas legal for airs fo marry at the age of 12 twas not usual for marriages at such young ages. The actual age of consent was 21 and Elizabethan men would generally not marry unti this age. at Large families were the norm as the mortality rate for children and babies was very high ‘Many women made arrangement for the care of their children in case they themselves died during childbirth, Jacobean Views on the Supernatural In Shakespeare's time ignorance and supersttion held relentless sway over the popular mind. The woods were the haunts of fairies. Our modern enlightenment has driven away these gentle creatures from their ‘accustomed playgrounds, Witches and witchraft were fuly believed in th by the learned and unlearned. In Elzabell6 tite the persecution was not so fierce as in that of her successor, and though Some were executed, witches were usually placed in the pillory or ducking stool, or tested by a peculiar system of water ordeal, and not ‘condemned to death as they were later on ‘When the witch was thrown into a river, she —‘Sank she was innocent, if she floated she was guilly. Its not stated whether, being proved Innocent, she was ever rescued from the water. ‘With the advent of James of Scotland witeh-hur yan with renewed vigour. He was Crazed with the wich ent Saat ea Talo ‘madness. eS Te Kou His first Partiament enacted new laws for the punishment of witches, Many childish old women were hunted down, the victims of malice, or because they were old and il-favoured, and many of ‘them certainly believed in their powers, and in their familiars. ‘Supernatural forces were commonly regarded to be harmful and dangerous. It was believed ‘that they could cause destruction or damage to crops, or even harm an individual by using their powers. King James | was yery interested the supernatural, witches and witchcraft, After he became the King, he brought into effect an Act which made wilthicraft arroffence. ‘Those who were found guity of practising wtcheraft were either awarded death or their Property was seized. 1500 saw the start of a series of trials for treason. Three hundred ‘witches were accused of eben aaa te epnter Jame’, tis known that Jamies had morbid fear of viclonrGeath Theor these trials were of especial interest to him and he suddenly developed a very keen interest in demonology and witchcraft in 1597, James felt sufficiently knowledgeable about witchcraft that he wrote Rasmencnleae “This was an eighty page book that expounded his views on the topic an ‘twa gant aid othe ntoesuatSebae tal was going on win Europe about witcheral, The book has three sections on manic, SoTety andwtcheaTt ad one On spits Bos ahosts. By the ime he lef for England in 1608, witches were stil being arrested and of those arrested, half were executed. Between 1603 and 1625, there were about twenty E witcheraft tials a year in Sealand — neat 450 toll alt re acosed DAE ‘were found guity and executed GIE, IN FORME The aiscovery of wtcheraf, 2 1584 ofaDialegue, book by Regal Seok argued that inden tieeBoske aman beings could not summon ox Contrl pints. BUt no less igre than “ames |, who ascended the Engish throne in 1603, wre is-gun book man beings Paerise owe over epits—and aii ur vat power to ‘Shakespeare was taking a risk withthe ‘se of magic in The Tempest, which ‘was frst performed in 1611; he could hhave landed himself in prison or worse. Printed by Robert Walde-graned However, Shakespeare protected Primertothe Kings Majic, ABas97¢ Nonwol oy removing any reiious cova Corton ana by having Prospero Ge ama ‘up magie atthe end ofthe play,Historical and Literary Context sae Sen pase Era of Expl ration anc Colonisation es and fueled publ interest and excternen a lengthy testimonial acount of ‘echoed in shokerpenr's pastors) om stachey. Tis reate to 1609 spre of strache's letter way describes how for three das an four i work together ina desperate effort to keep te ship fet. Landa was sighted the captain managud to et the sin close enought et everyone safely onshore Strachey writes of the greater violence of te strm we could not apprehend in ‘urimapinaion He ecounts hee fears the place would be inhabited by ‘devils sed wicked spit relieved to ind he land wat actualy habitable’. Colaboraton had saved theives, the net yeae spent reps undl they sucessfully completed ‘heir woyeee to Jamestown Utolan speciation about seu lands being governed in tote enigntened ways harp contrast to tse plunder that ypealy accompanied Ciplratorymisions Indigenavs culture and populations were aflen decimated by fisease, msonary ze and ensiavernent. renaissance fescnstion withthe 2a possiblities posed by the escovery of new Fane are reflected in some ofthe spacualve ideas put forward earyin the pay Dy (Gorzalo's monologue, ines 158-168 He fancflly envisages an ideal ization thot has sires to that outines in an sateenth cetury essay called" the Cotnioa: Ths wes written by Fenen philosopher Michel de Montaigne who described the primitive peope of Ri imaginey nation 5 belng so inherety good that there tnould be no need forthe norms of evsanon sah as business, written languagee222 Discovery Ant aly A with Native Americans, either as individuals or whole family grouns, enslaved and exhibited Elizabethan ‘Pastoral Romance’ Typical Genre Conventions Romance’ was nat a generic classification for Elabethan rams, yet the term soften used to describe ‘The Tempest’ is better described 2s ‘Pastoral Romance and includes many ofthe genre's converions and matis, These inclode the use of stereotypical characters, lots, seting nd themes but what helped make Pastoral Rornance’ popula was the inlusion of songs, dance and music as well as slapstick and crude humour Shakespeare added pryehologea depth to his major characters and rmetaphonial sues ae examined. Shakespeare dtaws on contextual events in ways that prompt the ausience to reconsider ides about governane, imperialism and eolanakist fexplotation. Calta fr example, te represented as fr more than a one dimensional ‘monster’ Rgure, forthe dramatist gives ths debased, embittered and lowly rate some of ‘the most Iriel ianguage inthe pay his languoge corweying he realty of the dispossession and enslavement he has sfered under Prospetols oppression, While his artempted rape of ‘Miranda and murderous plotngis nat condones, sorme empathy for his light I triggered bby auchence recognition of what he ht lost uit Prospero’ anwval and magieal power Setting ‘ction ina Pastoral Romance i stin remote and isolated places that serve as locations bf efugeor escape Inxplable events end to happen which ada strange, enchantes ‘ture tothe locaton which impacts on charactersin different ways For some it prompts feflecton, se awareness or growth hil others remain mune rs transformative power Shakespeare chooses an unrames land, described by Calban as being ‘en leagues Freyond man's ie 9s wellas"Uninabiable, and almost inacessibe’. Gonzalo refers to the ekscomfortingunfamilary of contraries ofthis barre pace which also has aneerie” haunting sort of music. As apy observed by Prospero, this confined, microcosm setting of Sprites and spits, Tis new to tee”. Phsialdstecation and emotional disorientation help rovise the trantormatve catalyst for reassessment and selfexporation for some of those tino find themeelves metaphorialy cast ait Fragmentary comments build a composite picture inthe aucienc's ind ofa “bare island ck ruse coustine, indented with caves, rocky cfs and ovterops. Pockets of heavy raed forest are found, such a the Tnden-grove' that protects Prospeo's cave from the Vrorst weather and which provid the logs that Caliban and Ferdinand must arr. What eecbles Prospero and Miranda to survive such an inhospitable environment ite fact that hbo had reveled sources ofrezh water and every fertile inc of land. His welcoming Geheresiy ed however, been expleted and lef eniaved and tormentesby magic He has Beth stripped of home and sutonony, "In dreaming/the clouds me thought would open, eee ene ches/teady to op upon me sa when waked) eed to ream againThe audience takentoa magical world, described Avelin Act Was desolate et ‘isanbihetial qualities; physical bleak and yet capable of ‘ving delight, ring not The motey group that find themselves thrust together on this foreign shore, sty extibit fering behaviour and outlook. This diferentes the varus nie shows repentence for their wrongdoing fom the vilainous lk Antonio who remain usmoved and beyond redemption. Their tering reactions tothe spectacles and tory expences Coriured by Prospero’ mage indicate tel character and moral worth Piyseadfocotion 's commonly used Pastor Romance ta dsovientchaaciersso that they ave prompted to, ‘assessment