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Barrios Una Limosna Por

This document is a musical score for 'Una limosna por el Amor de Dios' composed by Augustin Barrios Mangorè. The score contains the music notation and is edited by Richard D. Stover. It provides the full musical composition over multiple pages with notes and markings.

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gianfr.atzei1
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© © All Rights Reserved
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0% found this document useful (0 votes)
426 views6 pages

Barrios Una Limosna Por

This document is a musical score for 'Una limosna por el Amor de Dios' composed by Augustin Barrios Mangorè. The score contains the music notation and is edited by Richard D. Stover. It provides the full musical composition over multiple pages with notes and markings.

Uploaded by

gianfr.atzei1
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

http://edwinraja.

com
Una limosna por el Amor de Dios
(El ultimo tremolo)

Music by Augustin Barrios Mangorè

Edited by
Richard D. Stover

Elab. Mysescore 3 - Gianfranco Atzei


2
Una limosna por el Amor de Dios
(El ultimo tremolo)
Autore: Augustin Barrios Mangorè Edited: Richard D. Stover
a tempo

 4                      
a m i a m i

 3    
 = 60 Andantino

         1  
p
     Ritard.  p
1 3 1
4

simile                  
                 
 
  2 4                3
   
          1      
   
4

     
           
               
 0              
        0   
 3  
7

1
2  0 1  
4

1  

2 3

            V - - - - - - - - - - -- - - -   
                
 4                              
 
  2 3          1  
9

     
      III - - - -- - - - --     - - - -- - -    
3 3
4

                 
III

                                      
          
     
12
4

       
2 3 2

                 
2

           
 4               0                             
III - - - - - - - -

    2      
15

  
  1 
2 3

   - - - --    
IV - -- - - --        
IX


    
                
                      
             
4


18

    
4

                 
3
4

           
ritard. . . . . . . . . . . . . . . . . . . . . .

   
                       0     
      2    
21

    

Elab. Mysescore 3 - Gianfranco Atzei


                 3
           
                                1              
         3  2  2 3  
24

          
1

IX - - - - - - - - - -          
3

 
       1              1     4       3       
   2

  1    
27


   X - - - - --       III - - - - - -
3 2

V- - - - - 
   
4

4           
  3    2          
              
   1     
29

    
3

   
     1  
2

   
2

   
4

 
2
6

            2      2         2  
  3  3    1
  
31

 0
4


3


           
3

   
5 3

          
 2   4       2       1        
  
 3
33


2


3 3 3

      II- - - - -- -          
                 
5

                       0      0              
  3     4 2     2   2  
35

       
   
4

 - - - - - - -     VII - - --   VI - - - 


     
                  4                      
VII

     3  
          1   
  
4
38

   2  3
  VII - - -    VII - - -- -          
5 3

                 
    4                       

   3   2     3         
41

2      
                  
4 3 2

             
                          4             
  0  2    
    2    
 1  
44

   

3 2

4 4
5

Elab. Mysescore 3 - Gianfranco Atzei


4      --- 
XII
     
                       
 1
  2 
   1
  0  2
47

 
3

 
      X- - - - - - -- - - -    
4 3 4
5

                       
   3   1
3 3
 1
  
4


49

 
1

           
 
           
5

                  2
     1    1  

 2 


 
2


51 2 4

 - - -- - - -           II- - - - - - - -    
                 
2
VII

   
 1    3       4 1  3            2              
  4    1 1  2 1  3  4   1 1 
53

1  2  2     
   - - - -- -          

                    
IV

 
 0         4     4             4          4
  1          2 
56


2   1   3
   
3

 - - - - - - - -    
1

 
                     
IX

4
 
        4  2  
       3 1 
4

2
59

1
 
0


1 3

    IV - - -
2

         VII - - -- -       
      
4

       
2


            4        4  2    3               
  1  2 3
3
4

 1 3
61


3 2

  1 
2 3 4 2

    
2

 - - - -- -   V- - - -  
       
1

     
5
6
IV

 
 0         4     4              4          4  
  1   2
1  
64

     
2      
   
2
3 3 3

       
1

  
1

       
VI - - - - - II - - - - - - - II - - - -

 3         4     4           4      0            
   2  2    
3
67

  1    3  
2
 1
 1  
Elab. Mysescore 3 - Gianfranco Atzei
                                   5
  4         4     0             0            
      3  1   4  
70

        
1
 
2
 2
    2

        
  
                   
VII - - - - -

     4  3     
IV - - - - -

         4     4

  1   1  2    2  
73

   3  
 2 1 

           
                       
IX - - - - - -

 3   2     3 
    1 

76 4 4


2

   rallentando
1

3
4

     
4                    

   
  3
  1
78

    
2
 


rit.
5 6

Elab. Mysescore 3 - Gianfranco Atzei

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