Daoism and The Human Experience
Daoism and The Human Experience
Eric S. Nelson
BLOOMSBURY ACADEMIC
Bloomsbury Publishing Plc
50 Bedford Square, London, WC1B 3DP, UK
1385 Broadway, New York, NY 10018, USA
29 Earlsfort Terrace, Dublin 2, Ireland
Bloomsbury Publishing Plc does not have any control over, or responsibility for,
any third-party websites referred to or in this book. All internet addresses given
in this book were correct at the time of going to press. The author and publisher
regret any inconvenience caused if addresses have changed or sites have ceased
to exist, but can accept no responsibility for any such changes.
A catalogue record for this book is available from the British Library.
To find out more about our authors and books visit www.bloomsbury.com
and sign up for our newsletters.
To Shengqing
vi
Contents
Acknowledgments viii
Introduction 1
Notes 199
Bibliography 228
Index 245
Acknowledgments
A book does not belong solely to its author. Hermeneutical transmissions, the research
of others, and myriad conversations and encounters have helped inform my thinking
and make this present work possible. I am grateful to all the teachers, scholars, and
friends who have shaped my way. I would particularly like to express my gratitude to
Emilia Angelova, Charles Bambach, Mark Cabural, David Chai, Charles Chan, Chung-
ying Cheng, Kim-chong Chong, Bret Davis, Joshua Derman, William Edelglass, Timo
Ennen, Saulius Geniusas, Siby George, Fabian Heubel, Jean-Yves Heurtebise, Jenny
Hung, Patricia Huntington, Curtis Hutt, Leah Kalmanson, Sophia Katz, Halla Kim,
Hye Young Kim, Theodore Kisiel, Sai Hang Kwok, Kwok-ying Lau, David Michael
Kleinberg-Levin, Chenyang Li, Manhua Li, Dan Lusthaus, Rudolf Makkreel, John
McCumber, Thomas Michael, Ronny Miron, Anish Mishra, Kyung-ah Nam, Richard
Nelson, On-cho Ng, Franklin Perkins, Dennis Prooi, François Raffoul, James Risser,
Frithjof Rodi, Jana Rošker, Frank Schalow, Dennis Schmidt, Martin Schönfeld, Brian
Schroeder, Yumi Suzuki, Kellee Tsai, Qingjie James Wang, Robin Wang, Youru Wang,
Mario Wenning, Ann Pang-White, Jason Wirth, Simon Wong, Tung Tin Wong, and
especially Shengqing Wu.
I am also thankful for the following research opportunities and funding sources:
the Herzog August Bibliothek (Wolfenbüttel) and the University of Hawaiʻi at Mānoa
where I wrote the initial draft of this book; HKUST IEG20HS01, Hong Kong Research
Grants Council (RGC) GRF 16631916, and Hong Kong Research Grants Council
(RGC) HSSPFS 36000021 for funding archival, library, and other research activities.
Readers should keep in mind that this book is a sequel to Nelson 2017 that can, of
course, be read independently as a related “intercultural genealogy.” Note that there is
some slight repetition in the text to remind readers in later chapters of earlier significant
points. Some of the short discussions of Daoism, Buddhism, other German thinkers
and writers, social-political philosophy, and Heidegger’s broader life and thought
might strike some as excursions, but they serve to contextualize, illustrate, and support
the overall argument and interpretation offered in this book. As I interpret Heidegger
in an intercultural, anarchic-egalitarian, and participatory democratic context, this
requires confronting Heidegger’s worst moments and tendencies while intensifying
the thinking of freedom as releasement.
Also note, lengthier quotations from Chinese and German language sources have
been placed in the endnotes. With both early ziranist or generative Daoism and
Heidegger, it is difficult to think with and through their sources without encountering
and engaging their words and linguistic strategies in their own sense and context.
Finally, note that parts of Chapters 1, 4, and 8 appear in substantially different forms
in Nelson 2022c: 141–62; Nelson 2022: 787–806; and Nelson 2023b.
Introduction
Martin Heidegger (1889–1976) is a philosopher of being under and on the way. “Way”
is arguably a more elemental guiding word than being, beings, or meaning to express
the twists and turns of his thinking.1 Heidegger insisted throughout his writings that
the way toward a more decisive questioning of being, the unthought matter to be
thought, is more fundamental than any given determinate answer or expected result.
Each anticipatory indicative response remains provisional as the way itself overturns
expectations and compels reposing the question of being anew. Heidegger’s early
methodology of formal indication and its continuation as wayfaring explains the
variety, originality, and intensity of his reflections that cannot be reduced to a method
or a doctrine.2 This interpretive situation compels his readers to repose and enact for
themselves the questionability and perplexity of that which is to be thought and enter a
condition of being underway without a predetermined destination and purpose.
Thinking anticipates through expectations that can be upturned and reoriented
by what is encountered. There is no uninterrupted “royal road” of conceptualization
from thought and the subject to the truth of being. Heidegger himself confessed
that he was confronted with—playing on the senses of “Holzwege,” wooden or forest
paths—unexpected twists, turns, and dead ends. The dead end is the place where one is
forced to double back, repeat one’s steps, and take new ones. He also spoke of his own
errors and stupidities, as his pathways traversed freedom and fixation, good and evil, and
truth and errancy. Numerous publications have reconstructed these pathways through
narratives of unconcealment and concealment, social-political errancy and offense,
and private reticence and hiddenness. The thinker is not only persistently concealed
from others but remains concealed and unknown to himself. The philosopher of the
unthought in the history of metaphysics does not necessarily sufficiently confront his
own unthought. Nevertheless, thinking that would be appropriate to what is to be thought
in its event cannot sidestep arduous walks, narrow passages, and steep ascending and
descending paths. In Heidegger’s twisting byways and sideways, in the play of shadow
and light conveyed in his favorite passage from the Daodejing 道德經, a path emerges
in which thing and world would be released through their emptiness into the free
mystery of their own ways of manifesting and being. This is why philosophy, inveterately
wrapped up in its own self-referential conceptuality without adequately recognizing
2 Heidegger and Dao
that which addresses and motivates it, should ruthlessly criticize without abandoning
Heidegger’s thinking. More than this, it should be approached as an imperfect yet
insightful exemplary model that continues to speak to the present condition.
Why then write or read about Heidegger and the dao? What is this “dao”? An
initial clue is found in the Zhuangzi 莊子 that states a way is made by walking it. The
Chinese dao 道 character is composed of the radicals related to walking (辶) and
head (首). Some explanations accentuate the head as directing the feet. But the accent
here is on walking and moving, as the head follows the passage of the feet stepping
along the path and encountering the myriad things in their varying circumstances.
Relational freedom and unanxious ease (xiaoyao you 逍遥游) occur in a wandering
that recognizes and forgets things, values them in their uselessness and lets them go
in their departure, and transitions with the transformations of self and world. This
way as walked cannot be disconnected from that which is encountered on the way:
changing things, localities, seasons, and birth and death. According to the Zhuangzi,
these occur in an elemental generative nothingness (wu 無) from which attunement
occurs by emptying and forgetting the heart-mind (xin 心). Emptiness can signify
a gloomy absence of meaning in ordinary language. But, as linked with humility,
simplicity, and sincerity in early Chinese thought, it is constitutive of a free and
responsive way of life.
It is not accidental that Heidegger, who already began to think about the Daoist
way in 1919 and 1930, and early Daoists accentuated questions of the thing as that
which is to be encountered and nothingness as a way of living freely that undoes the
fixities of the self and identity. This inquiry will recount and radicalize their tactics
of questioning identity and undoing fixation. It is an attempt to critically reactivate
and reimagine Heidegger’s way in view of the early Daoist dao and, to a lesser but
still significant extent, the Buddhist dharma by (1) historically tracing and situating
Daoist and Buddhist influences operative in Heidegger’s German contemporaries and
his own thinking, (2) reinterpreting his thought from these sources (including those
unfamiliar to him), and (3) articulating the senses of the thing, generative nothingness,
and the open empty clearing for the sake of a renewed ethos of openness to things and
world, as a way of freely and responsively wandering and abiding amidst them and
the places they shape. This ethos, more elemental in its demand than recent object-
oriented philosophy and thing-theory, would recognize how things have their own
environing places and changing pathways, even if they are thought to have no well-
being or sentience of their own.
This threefold task demands a specific intercultural practice of hermeneutics (the
art of interpretation) in response to the tensions between historical circumstances
and philosophical questions. Interculturality challenges the orthodox identity-based
presuppositions that continue to dominate philosophy and its history. The heterodox
interpretive strategy deployed here is a mixture of historiographic and philosophical
inquiry, and Asian and European discourses, as we consider a variety of historically
positioned exemplary cases and traverse shifting perspectives with and beyond
Heidegger. First, archival and historical inquiry frees us to study the purportedly
“small,” semi-forgotten, and problematic questionable figures of an epoch that can lead
to a more appropriate hermeneutical contextualization and historical sensibility in
Introduction 3
contrast to pure forms of theorizing and moralizing. The hermeneutics of words and
concepts entails examining multiple generations rather than only a single renowned
author. Engaging forgotten and semi-forgotten texts and authors can help facilitate
generational contextualization as well as their further rediscovery. Secondly, Daoist and
Buddhist texts should not only deliver raw data for European conceptual reasoning.
They offer a variety of argumentative and interpretive strategies with their own situated
specificity and philosophical stakes. Working through unthought hiddenness and the
anxieties of influence, this analysis reveals how Heidegger is unique among European
philosophers in learning from ways enacted in these sources.
What follows can be read as a reflection on Heidegger’s statement: “Releasement
toward things and openness for the mystery belong together. They grant us the
possibility of residing in the world in a wholly other way” (GA 16: 528). This constellation
of releasement, openness, mystery, things, and other ways of relational dwelling appears
throughout his discussions of Daoist sources and was developed in conversation with
them. Heidegger’s pathways to the releasement and freedom of things (Gelassenheit
der Dinge)—through the uncanniness of nothingness and the open emptiness of the
clearing—are informed by his explicit engagements and unthought resonances with
East Asian philosophies, particularly the Daodejing, attributed to the mysterious figure
of Laozi 老子 and the Zhuangzi. The early forms of these two anthologies, composed
from disparate sources, have been dated from the chaotic Warring States period
(475–221 bce). The redacted transmitted editions, used by the German translators
read by Heidegger and his contemporaries, stem from the post-Han Wei-Jin period
(220–420 ce). It is still insufficiently appreciated how the images and words employed in
late-nineteenth- and early-twentieth-century German editions reverberate throughout
Heidegger’s writings, giving them an aura of both familiarity and strangeness in
comparison with contemporary translations and readings.
How did this remarkable conjuncture and its concealment come to pass? Answering
this question, the first task of this study, requires a situating and singularizing
historical description. Heidegger’s interest in Daoism was part of a generational
movement—shared by Martin Buber and others—and unique in how it was adopted
into his thinking. Heidegger was aware of Daoism since at least 1919. He repeatedly
directly cited and indirectly evoked multiple translations of its two classics from
1930 (GA 80.1: 370; Petzet 1993: 18) to the final years of his life (GA 91: 667–8). It is
noteworthy, given the remarkable shift in his thinking in 1942–1944, how he explicitly
referenced and tacitly echoed—occasionally from 1919 to 1942 and with regularity
beginning in 1943—their thought-images and interpretive strategies. His pivotal crisis
and transformation of the mid-1940s, coinciding with the defeat of National Socialism,
might be described as a quasi- or semi-Daoist turn. It incorporates and systematically
reconfigures several distinctive Daoist elements based on German translations, his
translation activities and conversations with a visiting Chinese scholar, and his own
philosophical categories.