oftheir actions and their relationships, Characters Rulers are normally accompanied into ee or solation by loyal crmparions but Prospero only as bs infant daughter as a human companion uni he orchestrates Ns en being cast ashore Shakespeare replaces stock Pastors characte with more coon Dersonalities ike Ariel and Catan. arena sng, maser and servant rues ad cou are reflec of the socal and histor contest of he ply The anther vilanous ae drawn from mised soci back ituous et 1rd but Shakespeare retans he {pica pastoral hero and heroine as representative figures but without developing ther: © any erat depth. The ‘admirable Wlrandaperortes goodness, and nsulien byte evs of cisaon, an equally wtuous sito fs her 'S perfect andso pees hie the pastoral solution phase typically ees wrong forgiven andesvangd Kinsmen cone the postive natures of some on Posper'sisnd are oft bythe duplctou Sebasta {and rnculo andthe unrepentant tone Plotlines and Themes The typical five Act Bizabethan structures we but opens in the mie of ers 8 fssensin beore a sve of complications ar reerate hal achieve eso ton and restored stabity. Reconilaton, repentance ana frganoes re recurring theme’ and ‘hese ae reinforces by varations of the binary oppositions ofimnocencee goodness ‘versus ei or wickedness, youth versus ago, and soperetiton versus ely, Two paral lots are often found that ivche elatonsis between parents nd thei cMuren or Feltes ana can ive the forces of ft, forune and providence Thee commited by the parents or elders of ene generation being smcrated or overcame bythe prome of marrige ana future faring in the nest. The ov plot between the hero sna heraine ‘suwsaly eset by problems tot thecten to feep them apart for ne ble they on wed. Shaespeare ues gene deve in developing the stant afecton between Fernand anand Oarenaon eves te eter go hrc changer Rance iro gp else sho Prosper nd mos of pve Saepee ces seh opal coneatoe ons anescoe bata sh ance cee eae fore ne prone rr ono apt ed un roan Coie conra hsereses ots cots Yat eae ated repre The mph ve on ly are mersestenne shorts ‘ie clone say onset wrote andra xcept vant some bao ok hone tenes ‘2a! harmony and moral behaviourDiscovery hn ey so eb Characterisation Prospero The protagonists onmerts, actions an maga power, el develop awareness of reader issues at play than thote commonly deat wih in Pastoral Romance. Parallel frerienc stall ued nthe sub genet iflerentiate rtvous ad snows characters bt the las stong pol tet aff the exten owe a eat Doliical overthrow, hes dstupted the natural order’ The mirocosmic island cenario echoes a much larger macros representation of how ambition, greed and onli quest for power can instigate net only te discovery of other worl and tures but also thelr evertiow an explotaion Shakespeare's epresenation of his wed master ilisonst begins with the plays opening tempest which tetifes crew and 1s enemies ore Brought under Ms power andeast ashore on ths strange and v" bie where he hasbeen force t ve forthe past twelve yes. Their feelings of placamant and wanarabity, echo what he hag expericnced years before, and siafary sge m many but not al moral reassessment of human relationships, on politics oni guile forvegroundted in the contextual eta of what revealed 10 Mirend, ‘mltanesurly informing daughter and audlence alike, of who they realy ae and how they came to be ctf fm hurnan contact Exile has prompted introspection nd recognition of personal flaw ane folings;Propsparo admiting his selfshly indulgent quest fr eowlegge, my liorary/Wos dubedom frge enough Personal obsession had undermines is ole a leader which enabled Antoni to sete contol but what realy condemns bre savtessnensofabondoning bs brother and neice to the waves. His ack of only provides humanity is countered bythe compassionate actions of Goneales who not provisions but also some of his mate's precious books. tis iting that an ermbitteres Usposed Duke, has effectively reversed the roles of powerful and powerless a5 the Castaways srugle ashore nitoly unaware of who has survived and who has perished Comments and ations demonstrat thal Prospero can be quic tempered and petwlent Snd at Sms, even ungrateful to Ariel Such faults humanise the protegorist and avickly Show that tragedy con oneal spark positive self assessment and altered outlok ouahty arrogance is shown towards Calban however, despite the hie-saving help he gave tier father an daughter fst arthed. Once Prospero’ authority was challenged, Caliban i and kept submissive by magical spells and demeaning wias deposed from power enslave jon have echoes of the treatment. These ciflering depictions of ispssesion and expotai TRlonist voyoges of dicovery happening at the time the play was writen showing the seetntsot those in autherty andthe sufring of the oppressed. Prospero’ folly hos been Pine by newcgsined insight and brightened understanding inthe same way that tempest Ghiacive ae redemptive ctalys for many ofthe castaways. This f part of his titi nocd out plan to punish is foes in ways that wll make them question ther wrongdoing speare uses thee key illusions a prompts for penitent reflection; the Harpy’ raat he beteathal masque and revelation of Ferdinand and Miranda playing chess paneer ces thee worth atthe begin ng ofthe final act, ‘Now does my project gather to ae shold over his foes (sala visual oinforced bythe spellbound magic circle tut 2 redemptive plan has largely served is purpose, Ariel is tstructd to break helt 2a egotre hei senses and they shel be remselves Displacement coupled with eae tee sed os catalyst fr self-iscovery and areason fr ateingautook and are proupero eases that ceconcation would be cific for his ‘unnatura” brother, rans ite nz good cause fr sever eributin, he favours mercy. Convinced that his sn aaa nt alonso® gl elas contemplation of personal flaws including his involement in Pel intrgue. Pentance prompts moral re-evaluation whichis rewarded when Ne Finds stison not only ave but nappy inlove. Bath father bles their births and the dyrastic peace that offers, Antonio’ incalctrant and unvepentant stance airs that not all are ‘capable of salvation wile simultaneous affring Prospero’ moral suprintyinensuting that ‘nobler reason’ trumph over tury’ The sheer willpower needed when he sys "FOr You most wicked si, whom to cllrothr/Wauid even infect ny mouth, do forgive / TAY *ankest fat. orive thy ranest ful evdert in hie trze an ermotinaly loaded ‘ction. Antonio is unresponsive and without any ign of remorse, ee not/in the deity of my bosom He Is forced to ecede however to Prospero eptscy asthe ruler of Milan ‘when they leave the sland and retin hone onest appraisal of personal laws a pivotal part fthe redemptive process, fo Prospero hs come to recognise that ite! 2nd econaion must take the place of vengeance” and emnity. Caliban had been considered thing of darknes, ut Prospero 7st now ‘ecknowiedge him ‘mine with the cealsaon, the ereatres of this [Link] ae of monstrous shape yet more kind, gan ihan cu human gerettion’ Self discovery 30 steeses that leadership should eit kingly cas of lgrerac, personal worth an rmercifl justice The salemrised union between Miranda and Ferdinand vaidates ther Innate nobility but requires personal saenices if Propsero isto be werthy to ul, i frou my book. break my tal The restoration of justice ao requires the iberation of Catban and Ariel, thou shat ere long be Fee’ once the mariners have been fetched. ‘Magnaniity hasbeen demonstrated intangible frm and he can thence et me to my {an and resume his poial responsi ies. Dressed ins Ducal obes, he announces, “Ourrevels now are endec' marking the end of the staged masque rather than any speck {farewell othe stage but it has offen been read this way because he lens himselF £08 playwright by ashing the audience or her aplause, Ariel ‘e's ist appearance shows a desire for “bert, which s ascribed withthe words Be free that begin the lastline ofthe drama. This deske for reedom ils shown winen Prospero is reminded Ia Ae," have done thee worthy serie, Told thee no lies, made ro mistakings, serv Without or grudge or grumblngs” Ames, Praspero can adress Arie in threatening tones as being ‘moody’ hing as.a‘malignant tin” but tpiealy, more aectionate terms ae used, inating bird, ny industrious servant, "ny cick of| ‘my dligenceVirwous and wiling to pease, his‘ spi is described by Prospero as having been ‘too delicate’ wo have followed the'ebhorred command of Syarax and was therefore imprisoned na tee by help of her mare poten instr All adopt female farms including the Harpy, Cres o une 95 well as waternymph and marshight This “ricksy sis often depicted on stage as male but no speci genders mentioned in