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Star Wars The Force Awakens

This document is a musical score for "Star Wars: The Force Awakens" containing four pieces of music: "Star Wars (Main Theme)," "Rey's Theme," "March of the Resistance," and "The Jedi Steps and Finale." The score spans approximately 4 minutes and 50 seconds and was composed by John Williams and arranged by Michael Sweeney. It features parts for various woodwind, brass, and percussion instruments.

Uploaded by

Gabriel Quispe
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© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
100% found this document useful (1 vote)
4K views69 pages

Star Wars The Force Awakens

This document is a musical score for "Star Wars: The Force Awakens" containing four pieces of music: "Star Wars (Main Theme)," "Rey's Theme," "March of the Resistance," and "The Jedi Steps and Finale." The score spans approximately 4 minutes and 50 seconds and was composed by John Williams and arranged by Michael Sweeney. It features parts for various woodwind, brass, and percussion instruments.

Uploaded by

Gabriel Quispe
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd
  • Full Score: Star Wars - The Force Awakens: Contains the complete music score for 'Star Wars: The Force Awakens', including multiple instrumental parts to be played together in orchestral arrangements.
  • Flute Part: Detailed musical score specifically for the flute part in 'Star Wars: The Force Awakens'.
  • Oboe Part: Musical score for the oboe instrument for 'Star Wars: The Force Awakens'.
  • Bassoon Part: Dedicated score for the bassoon in 'Star Wars: The Force Awakens', highlighting its orchestral contributions.
  • B♭ Clarinet 1 Part: Clarinet part 1 score for 'Star Wars: The Force Awakens'.
  • B♭ Clarinet 2 Part: Specifies the notation for B♭ Clarinet 2.
  • B♭ Clarinet 3 Part: Third clarinet part for 'Star Wars: The Force Awakens'.
  • B♭ Bass Clarinet Part: Bass clarinet score for the musical arrangement.
  • E♭ Alto Saxophone 1 Part: Music notation for the first alto saxophone in the score.
  • E♭ Alto Saxophone 2 Part: Second part for the alto saxophones in the score.
  • B♭ Tenor Saxophone Part: Tenor saxophone music score for the orchestral piece.
  • E♭ Baritone Saxophone Part: Baritone saxophone notation for 'Star Wars: The Force Awakens'.
  • B♭ Trumpet 1 Part: Trumpet 1 part, detailing its specific scores in the piece.
  • B♭ Trumpet 2 Part: Second trumpet part for the arrangement.
  • F Horn Part: Horn part detailing, focusing on musical entries for horns.
  • Trombone Part: Score for the trombone to accompany the orchestral score.
  • Baritone (B.C.) Part: Baritone part with bass clef, illustrating its segment of music.
  • Baritone (T.C.) Part: Baritone part with treble clef, highlighting different musical lines.
  • Tuba Part: Tuba's music score for its orchestral performance.
  • String Bass Part: Part for string bass, showing its job in providing foundational music undercurrents.
  • Percussion 1 Part: Percussion 1 detailing which instruments, such as snare drums and others, participate in the piece.
  • Percussion 2 Part: Percussion specifics for the second set of instruments in the arrangement.
  • Mallet Percussion Part: Includes xylophone and vibraphone parts essential in creating the piece's unique sound.
  • Timpani Part: Timpani notations illustrating its dynamic role and sections in the music.

Music From

STAR WARS: THE FORCE AWAKENS


Star Wars (Main Theme) * Rey's Theme * March of the Resistance * The Jedi Steps and Finale
Duration - ca. 4:50 Music by JOHN WILLIAMS


Arranged by MICHAEL SWEENEY

          
"Star Wars (Main Theme)"

     
Majestically  = 104

      
4 A Tempo
Rall.

            
Flute

       
3 3 3 3

 


        
Oboe

           
3 3 3 3

 


      
Bassoon

        
     
3
  3



B♭ Clarinet 1

 
     
3 3 3 3

           

 
3 3 3 3
B♭ Clarinet
2y3

       

 

        
3 3

  
B♭ Bass
Clarinet

   

                           

  
3
E♭ Alto Saxo-

         
phone 1 y 2

                  
 3 3 3

    
 3 3
Tenor

      
Saxophone

      
3

     
  3

  
3
Baritone

     
Saxophone

         
   
 3 3  3 3

 
3
B♭ Trumpet 1


              
   
  3 3 3


3
B♭ Trumpet 2

             

              

3
F Horn

               
              


 3 3 3

          
Trombone

          
  3 3 3


3

Euphonium

     
       
3

   

  
 33 3

 
Tuba

 S.D.     3  

        

Percussion 1          

   
B.D.