The significance of this adaptation of early Daoist sources into European
philosophy remains contentious. First, a formerly prevalent view sees this intersection
as a fortuitous personal idiosyncrasy that does not play a serious systematic role in
his thinking. Second, another—increasingly widespread—analysis holds that these
4 Heidegger and Dao
are crucial concealed sources from which his modes of speaking and thinking draw
insight, orientation, and—in the crises of the closing years of the Second World War
and early postwar period—healing and renewal. Earlier research on Heidegger and
the “East” prepared the way for this change in perceptions but are often Orientalizing,
mythologizing, and inadequately hermeneutically situated.3 They frequently fail to
appropriately recognize how these transmissions can dialogically speak back and help
us question and reimagine key themes and categories not only in Heidegger but in
European philosophy.
self-naturing (ziran 自然), thingly transience and transformation (hua 化), and
the generative nothingness that nourishes the myriad things (wanwu 萬物). These
expressions and thought-images, which defy the bifurcation of concept and picture,
emerged in ancient Chinese sources mostly unfamiliar to Heidegger and other early
European readers. These documents encompass recently excavated pre-Qin era silk
and bamboo manuscripts, such as the Guodian and Mawangdui Laozi manuscripts that
have dramatically altered contemporary studies of early Chinese thought. Heidegger
also did not systematically investigate the transmitted Wei-Jin era mysterious learning
editions and commentaries of Wang Bi 王弼 (226–249 ce) and Guo Xiang 郭象
(252–312 ce). The Sinologist and translator Richard Wilhelm (1873–1930) did study
them, construing Daoism as a philosophy of the “sense of life,” and these two editions
served as the basis of every German translation available in Heidegger’s milieu.
Part Two shifts and expands the horizons of this inquiry from the Daoist thing to
nothingness, emptiness, and the clearing, drawing on Daoist, Buddhist, and modern
East Asian discourses. Heidegger’s earlier dismissiveness of Buddhism was adjusted
in the postwar period, especially regarding Zen Buddhism. This changed appreciation
is witnessed in his postwar conversations with visiting Japanese intellectuals and
his interview with the Thai Buddhist monk Bhikku Maha Mani. His modified
understanding is most evident in the 1953–1954 essay “From a Dialogue on Language.”
It marks the culmination of Heidegger’s turn from the fear and trembling of existential
nothingness to the clarity and freedom of emptiness, the open, and the clearing.
Accordingly, in Part Two, we delve into the roles of Daoist nothingness, Buddhist
emptiness, and East Asian discourses and interlocutors that helped mold postwar
Heidegger’s understanding of emptiness and clearing.
The project unfolded here offers a unique and innovative contribution in four
ways: (1) a systematic reexamination of the German language translations and
interpretations that shaped Heidegger’s linguistic context and individual engagement
with Daoism and the thing (in Part One) and Daoism, Buddhism, and nothingness
(in Part Two); (2) an analysis of the linguistic and conceptual shifts in Heidegger’s
thinking that correlate with his interactions with Daoist, Buddhist, and East Asian
texts and interlocutors; (3) a critical interpretation—with and beyond Heidegger and
his generation—of early Daoist and classic Buddhist sources as indicating models
of the self-nature of the thing and comporting oneself toward thing and world
through practices of emptiness; and (4) a Zhuangzian Daoist and “Flower Garland”
(Huayan 華嚴) Buddhist inspired critique and reimagining of the thing, nothingness,
releasement, and their contemporary import.
degree of direct influence, allow for a reevaluation of Daoist ziran and Heidegger’s
“ziranist” leanings that culminate in the releasement of things.
The Daodejing states that all things, even the dao, follow their own ziran. What is
ziran? This expression emerged in a specific historical constellation that is profoundly
unlike yet still can speak to our situation. Two prevalent translations are spontaneity
and nature. “Nature” is inadequate to express what is meant by “ziran” and can only
be used in a highly qualified sense. Unlike the “nature” that is frequently opposed to
the human world in modern thought, and thus has an ideological and mythological
aura, ziran is enacted in all things human and nonhuman. “Ziranism” (in contrast
to reductive naturalisms) refers to the centrality of the multiplicity, spontaneity, and
transformation of self-generation and self-patterning. Daoist ziran signifies generatively
being self (zi 自) so (ran 然), autopoietic self-emerging and self-patterning, or nature
in the qualified sense of self-naturing. This sense of ziran is fundamental albeit
incompletely thought in Heidegger’s Daoist encounters. These engagements occurred
in the context of his understanding of Abendland (Occident, the evening land, Greek
hésperos and dúsis, which referred to Europe and not the “West” in the current sense)
and Morgenland (Orient, the morning land, Greek anatolḗ, the land of the rising sun).
Naturalism seeks to dictate the nature of the thing through a determining theory or
picture of what it considers true nature. It inadequately recognizes human participation
within nature. “Ziranism” expresses in contrast the need to attend to the self-unfolding
or self-dynamic of the thing that is possible through practices of emptying and realizing
the humility of the heart-mind (xuxin 虛心) and attuned non-coercive action (wuwei).
Daoist generativity does not entail naive oppositions between the organic and the
artificial, the primitive and the civilized, or the passive and the active, as inaction is
enacted in action, clarity in mystery, and simplicity in complexity. It likewise cannot be
reduced to a first principle or to causality, at least in their standard explanations, owing
to the elemental spontaneity and transformability in things themselves. Instead of an
unbroken determinate sequence, or resignation before an indifferent necessity, there
is an adaptive sense of generational change in natality and mortality that gives each
singular life its due while letting it go in death. This ziran-directed guiding strategy
entails the reconstruction of several core, and arguably the most transformative,
elements in Heidegger’s philosophy. Indeed, as this book demonstrates, Heidegger’s
anarchic and Daoist tendencies are closely interconnected in accentuating the
generative self-patterning of things. Ziran can be understood in the Zhuangzi through
images of dark watery chaos.5 This free self-patterning chaos has anarchic (without
arché or dao-archic) and—if reimagined under modern conditions—participatory
democratic implications in stressing adaptive spontaneity and collaborative or
sympoietic self-ordering by human and non-human individuals and communities;
this strategy necessitates critiquing Heidegger’s most problematic philosophical and
social-political commitments while recovering and extending moments of truth.
Chapter 6, analogous to the contextualization of Chapter 1, resituates Heidegger’s
thinking by shifting perspectives to Daoist generative nothingness (wu) and Buddhist
emptying emptiness (Sanskrit: śūnyatā; Chinese kong 空). These have their own
specificity and are not merely instances of a monolithic “Oriental nothingness” or
nihilism. Daoist nothingness and Buddhist emptiness have a variety of senses within
8 Heidegger and Dao
Daoist and Buddhist teachings that differ from the monotheistic creatio ex nihilo, the
“nonbeing” of classical Greek philosophy, and the mystical nothingness of Occidental
metaphysics and onto-theology. The systematic clarification of varieties of nothingness
and emptiness in Chapter 6 situates Chapter 7’s reenvisioning of Heidegger’s earlier
existentially oriented philosophy of nothingness and its subsequent transitions to the
emptiness and the clearing of his postwar thinking.
Chapter 8 concerns the intercultural position of Heidegger’s nothingness in its
early reception in the 1930s and 1940s by East Asian philosophers and intellectuals.
This chapter contains an exploration of the controversial and inconvenient
existential Buddhist and transnational fascistic intellectual Kitayama Junyū 北山
淳友 (1902–1962) whose philosophy of nothingness provides a counterargument to
my interpretation. Kitayama studied philosophy in Freiburg and Heidelberg during
the 1920s and remained active in Germany until 1944, providing significant clues to
Heidegger’s intercultural contexts. There are several reasons for this unusual retrieval.
First, he was directly involved in Heidegger’s German milieu, as one of the first authors
to extensively engage with the discourses of Heidegger and phenomenology, South
and East Asian Buddhism, and Japanese philosophy for two decades in Weimar
and National Socialist Germany. Secondly, Heidegger was familiar with him, and
several passages in Heidegger’s later interpretations echo Kitayama’s earlier uses
of Heideggerian categories. Thirdly, Kitayama’s problematic identification of the
nothingness of Daoism, Buddhism, and the Kyōto School with the destruction of the
liberal individual for the sake of collectivist nationalist, militaristic, and authoritarian
politics is valuable to illustrate the perils of incomplete elucidations of nothingness
and practices of emptiness.6 Emptiness does not loosen the borders between the
self and society for the sake of a determinate collective identity in classical Daoism
and Buddhism. It radically unfixes forms of substantive identity in, for instance,
the different strategies of equalizing things in nothingness (Zhuangzi) or reciprocal
interpenetration in emptiness (Huayan Buddhism) that releases both the specific
singular and the relational whole.
The concluding chapter draws out implications for a new philosophy of
nothingness, thing, and world. It reassesses the historical and political tensions of
modern discourses of nothingness by adopting the relational singular of Zhuangzi and
Huayan (which are distinctive yet complementary) to contest essentialized individual
and social realities. As collective identities are just as constructed and illusory as
individual identities, if not more so, it is a mistake with perilous consequences
to destructure and decenter the individual subject while fetishizing the collective
subject as a monological identity removed from communicative gathering and the
existential dynamics of personal and interpersonal life. The challenge is to encounter
and express connection and relatedness, and dismantle binary oppositions, without
disregarding environing locality and particularity or—to be clear—reducing them to
either particular or universal identities that systemically exclude and subjugate what is
non-identical. Since it would be negligent to avoid critical discussion of ideology and
politics in the current climate, even as ideology and culture-industry impact the most
critical consciousness and practices, the complex philosophical and social-political
contexts traced in the closing chapters entail learning from Heidegger’s insights and
Introduction 9
failures to resituate the ethical and political roles of nothingness and emptiness,
reconsidering them with and beyond their previous incarnations.
things and their spaces. At the same time, factical existence is another key piece of the
puzzle, as intersubjective and interthingly comportments are complexly mediated by
material and social forms of life in which they serve apologetic ideological as well as
critical transformational roles.
The guiding aspiration of these chapters is to reinterpret and reimagine Heidegger’s
thinking of being and his originary ethics given their ziranist elements and our
hermeneutical situation. Its primary thesis is that, entangled with Daoist and other
intercultural sources, Heidegger’s path proceeds from the paradigmatic Occidental
philosophy of available givenness and mere presence—which conceals the open spacing
of things and seeks to logically exclude and dialectically subordinate negativity and the
nothing—to nothingness, emptiness, and the clearing in their coming to presence and
withdrawal in absence or, to accentuate its mutable verbal sense, presencing-absencing.
The nurturing darkness and mystery of nothingness and the concealing-unconcealing
openness that characterize Heidegger’s thinking of being are, when interpreted as
bearing and ethos, elemental to responsively encountering and dwelling with things
in the world-clearing. Zhuangzi’s vision of free and easy wandering indicates ways of
practicing philosophy as contesting and unraveling fixations. These practices allow
rethinking Heidegger’s pathways and reimagining for ourselves things, nothingness,
and world in the specificity of our existential condition.
Part One
I. Introduction
His early philosophy of the thing emerged in the context of debates between
idealist and realist philosophies of the thing and his training in phenomenology as
a methodology that describes consciousness and its objects. His teacher Edmund
Husserl described phenomenology as a movement “toward the things [or matters]
themselves” (zu den Sachen selbst), defining the thing (das Ding) in the Philosophy
of Arithmetic (1891) as that which bears characteristics with unity through temporal
and spatial variation and—as what is experienced points back to who experiences—in
Ideas (1913) as the correlational object of intentional consciousness.2
Husserl’s phenomenological strategies produced several dilemmas for Heidegger.
First, the thing would seemingly designate what is most concrete while—in the
thing as object—abstracting away from the specific features and qualities that make
particular things uniquely what they are. Second, given the material, social-historical,
pragmatic, and conceptual mediations of the thing, given the mediated referential and
interpretive nexus through which it is experienced, the thing cannot be simply intuited
and described, yet we (or, at least, some) wish to encounter it as something of its own
that exceeds an anthropocentrically constituted and constructed object.
Phenomenology simultaneously promoted and prevented answering the question
of thing qua thing for Heidegger. He repeatedly reposed the question “what is a thing?”