the ‘Ari's wondrous talents erable Prospero’ tasks to bi achieved in seconds or done ‘with ‘2 thought’ 9s mentored in Act W. The tempestuous storm is conjured in sucha way that Neptune himself, ‘Seem to besiege and make hisbold waves tremble Prospero praises ‘the "brave spirit. som, so constant who delghtsin the magical sounds, singing and strange music that fightensTinulo and Stephano whereas Caliban is almed by ts beauty. Four ofthe pays songs are sung Av wha also plashis pipe but an admonshing role Is also payed when he rebukes the ‘men of sin or supplanting Prospero and mocks the Useless threat they pose when they draw her swords. though nor-human, Ail shows ‘ermpathetc compassion fr the suffering experienced by Prospeo's castaways, suggesting ‘oh master,‘ you now beheld them, your affections would become tender-ine woul, were tun’ Ail joyously responds to Prospero’ granting of Ibert Dcovery ne Sy Arecce bk bras,j I scvey ea of Sh Amc od Caliban ‘Shakespeare’ representation of Catan, eects many Fiaethan perceptions 2rd Tors 17 cen geting cab wget Ss hen usurped and redutet best ‘hs most ying slave” and the deposed a Thou tobedst me apd mast much of me! as scung Nim ape the ne el grieved by what sees a jplestote ad by Msstemated rape of Mande who now har condematon tore abv, cling hima posenous sve‘ and rng of dre Charter coasts wth Ferioand {oo sointve bof snreredntha mle achat some hn of baenes/ ently ncergoe; amos oor mates Plt to fens Whereas Mid vews Caliban 2sbeng hing met bate ne ese arian’ ng sie” Heretic seen srartanted wien calben ene wtng Wine gt besten ae even watt, {eat him enough afer eine Fl Bentham 0" ‘The greatest chatenge to sterectypisl perspectives however salons ue of verze and ee refering to the aves ai ard Sounds of his ‘lord home. He fers reossurnce Be not seared the es flo ese which help Soothe him to scep, oferng refuge fem hi entavement, When waked / cried to {ream age His ntlectua peony ths lew plotersi most apparent NS use terse whereas Stephano and Trina se prose. Whereas the noble denigrate Coliben's Spoeerence and benavour e cin be equa eloguenl a show by hs use of eligious tetaphorin hoping tobe war hecen iar week for grace Some critics cst Prospero ‘the usurpe arguing tha Cait situation echoes how the Duke wat overthown Miranda and Ferdinand provpero, the prince of power’ as brought up a daughter, ‘perfect and so pers’ who (selon fourteen year ol and that coupled with her stcudes upbringing fr fom aarrsston maker ner naivety redible, Other than Caliban, ber Tater hasbeen her ony aa rany ond benchmark for atte and vals and ot asbecomes apparent inthe caret cenee she has not been tol anything about how and wy they came tive eae ed: ier comments suggests that he has been cunous but hat he father has. er ctormation uni now. Hernerjectons and exlamations and expression show aaa rfaly interest inthe pat snainnae intelignce Her comgassonicleet sere arto thove wio sem in el danger dung the storm, She alo shows 3 nee a a ratute when esi or those onthe bave vse who sem in gerne earns ine ferosous storm tht makes it Hy they le ‘Das a opedDicovery Ah Sh A sos bot ro pes her fers say, reret usb ns oe ered fore Pose dont a ‘Theres no ham. done’ beau the etl petal of the wre een rector he see oy er cues ge see Ire bon of ast evens buther min cami ncn se oma ese REYCUNE ince who had bated the surge most or tae sore. oe SHEN Gh oft hiking heist sre he goddess i ni atl inka 3 sub-genre convention and cary besotted he sees Mian ‘intl The geezer they are lin love and be berthed inthe space of ae Leora thd ony Hsreomet te nde hd an oe Hee soe serve in ore twin er action on he thers ape that he can be wah pen Pete 0 renounce tngdo and renann te oand tha with her contact mind omance yal ot Ptr aman, Hs couteous rest even pratt wth alton’ ad stempted rape Tne arenrh her, sco trot de ans tetchalege er tater utoryoy tgs ine one Peetno Tote the uh he ee gy, she even cabs er ater seglce heen ee ‘mariage organised by Aloo forhisdauyree Mianatt rity ous parm, sa bth dacsed atte beginning of Act aattltedbetothal neces ie athe nee nie pe Prince's wie went N25 potatoe ganador hand ape security purposes mrananans Insertion we emotond sticiments Seti erst Ferdinand pole ae" MaTy an they hep ealseantar rage ae peace vie rant candlaton wth Alonso, When viewing enon ‘Ris more understanda‘Alonso was mot by personal animosity towards Prospero as wel splay res Jon The econliaton snbtn arog ae uy tin tes stesso oe ane ae a Feraitbntorhaenutongede enw eg ponte er ac tay bea oem Bee ‘ormastand only 2 eos att alg Kecaattc coreicee Personel sufering makes Alonso recognise rag argh omen Mn an Se een peers eel Pie bisgused a a Ureateningharby,Aet stutter stn et ME Stone moon pepe ewer sere nent in overthrowing Prospere, making him less vilainous than Antonio. 2d cons eptd an ‘hore ate Innerent goodness 2 comgassonto young Mian Hest ai iefstricken king and makes fue ates to colin Ht a rience a ‘vidnt ine opering tempest 2d dase the constant moda om Sebastian, mains Smee optimist, even talking bout ne visenaryieas fora Utopan socety that woud not need or Everton sragitates- wealth or powerful ieaces Prospero fond acknowledges Goraaios GN sraesrce trem with the erent tat kp the ale as wo 2 some eases BOOKS eect hs arte the al act the usworty course talks abou the pact of divine providence, exaggerating that everybody has attained sl mowed. Antonio and Sebastian prosperotels Miranda about het ‘alse uncle” andi cers ey 2 ese wordy ends ond fois est goverment upon my rate We SS ree peter shoul /e s pects’ and with unexpected insih for 900 “hata re cna Sy, ood wombs hve borne bad on Aone BO aoe rrr buts reacherou shown by Nsimplacoble any fates ot hit of rere tor remorse, he eins eEOUSEDIY arog prompting Ne Pa wurder Shame Bt ala that eb wi be Keg instead of hs rahe oe sed ore oy an Seberang sacasticond mocking snd Pe brother voces no ae arit moral conecience “Twenty consciences tat sane Ce ‘and Nila, candied be Sa tele they molest! Sebastian aod ANON 38 ERY undiferentiated fellow rey ators, exept or Sebastian eredkary sah: he ‘unwarranted nature of thei acts Soeiel make ther behaviour even ore condemns yout the way he had amazed Stephano and Trinculo aoe typical of he folsfouna Paso OMe nd 76 50 cnaracter fils Toe et siepano call Cabana rave ronser: Whe crunk with ‘celestial peers Sephanois »ave apis ead 9 Nee him Te butlers coBrst aso and darken behav shows Ms ack of 9 Pt qualities. rincul is @ language ard who fea the wea te and’ Mane 3 ‘devi’ but he also earns arerrepathy fom te auence due toh Mock treatment of Caliban. Recognition anterior shows clas superr neler, PoE pied rinny's thst of oe incl serve as gots, aro vrs os Prospero who twelve Ye3"5 Srrner, had abused Caliban’s gene land, In Act vty in showing him ow to survive on hei tH a pt ees HDTV te Gul A he sland’ "Sounds and swe a ir ives hima voice that ike hs tlerty Calbar's short speech about aba yt isha mdse emai om he ince, ‘ilainous fellow conspirators Discovery An de Say ArsenConceptual Focus Magic and Verisimilitude usion prompts discovery and vransformat experiences test the castaways seen, {and full of wonder what they ee, heron 'ypes of places and relationships as well on ‘eatures like Clon and the figues inthe masgques ae dicovered oes 4 nesfound spprecation about what hasbeen los. Pastoral Romance distorts realy inorder 0 {eaflrm moral tuths and tmeless values about the importance of cal harmony. By being ‘Mera frcedto ook with new eyes, cathartic understanding becomes posse. Prosper ‘Botent art..rough magic’ magic isusaé ro bem te senses and Calben warns ofthe threat posed by Mirandes father because is otis of sch poe Prosper's mage unike Ares supernatural powers, hasbeen leued rom hie books Bs Caan mentions in hi advice to Stefane and Tincul,‘hamembor Fst to poseees Ns books, Caliban says to Stefano and incl, or without them H's ut» So" fs Books have empowered the exiled Ouke on Catbans le oneal, however they were aso the {use of is owntallby drawing him away fom carving out his proper dues ruler Arie’ skits and Prospero’ eared magi help create the impreson of ures! Worl snhancing felings of dorentation and vunerabilty thet the castaua fee The sland’s ‘marvelous sweet musics often mentioned, capable of mesmerising or fghtenng the fess, used by Ave to charm the mariners to sleepor to awaten them when necessary ‘such 95 his sngng preventing a murderous act Prospero even charm is deughter into sleep, making her drowry,"Thovat inclined to seem isa good dulines, sr give i way ion by distorting ond chaleging reality New le stangespectacies leave therm sweetuck eel causes them to speculate about eiferent