Photographic Composition
1. Simplification reduce foreground and background clutter. What is the subject (exactly)? Then get rid of the distractions.
2. Rule of Thirds Divide the picture into 3 equal sections horizontally and vertically. Where the lines intersect is where your subject should be located not in the centre.
A shot like this may look better if the person were given some space to walk into. The photo would be more acceptable if the persons footprints were to be seen in the sand behind her (this leading the eye to the person).
Giving space for the person to walk into.
Too static and symmetrical horizon splits sky and ocean in half subject centered.
Rule of Thirds applied (Subject to left of centre) horizon is in upper third part of the picture.
Subject is left of center again; horizon is placed in lower third part of the picture.
3. Framing Natural frames (leaves, branches, caves, arches, windows, stairs, vignettes etc) can help lead the viewers eye to the subject.
4. Lines & Curves Diagonal lines and S shaped curves help to lead the eye of the viewer to the subject.
5. Triangle Triangular shapes tend to move the eye from one point to the next etc. and provide a sense of balance. When photographing groups always stagger the heads to make triangle shapes.
Other shapes can also be interesting.
6. Balance The viewer needs a sense of balance symmetric balance is nice, but tends to be boring (most people dont look at the photo for too long) asymmetric balance (one area is larger or dominates the other) tends to be more dramatic and interesting.
Balance of light and dark (light areas and tones dominate the darker tones)
Balanced composition
Unbalanced composition
7. Shadows and Silhouettes
8. Reflections and Refractions
9. Angle of View Upward or downward angles can help eliminate distractions and improve composition.
10. Motion Freeze and Motion Path
11. Pattern and Repetition Repeated shapes are appealing to our eye.
12. Texture Best captured using extreme side lighting or back lighting
13. Colour
Use of complementary colours (red + green; blue + orange/yellow; yellow + purple)
Use of monochromatic colour (a single colour with different shades)
A touch of one colour
Colours are more saturated and more intense when placed against a dark background.
Colours are less saturated and more passive when placed against a light background.
14. Differences Old and Young Small and Large Light and Dark
15. Reflections and Refractions Water, glass, mirror reflections -- glass refractions can potentially make an interesting image.