He inquired in response to these tensions between concrete thing and intentional
object in the context of (1) phenomenologically encountering and describing the thing,
(2) confronting “Occidental” (abendländische) philosophical conceptions of the thing
(particularly in Aristotle and Kant), and—most extraordinarily—(3) engaging the
Daoist emptiness of the thing in the Daodejing, attributed to Laozi, and its uselessness
in the Zhuangzi.3
Before proceeding further, we might want to ask: what is Daoism and why is it
significant for Heidegger and his generation? The expression has a variety of historical
meanings. First, Daoism (daojia 道家) was applied to Laozi in a retrospective
construction and categorization of schools in the Historical Records (Shiji 史記) of
the Han dynasty historians Sima Tan 司馬談 (c. 165–110 bce) and his son Sima
Qian 司馬遷 (c. 140–86 bce) for whom it signified Huanglao 黃老 biopolitical-
cosmological discursive formations. Second, types of “religious Daoism” (daojiao 道教)
emerged during the late and post-Han eras that were associated with biospiritual arts
of internal alchemy (neidan shu 內丹術), the way of immortals (daoxian 道仙), and
the way of spirits/gods (shendao 神道). Third, and most pertinently here, it referred
to the teachings of Laozi and Zhuangzi, whose historical connections are unclear and
controversial, for generations of Chinese literati and modern European intellectuals.
This sense can be designated early, Lao-Zhuang, or ziranist.4
“Ziran” is a key interpretive term throughout this inquiry. What I designate
“ziranism” should not be construed as “naturalism” insofar as naturalism misses what
it would signify by limiting nature to a fixed positioned image in an enframing (i.e.,
positioning into a determining frame) world-picture that deworlds things and human
existence. Ziran is explored as an ethos and interpretive orientation that prioritizes
recognizing the spacing of the thing and the interthingly nexus in their own ways of
manifesting and being. Ziran is “nature” only in the most anti-reductive and expansive
sense of calling for an attuned and responsive comportment and recognition of the
Way, Thing, and World in Laozi 15
2. The Art of Tea, the Safeguarding Darkness, and the Joy of Fish
When did this encounter begin to emerge? Two anecdotes help answer this question.
An old Japanese anecdote of a gift in 1919 recounts how the young Heidegger initially
encountered Daoist conceptions of the thing and being-in-the-world in the German
edition of The Book of Tea by Okakura Kakuzō 岡倉覚三 (1862–1913). He received
this popular book as a gift in 1919 from Itō Kichinosuke 伊藤吉之助 (1885–1961).5
Okakura fuses motifs from Laozi-Zhuangzi, the Chan/Zen Buddhist dharma, and
Shintō together to draw a picture of the East Asian spirit of tea as it is enacted in
concrete ritual practices that carefully attend to the smallest details of tea, water,
utensils, and environment. One meets the world in a sip of tea.
According to Okakura, the way and art of tea-making and drinking realizes the
Daoist “art of being-in-the-world” (Kunst des In-der-Welt-Seins). This appears to be the
first hyphenated use of this expression in German. It expresses the Daoist awareness
of how self and world are relationally bound together, and it is only in practices that
freedom occurs. Freedom is not a quality of the self but is thoroughly relational. This
Daoist worldly art consists of an ethos of continual adaptation and readjustment to
the environment where one maintains relationships and makes room for things and
others without abandoning one’s position (Okakura 1919: 29). In Okakura’s chapter
on Daoism, he accentuates the role of emptiness (die Leere) in the Daodejing’s imagery
of the spatial vacuum. The reality of the room is found in its emptiness, the usefulness
of the water jug dwells in its emptiness rather than its material form, and emptiness
is all-encompassing as the space and possibility of movement (Okakura 1919: 30).
Conspicuously, and not fortuitously given the historical and linguistic evidence, these
descriptions reverberate throughout Heidegger’s thinking.
A second anecdote tells of Heidegger’s Daoist affinities a decade later in the closing
years of the ill-fated Weimar Republic. Heidegger’s friend, the art critic Heinrich
Wiegand Petzet (1909–1997), recounted how Heidegger visited Bremen in October
1930 to hold the lecture that eventually became “On the Essence of Truth” (Von Wesen
der Wahrheit) that elucidated truth as unconcealment (Petzet 1993: 18). Heidegger
enthusiastically discussed the Daodejing during the lecture and the Zhuangzi at the
subsequent dinner.
Heidegger incorporated the Daodejing into early versions of this pivotal lecture:
“those who know lightness wrap themselves in darkness” (“Der seine Helle kennt,
16 Heidegger and Dao
sich in sein Dunkel hüllt”) (GA 80.1: 370). This is Victor von Strauss’s translation of
an expression (zhi qi bai, shou qi hei 知其白, 守其黑) in chapter 28. It depicts the
sage as a streambed and template image for the world who preserves the feminine in
the masculine, childlikeness in virtue, darkness in light, and dao-like qualities amidst
the mundane world (Strauss 1870: 140; Lou 1980: 74). Heidegger elucidated here the
play of unconcealment-and-concealment, referring to the dao’s movements between
lightness and darkness. In the next sentence, he introduced another expression he
recurrently linked with the Daodejing: “the genuine search is not for that which is
only unveiled, but exactly on the contrary for the mystery (Geheimnis)” (GA 80.1:
370). The freedom of the mystery is the unconcealing-concealing “letting be of beings”
(Seinlassen des Seienden).
Heidegger referred to Strauss’s translation of chapter 28 in the third Freiburg and
Marburg version of the lecture (GA 80.1: 397), in letters and notes, and decades later in
Identity and Difference (GA 11: 138). Indeed, Heidegger persistently returns to Daoist-
inflected thought-images of letting beings and things be themselves, preserving the
darkness that nourishes and regenerates, entering the silence in which genuine hearing
transpires, emptying the heart-mind for the sake of the encounter and event of being
(instead of dao), and the twofold mystery beyond mystery.
Petzet depicts how Heidegger was still pondering Daoist thought-images after his
1930 lecture on truth. Heidegger surprised the attendees of a dinner party by requesting
a copy of a book called the Speeches and Parables of Zhuangzi (Reden und Gleichnisse
des Tschuang-tse). Buber had translated this selection around two decades earlier based
on English translations by Frederic Henry Balfour (1881), Herbert A. Giles (1889), and
James Legge (1891) and it was a familiar book among Weimar era intelligentsia.6 Otto
Pöggeler adds that Heidegger appears to be deeply familiar with Buber’s translation
of the Zhuangzi and perhaps even of his Tales of the Hasidim as well.7 Pöggeler does
not provide sufficient detail here. A second indication of this relationship is that
Buber’s “Afterword” to the Zhuangzi discussed the same sentence concerning darkness
and light from Strauss’s Daodejing. Buber writes of hiddenness (Verborgenheit) and
unhiddenness, the generative hiddenness that nurtures life, speaks to the sages, and
is encountered in abyssal solitude (Buber 2013: 110). According to Buber, enacting
hiddenness in both word and action constitutes the history of Laozi’s teaching.8
Heidegger proceeded to read and interpret the narrative of the joy of fish (yule 魚樂)
from Buber’s translation of the “Autumn Floods” (qiushui 秋水) Zhuangzi chapter.
Zhuangzi (Zhuang Zhou 莊周) and his friend the skeptic Huizi 惠子 (Hui Shi 惠施)
debated possibilities for genuinely recognizing the joy of fish while watching their
playful movements from the bridge above. Richard Wilhelm, whose translation
Heidegger also cites, construed Zhuangzi as offering a Kantian-like critical resolution
of Huizi’s dogmatic “Humean” skepticism (Wilhelm 1912: 9). This scene might be
understood as presenting a skeptical problem of knowledge in which Zhuangzi, a proto-
Wittgenstein, skeptically outdoes Huizi’s skeptical doubts about knowing, throwing
the doubter into doubt. The dogmatic skeptic assumes a priori that one cannot know,
presupposing the game of knowing and not knowing that Wittgenstein exposed in
On Certainty (Wittgenstein 1969), while Zhuangzi freely followed the fish in their
changing movements without anxiously being confined by the game of knowledge
Way, Thing, and World in Laozi 17
and ignorance. Whereas the dogmatist presumes to inherently grasp the givenness and
essence of things, and the skeptic imagines all is text and interpretative projection,
Zhuangzi recognizes that there can be no fixed borders between interpretation and
world or fish and non-fish. That is, we are not able to establish this distinction in a
fashion that could ground either absolutism or skepticism. Huizi and the dogmatic
skeptic fixate on what is known and not known based on the hypostatization of self and
non-self as isolated substantive identities. But Zhuangzi contests the boundaries of self
and non-self, being or not being a fish, or knowing and not knowing. The Zhuangzian
exemplary genuine person (zhenren 真人) freely adopts to and responsively moves
along with the transformations of perspectives, things, and their own self.
Heidegger appears to have realized that this dialogue concerns intersubjective and
interthingly relations. Petzet describes how, on this evening in Bremen, Heidegger
delved into the implications of this encounter with the otherness of the fish for being-
with (Mitsein).9 Heidegger analyzed being-with as ethically neutral in Being and Time.
Yet this analysis is not ethically indifferent as it discloses forms of ethical and relational
knowledge of self, others, and the world (Kanthack 1958). Did Heidegger construe the
story as an allegory for interhuman encounters? Probably yes, as being-with designates
in Being and Time the sociality of Dasein, in the prospect of an authentic “we” and
in the fallenness of the “they.” It did not encompass relations with—as he described
them in 1929–30—worldless things and world-poor animals. Even so, the inkling
of an alternative way of interacting with—albeit not yet leaping-ahead for the sake
of—animals and things is glimpsed here in 1930, even if it primarily served as an image
for intersubjective interaction. Possibilities of encountering and interacting with living
and nonliving things (i.e., thing in the expansive sense that encompasses any entity)
reoccur in passages in the 1930s (such as in GA 45: 3, 29). They would be radically
transformed in Heidegger’s 1940s engagements with the Daodejing and the Zhuangzi
and postwar philosophy in which he questions the anthropocentric priority of the
human and emphasizes the centrality of the thing vis-à-vis the subject as a moment
and place of gathering world.10
Things are experienced and perceived primarily as objects of use, exchange, and—
as present-at-hand—objective inquiry. Yet things are still beyond this objectification
in a subterranean third dimension that stretches from the life of the thing in 1919
to the few insufficient remarks about the natural thing (Naturding) in the late 1920s
to the thing that gathers, says (Sagen), and addresses me (spricht mich an) in the
1950s. At this juncture, however, the practical referential nexus of significance
(Verweisungszusammenhang der Bedeutsamkeit) determines the world of Dasein,
and the equipmental nexus determines things in their instrumental obtainability to
be used, only interrupted by their uselessness in breakdowns and malfunctions. This
approach is undoubtedly groundbreaking, yet it is not entirely satisfying.
Simply stated, Heidegger’s early version of relational holism centered around the
being-there of human existence and his later version centered around the thing. This
early analysis was inadequate according to his own later remarks that gave greater
priority to the thing as generating the sense of place and world. Emmanuel Levinas
noted how Heidegger’s incomplete account in Being and Time presupposes without
appropriately articulating the elemental as an inappropriable atmosphere and milieu of
air, earth, rain, sunlight, and wind that “suffice for themselves” (Levinas 1969: 132). In
freely wandering, one enjoys the fresh breeze and the sunlight not for a purposive goal
but for themselves, as the stone and the blade of grass appear in the elemental interplay
of light and shadow. Heidegger ignores how the elemental nourishes me and things as
they are encountered in non-purposive enjoyment (jouissance) (Levinas 1969: 134).
Despite the pragmatic instrumental tendencies criticized by Levinas and his later self,
Heidegger’s late 1920s explication of the thing is not merely pragmatic. Even as things
are interpreted as dominated by a referential nexus of usage and usefulness, Heidegger
also analyzes the facticity of interruptive breakdown, disorienting questionability and
uncanniness, and possibilities of other forms of relational attunement in encountering
things. There are moments that point toward a fuller philosophy of the thing.