  


     
Cr. Cym.
Percussion 2


Triangle

       

 
Bells and

 
Vibes
Mallet
Percussion

        
        
 

   
3
Timpani

 
     
5          
2

Fl. 1  

              
3 3 3 3 3 3 3 3

  
3 3 3 3 3

Ob. 1

                          
3 3 3

  
Bsn. 1
   
               
 
3

B♭ Cl. 1

      
3

       
3 3


3 3 3 3

    
  
3 3
B♭ Cl.
2y3

    
   

3

                  
B. Cl.

   
                           

3

 
3
A. Sax.
1y2

                  
T. Sax.
          

 
             
Bar. Sax.
        
  

  
         
     
3


3 3
B♭ Tpt.1

 
             

 
3 3 3
B♭ Tpt.2

 
                          
  
3 3
F Hn.

           
1y2

             
Tbn.        

                   
3

         
 
Euph.

       
                   
   
Tba.

  

               
    
  
    

3


     
Perc. 1

    
 
 
Perc. 2

                   



Glk. 

       
3 3 3

                   
   
Timp.
       3
                           
12

 
9
Fl. 1

             
   
3 3 3 3 3 3 3 3 

                 
3 3 3 3 3 3 3

Ob. 1

                  
3 

  
Bsn. 1
 
       
3 

B♭ Cl. 1                            

              
3 


3 3 3 3 3 3 3

  
         
3 3
B♭ Cl.
2y3

      
3



    
3

       
B. Cl.

 
           
A. Sax.
1y2      

         
3 

    
3
T. Sax.

     

 
             
3
Bar. Sax.

        

  
        
3 3
B♭ Tpt.1

  
      
3

         
3
3 3
B♭ Tpt.2

          

  
3
F Hn.

     
1y2

          

Tbn.

                  
3


Euph.   

 
3 

 
                  
3


Tba.

   

                      
            
3

  
Perc. 1

    
3 

   
Perc. 2

              
Glk.  

  
3 3 3

  
          
3
Timp.


                 
13               
4

Fl. 1    3

            
     
3

Ob. 1                

 
3

             
3

Bsn. 1
 
           
B♭ Cl. 1                      
3
3

            
           
3
B♭ Cl.
2y3


      
      
B. Cl.

             
A. Sax.
1y2        

              

T. Sax.  


        
Bar. Sax.
     
 
B♭ Tpt.1                 
3
 

  

B♭ Tpt.2      

     

F Hn.
1y2              

                 

Tbn.

       
Euph.        

  
Tba.
              
        
          
 
3

Perc. 1

   Sus. Cym.  

 

Perc. 2
    
       
        
 

Glk.

     

Timp.
      
           
           
5

Suddenly Slower  = 88

    
"Rey's Theme"

    
22 Moderately  = 104
 

18

Fl. 1

              
     
 3  

Ob. 1         

    
     
 3

      

Bsn. 1

             
       
 3 

B♭ Cl. 1         

 
 3 

           

       

      
   
   
3

 
B♭ Cl.
2y3

   

  
 
 

  

3

 
B. Cl.

             
      

     
 
        
A. Sax.

  
1y2

 
      
 3


 

    
3
T. Sax.

   
     
3 

    

Bar. Sax.

  
 3

            
B♭ Tpt.1
  
  

          
 3

  
3
B♭ Tpt.2

    
         

     

  
F Hn.

   
1y2

     
    

   


3

Tbn.

     
     
 3 

   
3

Euph.

   
 

   
3

       
3


Tba.

  3  
                 

 
3


Perc. 1

     
 3

Perc. 2

  
          
Bells play top 2 notes
(add Marimba if possible)

Glk.

     
    

   
3 Change to G, C
Timp.


23    
6

       
28
 
 
Fl. 1   

      
Ob. 1 
        
                   
Bsn. 1
 
  

  

            
B♭ Cl. 1
 
      


 

            
   
   
B♭ Cl.
2y3


    
        
 

B. Cl.

 

   
     

A. Sax.
1y2       
  
            
 

         
T. Sax.
   
 
          

   
 

Bar. Sax.
  


 

    
B♭ Tpt.1         

    

B♭ Tpt.2         
   
 

         
F Hn.
1y2

              

Tbn.