consider what shouldbe valued ine. Strange Themost spectacular example of Prosperas power are the pley'smasque scenes, the betrothal masque described ty Feruinand as 2 most molest ion Shakespeare incorporetes them as examples of n nereasingly populr dramatic device tthe tine | omaostion. They were icredbiy expense to stage because they featured elaborate Sts costumes, masks and stage eects. They were also often accompanies by dancers ‘id musicians whieh all served to eigen the perception of versimitudeor faze rei. The visual spectacle was combined however wth simple pot tht were ypeatybosed fon themes, characters and Gods mal Goddeses om Greek and Roman ectioleee Virtues and vies were symbol repesanted as Shakespeare does in "The Tersest to alter persona perspective and promote rfective soul-searching and the need to recy. ‘ur koowiedge The combined mpact of superatul occurance, svangeasong ad imaginative mazques become part of of te chartering ad trensformatce proccess Prospero nas plone. References oat, fortune and providence have also bee part responsbie for bringing former foes to tis land and weretore unde hs contro. The oe ployed by ech lene is metaphorical interwoven inthe ply with the moi of seep ac dreaming, nc Ferdinand describes how, ‘My sinks, asa dream, are abound up’ whleSebortog te Act. refers tothe. 'slepy language en thou speeest/Out cl thy steep. What esvcinnne we personal suffering teaches also embeds in dream imagery, ‘ans rather a soap than an esurance’ but Prospero sresesit Best in Act, We ae suc stufAscteone ace ‘made on, and ou lite es rounded wth a lep: The ration a n magna ae Bbromets many elcoveris by sessing the ascrepancy between what real sed nny Tutonary a wall as what 8 moray valued or rejected as fase and vonDiscovery and Emancipation aa 2nd dreams force characters to ponder what they have seen. Sell inporere aye elo chalene aor sued ureton ard ar perspective Insight veusty res antformation depends on indiviats and ther inter-eaitionships but {nsem vu resut rom acne advesiy. Ts nghighs toot eersty cam on {he cata fr tansfomatve understanding adsl wrens Srateseete Makes sewn inthe way eer on renealy become the peta fr personal rd ea row a welesafring te socsl moortane of compassion justice td ederpe on ‘The fs of pst present and ture arenes the the bene sarees pli characters ihe Prospero and Alonso. Pogper'swelve year of lonely ene nave forced the *pecton requed forthe enston of seseal compucty mh oer Noe negation tty hn ye eer a's one natal a olde had rested ne sus wre oul dca ware commited sgn edie however becomes te veh rhs eranpeton, renga beter Uy lecings of vengeance inde serge fo ‘orgve even his unnatural’ ana ‘percious' brother but m AetV, he makes clear that erence required for his ather foe, Most erueli/Didst thu, longo, use me and my ‘ughter ne an others describes, 25 being wore than deus’ and rabble’ and vale's ereas Antonio is beyond salvation, aloneo accepts the rebuke and resign, entreating pardon for his wrongdoing. By ‘being penitent’ for his personal shortcomings, Prospero is mare wing to acknowledge the contrition and atonement of athers. Ths confims hs moral woth and strength of character which enies him to the return of is st cukedem. His superior warth is stressed by his having ‘pardoned the deceiver and proffered reconciliation rather than punishment. Simiary, Alongo had reslaad how his part inthe conspiratoral overthrow of Prosper haa asrupted rightul ul as wells showing 2calous disregard for ie. His a blessing for vne marriage of Ferdinand to the wom, who in infancy had nearly ded because otis actions, marks him as being worthy to return to cvisation as an enlightened leader. Miranda's innate personality and education, combined with positive nurturing has ‘ads her an adinrable and inteligent weren The mariage between the young lovers that Prospero's ats have encouraged will hopefully redress the wrangs oftheir respective fathers and promote social harmony and peace. ‘The enclosed and enchanted setting has alowed Shakespeare to contrast nature and society in ways that metaphorically stress notions of personal discovery and spiritual rebirth. The play challenges the assumption that civilised society is superior to primitive Cultures by showing thot the heartessness of Antonio and Sebastian is more fundamentaiy ‘monstrous than Caliban’s desire for autonomy and freedom. Olscovery and emancipation tre fused after Ariel fs tld to “break thelr charms, restore their senses ad they shall be themselves. The magician’ deeson thet the castaways Shalt have freedom’ including Caliban wo can then acknowledge, How fine my master i testifes to how outlook has been changed for several characters. Sea imagery in Act V stresses the purgatve cleansing ofthe ‘shore oftheir minds’ by the traumatic ‘sea-change’ they have experienced. His Future wil be marked by awareness that ‘every third thought wll be of ey grave’ but he asks Ariel ina last service before he is st free, to provide alm seas, auspicious gales’ and the audience's applause to fil their vessel's sais for their return voyage home Discovery A ef Sud A see osDacovery Andel Suly=Areous bot ches Dramatic Structure {Exposition (Act Seene | ani Storm css realsteally conveyedindislogue and sound Imagery Some ideas about choracters are revesled via comments made by Alonso, Antonio, Sebastian, nd Gonzalo. Focus shits fom the storm and shipwreck thoze onshore, Miranda is told, 2 prologue summary by her father about how he was overthrown and exled. Exposition finishes once ‘viel and Caltan ore nteduced and Ferdinand aves, Comalication and rising 2etfon (act, Scene i Ferinand ved Miranda fl instant in ove but a complication arises from Prospero inference that he againet he match, (Act I, Scene tand i} Gonaalo voces utopan ideals while Alonso and the others are put into.8 magical sleep. Antonio and Sebestian plot to kl the kings foiled by Ariel. Prospero's serious machinations against his enemies is offset by the come sub-plot pt by Calan, “Taneule and Stephano (Ret, Scene adi Ferdinand and Miranda plight ther woth while Caliban and others plot to kil Prospero. 1 Climax, esis or turning point (Act I, Scene ipantoni, Sebastien and Alonso are brought to a magical anguet prepared by Prospero. The banquet vanishes amst thunder and lghting and Anes Harpie werng {athe ‘three men of sy of ther punishment 1 Resolution a faling action {Act V Scene i The romance between Miranda and Ferdinand is recognised by Prospero; their marsage contract marked by the Detrothal Mascue. aR: Prospero uters the farewell te his actors, aviel enters with news ofthe collapse of the Caliban pot. (ec, Scene i, 271}Prespere now ha alls enemiesin his power, and he reves Ns Fenty when Avie! gives tim hs hat and rapier that he ware when he had been the Duke of \V catastrophe or denouement dct Soehe Eplogue) Ferdinand ae Miranda are ‘scavereploying chess, and Alonso fealiags that his sons allve and betrothed to Prospero's daughter The drama closes with Universal Forgiveness and the festiuson ofall thngs!Dramatic Style and Language Use heats carly heave earn of tgency Tne resten ven ht bese ltogs utes eave angen tenemos Teese maroc ceil ecco Seaton ey ry son ones haps ene oe ree accvondsepena ote meat ree vn casmof Antoni and Sebastien and mitten in blank verse, lab pentameter butte verseform offen vance oeverysay speech tothe extent that ames. it imostnsstiegu shable. This event nPospero's speech tis daughter the ota thy uncle This ada realism and breaks eve the real smoothness and Set against ne that ack hy, Solloauy tnd dramatic monologves lack the intensityof those found n tragedy but they ate si ‘anceptuallysignfiant a: seen when Prospco talks in Act Vaf what hasbeen achieved Though his use of mage rank sucha Stefano me reas bank verse The nobes typical speakin vere but characters offower socal and Tinelo use prose, thal low-comedy scenes lowering the 0 Fas greater dignity hich heighten the atmosphere. The boatsurin’s us of rose ort ofthe stren andthe nsolance that comes with ‘pening scene conveys the exten fe tempest. Inthe ral scene a the urgency of what needs tobe dane I tey ace to survive th however de bostswain uses blak verze ahs language is more calm and respect, [is complexity of character Prospero’ language contains imperatives that help essert is ‘Dower butt ao hes sone ofthe py chest imagery that includes efreness to Sea ‘Ton sleep and dreaming, Sound wmageyis used to suggest the damarovs noes of the ‘arbi storm that opens the play and many ofthe play's compound words als relat fo srenforce the powe of the sex: oe Sea sorow; 'sea-chane’, sea-swallowed sti ver sefetes sea, The pay aeohas seven songs, fou of which re “peony muse’ mentioned inthe ra ct 4 losing waters! 