In the 1935–37 “The Origin of the Work of Art,” the apparently natural thing, the
thing as instrumental equipmental objectness (Zeug, Gebrauchsding), and the work
(Werk) are differentiated as the artwork discloses the thing that bears and opens the
“there” and liberates it from the nexus of instrumentality. The work discloses the
constitutive role of things in the thereness of human existence (GA 82: 484–7). Even
prior to the ostensive turn (a notion Heidegger introduced in his auto-critiques of the
middle and late 1930s) to the poetic thinking and saying of being, there are indications
of intimate relations with things and their life in his account of the atmosphere of
attunement and mood—such as the thing as encountered in situations of extreme utter
boredom (GA 29/30: 132), existential anxiety, resigned indifference, or astonished
wonder—that increasingly draws Heidegger toward poetic and Daoist ways of
addressing and being responsively attuned with the thing in releasing it through
emptiness into its way of being.
and implicitly governing all permeations: a religion born of cruelty remains cruel even
in its highest moments of love and tolerance. But his point does not only concern
“lowly origins.” As Nietzsche’s critique exposes, the highest ideas of love and tolerance
function not only as masks but as justifications for hatred and destruction against
those considered other and deemed unworthy of this totalizing love; as when Christian
universal love results in frenzied pogroms against stubbornly resistant particularity
that is posited as the negation of love. However, early Chinese genealogical thinking of
origins is concerned with different issues. It embraces all things in their differences and
transformations. It recognizes that things arise in transitional incipience (ji 幾): they
are born small and low, rise and face their zenith, and descend back into their origins.
Genealogy can trace transformations that suspend and reverse the initial meaning: the
sacrificial entity becomes its opposite by being linked with self-becoming in an ethos,
irreducible to fixed rules and virtues, of nourishing living and nonliving things. How
did this transformation occur?
The history of the thing in early Chinese philosophy offers several clues. First, wu
designated a naturally arising thing, and reality consisted of “all things” (baiwu 百物,
literally “hundred things”) in early Confucian sources and the “myriad things” (wanwu
萬物, literally “ten thousand things”) in the literature that informed the Daodejing’s
development. Early Confucian and Daoist texts can be distinguished to an extent by
the uses of baiwu and wanwu to express the entirety of things. The former is more
characteristic of extant early Confucian materials, although not later ones such as the
Xunzi 荀子 that presupposes and critiques Lao-Zhuang discursive formations, and the
latter of extant Laoist materials in which the phrase baiwu does not appear.
The early Confucian “all things” expressed both the temporal and the ritual
character of the thing. In the Analects’ Yang Huo 陽貨 chapter, section 19, Confucius
(Kongzi 孔子) famously asks, “[H]ow does heaven speak at all as the four seasons
follow their courses and all things arise?”29 Seasons and things take their generational
turns, as seasonality serves as the principal image of time in the Book of Changes (Yijing
易經) and other early Chinese sources.30 The ritual and cosmic character of the thing
is expressed in early sources such as the Book of Rites (Liji 禮記). In its nineteenth
chapter, the Record of Music (Yueji 樂記) sections 12 and 14 (2.3 and 2.5), “all things”
are portrayed as constituting a fluctuating harmonizing whole maintained through a
ritual and sacrificial order that is enacted through music and rites (Cook 1995: 45, 47).
In music as in natural harmony, things transform, discord, and are reconciled. In ritual
as in natural order, each thing finds its appropriate place and role. Music and ritual are
consequently exemplary models of governance that reproduce cosmic harmony and
maintain its order.31 For Xunzi, ‘thing’ is the most general and inclusive name.
Early Confucianism accordingly demanded looking at and reflecting on worldly
things. In the “Expansive Learning” (daxue 大學) chapter of the Book of Rites, the
“extension of knowing” (zhizhi 致知) in the “investigation of things” (gewu 格物)
implies discovering their ritual role and order in self-cultivation (shenxiu 身修).
Song-Ming Neo-Confucianism offers its own distinctive discourses of the thing. Zhu
Xi 朱熹 (1130–1200) construed the inquiry into things as an experiential inquiry
aiming at the clarification of the fundamental cosmological pattern and principle
(li 理) that organizes vital material and bodily forces (qi) and constitutes the order
Way, Thing, and World in Laozi 25
taken care of during the duration of the ritual and afterward left aside and trampled
back into the earth or used for kindling (Ziporyn 2020: 121). The figure of the straw-
dog in the Laozi and the Zhuangzi serves as an image of the generational life and death
of the thing.33 The Tianyun chapter clarifies this sense as it then equates Confucian
teachings to a flawed endeavor to preserve the scattered remnants of the straw-dog
after their allotted time has passed. The pursuit to hold on to the dead and the past can
only result in the living being haunted by nightmares.
Notwithstanding the sense of temporality conveyed in the “all things” passage
considered previously above, Confucius in the Tianyun could not adequately recognize
the generational revolving nature of things as events or moments in time that form
and dissipate in transformation. Rituality, righteousness, law, and measure alter over
time (禮義法度者, 應時而變者). The straw-dog functioning as the image of the thing
discloses a world and its criteria in incessant generation, formation, and dissolution.
The excavation and study of pre-Qin to early Han silk and bamboo texts have
revolutionized the study of early Chinese thought. They have proven the antiquity of
the Laozi materials that contain small yet notable differences. The close connection
between thing, generation, and transformation is expressed in the excavated Guodian
郭店 (c. 300 bce) and Mawangdui 馬王堆 (c. 200 bce) renditions of the Laozi. These
materials indicate more complex configurations of the thing operative in the early
“Laoist” context, as the thing is related to the reflexive “self ” or “so of itself ” (zi 自) in
expressions that can be translated as the self-so-ing, self-transforming, self-steadying,
and “self-guesting” of the myriad things.34
sacrificial transformation, and later identifies only the naturally changing thing. Ziran
signifies the temporal transformative self-so in early Daoism and is subsequently fixed
and objectified into nature as object. In its earlier senses, it does not so much name
an object or set of objects (“nature”) as much as the way in which something verbally
(“naturing”) and adverbially (“naturally”) occurs in its movements (compare Liu
2015: 75). The discourse of the myriad things and self-naturing appears to have been
systematically articulated initially in the Laozi materials, functioning as its key concepts
and becoming fundamental to ensuing Chinese philosophy, bioethical life, and aesthetic
culture.
Lao-Zhuang discourses, despite their differences, can well be described as ziranist
given their recognition of the priority of ziran and the inadequacy of translating it as
naturalism. The conclusion to Daodejing 25 (in Guodian A 11) asserts that ziran is the
key to understanding the way: dao follows or patterns itself according to its own self-
naturing (daofa ziran 道法自然). The late Han era Heshanggong (河上公, Riverside
Elder) commentary describes how this means that dao follows its own naturing
(daoxing ziran 道性自然). The myriad things are self-sufficient in their self-becoming
and self-accomplishing (wanwu zicheng 萬物自成).35
The rediscovered Heng Xian 恆先 text (300 bce) regards letting the thing happen
(wuwei)—in “neither avoiding nor partaking in it” (無舍也, 無與也)—as an
accordance with the thing’s self-happening (ziwei 自為).36 Does the early history of the
thing’s “selfing” or “self-so-ing” (zi) imply that the sage-kings and sages do or do not
step back and assist the thing in allowing it to determinate itself? Both possibilities of
responsive nurturing and neutral indifference are implied in different renditions and
interpretations of the Laozi, an assembled source formed from a textual and interpretive
multiplicity. There are noticeable differences between the Guodian and received Laozi
texts that some translations accentuate more than others. In Guodian A 6, according
to Henricks’s translation, the ancient sages are “able” (the first use of neng 能) yet are
“unable to act” (its second use in funeng wei 弗能為), allowing the myriad things
to be themselves in their own self-so-ing or self-naturing.37 In Daodejing 64, and in
Cook’s translation of A 6 (Cook 2012: 245), the sages do not dare to (coercively or
calculatedly) act (fu gan wei 弗敢為) while they expressly complement or assist (fu 輔)
the myriad things to be themselves.38 That is, the exemplary sages act and do not act by
assisting and nourishing the life of things without forced purposive intervention that
is constrained and undone by the restrictions of its aims.
Guodian A 6 could be read as implicitly stating the same message as Daodejing
64 if its first use of “able” implies able to complement and its second use unable to
coercively act (Cook 2012: 245). It could also be read to suggest the neutrality of
following dao with respect to the self-generative naturing of things, a model found in
Huanglao 黃老 and so-called “legalist” (fajia 法家) discourses.39 The received version
of Daodejing 64 indicates a correlational co-responsive attunement without compelled
or artificial action (wei) in following dao in its caring, maternal, and nurturing
functions by complementing and assisting things to occur as themselves.40 The
nurturing function that supports self-nurturing applies to persons as well as things.
Guodian A 16 and Daodejing 57 describe how the sage-kings practice noninvolvement
in affairs, non-doing, quieting, and desiring without desiring as the people self-enrich,
28 Heidegger and Dao
self-transform, self-rectify, and self-simplify of their own accord.41 How does the
sage-king let the inevitably myriad and plural people order themselves? According to
chapter 49, the sages empty and have no invariable heart-mind of their own to impose
on others; they responsively take the people’s heart-mind as their own. They do not
preferentially prejudge, treating the good and bad, the sincere and insincere alike.42
Heidegger’s distinction between the two extremes of solicitude (Fürsorge) in Being
and Time reminds us of Okakura’s description of Daoism as making place for others.
Heidegger differentiates care as (1) leaping-ahead and liberating (vorspringend-
befreiend) for the sake of promoting the other’s self-care and self-individuation, that
is, potentiality-for-being (Seinskönnen) of an individuated self and (2) leaping-in and
dominating (einspringend-beherrschenden) so as to strip away the other’s self-care and
thus possibilities of self-individuation.43 Unlike Okakura’s description of Daoism, this
making place for others applies exclusively to human being-with in Being and Time.
We will inquire later whether Heidegger eventually arrives at a making place of living
and nonliving things that intersects with the self-happening of the thing revealed in
the Laozi. What then of the thing’s temporality?
The opening lines of Guodian A 7 and Daodejing 37 express the temporalizing
constancy of dao’s operating without purposive activity as things transform themselves
(zihua 自化) and determine and settle themselves (ziding 自定). Lords and kings
emulate dao in knowing the limits of what is sufficient and in quietude. The constancy
of dao is described respectively as daoheng 道恆 and daochang 道常. Heng was
tabooed, as part of the given name (Liu Heng 劉恆) of the fifth Han dynasty emperor,
and altered to the semantically overlapping chang. Neither word designates an eternity
outside of time but rather extended and potentially infinite duration.
The earlier usage of heng signifies the temporalizing of the waxing moon and a
fecund generative and potentially infinite perpetuity; chang the temporality of
continuing and extending regularity.44 The moon goes through its phases, the earth its
seasons, and the repeating pattern is extended. The temporalizing of constancy is not
an indeterminate neutral arena. It is one wherein vital forces and things wax and wane
according to their own natures. Heng signifies persevering, long continuance, and
prosperity in the explication of the thirty-second hexagram of the Book of Changes.
If heng is interpreted as a generative temporalizing according to its early sense, then
the affective dispositional state (daqing 大情) of continuing and prospering things
(hengwu 恆物)—often translated as the enduring reality of the eternal thing from
Legge to Ziporyn—should be noted in the “Great Teacher” (Da Zongshi 大宗師)
chapter of the Zhuangzi: “to hide the world in the world, so that there is no place to
escape, is the great affection that prospers things.”45
The Daodejing teaches the generative and nourishing function of dao that sages and
kings emulate. This is not unrelated to the sacrificial sense in a text such as Mawangdui
Laozi A 13. It states, “the way generates” (daosheng zhi 道生之) and “virtuosity
nourishes” (dexu zhi 德畜之) “governed things” (wuxing zhi 物刑之) and “useful
devices” (qicheng zhi 器成之). The corresponding line in Daodejing 51 reads that they
generate and nourish “formed things” (wuxing zhi 物形之) and “potentiality” (shicheng
zhi 勢成之). While characters such as xing 刑 (to punish, govern, or form), xing 型
(model, formed pattern), and xing 形 (form, shape) were linguistically interchangeable
Way, Thing, and World in Laozi 29
Daodejing, it has a more vital role in the Zhuangzi and in the Heshanggong and Wang
Bi Laozi commentaries. The sages respond when affected (gan erhou ying 感而後
應) in Zhuangzi chapter 15 “Engraved Meanings” (Keyi 刻意). This chapter concerns
undoing engraved meanings as constructed fixations.
