DATA SHEET MM 8z

MOJO CLUB MIXER

General Description
Following in the success of the Mojo Series™, Rane isolation of the faded channel is greatly increased. Active
proudly presented the MM 8x Mojo Mixer. Now Rane ups the Crossfader technology dramatically increases the service life
ante by adding new features, dubbing it the MM 8z. of the crossfader. In the unlikely event of crossfader failure,
The MM 8z features eight stereo Inputs. Each of the four there is no loss of signal. If a crossfader becomes rough or
assignable buses contains its own three band EQ, allowing noisy, it may be “hot-swapped” during a performance with no
separate equalization of different sources. The four faders are interruption of the audio signal. Simply use the input faders
grouped in two pairs, allowing a custom mix of two input to set the audio levels while the crossfader is out of service.
sources on each side of the crossfader. The crossfader may be replaced with either a 60 mm version
One of the new features added to the MM 8z are two Pre/ or a 45 mm version, your choice.
Post crossfader assign switches. The first allows summing A Each of the four Phono (RIAA) Inputs switch to Line
Mix Channel 1, Pre or Post crossfader. The second allows Level via rear panel switches.
summing B Mix Channel 4, Pre or Post crossfader. This Both the Main and Aux Mic Inputs route through Bass
powerful new feature greatly increases the flexibility of the and Treble controls. The Main Mic input has an Effects Loop.
MM 8z, making it one of the most capable mixers in it’s price The main program signal includes a stereo Master Loop for
range. equalization or processing.
The second feature is the addition of a Crossfader The Tape Output can be switched to exclude the Master
Contour control. This allows adjusting the “shape” of the Loop signal and record the unprocessed program signal.
Crossfader response from a gentle curve for smooth, long The MM 8z doesn’t scrimp on its powerful Headphone
running fades, to the steep pitch required for top performance Cueing system in which one or more channels may be cued at
cut and scratch effects. Active Crossfader™ technology one time. The metering can be switched to monitor stereo
combines state of the art voltage controlled amplifier design main output or mono cue on one side and mono program on
with a professional quality crossfader control. This combina- the other.
tion sets new standards for performance, reliability and The MM 8z’s recessed top mounted jacks provide room
serviceability. Virtually all crossfader noise is eliminated. for cabling in tight DJ coffins or racks without sacrificing its
Channel to channel crosstalk is greatly reduced and the off compact 4" depth.

Features
• New! Channels 1 and 4 Pre/Post crossfader Assign switches • Front & Rear Panel Main Mic Inputs with EQ & Loop
• New! Crossfader Contour Control • Aux Mic Input with Line Level Capability
• Eight Stereo Inputs with Additional Aux Stereo Input & Output • Program Stereo Effects Loop
• Phono Inputs Line Level Convertible • Versatile Headphone Cueing
• Separate EQ on each Input Fader • Program/Cue Metering
• Front Panel Hot-Swap Active Crossfader™ • UL/CSA/CE and 100/120/230 VAC Remote Power Supplies
Data Sheet-1
MM 8z Features and Specifications