2nd Sung By Are wh aco creates the ‘hetsical spectacle such athe masque scene and supematura occurrences serve 25 Most ofthe masque sections re expressed In jean hymed couplets The smecther harmany and ena nce end-stopped ines creates a mare artical eguaity which suits he sortoF vis, tana ply fete ofthe masaue This evidetin the fated eto a eng ce wee between i's, Cees ad uroin the Act betratha masque, Shakespeare a earn as sentence length conflation and pace. Lengtier nara ston of aa sass Pospee's desrtn offs broths weachery, making renter ve of cee edetated sentences while Hott, erst structure suse in scenes where tore ese aeson emotion. Questions and exlamaions can ad fore ana foci and rases con aso add emphasis to wat is belng sid alitereton engthen the rythm or heighten melody, ‘et me remember ‘some oracle to rectify our knowledge: iambic pentameters, sing tial aco covery ta aa yA repetition of words and ph is frequently used to either thee what thou has promised!key Scene Analysis pening Terpest scene salvation left. Antonio's continued vitriolic attack sets him apart the otiers, despite the Act Three ~ Scene 3~ Banquet The banquet masque ian important turing pontine ply Frit riggers Alonso's reconciaton with Prosper. Regis with Thunder andghting’ andthe enya cel ike aharpy whe makes the sory banquet vanish jut as theives meno te bout seat. They ae aressed a Being mort unto ie and mes fool when they draw their swords for these ‘ministers of Fate’ are invulnerable’, The prime business ofthis scenes that they remember how they supplant good Presper’, boone ‘commiting the Toul ded! of casting "Wim and his inmacert hil nto these. They re ‘warmed thatthe ‘powers’ nave nt forgotten 2s shovm bythe punishing ston se Alonso's loss of is on. Contriton prompted wien Ail speaks of farther sultecing nthe torn a ‘Lingering perdion, worse than any death Before the Shapes entero carta tele, they are warned thay wil kaon nothng but Thear-srrow before vanshing in thenaees as crimes wil be punished, and Prospero pleated wth Aves performance and tho hisspectacular ‘high charms’ have Helped eit "and street Ns enemies Now ie oy Dower, he laves to vil Fersinand and Ni own loved darling’ Alone ord Seborrer act Serenity to whet they have witnessed, Alonso seeming traumatised snd grefsurehen: 10, monstous, monstrous in the bee ha hiswespae has eaeadsson pees bedded the cote” He heads of seeking tbe ‘wath tm here le mused Antone, seems unmoved however while Sebastian displays aogant confidence ta hes ght them‘one hend ata time’ Chorus ike, Gonzalo now comments on ths bares aEEERSSSLEEAA4 Act Four ~ Betrothal masque fore the masave begins, wich tates up most ofthe at, Prospero evs his blesng to and Miranda, This accompanied however by a stern warning to Frsinand hat are not to beak Micon’ “viegn not” before the wedding has been solernzes itsef affirms the hmenious soil functon of mariage in accordance ural order of if. Stockeharacter iacude reapers and nymphs, thei role 0 icbrat fertity and seasonl change trough typical Pastoral Romance mobs. Prospeto «stage manager, Sprit whieh by mine art / have from their confine called to enact ‘My present fances ut the masque requires Are’ many talents. These include the sft ‘music used to ntrouce i 'Nove come, my Al” Bring a corolary/Rather than want @ Sint: appear and perty/ No tongue All eyes! Be ent.” breaks up the main action vith espectacular spay ofthe power of mag; Prince Ferdinand describing as 8 mast 'malestc vison’ and acknowledges his wondered father’ Structurally, the masque algo marks the cormpletion ofthe lover's courtship and is larly ‘stinguished from te rest of the play bythe use of a more formal style than the use of unmhymed verse This includes yming couplets and the sor of elevated language thats Uses by the mythical enddezzes I, no ond Cares, the godess of harvest. Tis tre herald the ‘contact of tue lve’ whith challenges the typical maral arrangements ofthe time between noble fais which were poltical, dynastic contracts not requring any emotions! ttachment bmwean te coupe. uxtaposing artiice with andreas, the goddesses give blessings of honour, prosperity and plenty, suggesting thatthe wedang wl be fru Marriage represents ol harmony and rlumph ove discord. At the conclusion ofthe tnasque, Prospero adéresses ercinond andtells im that"We ae uch.” which reminds {hem all ncioding the audlence, thatthe masque, with alts heavenly creatures, snd rmagial wanders, is act ea Epilogue ‘Only when Prosper is alone onstage, does he announce that his eherms ae‘ eeeinrou nina is magical power, books and sta he asks his2udience tet your Indulgence set me fre’ tough thei applause. Critica debate has suggested thatthe logue is the dematis’s farewell to theatre but some scholars calenge that is meant serrervonal aegoy Frank Kermode argues that ‘Te Eile ~one of ten of Shakespeare's that survive’ wat a conventional appeal for applause Similar, Shakespearean academic David Crystal states that during Eicabethan tes, the eplogue was 2 conventional fexarescion of hut atthe end of pay, apologiing For any inadequacy inte fecformance and ating for applause While The Tempest was Shakespeare's nl Pavtance, he cosarae thee mare pays before he died, As such, no strong evgence Rggerts the Epilogue needs tobe viewed 35 theatiafarewel Discovery Aa Nea sy Ai ot fe chsStandord Modes and lectves-A ese bok be es The Tempest ‘What is being said? 4 [nywhat ways do the unique qualtes ofthe microcosm island setting, ‘sist Prospero’ project for redemption and recoelstion 2 Brahnte Shaespeare's use of typleal Pastoral Romance conventions and ri to explore contextual issues related to exploration and discovery? 3 Discus the legacy of Prospero’ treatment of his castaways in the light ofthe ‘high wrongs he has suffered at the hands of hs foes? How does Shakespeare's presentation cf the natural world serve as 2 ‘symbol and agent of reconciliation? Wiha scovery’ ideas are evident in the pays representation of politcal overthrow, ee and reconciliation? hat ar the major differences between Prospero end Avie and hove i thi contrat used to develop key ideas within ie pay? 7_Seholas have argued that Caliban’ excerience reflects aspects of European Specialise andthe misetment of inaigenous peoples By cose analysis ofthe teat, evaluate how wel his ew supports yout response to The Tempest 8. What timeless sues ae f explored within te play? rom the varus master/servent relstionshios How is it being said? A. By close analysis of theo served By beginning ‘he audence into pening scene, evaluate what dramatic purpose is the playin the midst oer. How does it help deowe td ofthe text? 3. ‘The Tempest hasbeen described as a tag-comedy. How does ‘Statescare use conmentons ofboth gene frmsto develop character, situstion and audience engagement? 4 ol spectac sate feature of this ply Whats cheved by ‘Shabespere's use ofthe popular Jacobean Masque? 5. Gonzalo and ethers speculate a do tase dering views promot and relationship? oUt how society should be governed. How > audlence reflection about people places Extended Response Questions 2 emonsiae how i asa mujra n promoting [Link] in seta cbracers andi achieving hope wtimateatncl ened tan Reference must be made ta TWO key scones, 2. Evaluate how Tncus lengthy speech about Caan ACL, Scene ngs 3828 relotesto broader themes of monstouih ana, rerthrow.aan tg, arene ase ects of euoseae See et e222 Contextual Documents - ‘The Tempest’ ‘The Wreck of the Sea Venture ‘Alden T. Vaughan, professor em a its of history, Columbia University: o-urator of Folger $hekespeareUibrar/s 207 Shokespere mn amerien Ue exiton ted from Alden F. Voughon,“ShokespeareDcvers America, Amerco OSCovers okepeare,"Shakespearem Ameri fe exibition cotaog, Fle hatepeae Library, ofthe Se Ventures wreck onthe Bermuda sands as often been od Dut teas ait mary here because opened Shakespeare's works tothe influences of English colonization and, Berspsmore important, because undergdsthe theory espoused interment since he te rosteenth cnturythat Shakespeare set The Tempest on Bermuda and intends the characters to {eet ay eran persons and eens emu 0h yrs tos of epied Risers enues ke Prospe's Cave (ight Cb), Caan Bar, andthe Arie The five hundred potenti cotnssin nie ships ha departed Engle in eal June 2609 expected to sal north of Bermuda on their westard out rom the Canary sands t Vigna, When they were several days short of their destination, 8 masse hurcane sated theft. ne vessel Sank; seven ship srg int Jamestown, weeks overdue, The fash Seo Vertue, carrying he fet’ admiral, Si George Somers and Vln’ new governor Si Thomas Gates, never ares at Jamestown and was presumed t have been lo. News ofthe tragedy reached England when the surviving ships headed home rom laestown se with nothing but bed reports and eters of dacouragerent” England's ony American colony, readers learned, was eset by Inlans, avaged by sickness, onthe verge of tarvatin, 3nd Shor of eitmate leadership. te *headies and untied muttude” lamented the Virginia {Company of London (the colony’ superisory boy) had succumbed to “order and ot" Company spokesmen blamed everything, eect orndectyon"the Tempest." ‘Against all expectation, the Sea Venture had weathered te storm—barey. Among the survirors, Willom Strachey deserbed the experience mos vv in a ver log letter (twenty tw flo pages tun aly printed), vite in igi to an unnamed lady in England For tree days and four tights, Strachey remembered, all ands—crew and passengers, noblemen andcommoners— rene, baled, cast trunks and barrels overboard and jettisoned much ofthe shi’ ign while ators lating their way with candles, stuffed the leaking hull with whatever came to hand, even Aer rom te ship's laeder Many detraught sul, signed to. watery death, bd their fiends Feewellor took refuge in drink But "it pleased God" another survivor grateful recalled o push the seo Venture within three-quarters of 2 mle of Bermuda, where Yast lodged and locked” ven coral boulders. All 150 passenges and crew rode the ship's bats to soi land betaWilliam Strachey's Account of the Storm (Extract) A trve repertory of the wrake, and redemption of Sir Thomas Gates ‘knight: upon, and from the Islands ofthe Bermudas: his coming €2 Virginia, and the stats ofthat Colony then, and afer, un= ‘der the government ofthe Lord La War, uly 15, 1610. Wetton by Wiliam Stracty, Esquire fe described) thelr nracke on ‘A most dreadful Tempest (the mantels deaths whereof are here to the Hi Bermuda; and the description of those Islands Excellent Lady, know that upon Friday late in the evening, we broke ground out of the Sound of Plymouth, our whole Fleet then consisting of seven good Ships, and two Pinnaces, all which from the said second of June, unto the twenty three of lly, kept in friendly consort together, nota whole: ‘watch at any time, losing the sight each of other. Our course when we came about the height of between 26 and 27 degrees, we declined to the Northward, and according to our Governor's instructions altered the trade and ordinary way used heretofore by Dominico, and Menis, in the ‘West indies, and found the wind to this course indeed a friendly, as in the judgment of all Se2-men, itis upon a more direct line, and by Sir George Summers our Admiral had been likewise in former time sailed, being a Gentleman of approved assutedness, and ready knowledge in Sea-faring actions, hhaving often carried commands, nd chief charge in many Ships Royal of her Majesty's, and in sundry Voyages made many defeats and attempts in the time of the Spaniards quarreling with us, ‘upon the Islands and Indies, & \We had followed this course so long, as now we were within seven or eight days at the most, by Captain Newport’s reckoning, of making Cape Henry upon the coast of Virginia: When on St. James his day, July 24, being Monday (preparing for no less all the black night before) the clouds gathering ‘thick upon us, and the winds singing, and whistling most unusually, which made us to cast off our innace, towing the same until then aster, a dreadful storm and hideous began to blow from out the Northeast, which swelling, and roaring 2s it were by fits, some hours with more violence then others, at length did beat allight from heaven; which like an hell of darkness turned black upon us, 50 much the more fuller of horror as in such cases horror and fear use to overrun the troubled, and overmastered senses of all, which (taken up with amazement] the ears lay so sensible tothe terrible cries, and murmurs ofthe winds, and distraction of our Company, as who was most armed, and best prepared, was not alittle shaken. For surely (Nable Lady) as death comes not so sudden nor ‘apparent, so he comes nat so elvish and painful (to men especially even then in health and perfect habitudes of body) as at Sea; who comes a no time so welcome, but our frailty (so weak isthe hold ‘of hope in miserable demonstrations of danger) it makes gully of many contrary changes, and Conflicts: For indeed death is accompanied at no time, nor place with circumstances every way 50 Luncapable of particularities of goodness and inward comforts, as at Sea, For it is most true, there ariseth commoniy no such unmerciful tempest, compound of so many contrary and diverse Nations, but that it worketh upon the whole frame of the body, and most oathsomelyaffecteth all the powers thereof: and the manner of the sickness it lays upon the body, being so unsufferable, give ot the mind any free and quiet time, to use her judgment and Empire... For four and twenty hours the storm ina restless tumult, had blown so exceedingly, as we could not apprehend in our imaginations any possibilty of greater violence, yet did we stl find it not only ‘more terrible, but more constant, fury added to fury, and one storm urging a second more outrageous then the former; whether it 0 wrought upon our fears, or indeed met with new forces:Semetines strikes in our ship amongst women, and passengers nat sed to sich wr an comfort, made us lok one upon the ther wth role Hets, rd panting Boom ut ors drowned in the winds, and the winds in thunder. Prayers might wellbe inthe heart and is, but drowned inthe outcris ofthe Ofcrs: nothing heard that could give comfort, nothing seen that might encourage hope. It isimposible for me, had | the woie of Stentor and expression of as many tongues, a his throat of voices, to express the autris and miseries, not languishing, but wasting His Sp andar constant this own prince, but not revaing Ouse wound Py whos {heir use, and if at any time we bore but a Hollck, or hal forecouse, to guide her before the Sea, six and sometimes eght men were not enough to hod the whipstatf in the steerage, and the ter beiow in the Gunner room, by which maybe magined the strength ofthe storm: n whic, the SeB swelled above the Clouds and gave battle unto Heaven. could not besa to rain, the waters ike whole Rivers did flood inthe af. An this did stil observe, that whereas upon the Land when 2 storm hath powered itself frth once in drifts of ain, the wind as beaten down, and vanauished therewith nat lng after endureth here the git of water (asf trating the wind ee while] was no Soone’ «litle emptied and qualified, bu instant the winds (as having gotten their mouths ro te, Ard at liberty) spoke more loud, and grew more tumultuous and malignant: What shall | 5=y? Winds and Seas were 2s mad, 38 fury ane rage could make them; for mine own part, had been in 2 storms before, a well upon the coast of Barbary and Agere, in the Levan, and once mere distessfl i the adratc putin a bottom of Candy... etal that tad ever suffered gathered together, ‘son with ths: there was nat a moment in which the sudden spliting, or instant over-seting ofthe Ship was not expected. Howbeit this was not allt pleased God toring a greater afition yet upon vs; fori the beginning ‘of the storm we had received likewise a mighty leak. And the Ship in every joint almost, having spewed out her Ocam, before we were aware [a casualty more desperate than any other that & Voyage by Sea draweth with it} was grown five foot suddenly deep with water above her ballast, and ‘we almost drowned within, whilst we sat looking when to perish from above. This imparting no less terror then danger, ran through the wile Ship with much fright and amazement, startled and ‘ued the blood, and took down the braves of the most hardy Marine of ther all insomuch as he ‘that before happily fet not the sorrow of athers, now began to sorrow for himself, when he saw such a pond of waterso suddenly broken in, and which he knew could not (without present avoiding) but instantly sink him. So as joining (only for his own sake, not yet worth the saving) in the public safety; there might be seen Master, Masters Mate, Boatswain, Quarter Master, Coopers, Carpenters, and who not, with candles in thei hands, creeping along the ribs viewing the sides, searching every corner, and listening in every place, if they could hear the water run. Many a weeping leak was ths way found and hastily stopped, and at length ane in the Gunner room made Up with | know not how many pieces of Beef: but all was to no purpose the Leak (fit were but one) hich drunk in our greatest Seas, and took n our destruction fastest, could not then be found, nor ver was, by