The freedom and ease of worldly responsiveness of the exemplary genuine person
arise through bracketing intentional calculative action (wuwei) and attuned or
resonant being affected (ying). This is glimpsed in the thought-images of Butcher Ding
(Paoding 庖丁) nourishing life and responding to the intrinsic nature of the ox with
the cutting of his blade or (in an example Heidegger referred to in a 1960 lecture on art)
the woodcutter’s responsive working with the wood.54 Such responsiveness has been
understood in early Chinese interpretations as (1) an undetermined free wandering
and sojourning; (2) an uncoerced music-like attunement with the thing and its
situation; (3) a (more or less deterministic) process of adaptation and accommodation
to things; or (4) an automatic reflex fatalistically determined by the stimulus.
First, given their blending of indifference and responsiveness, how are sages
and persons affected to respond by stimuli? The Wei-Jin period saw a controversy
over the emotions of sages concerning whether they completely overcame them in
affective indifference (He Yan 何晏, c. 190–249 ce) or harmoniously balanced them
from nothingness (Wang Bi). As considered below, responsive resonance as attuned
releasement in Chinese philosophical and artistic traditions resituates the subject
and subjectivity. It suggests other modalities of being affected and attuned by things
to Heidegger’s conception of Befindlichkeit (attunement, disposedness) manifested
through Stimmung (mood) through which things and world are disclosed in his
examples of encounters with disorienting disrelational limit-situations of radical
anxiety, profound boredom, as well as other oriented situations of joy, love, wonder,
and—in a complex mediated way—the poetic word and saying of his later thought.55
Secondly, given the stimulus-response model, how should freedom and
determination be understood? Zhuangzian freedom has appealed to intellectuals
searching for an alternative relational freedom distinct from German ideas of freedom
as embracing duty, necessity, and the state. It has been construed as an effortless
playful freedom that is independent of while responsive to things, as an adjusting and
adaptation to the self-nature of the thing and its interbodily and interthingly situation
or as the tranquil acceptance of the vicissitudes of one’s particular fated allotment and
whatever alteration of life and death might transpire. Adaptation raises questions,
articulated in Count Hermann von Keyserling’s 1919 A Travel Diary of a Philosopher,
concerning whether Daoist adaptation to changing circumstances is external or whole
(encompassing one’s internal and external comportment), whether it is genuine
freedom or subordination to an objective depersonalizing world order.56 The Sinologist
F. E. A. Krause more carefully differentiates strains of Daoism in his 1923 work on East
Asian philosophies and religions, identifying moments of the Zhuangzi and the Liezi
with “practical fatalism.”57
In addition to the remarkable appearance of J. G. Weiss’s 1927 Daodejing
edition in the second 1942 leaflet of the White Rose student resistance movement,
which emphasized good governance through the noncoercive self-ordering of
affairs, others linked the Zhuangzi with anti-totalitarian freedom.58 As stated in
32 Heidegger and Dao
a 1942 Sinica article by the Sinologist Werner Eichhorn, to give an example of the
hermeneutics of freedom and fatedness in the Zhuangzi in Heidegger’s linguistic
situation, dao signifies the freedom (ziran) of things in principle (Eichhorn 1942:
141). This profoundly relational freedom is opposed to linguistic and conceptual
essences and fixations such that Daoism is fundamentally incommensurable with
“Occidental” philosophy. The dao-ness of the thing can only be measured according
to and by following its changing behaviors in the comportment of wuwei (Eichhorn
1942: 142). This freedom of the dao, as fallen in the ordinary world, is concealed in
the entanglements and affairs of that world in which things appear lifeless and fixed
and destiny as inescapably fated without free and easy responsiveness. The perspective
of freedom is blurred in the perspective of differentiation and determination. The
exemplary Daoist way of life in freedom and releasement has its own critical and
transformative potential vis-à-vis the reification and alienation reproduced by the
existing social-political order. These critical categories unfolded in Marxist and
existential transmissions, including—on some readings—Heidegger’s Being and Time,
take on new senses in relation to Daoism.
Axel Honneth and Rahel Jaeggi defined reification and alienation respectively
as a forgetting of recognition (Honneth 2005) and a relation of relationallessness
(Jaeggi 2005).59 These two diagnostic concepts are frequently conceived according to
essentialized concepts of identity and the subject, disputed by Honneth and Jaeggi,
and as anthropocentric, which they fail to adequately overcome. The recognition of
the generative and transformative plurality of things offers a more suggestive non-
anthropocentric model as any autopoietic nexus, such as an ecosystem, can undergo
reification with destructive consequences and, to return to the Dialectic of Enlightenment
of Theodor Adorno and Max Horkheimer, be experienced as the alienation of the
domination of nature. No underlying collective or individual identity or subject is
required, as these reproduce the very reification under question. Ziranist ways of
dwelling, or being-in-the-world to recall Okakura’s expression, do not conceptually
negate but rather consist in shifting through these limiting conditions and standpoints
in which the freedom of dao is discovered in situations and things themselves. Ziran
does not exclusively apply to one’s own self and its freedom, except in hedonistic and
egotistical interpretations of the Warring States era philosopher Yang Zhu 楊朱. It
is disclosed in the Daodejing and the Zhuangzi in genuinely encountering things in
their own freedom. In the Daoist setting, there is a thingly autonomy that requires
appropriate attunement and recognition, contesting reification and alienation. The
dereification of thing and place is a condition of the dereification of human existence.
The self-determination of the thing appears in the Zhuangzi in their self-
transforming (zihua) and self-acting (ziwei). The adaptive and receptive disposition of
wuwei is correlated with the thing’s self-transformation by itself in chapter 11 (Zaiyou
在宥) and chapter 17 (Qiushui 秋水). The recognition of the self-acting of the thing
occurs when one does not self-act in the thirteenth “Heaven’s Way” (Tiandao 天道)
Zhuangzi chapter. Things occur and act of their own by “not self-acting” such that
“heaven does not bring the myriad things forth and they transform, earth does not
grow the myriad things and they are nurtured, the lords and kings do nothing and all
under heaven is achieved.”60
Way, Thing, and World in Laozi 33
The Zhuangzi contested subordinating the thing’s way of being itself in its
environment, such as chaos freely existing without openings or the turtle enjoying
the muddy riverside, to an external role, e.g., having holes drilled or being displayed
at court, by emphasizing its own self-becoming that would be construed as an allotted
and singularly determined self-nature (zixing 自性). However, in addition to issues
of external adaptation and conformity, there are questions concerning internal
conformity and whether Zhuangzian freedom transcends only the former (for the sake
of internal authenticity or genuineness) or both external and internal determination.
questions. Zhi Dun criticized Guo Xiang’s interpretation of Zhuangzi in his lost
“Discourse of Free and Easy Wandering” (xiaoyao lun 逍遙論) for the complacency,
determinism, and fatalism of its notion of complying (yue 約) with one’s endowed
particular allotment (fen 分) in the myriad transformations (wanhua 萬化). Fated
self-nature stands in tension with the freedom expressed in the joy of the fish playing
without a fixed determinate purpose, a narrative that—as noted earlier—fascinated
Heidegger and that he interpreted in relation to being-with in 1930.63 If taken as the
fixity of a predetermined character, it subverts the independence of free and easy
meandering that, it might be added, continues to resonate with the freedom of forms
of shamanistic and poetic “far-roaming” (yuanyou 遠遊) that meld spontaneity and
responsiveness and interior and exterior landscapes.64
Is freedom the freedom of enacting one’s fated self-nature and inborn character,
whatever it might be, or a freedom of transforming—in Buddhist discursive terms—the
seeds of self-nature that is ultimately empty of itself? Zhi Dun identified Zhuangzian
freedom with Buddhist prajñā. The latter perceives things as things without being
fettered by things in recognizing the self-emptiness of both somethingness and
nothingness.65 Zhi Dun’s conceptual blending contrasts with subsequent Buddhist
scholars, such as Guifeng Zongmi 圭峰宗密 (780–841 ce) in his Inquiry into the Origin
of Humanity (Yuanren lun 原人論) from the late 820s or early 830s. He criticized
the teachings of Laozi and Zhuangzi as fatalistic and unable to motivate disciplined
spiritual transformation and liberation (Zongmi 708b4; Gregory 1995: 44). If Zhi
Dun’s criticisms of Guo Xiang’s determinism are valid, then ziran, which promised in
the Zhuangzi to equalize and liberate things in their anarchic self-determination from
serving as mere sacrificial and instrumental objects, has become the self-determination
of the thing’s predetermined self-nature (zixing) in its allotted fated share. The next
chapter will examine a parallel problem of the absorption of worldly freedom into
destiny (Geschick) in Heidegger’s thinking of the 1930s.
To remain with the Chinese situation at this time, the problematic of determinism
and freedom that emerged between Guo and Zhi presents numerous interpretive
difficulties. First, the Zhuangzi itself articulates in the Inner Chapter “Great Teacher”
the significance of the self-occurring of dao rather than fixed nature in discussions of
the thing. Dao is without forced activity and fixed form (wuwei wuxing 無為無形) and
self-originating and self-rooting (ziben zigen 自本自根). The life of things transforms
without its direction being known and the exemplary sages participate and wander
amidst transforming things without escape or separation (聖人將遊於物之所不得
遯而皆存) and without calculation and anxiety regarding their purpose and outcome.
Second, the Zhuangzi does not only indicate the sole singular monadic self-determining
transformation of the thing but also mutual co-determination (sympoiesis) in the
synchronization and integration of the myriad things that Guo Xiang treats, as it were,
like a preestablished harmony that leaves each thing to solely determine itself.66 That
is, ziran refers to the self-happening of the thing as well as to its natureless and selfless
(in any fixed or substantialized sense) world-happening as a singular moment that
dynamically mirrors and reflects the whole.
Way, Thing, and World in Laozi 35
10. Self-Relationality
The equalizing (qi 齊) of the Zhuangzi is described in the “Autumn Floods” chapter
as the “coherence and equality of the myriad things” (wanwu yiqi 萬物一齊). This
equalizing is more a transforming flowing musical harmonizing than subordination to a
fixed determinate uniformity.67 Equalization transpires in temporal and transformative
relationality and its recognition, in which “heaven, earth, and I live side by side
together, and the myriad things and I are one” (天地與我並生, 而萬物與我為一), in
relational world-naturing as well as in singular and sole self-naturing.
Kierkegaard’s Anti-Climacus claimed that the self is a relation between a relation
and a relation. The relationality of reality is even more radically expressed in Laozi
and Zhuangzi. Daoist expressions with “zi-” convey a profoundly different model of
reflexive self-relation than the self-reflection of a thinking subject that is only one of its
forms. This early variety of zi-expressions in early sources such as the Guodian Laozi
and the Heng Xian is flattened out into a notion of ziran that increasingly becomes
fixated as an objective order and object, in which the thing appears determined by
a fixed nature. This development weakens the dynamic verbal and transformative
character of early ziran discourses conveyed in the Laozi and the Zhuangzi: the thing
as irreducibly self-so of itself or self-naturing in its own transformations and flow.
In conclusion, to briefly reiterate, ziran signifies the self- and, if not monadically
isolated, the world-naturing of the thing. It is the relational thing in its temporal and
transformative self-naturing that distinguishes the thing in the Daodejing and the
Zhuangzi and indicates an aesthetics and culture of care for things in their own self-so
thereness. This need not presuppose either their sentience or internal sense of well-
being. Chapter 1 has traced the senses and philosophical implications of early Chinese
conceptions of the thing. The following four chapters examine the transformative
relational thing in Daoism, Heidegger, and his generational context.
36
2
what does the word phúsis say? It says what emerges from itself (for example,
the emergence, the blossoming, of a rose), the unfolding that opens itself up, the
coming-into-appearance in such unfolding, and holding itself and persisting in
appearance—in short, the emerging-abiding sway.
(GA 40: 16)
The early Greek phúō (φῠω) is related to archaic Indo-European words for birth,
earth, dwelling, and being. It designates that which is brought forth, generated, and
produced. The meaning of phúsis is that which arises and disperses (akin to ziran to
this extent). Phúsis was only later distinguished from what is artfully produced (tékhnē,
τέχνη) and from the normatively lawful (nómos, νόμος) as phúsis came to refer only to
that which materially exists. This expression encompasses in its early Greek context
not only the natural, the material, and the physical (in the subsequently reduced
senses of these words) but heaven, earth, stones, plants, humans, gods, and their works
(GA 40: 17).