Parameter Specification Limit Units Conditions/Comments

Gain: Line In to Main/Aux Out 14 ±1 dB 1 kHz, EQ centered, all Levels max
..........Phono In to Main/Aux Out 50 ±1 dB 1 kHz, EQ centered, all Levels max
..........Aux In to Main/Aux Out 10 ±1 dB 1 kHz, EQ centered, all Levels max
..........Main/Aux Mic to Main/Aux Out 54 to Off ±2 dB
..........Program Loop to Main/Aux Out 10 ±1 dB
..........Program Loop to Tape Out 0 ±0.5 dB
Input Impedance: Phono/Line 47k ±1% ohms 200 pF ±5% cap loading
..........Line In, Program Loops 20k ±1% ohms
..........Aux In 10k ±20% ohms
..........Aux/Main Mic 511 ±1% ohms Each leg to ground
Output Impedance: Aux, Tape 301 ±1% ohms
..........Main, Program Loop 100 ±1% ohms Each leg
..........Main Mic Loop 301 ±1% ohms
..........Headphone 0.5 max ohms
Maximum Output Levels: Main 24 dBu 100k ohm load, +20 dBu 600 ohm load (min.)
..........Aux, Tape, Program Loop 20 dBu 2k ohm load, minimum output level
..........Headphone 220 mW into 150 ohms, both driven @ 1 kHz (min.)
Frequency Response 10 to 33k ±1 Hz Line to Main
THD & Noise <0.2 % 80 kHz BW, unity gain 20-20 kHz, +4 dBu
Signal to Noise: Line to Main 90 typ dB Re +4 dBu, 20 kHz BW unity gain EQ flat
..........Phono to Main 87 typ dB Re +4 dBu, 20 kHz BW unity gain EQ flat
Input Referred Noise -115 typ dBu Mic to Main, max gain, EQ flat
RIAA Accuracy ±0.5 dB Best straight line, 30 Hz to 18 kHz
Source EQ: Treble Shelving 10 typ dB @ 8 kHz, max boost/cut 15 dB @ 40 kHz
..........Mid Bandpass 8 typ dB Peaking at 1 kHz, 3.5 octaves bandwidth
..........Bass Shelving 10 typ dB @ 125 Hz, max boost/cut 15 dB @ 20 Hz
Mic EQ: Treble Shelving 8 typ dB @ 5.5 kHz, max boost/cut 10 dB @ 12 kHz
..........Bass Shelving 8 typ dB @ 125 Hz, max boost/cut 10 dB at 60 Hz
Control Feed-through: Crossfader -85 typ dBr Re 0 dBu @ 1 kHz
..........Input Fader -84 typ dBr Re 0 dBu @ 1 kHz
..........Master Fader -90 typ dBr Re 0 dBu @ 1 kHz
Crossfader Taper Constant power curve 0.5 dB
Crosstalk: Line to Main Out, A to B Bus >80 typ dB 1 kHz Max Level
Unit: Agency Listing
..........120 VAC model Class 2 Equipment National Electrical Code
UL Exempt Class 2 equipment
CSA Exempt Class 2 equipment
..........230 VAC model CE-EMC EMC directive 89/336/EEC
CE-Safety Exempt per article 1 of LVD 73/23/EEC
Power Supply: Agency Listing RS 1 Class 2 Equipment
..........120 VAC model UL File no. E88261
CSA File no. LR58948
..........230 VAC model CE-EMC EMC directive 89/336/EEC
CE-Safety LV directive 73/23/EEC
..........100 VAC model Built to JIS Japan only
Power Supply Requirement 18 VAC 10% Vrms With center tap
Maximum Current 750 mA RMS current from remote supply
Unit Construction All Steel
..........Size 7"H (4U) x 19"W x 4"D (17.8 cm x 48.3 cm x 10.2 cm)
..........Weight 9 lb w/o RS 1 (4.1 kg)
Shipping: Size 11" x 23" x 16" (27.9 cm x 58.4 cm x 40.6 cm)
..........Weight 16 lb (7.3 kg)

Note: 0 dBu=0.775 Vrms

Data Sheet-2
 MM 8z
MOJO CLUB MIXER

MM 8z Block Diagram
Left channel shown, right channel equivalent

Application Information
The MM 8z provides four sets of equalizer controls, three meter source selector button the input to the meter can be
bands each, connected to each Input fader. Sensibly placed changed from peak main output in stereo, to mono cue on the
center frequencies provide optimum control over a wide left and mono program on the right. This allows Input Levels
range of input sources. A tape deck on Input 1, for instance, and beat to be matched before Crossfading. Separate Main
can be equalized to sound similar to a turntable on Input 2 Mic and Aux Mic Engage buttons (with flashing LEDs) leave
and 3 or a CD player on Input 4 for smoother crossfades. no question if a mic is on or not. The Aux Line Input has its
Many DJ’s prefer to drop the leading Bass control during own Level control and sums with the other program material
beat-matching, and bring it back up after the crossfade for a before the Master Level fader. The Tape Output does not
smoother and more professional mix. Bass and treble can be include the Mic and Aux Input signals. If the Mic and Aux
adjusted ±15 dB, Midrange can be adjusted ±8 dB. The Input signals need to be recorded, use the Aux out to record.
MM 8z has a dual purpose metering system. Through the Main Output levels are controlled by the Master Level fader
on the front panel.

Data Sheet-3
 MM 8z
MOJO CLUB MIXER

MM 8z Top / Rear Panel Details

Architectural Specifications
The mixer shall have four (4) stereo mixing buses, each built-in. Provisions shall exist for simultaneous use of two
equipped with high quality 45 mm faders. Separate equaliza- microphones, with 2-band equalization and an external
tion shall be provided for each bus with a 3-band equalizer. processing loop for the main mic. A program effects loop
Channel 1 and 2 buses mix to form the A Mix. Channel 3 and shall be provided. Metering shall be via a stereo LED meter.
4 buses mix to form the B MIX. Channels 1 and 4 shall Complete cueing and headphone monitoring system shall be
include pre/post crossover switches. A crossfader contour provided. The unit shall be exempt from agency safety
control shall be included. Smooth and silent active crossfade requirements and powered from a UL listed, CSA certified
between the mixes shall be included. There shall be four (4) (120 VAC) or CE certified (230 VAC) remote power supply.
stereo phono inputs which can be converted to line level, and The unit shall be entirely constructed from Electro-galvanized
four (4) stereo line level inputs. Phono RFI filters shall be steel, and mount into a standard 4U EIA rack.
The unit shall be a Rane Corporation Model MM 8z.

Accessories
• F 45 Fader Kit - 45 mm Crossfader Replacement
• F 60 Fader Kit - 60 mm Crossfader Replacement

Figure 1

©Rane Corporation 10802 47th Ave. W., Mukilteo WA 98275-5098 TEL (425)355-6000 FAX (425)347-7757 WEB [Link]
Data Sheet-4 All features & specifications subject to change without notice. DOC 103296 PN 10739 8-99