any labor, coundl or search, The waters stil increasing, ané the Pumps going, which at tength choked with bringing up whole and continval Biscuit and indeed all we had, ten thousand weight] it was conceived, 2s most key, thatthe Leak might be sprungin the Bread room, Winereupon the Carpenter went down, and ripped upall the room, but could not find itso. 1 am not able to give unto your Ladyship every man’s thought in this perplexity, to which we were row brought; but to me, this Leakage appeared as a wound given to men that were before dead. ‘The Lord knoweth, | had as little hope, as desire of ie the storme, & inthis, it went beyond my shill because beyond my reason, why we should labor to preserve lif; yet we di, either because $0 Ucar area few lingering hours of life in all mankind, or that our Christian knowledges taught us, how much we owed tothe rites of Nature, as bound, not to be false to our selves, orto negect the means of our own preservation; the most despairful things amongst men, being matters of no sronder nor moment with him, who isthe rich Fountain and admirable Essence of all mercy.Our Governor, upon the Tuesday moring (at what time, by such who had been below nthe hole, the Leak was fist discovered) had caused the whole Company, about one hundred and forty, besides women, tobe equally divided into three parts, and opening the Ship in three places (under the forecast, inthe wast, and hard by the Bitacke) appointed each man where ta attend and thereunto every man came duly upon his watch, took the Bucket or Pump for one hour and rested another. Then men might be seen to labor, | may west, fr if, andthe better sot, even Ur Governr, and Admiral themsehes, not refusing their tur, and to spelleach the other, to eve ‘example to other. The common sort stripped naked, as meni Galley, the easier oth to hold ou, {and to shrink from under the salt water, which continually leapt in among them, kept their eyes waking, and their thoughts and hands working, with tired bodies, and wasted spins, three days and four ights destitute of outward comfort, and desperate of any deliverance, testifying how mutual wiling they were, yet by labor kep each atherfrom drowning, abet each one drowned whist he labored Once so huge a Sea broke upon the poop and quarter, upon us, ast covered our Ship from stern £0 stem, lke a garment ora vast cloud. It filed her bri full for awhile within, from the hatches up tO the sparre deck. This force or confluence of water was so violent, sit rushed and caried the Hel- ‘man from the Helm, and wrested the Whipstaffout of his hand, which so flew from side to side, that when he would have ceased the same again so tossed him from Starboard to Larboard, as it was God's merey it had not split him: Itso beat him from his had, and so brused him, esa fresh man hhaarding in by chance fll far witht, and by main stength bearing somewhat up, made good his place, and with much clamor encouraged and called upon others; who gave her now up ent i Pieces and absolutely lost. Our Governor was at this ime below atthe Capstone, both by his speech and authority heartening every man unto his labor. It struc him from te place where he sot, and groveled him, and all us about him on our faces, beating together with our breaths al thoughts from ‘ur bosoms, ese, then that we were now sinking. For my part | thought her already inthe bottom ‘ofthe Sea; and have heard him say, wading out of the flood thereof, all his ambition was but 0 cimb up above hatches to den Apertocoelo, and inthe company of his old friends. t so stunned the ship inher Full pace, that she sired no more, than she had been caught ina net, or than, 2 f the fabulous Remora ha stuck to her forcast, Yet without bearing one inch of sal, even then she ‘was making her way nine or ten leagues na watch. One thing, tis nat without his wonder (whether it were the fear of death in so great a storm, or that it pleased God tobe gracious unto us) there was ‘not a passenger, gentleman, or other, ater he began to strand labor, but was able to relieve his fellow, and make good his course; And ts most true, such ain al their lifetimes had never done hours work before (thelr minds now helping thelr bodies) were abl twice forty elght hous together to toll wth the best During al this ime, the heavens looked so black upon us, that twas not possible the elevation of ‘the Pole might be abserved: nora Star by night, not Sunbeam by dey wast be seen. Only upon the “Thursday night, Si George Summers bein upon the watc, had an apparition of ite round iht, ‘ke a faint Star, trembling, and streaming along witha sparking blaze, half the height upon the Main [Mast, and shooting sometimes from Shroud to Shou, attempting to settle asit were upon any of the four Shrouds; and for three or four hours together, of rather more half he night it kept with us, running sometimes along the Mainyard to the very end, and then returning. At which, Si George ‘Summers called divers about him, and showed them the same, who observed it with much wonder, and carefuiness but upon a sudden, towards the morning watch, they ost the sight ot, and knew not what way lt made. The superstitious Seamen make many constructions of this Sear, which nevertheless is usual in storms: The same it maybe) which the Grecans were wont in the ‘Mesiterranean to call Castor and Polus,of whch if one only appeared without the other, they tookit for an evil sign of great tempest. The Malian, and such, whole open tothe Adriatic and Tyrrene Sea, clit (a sacred Body) Corpo sancto: the Spaniards cll t Salat me, and have anfee ‘miraculous Legend for it. Be it what it will, we laid other foundations of safety or ruin fe ie rising oF falling of it, could it have served us now miraculously to have taken our height yt might have strucken amazement, and a reverence in our devotions, according to the due ofa miracle. Butt dd not ight us any whit the more to our known way, who ran now (asa do ‘hoodwinked men) at all adventures, sometimes North, and Northeast, then North and by West, and ant again varying two or three points, and sometimes half the compass. East and by South a 35 mich as we could to bear upright, which wasno small carefulness nor pain to muuch unrigged our Ship, threw overboard much luggage, many a Trunk and Chest (in ed no mean oss) and staved many a But of Geer, Hogsheads of Oi, Cider, Win, and «heaved away al our Ordnance onthe Starboard side, and had now purposed to have he Nain Mast, the mare tighten hes, fr we were much spent, nd our men so weary, stents together ales ther, with theit hearts, having travaled now from Tuesday til "day and night, without either sieep or food; for the leakage taking up all the hold, \we could nether come by Beer nor fresh water; re we could keep none in the Cookroom to dress a, and carefulness, gif, and our turn athe Pump or Bucket, were sufient to hold sleep fromour eves And surely Madam, itis most true, there was not any hour (a matter of admiration) al these days, in which we freed not twelve hundred Barrcos of water, the east whereof contained six gallons, and some eight, besides three deep Pumps continually goin, two beneath at the Capstone, andthe ‘other above inthe half Deck, and at each Pump four thousand strokes at the least ina watch; $0251 ‘may well say, every four hours, we quitted one hundred tons of water: and from Tuesday noon tl Friday noon, we balled and pumped two thousand tons, and yet do what we could, when our Ship the least inher, after Tuesday night second watch she bore ten foot deep, at which stay oUF ‘extreme working kept her one eight glasses, forbearance whereof had instantly sunk us, andi being, ‘now Friday, the fourth morning, t wanted ite, but that there had been a general determination, t0 hhave shut up hatches, and commending ou sinful souls to God, committed the Ship to the mercy of the Sea: surely that night we must have done t and that night had we then perished: but see the ‘goodness and sweet introduction of better hope, by our mersiful God given unto us. Sir George ‘Summers, when no man dreamed of such happiness, had discovered, and ered Land Indeed the ‘morning now three quarters spent, had won lite clearness from the days before, andi being ‘better surveyed, the very tres were seen to move with the wind upon the share side: whereupon ‘our Governor commanded the Heim-man to bear up, the Boatswain sounding atthe Fst, found it thirteen fathom, & when we stood a ite in seven fathom; an presently heaving his lead the third time, hed ground at four fathom, and by this, we had got he within a mile under the Southeast joint of the lan, where we had somewrat smooth water, But having no hope o save