Phúsis further signifies in Heidegger’s provocative reading that which is as an
emerging upsurge from being’s hiddenness and concealment, an abiding holding
sway (Walten, which typically means reign, preside, prevail), and essence (Wesen) as
essencing (Wesung) rather than as the determinate underlying idea or principle of the
thing.2 While the metaphysical concept of “essence” intones that there is something
else determining the thing, self-essencing indicates that it is in fact its own way of
existing. Such qualities of self-becoming are expressed in Daoist sources where things
emerge and transform according to their own nature, place, and time. Even the dao
of things cannot be fixed into or imposed as a determinate principle. Once more, we
find correlations between Heidegger and the Daodejing. Dao is called concealed and
nameless (daoyin wuming 道隱無名) in Daodejing 41. It holds sway without coercion
or violence (buzai 不宰) in Daodejing 10 and 51. Reinhold von Plaenckner, Wilhelm,
Georg Misch, and other German interpreters deployed the expressions “reign,”
“prevailing,” or “holding sway” (Walten) to speak of dao.3 It is a crucial feature of Greek
phúsis in Heidegger that becomes intertwined with questions of power and violent
creation in the mid-1930s. This differs from the pluralistic self-ordering of ziran where
power and violence are signs of loss and failure. Yet, as Heidegger clarified in a later
note, in which these two terms share greater affinity, phúsis is in the first place “the self-
unfolding emergence in and through which a being first is what it is” (GA 73. 1: 85).
called truth) refers to that which emerges into the openness from hiddenness and into
saying from the unsaid.
According to Heraclitus’s fragment 123, “nature tends toward hiddenness” (φύσις
κρύπτεσθαι φιλεῖ). Heidegger translated this as “emerging gives favor to self-concealing”
(GA 55: 110, 121). It might be thought that phúsis names the self-emergence (von ihm
selbst her) of beings from being, such that ontic beings can be questioned from the
ontological perspective of being and intersects with ziran as the self-emergence of
things from dao, as it shifts through things without being limited by them. The dao
nourishes and has its freedom in things, following its own self-nature and generating
exemplary models to be emulated by sages and non-sages without being confined to
one fixed rule, in Daodejing 25 (Lou 1980: 65).
Several questions should be addressed now. Heidegger mentions lógos (λόγος)
and not phúsis, in conjunction with dao. A basic guiding word (Leitwort) such as
dao operates as an originary world orienting word, as Heidegger noted (GA 11: 45;
GA 12: 187). It is striking that Heidegger reflectively and adaptively engages with
Daoist language and does not follow the widespread practice of drawing comparisons
between facets of Daoist and Occidental philosophy, beyond the statements that dao,
lógos, and Ereignis (the non-ontic appropriative event of being) operate in their own
ways as elemental untranslatable guiding words (GA 11: 45; GA 12: 187).
Heidegger’s “From a Dialogue on Language,” a key text explored in part two,
expresses hesitancy and warns of all-too-easy identifications that give an appearance
of mutual understanding without a genuine encounter occurring between two
interlocutors. As basic guiding words, each discloses a distinctive world. The relation
between Heidegger’s being and dao is much more complicated, as phúsis signifies being
as emergence and self-naturing the way dao arises of itself and generates all things
from nothingness. It is from the self-generative watery yet fecund depth of nothingness
that things emerge in early Laozi-related sources excavated in the archaeological sites
Guodian and Mawangdui. If dao functions akin to lógos (language as saying), then in
early Daoistic contexts it is nothingness (the guiding word of part two) that evokes and
structurally parallels the generative functions of phúsis.
self-identity. The Indian and Islamic sources of science and mathematics (such as
infinity and zero as discussed later) should be too obvious to deny. There are also
intriguing intersections between the politics of nature and Chinese philosophy in
earlier forms of European thought. First, for instance, French physiocrats such as the
Sinophile François Quesnay, the “Confucius of Europe” to his admirers, had called for
“physiocracy” as government by phúsis that blended minimizing the mercantilist state,
the promotion of agriculture and agrarian communities, and economic” laisser passer,
laisser faire” and free trade, inspired in part by (a French Enlightenment appropriation
of) Confucianism and wuwei. Second, the agrarian-agricultural facets of the Daodejing
and the Zhuangzi were construed as supporting an anarchistic communal socialism in
fin-de-siècle intellectuals such as Julius Hart and Buber. If the previously discussed
accounts of Heidegger’s 1919 encounter with Daoism are accurate, it is conceivable
that Heidegger linked Daoist motifs with leaping-ahead and making room and space
for the other and, as he describes in 1937, for the thing in its openness (GA 45: 3, 29).
As in Quesnay, Buber, or Ernst Bloch, who wrote an essay (published in 1962, but
which he dates to 1926) on Johann Peter Hebel, Jeremias Gotthelf, and the agrarian
utopianism of rustic dao (“bäurisches Tao”), Heidegger would no doubt have noticed
the agrarian-environmental elements of Chinese philosophical and poetic discourses,
if not their anarchistic and libertarian Marxist self-generative spontaneity respectively
accentuated by Buber and Bloch.8
Agrarian utopian images of fields, forests, and rivers dominate many of
Heidegger’s writings. But, conspicuously, such considerations are not the focus of
Heidegger’s vision of German Dasein’s decision in 1933 or of great leaders poetically
creating and forming a people in their own self-determination from the phúsis
of being in the mid-1930s. Heidegger advocated his own distinctive version of the
politics of phúsis, a “physiocracy” interpreted in his own ontological sense, during
his initial engagement on behalf of the new totalitarian regime in which alienating
dispersion, separation, and division become the originary negativity confronting the
people’s Dasein (GA 91: 184–5). Phúsis and the emergence of the National Socialist
state as its expression are enmeshed in his early Nazi-era notes on metapolitics and
advancing effort (GA 91: 172–87) and in the 1934–35 lecture-course Hölderlin’s Hymns
“Germania” and “The Rhine” (GA 39).
Jacques Derrida, among others, explicated in The Beast and the Sovereign the
imposition of violence, power, and “sovereign potency” in Heidegger’s conception of
phúsis as holding sway (Walten) in a way that can underwrite political commitments
through the philosophy of nature.9 In the mid-1930s the establishment of beings is
conceived through “work and deed and sacrifice” (“Werk und Tat und Opfer”) (GA 65:
298). It is interconnected with the creativity and violence of nature that is activated in
order to attain the authentic self-determination and we-being of the collective Dasein
of the German people. The sources, dynamics, and consequences of this problematic
“metapolitical” and onto-political deformation of the ancient Greek notion of the
independent pólis and the modern republican notion of the popular self-determination
of a unitary general will, with its faith in a collective national will directly choosing
itself, unconcerned with individual rights and participatory public spheres, calls for its
own specific ideology-critical analysis.
42 Heidegger and Dao
Heidegger is at this moment near and far away from the wuwei-ziran insights
of the 1920s or the semi-Daoist turn of the mid-1940s. During this politically and
philosophically problematic period, Heidegger asserts the self-ordering of the people
and its imagined communal identity in contrast to individual Dasein, pluralistic
society, or mortals and things in their gathering and resonance. His thought appears
motivated by active and coercive acting (wei 為) and aggressively intervening in
entangled affairs (shi 事), as he claims that authentic transformation requires (in place
of the “anticipatory liberating solicitude” of Being and Time) a “liberating violence,”
leadership, and enduring formation.10 His thinking is at its farthest removed from the
openness and responsive releasement of things in their own self-becoming. The latter
turn is provoked (at least in part) by his subsequent engagement with the Daodejing
and its dao that encompasses and nourishes things without violating them in their
plural self-generative and mutual autopoiesis.11
An important clarification is necessary here: autopoiesis will be interpreted here
through Daoism rather than imposed on it. Daoist autopoiesis only occurs through
singulars (things) in their interaction (dao) through emptiness. It is inherently
communicative, mutual, or sympoietic. Collective organicism (as in romantic and
vitalist natural philosophy) and closed systems (as in the systems theory of Niklas
Luhmann) signify a reification, since the autopoiesis of a collective nature or society,
without alterity and singularity, is governed by a fatalistic totalizing arché rather
than an anarchically open and interactive self-ordering. Ziranist autopoiesis signifies
sympoiesis as it releases rather than imprisons the myriad things.
The thing shifts from its heretofore passive and static pragmatic characterization,
as an object for human eyes and hands, into a novel role in creative making (poēsis,
ποίησις) and the work during the early and mid-1930s. It is no longer only available as
a useful product or theoretically represented object as it now discloses world through
the work of art—albeit not yet potentially of and by itself in addressing and saying as
it does in 1949–50. The thing in Heidegger’s 1935 works is not exclusively determined
by usefulness and questionable in its breakdown. However, it is not yet autopoietic as it
is still defined by the work of being through sagely poets, philosophers, and lawgivers.
This resonates with Hanfei’s “legalist” way of legitimating the sovereign more than
the antipolitical and “anarchistic” politics of the Zhuangzi and Liezi which refuses the
sovereign and disentangles fixating perspectives.
Heidegger in his better moments (that prioritize existent beings) recognizes
the being of the thing as its existential autopoiesis such that the ontic operates in
relation to the ontological without being reduced to it. In other moments, the thing
is impoverished in relation to human existence, as in Being and Time, or subsumed
in being, as in the 1930s. The thing emerges in the latter context from being, and is
potentially sacrificed to it, or a given historical configuration of the event of being, in
what, in the politically highly problematic context of National Socialist totalitarianism,
Heidegger portrays as the creativity of originary “poets, thinkers and state creators,
who actually ground and establish the historical existence of a nation.”12
What then is the relation between phúsis (as upsurging and emerging holding
sway) and the particular thing? Already in the 1930s, Heidegger calls for liberating
the thing from being a particular carrier of properties and from the paradigm of
The Autopoietic Self-Transformation of Things 43
1935 version until its eventual 1949 publication. Heidegger contends, with Kant and
Dilthey in the background, against aesthetics and the precedence of subjectivity,
genius, and the artist. He emphasizes instead the role of elemental thingliness, earth,
and world in the priority of the work that discloses them. The thing is situated between
thingliness, equipmentality, and work articulated in relation to emergence and holding
sway (phúsis), craft, technique, and eventually technology (tékhnē), and creation and
creative action (poēsis) in 1935.
What about the thing in the work? Thinking confronts the greatest resistance
to determining the thingness of the thing as the inconspicuous thing intractably
withdraws from it (GA 5: 16–17). The artwork has a thingly basis and functions
as a pragmatically and symbolically mediated thing.14 The thing is not intuited or
given in itself. It is mediated in the work through equipmentality. In articulating
the “thingly character” of the work of art, Heidegger interrogated three prevailing
expositions concerning the thing: (1) as bearer of characteristics or properties (a
subject with predicates), (2) as the unity of a manifold of sense perceptions (as
aesthesis), and (3) as formed matter. The first two definitions express modern
theoretical models of objectified objectness (Gegenständlichkeit). The third,
Aristotelian, conception of the thing as formed matter was formulated according
to the model of creation and making through equipment, such that the thing is
experienced as objectively present-at-hand (1 and 2) and as pragmatically ready-
to-hand (3). The equipmental tool-being of the thing is determined by its qualities
of availability, reliability, and usability.
The materiality and equipmentality of the thing are appropriated in the artwork
such that the thingly work can bring, set forth and become world-disclosing and world-
building. Van Gogh’s boots, which Heidegger likely misinterpreted, “disclose the world
of the peasant as related to the earth”; the ancient Greek “temple arises from the earth
toward the sky disclosing a world.” The painting and the temple as truth-in-the-work
are specific manifestations of being’s emergence and unconcealing’s disclosure.
Things are derivative to work and truth, which are interlinked in a sacrificial
economy of the truth of being and its enactment in creative and violent works:
One essential way in which truth establishes itself in the beings it has opened
up is its setting-itself-into-the-work. Another way in which truth comes to
presence is through the act which founds a state. Again, another way in which
truth comes to shine is the proximity of that which is not simply a being but
rather the being which is most in being. Yet another way in which truth grounds
itself is the essential sacrifice. A still further way in which truth comes to be is
in the thinker’s questioning, which, as the thinking of being, names being in its
question-worthiness.