herby coming Polen anchor in the same, we were enforced torun her ashore, as near the land as we could, which trovent us within three quarters fa mile of shore, and by the mercy of God unto us, making out sre Boats, we had ere night brought allour men, women, and chikren, about the numberof one hundred and fifty, safe into the island We foundit to be the dangerous and dreaded island, or rather islands ofthe Bermuda. [a wian Southey (STE 62H), “Aton repay a ih wacked sedention of Tamas Gates Kh Som ESP rc Soe 38 fr ei a vn Sanlends ta ins of erento et sams comico sue re he oe rl areca ‘er Sebastian ad Ao Commentary Aut Soe | ‘Senin ow gee aaa im mae te Gea 8 “escent ates pcos sp ates ‘a teary the nave a wid ‘Srna bythe But. ei ‘pit props ors son a aggound bat heen of King No romedinely ies an eve at wl ‘etc ii auto? Ato {Bam te ng and the 20 ‘on ad, ach ot sping wl rent and in es San fates pnp sim be coe oes wih Manan regi Heer DOO 274 ton Age et fn nin omg pail atu a ares cetcan wenesona bk Tle Soars us ars ml ar ei moe el oe le er yn elo Tees oer smn gear tr evig Heme The Dawn ones acon to save the ap bu ter sees andthe ost escnfo n es "What mt our th be ‘LP at Ano once gain cases the Dstt ce abandon hoe ech org death ns dlrent nay. Se py oe ot {Cats mer tes feel each hero er ier Qilve, Ahern eb At ed chins ete ak Ac Sore 2 This long ne (00 ies conan amber of tinct bt ed + rosea ay, ner 1-186 The tempat reeled be ae By Prosper pn eer ong his enemies wth is poer Te tls he ory hw be wa terown at ue of «nts ry cso Al elbow he bee Prospero ede eis de vee Pose ris Al tw be Fred is or prisoner + Cobar sty, ne 3ob-74 Caban dexribes aw Prospero ‘Sted ee id sede rogroweleame the and ‘ton the tng and te eben, be pempoy ees HESSSE SSS ferdinand a Mian Fhe fing ans, een fino ba Prospero wets is rand begging be tex Poet al py re ung ered scene opens with Mi the tempt Se fl of Fein tt rp saree ha 0 00s Te om enc eam doe” ning rnd ep eee ge meth pene spel ler a Rare evel hat epee os ion i mi GIRMETES ted he ponsenges nd cio ate all sale. Some ree ta Tne sor en a on begin tbe scene quieter the tor as ede Od mao ens cy oS esr The hors now come ‘when be oust wel eee fe ery ad cee why eh xed he eps at Mes hed eves He queso es aot nat she ce ee dete ene to el the land cave nw Tee aight wan aly thee yar ld he noe fee re set ws ra Hat i one Baty mere) and demands i sng age of long stat Mant Soe hey came tet ad. sees ea Ht SL ret begs Popes tt by Harn hm bet, ary SS hamou tha wb seen ney rough he par “hy ahr was he Duke fis ae hmetet became the pa he payed the dae ne emi Tosorim to dive it th ft ide On the care clos Toy song ding sk ‘Al an al quality. he 49.8) Ae eons that he has cated ou Proxpet' commands in ect en Hismincaloas dispay of fie cused tenor i tT esrption of how he ‘lamed amnaemen” allover be eed resembles the sangeet of bp aed Sunt E's Se se ‘now sors caught instr ts Shalespee's opratos ‘may have bee sted by alte ten by Wc Saco Seas ‘which td of roc Ente lghing son daring apo a emia oe page 6) Anes scons wend de cry ad snd he passengers leapt vena. Pit jmp ware ng on Feedinand with he fancy. Hl ep Anal eden wee ‘Aes hat the pscengers are now se onshore, and he sc ‘seep aboard the sip seul sm babar 2 eel tay Tey ‘oak of the sland. The wat ofthe ee rtrd Base ples, mourning the la f King Alonso in te shines Pes ve pleted with Anes pefrmance, Wt i eminr Ut ee ‘mare wt provoess rts rm th spins hr rere {adiuonl tes the spt whe sened tapers ete hee "eee and Al wo except. ie defiance af epee ‘mands hi beri anoter nan ofthe ee of lenges ‘0 authority which sounds reg te py Prosper ong that he es ashi seater, beling tenet Finest smack) atthe ict and mie tk Al at ‘fred fr hie Ofte at ep, Poni won te sharp wind of he ot, To dome busines inthe vee tent roepero reminds the aggrieved Arlo he fed hm frm Spore The soy be tale depen the stmospre of mystery tat Ctaraceris the apd yor Toul wie bd 0 erg he inhabits af Agere with er any omens nde pl stand at thet “oth (highen pila, and he ma ae sewe e sme ae brant oe tlc kot Sa Soi vio dices he pow snd hs eheep a, PER RR SS SSEEE EEE (nichts mani. aod soci terble J To ener horan eating) ht hey bad banished es fn the cy Shwe ened the isan resend rel Hen tory ou be oboe and tefl commands eraped ber wer 0 se pared in inde a tre for twee yee Daring tne sede Ing ‘ln inked only by Calin, the os born oe ee, ad ye (cou aulleng Ae Prospero srg onthe nd wed it ‘agi tpl he imprisoning pne ean ee Ai But rp ‘Spl he ah de oh tre a ethene Al wh oat ‘he puisheen be continues to pre ‘And ppt ni ony era . “Te tea pomp Ar 6 beg fr pardon. Sage peomances ture prayed vey fen woe whch be abs ages snp ping ety. Se Al ae apparel riety mb td crt, ort hve made en tte tee fo perder, nd ec ene mn gt ot (he pat for ssn camp). Psp ees sted and ‘rime sean an ener With An depere he tut pene ve bu apy wes Mls nd ting, mg won nth ic To Clitan gumbles fom ff sage. “Ter wid eight tu Prone it on ental ss ere art of Ts owns Ar ping acetate Ael ey peed ‘Be Crap ep een tg crntino pine ain ‘amp : ‘on i (ed reper ad fro bad ed hs me a io se Minds Calas he adhd ae nay roca ayo sin she ug C f oh Calon to sock eve commons Minas Fa fo te snd de se tae hs wi, evel exposed cota Yo Miran. "Te ing cara of od sy whit thou st yond’ ay be xe Calan, You cn find ore 08 te acgound 1 he rpg meron on pes 72-530 9-9. mtn Ter much does ple ving 1 Mea cu apinet Catan Abra tne 9-6 tog eros hele spate by Madson seers ike eigen and eect ce, i bt 56 a ed ted cnr of ey hee we ren et candace member ek th hh rere ee at of chars for Minds. dent ye ene cai oder and ao ts Reger: Cle ees ior Moe Pe Cee Sor Sen Cla epi ‘ec a pode incre 2, which cones Find sti oy cane of Calan and Prope he hag: Me mae, becrnng one of quiet atmo. (0 ST id ce end te ed by he ie’ A ad ant pd emannd by rcet nc hat Ne ae 2 Se sc camino ergs. a ian sin Toe ore whee he aes bce sent and Carin! ie ou ave an Ke nies pts ona hres of ats ing nn ead, ch oe, sat te ic rt moran ing of et fs abe when ie nea nes enc sg Ful tor fey be: ee reed eda a or tg rpms map tana his bones to er: See I a The cong ers ii eset ein mPa nota den sng a vn causing te ships ets in vs wil Me eno engorer te mene eves win SPO say mening wns ve i oe ar Proper unm Fc’ A aa ee Hecate ad een at 2 a ed enw et 20d dows ed ety, shoving hatiave ced tat Calin war an innocent natural pod person se eine hn rans a ogy Mand and Fednand. Ae the seme deepsea tht te fs outward eur he bape thy lise, i Slbraty eqnesed command 0 Mada The ng neti of thor ee srance "Andy what thu ses Jad may be Shakes wy of indcaing tht wit flow pat of te se dion of Romane at he og op wl Joe fi Andie tho Mie gh ‘edd, she makes Br ante ene ss at suland s eaty eri ye eh rd Mo Youwonde, bests the said Heatnghereph Neeeas Si, / Bu cevanly «mai edna sed ae bro Linguge sake, bt seat athe re bes of then far spe th pec’ proves sbrpresponge fom Pras wie ‘Emad bnew wt te Lingo oer weld Wink aha ‘i Ferdinand, bling iter de opie ate ing ee Mi yas le Fine dope qual ain rer, song w make berger of ‘rset see ls thee young pepe hn leet anned bt pt os steno en Bee Inyetenther nampa play's concen wh he ee gaa ‘ory, Pre scies Fad of ening Wel be he thon of Napa te and ‘Thename thou own snd et pa tell From meted ot (ins 825) fends hin ming th hs hateme wes is oe ‘Sacer There nti ve rhs geo a es, Sbtespeare explores he dopncon eee speared ‘is os maga flood: i tones ocr Me ‘Thing no ter oo dead bua rng derene PEE ES SSS ERR EEE vei, og at crt ny nal de ‘Spe th es mennng cbse bre he cree 2nd hey of tiandn Prost c numpresed by Fears deal (nd Miandss ples He cls ferdinand ator ndhrentens hash ice, Reina te ona and dows Brew t prs nage feces in sd mats hm op the mean Aiba agan ples for Fre sesng bs pty ad pol ‘Mester Presper er eo rng el hin wisn hay yt nyt He si ld Mande ar Folch COE Se emote at Friant ie Caan "hee cana ceri ph Fran. wl weak sr pe canon ims dcr he on ‘pe anos be uty ters Sent, wens Se ipreckandany te Prener might cy ot He canendre ‘STietasongs as hecho ons ay oc Mend Eon Semin fi pon Thnk sped of rand ees wo ‘Scoens fe omc no’ wh probe pu rnd Shatepec a be wots Te Tempo er ope 69) ft te hash fae nabs yng or a ele ne st Kite mae de power of ne onrome al suing antec Sion w adn, bopng pp be day 2 he ‘Succ ark soeogly mpgs the aye wo Minne tcc peed ih hom plan wctng He tans elo athe done ohh oe wel, ae Ae od an suc rm ery, But Proper nat om sable try: e's eedar we ranted ely he pelos rely Tere foe estos+ Ce proto he ind yg at Pree wer deer Soe komiige, rove paring wo ka 2S ; ese secs te eft on ting Aes i SUTIN Awe in dep ge suranga See tere eon rer fom we ti
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