(GA 5: 49; Heidegger 2002: 37)
the sages. In the German linguistic context that informed Heidegger’s understanding,
Victor von Strauss translated fa as correct measure (Richtmass). Wilhelm’s 1911
translation uses Vorbild which can be understood as an exemplary model but also as
a primordial archetypal image for all things, including humans and gods.16 Whereas
Strauss’s translation uses square (Quadrat) instead of fourfold and typically spirits
(Geister) in preference to gods, Wilhelm’s language is closer to Heidegger’s way of
speaking of the fourfold.
Other variations on varieties of earthly and spiritual entities appear in German
accounts of Chinese sources. A post-Han-era religious Daoist expression is “humans,
spirits, and immortals/transcendents” (ren shen xian 人神仙). Such immortals are
not Heidegger’s gods. They are biospiritually realized humans rather than natural
spirits. In the German context, the influential nineteenth-century Austrian Sinologist
and Japanologist August Pfizmaier describes in his 1870 book The Tao-Teaching
of Genuine Persons and Immortals how religious Daoist teachings encompass
heaven and earth (“Himmel und Erde”), genuine humans and immortals (“wahren
Menschen und den Unsterblichen”), and humans and gods (“Menschen und Götter”)
(Pfizmaier 1870: 229). A different variation of the cosmic whole is seen in Ernst
Faber’s 1877 work on the Daoism of the Liezi, construed as pantheistic naturalism. He
notes how humans complete or perfect themselves situated between heaven, earth, and
things (Faber 1877: 6).
The exemplary image—interpreted along the lines of a Daoist Vorbild rather than a
Jungian Urbild—of the fourfold is shaped in part by Heidegger’s intensive engagement
with the Laozi, Zhuangzi, and conceivably other Chinese and Japanese sources and
interlocutors in the 1940s. Pöggeler attributes this influence to “Chinese literature” in
Martin Heidegger’s Path of Thinking and elsewhere to the Daodejing, maintaining that
it plays an understated yet undeniable and striking role in Heidegger’s thinking.17 In
the confluence of the fourfold, it is not being or human existence, but the thing that
gathers and discloses world.18 Things now partake in an elemental being of their own,
a dimension missing in the predominantly instrumental analysis of the thing in Being
and Time, or the creative poetic violence of Introduction to Metaphysics and the various
1935 lecture versions of “The Origin of the Work of Art.” Although threatened and
circumscribed by its ordering in metaphysical and technological enframing (Gestell),
the thing can come to word (zu Wort kommen) in the attuned saying that conveys the
thing in its own sense.
GA 79: 13, 24). The thing is not a correlate of intentional consciousness, the projection
of temporalizing human existence, or the emerging sway of being. It is the thing’s
lingering time spent and earthly dwelling place (i.e., both senses of ver-weilen) that
gathers and brings near earth and sky, mortals and immortals into the fourfold
(GA 7: 170; GA 79: 17).
The word “thing” in its modern usage can signify an indeterminate object,
somethingness, or in its plural form reality. The archaic meanings of the Germanic
word ding/thing (*þenga-) include a moment or duration in time and gathering as,
for instance, in the assembling of the populace or a court to authorize a judgment
and decision. It is this sense of the thing’s temporalizing and gathering that Heidegger
accentuates in “The Thing.” Heidegger’s reformed elucidation of the thing consequently
breaks with his earlier temporal idealism that identified ekstatic Dasein as the locus of
temporalizing.
In Heidegger’s shift against the lingering transcendental idealism of his analytic
of Dasein, and toward the thing in its own ways of being as more than an intentional
correlate, time and space are then not given as merely objectively present as a neutral
arena for that which phenomenally appears as bearing qualities, as in the paradigm
of representational thinking. In distinction from the temporalizing of human being-
in-the-world in the 1924 lecture The Concept of Time, in which the “in each case for a
while at a particular time” (Jeweiligkeit) constitutes the “I am” (GA 64: 113), Heidegger
articulates in 1949 the prominence of things in the duration of “a while” (Weile) and
the nearness and proximity of place wherein humans reside. The lingering of things
gathers time as an encountered duration and their dwelling gathers space as an
encountered locality (Gegend) with its own singular configuration and life. Temporality
and spatiality are not merely external frames in which things are placed; they consist of
the co-presencing and mutual interconnecting and mirroring of things as world. The
verbal sense of the thinging of the thing is the nearing in which “world as world” is
held near (GA 7: 179; GA 79: 24). The thing discloses world and, further than this, it
gathers, carries, and opens the worlding of the world in the specificity of a durational
“for a while” and the locality of a place.19 This localizing place is simultaneously self-
generatively world-forming and world-opening. It might be the place on the way
where the wanderer tarries under the canopy of the useless tree, encountering anew
the earth below and the sky above.
What then is the relation of thing, earth, and world first thought of in terms of
strife and contest in the mid-1930s and now as nourishing generosity of the “there
is / it gives” (es gibt)? According to their archaic roots, as guiding hints for thinking,
earth means ground; the earth as the dwelling place of mortal things was named the
middle enclosure (Midgard) as distinct from the enclosure of the Æsir gods (Asgard).
World is the generational existence of the “age of man” (Welt as from old Germanic
weralt) or “world-age” (Weltalter). This etymology reveals a particular sense of place
and time. A world-age and its world-picture consist not only in a human generation;
it is a configuration of things. The thing, great because it does not live merely for itself,
generously opens and discloses world and world conceals the event of the thing as it
becomes an object (whether with or without value) in what Heidegger earlier described
as a practically determined referential nexus of significance.
48 Heidegger and Dao
and positions. Enframing positionality obscures the proximity of the world that
approaches in the thing (GA 11: 122). Things become mere facets of a reality consisting
of a standing-reserve of disposable inventory, thereby leaving the thing unnourished,
unprotected, and without its own event and truth.
The thing is necessary for nearing and encountering world and the world
that hides and violates things is a world-picture. This analysis of the enframing
of things could be called a formal indicative or critical model that indicates the
missing nearness and reality of the thing. Heidegger’s early conception of formal
indication (formale Anzeige) is of an emptying formalizing that opens the concrete
facticity and variety of ways of being.23 Formal indication is not only Heidegger’s
early conception of way. It could also be conceived of as a way of forming critical
models, to apply Adorno’s expression, to the extent that, as Heidegger articulates it
in the 1920s, it necessitates destructuring fixation (Destruktion) and differentiating
encounter (Auseinandersetzung). It thereby points toward that which is missing,
discloses closed-off and hidden possibilities. It intimates alternative ways of caring-for
and individuating existence. Heidegger’s early method of emptying through formal
indication is expanded and reoriented from human existence toward thing, place, and
world in his ensuing thinking of way that radicalizes this unfixing-opening structure.
The picturing, enframing, and positioning of the thing contrasts with its freedom
in the letting-releasement and saying that protects the thing and its truth (GA 76: 338).
Arendt notes how: “To thinking there belongs ‘Gelassenheit’—security, composure,
releasement, a state of relaxation, in brief, a disposition of ‘lets be’” (Arendt 2018b: 430).
In German mystical traditions, there are moments for God’s things to speak to us.
In that context, the letting be of things primarily means abandoning entanglements
and affairs that one learns to tolerate and accept, to open the soul to God. That is
not the Lao-Zhuang spontaneous embracing of the myriad things and the world in
their own self-becoming. Heidegger strikes a more Daoist than mystical tone in his
postwar thought in embracing one’s quotidian world-relations and pointing toward
things in a nonacting or nonintervention that allows the thing to be seen and heard.
In addition to the mystical state of mind of letting be, there is the Gelassenheit in and
of things in their own worldly occurring rather than in my own mental releasement.
Releasement, not unlike Daoist wuwei with which it is in dialogue, expresses not only a
comportment but further possibilities of things themselves granting mortals a guiding
measure (GA 13: 215).
The consummate measure, as expressed in the Daoistic Zhuangzi and the eclectic
Guanzi 管子 collections, is found in water (an image of the most indeterminate,
flexible, and encompassing of things) in its stillness, evenness, and clarity. Swirling
water undoes what is fixed, gathering and dispersing things through its movements.
Yet it is its stillness and emptiness that set the measure. In the Zhuangzi “Heavenly
Way” (tiandao 天道) chapter, water is taken as an exemplary measure for sages just as
the still level water (shui jing you ming 水靜猶明) provides the measure for carpenters
(dajiang qufa yan 大匠取法焉). The Guanzi “Water and Earth” chapter states that “the
water level is first among the five measures,” and as an elemental image of equalizing
and evenness, “water is the level for all things, the quality of tranquility in all life, and
the quality of impartiality between right and wrong, profit and loss.”24
For Heidegger, so-called modern Occidental thinking underscores in a variety
of ways the preeminence of the human, the mind, and the subject as the measure
of things.25 The deworlding of things is consummated in enframing. It signifies the
removal of the orientation of place, measure, and meaningfulness that is granted by
things and the localities and regions that gather around them. The modern crisis of
meaning is not due to the death of God or the subject. It transpires through the loss
of the sense of meaning-generating gathering things and the words that express their
encounter. Consequently, world, enacted and embodied in specific moments and
places, is viewed as a bare identity in the repetition of indifferent unfulfilled time and
the homogeneity of vacant space.
As Heidegger conveyed in his October 1955 lecture “Gelassenheit,” commemorating
the hometown musician Conradin Kreutzer, human releasement with respect to things
signifies making room for the releasement occurring in things themselves and in
their words prior to and after the questions and answers that restrain—evoking the
Daodejing—things and their mystery (GA 16: 527). This dimension of Heidegger’s
conception of releasement evokes the relational thing orientation of early Daoist
sources. In the language of the Heng Xian and the Zhuangzi, as shown in Chapter 1,
the “inaction” and letting of wuwei express a comportment that acknowledges the self-
acting (ziwei) of the thing.
Heidegger describes the prospect of the reflectively mindful and thoughtful
encounter with the thing: “we think of the thing as thing when we release the thing in
its thinging from the worlding of the world. In this way we thoughtfully let ourselves
be approached by the encompassing essencing of the thing” (GA 7: 182; GA 7: 20).
Heidegger’s expression “thoughtfully let” (andenkend lassen) means to allow the thing
(as it is of itself) to approach in responsive reminiscence of it in its lingering duration
and dwelling place. Genuine thoughtful thinking is an enactment of letting. To let
means the releasing-free of things and place; it is described as giving occasion to,
bringing about as bringing underway (zuwege-bringen), and releasing the enregioning
of the free region (GA 99: 61; GA 100: 23). Being and Time was centered on the ekstatic-
existential temporality of human existence. Now the temporalizing and spatializing
gathering of things, such as the stone and other “small things” that silently make up a
country path, is its moment and place. The stone expresses a world, and the dewdrop
reflects the universe. The saying of thinking is the echo of silence, the occurrence of
which remains a mystery (GA 97: 247).
The Autopoietic Self-Transformation of Things 51
Daodejing 43 describes how the softest breaks and overwhelms the hardest, how what
is without being (wuyou 無有) can enter even that which has no entrance (such as the
hardened and fixated), and how the benefits of acting without action and teaching
without words contrast with forced coercive active and speaking.
Did Heidegger’s extensive engagement with the Daodejing in the mid-1940s
help therapeutically undo hypostatization in his own thinking? There are questions
concerning bifurcation in Heidegger’s earlier thinking: issues of the potential
bifurcation and fixation of being and beings, the ontological and the ontic, which
threaten—as asserted by Heidegger’s critics—to coercively subsume and commit
violence to the particularity of persons and things. This is a genuine problematic in
Heidegger’s works of the 1930s. Heidegger’s late wartime and postwar reflections on
the thing point toward a different pathway: they demand—in a language that strongly
alludes to and periodically overtly refers to the Daodejing and the Zhuangzi—the
releasement of things and openness to their mystery (GA 16: 528).
What then is the mystery of the thing? It is bound to the thing’s own way of
temporalizing, spatializing, and speaking world. Neither time nor being can be
construed as things. They differ from the thing insofar as it is ontic and the ontological
cannot be conflated with the ontic. Nonetheless, Heidegger approaches the thing in
its own temporalizing as an ontic-ontological event irreducible to Dasein: “Each thing
has its own time” (GA 14: 6). Likewise, according to the 1969 lecture “Art and Space,”
“we ought to be able to recognize that the things themselves are places and do not
merely belong to place” (GA 13: 208). Each thing has its own “existential” moment
and place in which it is gathered and gathers world. This was an impossibility in
Being and Time and in his early period in which the primordial meanings of language
(Urbedeutungen der Sprache) relate to Dasein and not the thing (GA 17: 318). The
thing now can speak to and address me (“Das Ding spricht mich an”) even if not in a
human language (GA 89: 249). Human saying is entangled with the communication
and meaningfulness of things that open and configure places and localities for human
building and dwelling. One way of being-in-the-world is to inhabit, reside amidst, and
cultivate things and the environing world; the other extreme is to annihilate them and
struggle to persist amidst impoverished things and places stripped of their generative
nourishing autopoietic character.
Heidegger has accordingly shifted from the primacy of the projective constitutive
and still anthropocentric subject, elucidated as the ekstatic being-in-the-world of
Dasein in Being and Time, to the priority of the thing in encountering it. It is not
consciousness or the subject, even as embodied, enactive, and extended, but rather
things that constitute and orient a place. It is the thing that is formative of world. The
event of the thing can be described as the thingly worldly other-constitution of moment,
place, and sensibility. Things are not merely “there-for-me”; I am fundamentally
dependent on and enmeshed with things and their places in their emptiness and
materiality. These characteristics are underemphasized in the idealistic tendencies
of classical phenomenology and contemporary discourses that conceal them in the
embodiment, enactment, and extension of what remains—and much earlier than in the
final analysis—a constitutive subject. It is not phenomenology as driven by the subject
(whether conceived as consciousness or the body) that sets the measure, but things
The Autopoietic Self-Transformation of Things 53
the thing is that its apparent givenness, simplicity, and unity hide that which resists
and escapes perception and conception of the thing, and the complex formation of the
senses and meaning that allow a thing to be merely perceived. The thing resists, escapes,
and furthermore can—depending on the thing—endanger those who approach it.
There are three ways of describing the thing’s inaccessibility from Heidegger’s
historical situation and reception that contextualize, complicate, and potentially
challenge his later philosophy of the thing.
First, the thing has been characterized as that which resists and stands over and
against (Gegen-stand) the perceiver as a facticity irreducible to the subject, thus
constituting its sense of facticity and external reality. Wilhelm Dilthey identified
the thing with force, resistance, and restraint, qualities that form the subject’s sense
of external reality, in his 1890 work “The Origin of Our Belief in the Reality of the
External World and Its Justification.” According to a later note, “[t]he thing is the
correlate of sensation, and the feeling of resistance is its condition” as the categories of
life are formed in relation to the forces and things that compel and resist the subject
hardening its sense of the facticity of reality (Dilthey 2004).
Second, the complexity of the thing seems to demand an archaeology in which
it disappears instead of a phenomenology of its appearing. The neo-vitalist Hans
Driesch argued against the direct phenomenological seeing of the thing as the lived
experience of the thing, regarding its appearance of “being-there” to be a complexly
mediated formation of sense, meaning, and the construction of experiential order
(Driesch 1938: 136). More radical is the elimination of the thing in the emerging
logical empiricist program of Rudolf Carnap in the 1920s. He analyzed the thing as a
complex interpretive fiction, formed from basic experiential and logical elements into
which it can be dissolved and reconstructed (Carnap 1924: 130). The thing consists of
projection based on matter, sensation, and abstraction.
Third, the reality of the thing outstrips the experientially, linguistically, and
conceptually mediated thing, or the symbolic thing, as in Lacan’s differentiation of thing
as signified and as beyond signification. There is something of the thing that inevitably
withdraws, as Heidegger puts it, and escapes, as Derrida points out: “Contrary to what
phenomenology—which is always phenomenology of perception—has tried to make
us believe, contrary to what our desire cannot fail to be tempted into believing, the
thing itself always escapes” (Derrida 1989: 9).
The thing has identity and unity over time and space vis-à-vis intentional
consciousness. To be fair, Husserl himself recognized in his phenomenology of the
thing the shading and appearing/non-appearing of the thing in the figure/ground
relation, and the potentially infinite variation through which the self-appearing thing
is perceived as a unity in its open and indeterminate horizon (Husserl 2003: 6, 114–15).
The hiddenness of the thing in the perception of the thing is a non-accidental facet of
the thing rather than the basis of an objection that would refute its being and meaning.
The hiddenness, potential dangerousness, and uncanniness of the thing call for
humility in the face of the depth and manifoldness of the thing and an openness to
appropriately adapt to the flowing, transforming patterns of things. The thing calls
for its own forms of “leaping-ahead,” as Heidegger described in a crucial passage in
the 1937–38 lecture-course Basic Questions of Philosophy: it is not a coercive knowing
The Autopoietic Self-Transformation of Things 55
as mastering from which the thing qua thing necessarily withdraws and escapes.
Philosophy is not a scientific knowledge of things and their essence; nor is it purely the
inventing, forming, and imposing of concepts.
What then is philosophy? Evoking the traditional Aristotelian definition of
philosophy as the science of the essence of things while revising it in a quasi-Daoistic
fashion, Heidegger defines philosophy as a useless opening knowing in anticipatory
leaping-ahead of the self-concealing essencing of things (GA 45: 3, 29). It is here
that the openness of the thing as thing begins to surface as distinct from the thing
as available and useful for human existence (GA 45: 19–20). Intending the thing,
and hence representation, already presupposes its openness (GA 45: 24). Knowing
requires this openness of the thing and the opening making place for the thing in its
appearing and non-appearing; Heidegger analyzed this as its unconcealment and self-
concealment (das Sichverbergen). The self-reflexive or self-relational “self ” or “itself,”
expressed in the German third-person reflexive pronoun “sich,” indicates that it is an
aspect of the thing itself and not purely a failure of experience and conception that is
at stake.
perspectives, equalizing the myriad things, and undoing fixation and bifurcation,
is necessary for an appropriate encountering of and dwelling with the thing in the
freedom of its own becoming.
This perspective of the freedom of the thing entails a different ethos or way of
dwelling that recognizes their self-becoming as well as their anthropocentrically
demarcated use. It contrasts with the demand for the domination of nature expressed
in the early Chinese context in Xunzi’s criticisms of Zhuangzi that external and
internal nature must be actively controlled and forcefully reshaped; we see these in
the Baconian vision of the mastery of nature analyzed in Horkheimer and Adorno’s
Dialectic of Enlightenment, or in Hegel’s Phenomenology of Spirit that deems the
freedom of the thing as self-contradictory and asserts that every free thing without a
master must be turned into controlled and useful property (Hegel 1986: 318). But in
forgetting and obscuring the life of things, the domination of nature does not lead to
the freedom of spirit from nature over which it rules, as Hegel proposed. It is, rather,
human enslavement as a piece of dominated nature, as Adorno and Horkheimer
diagnosed.30
“Nature” and things as free from the ostensive necessity of domination, sacrifice
and usefulness appear improbable amidst the prevailing devastation and plight that
is more than ecological. Yet, as Heidegger reiterates from Hölderlin, “where there is
danger, that which saves grows also.”31 That is to say, there is resistance where there
is coercion, and the danger brings forth its response. The plight itself demands
and animates the freedom of nature as—to think with and beyond Heidegger to
question the present—an exemplary image, an orienting bearing and comportment,
a responsive releasement and awaiting, a prophetic calling, and a critical social and
environmental model.
their mystery (Buber 2013: 228). The thing is altered into a mere object of desire and
use, as described for instance in Hegel’s Phenomenology (Hegel 1986: 318), when it
is broken from the encounter and taken out of the fullness of its relational context
(Buber 2013: 232). Still, there is more to the thing than use, exchange, and consumption.
It is this corner of the square, the life and mystery of the thing articulated in Buber and
Heidegger that constitutes the primary focus of Part One of the present book.
What then of the Daoist thing and Heidegger’s thing that has begun to emerge in
the first two chapters? Is it a contingent accident that Heidegger’s turn toward the thing
in its priority as world-formative, and no longer worldlessly at-hand, coincided with
his intensive engagement with the Daodejing and the Zhuangzi during 1943–1951?
This intercultural entangled nexus is elucidated in the next chapters on the empty
and the useless unnecessary thing, with an eye toward other ways of dwelling and
encountering—in-the-world with and amidst things in the expansive sense of their
own ways of being.
3
(Döblin 2013: 8), a figure known for freely riding the wind. Faber and Wilhelm both
translated the Liezi, and it was a familiar text to German language audiences. Döblin’s
novel contemplated the interconnections between wuwei, social-political oppression,
and revolutionary violence through a fictionalized account of the eighteenth-century
Shandong White Lotus rebel leader Wang Lun 王倫 (Detering 2008: 45–54). This
novel helped inspire the engagement with Chinese thought in Marxist writers such as
Bertolt Brecht and Anna Seghers. Brecht’s mid-1930s reflections in the unpublished
Book of Twists and Turns (Buch der Wendungen), voiced through a fictionalized
version of the non-Daoist moral philosopher Me Ti (Mo Di 墨翟, c. 470–391 bce),
addressed Chinese philosophy, Marxist dialectics, and contemporary politics with
the question of how to appropriately intervene in the flow and transitions of things.3
Ernst Bloch’s reflections on Daoism likewise concerned utopian political questions.
Buber appealed in 1928 to wuwei against the Occidental fetishizing of power in “China
and us,” while Count von Keyserling pondered in 1919 Butcher Ding’s effortless ox-
cutting as an image of nourishing life while observing the mechanized death of the
Chicago stockyards.4
Heidegger’s interpretive encounter with these early Daoist sources in translation,
which intriguingly intersects with other Weimar-era explications of Daoism, from
Ludwig Klages on the political right to Buber and Bloch on the left, oscillates around his
concerns with the thing and the word in relation to his own hermeneutical situation.
This situation is informed by (1) technological modernity that, as an enframing world-
picture, has neutralized words of their sense and devastated nonliving and living things;
and, as traced in the previous chapter, (2) the failures—that Heidegger thematizes,
albeit insufficiently answers—of his own philosophical and political thinking of the
self-assertion of the will and creative sacrifice through the work during the 1930s.5
3. Dao as Guiding-Word
The present work centers around a Chinese word. It appears in the title of the Chinese
text, the Daodejing, most frequently mentioned and evoked in Heidegger’s corpus. The
most frequently mentioned East Asian (indeed, non-Occidental) word appearing in
his works is dao 道. Dao signifies way. It can also mean discourse, principle, teaching,
saying, and guiding, as Wilhelm points out (Wilhelm 1911: XV). Its cognate dao 導
means to guide or direct. The originary guiding word dao, which Heidegger describes
as a mystery, resonates with his own basic originary word Weg (way) with which he
stylizes his own journey in thinking.
This has a larger hermeneutical context worth considering. Heidegger’s ways of
speaking recall earlier German language interpretations of dao that inform Heidegger’s
linguistic community, while being distinctive from them.7 The art historian and
collector Otto Fischer wrote, for example, in his popular 1923 book on Chinese
landscape painting: “The Chinese designated [the sense of nature and the essence of
life] with the ancient mystery word dao. Long before Laozi and Confucius, dao, the
sense and the way, is the deepest word in which all anticipation and all knowledge
are hidden” (Fischer 1923: 165). According to Fischer, dao is not force (Kraft) but the
opposite of force; imageless, it encompasses all images; groundless and abyssal yet
containing all beings. Dao signals the emptiness, the zero point, the pivot, and the
mystery of being. Chinese art enacts the nature it depicts, following and embodying
the dao of the thing and the scene.8
Misch critiqued the phenomenology of Husserl and Heidegger in 1930 from
the perspective of Dilthey’s hermeneutical life philosophy, a work that Husserl and
Heidegger mention. In it, Misch described the force of originary speech and how
lógos, as the root word of the beginnings of Occidental philosophy and the science of
logic, correlated with dao and brahma as the primordial words of the East.9 Primordial
words such as dao were depicted by Misch as a completing or perfecting holding sway
Heidegger and Laozi’s Daodejing 63
(vollkommenen Walten) that stand between myth