 
                  

     

Euph.

      

 
 

Tba.
  


Perc. 1       

Perc. 2       

 
Glk.                

      
Timp.
    
 
                  
   
7

        
29
Fl. 1

  
               

Ob. 1         
   
 

                                         

Bsn. 1
 
                 
B♭ Cl. 1   

           
    
B♭ Cl.
2y3

          
    

 
     
      
  
B. Cl.

                
               

A. Sax.

  
1y2

      

        
T. Sax.

         
             
Bar. Sax.
            
 
                                
B♭ Tpt.1
                    

  
B♭ Tpt.2
                                    
 
              

F Hn.
1y2

                                      
Tbn.

                         
 
Euph.

          
Tba.
           
     
Perc. 1 

Perc. 2      

    
                     

Glk.

      

 
Change G to F
Timp.
      
34        
8

    
34 40

Fl. 1

           
 

Ob. 1      

                


   

Bsn. 1

         

       
B♭ Cl. 1
 

           
    
B♭ Cl.
2y3

          

                   
      
B. Cl.

       
        

   

A. Sax.
1y2       
 

  

T. Sax.                 


      

         
Bar. Sax.
                
   

 
 

        
B♭ Tpt.1
        
  
B♭ Tpt.2  
             

   
F Hn.
            
    
     
1y2

           


Tbn.
 

                

  
Euph.
 

  
 

          
Tba.
                    
   


 

Perc. 1        

Perc. 2        

         
Glk.  

   
  

        
 

Timp.
 

             

9
 
44

 
41


Fl. 1

       
          
  

 

 

Ob. 1

          
     
 

Bsn. 1
  

            
                        
 


B♭ Cl. 1  
                 

 

    
                     

     
 
      
B♭ Cl.


2y3

      


   

 

  
B. Cl.

       
 

      


A. Sax.
1y2

        
 
 

 
T. Sax.

      
        
 

Bar. Sax.
   

  

     
B♭ Tpt.1 
  
    

   
B♭ Tpt.2 
  

    
   
 


F Hn.
  
      
1y2

    
  
 

Tbn.

               
 

 

Euph.

        
 

       
 
Tba.

                   


  

Perc. 1

   

    
Sus. Cym.
Perc. 2

         



Bells and Vibes  

               
(Bells play top 2 notes) Vibes and Marimba (if poss)
Glk.

     
     
 

Timp.


        
46         
10

 
50

 
Fl. 1

        
         
Ob. 1

    
           
Bsn. 1
   
          
             

                 
B♭ Cl. 1

          
                                 
       
              
B♭ Cl.
2y3

     

B. Cl.

           
     
 
A. Sax.
1y2

     
            
T. Sax.
    

Bar. Sax.
              

    
                      
B♭ Tpt.1
    
    
B♭ Tpt.2                        

       
         

F Hn.

  
1y2

           

     
Tbn.
  
    
            
Euph.    
   
             
Tba.


                 
Perc. 1
   

   
    
Perc. 2


                                   
 

       
       
Glk.

        
  
Change to A.D
Timp.

 
 
   
Menacing  = 80 11

          

58

Vibes Play


 
51 Rall.

Fl. 1

                  



Ob. 1

       
     

           
Bsn. 1
  

           
  
  

 

     

  
 
Vibes Play

B♭ Cl. 1

   
 
         

  

 

      

B♭ Cl.
2y3

          

  

B. Cl.
 
    
    

        
            

  
A. Sax.
1y2

               

T. Sax. 

Bar. Sax.
                   

 

          
 

           
     

B♭ Tpt.1


                 

     

B♭ Tpt.2

     
                 

 
F Hn.

    
1y2

       


Tbn.  
       
      

            

Euph.

         
 

 
  
  
Tba.

        
     

    
Perc. 1
 

   
       
  

   
Gong. Cr. Cym.
Perc. 2

 
                            
+ Bells (top 2 notes)   (Gong Ch.) 

  
Glk.

            

Timp.
 
                  
12 "March of the Resistance"

  
66

  
With Determination  = 96

       
Marc.


60

    
Fl. 1

   
                   

  

      

Ob. 1

        
      
     
              
 

   

Bsn. 1

            
         
 

      
  

 
  
B♭ Cl. 1

   
            
  
  

 
         
B♭ Cl.
2y3

       
            
  
 

           


B. Cl.

          

        
           

 

        
 

  
A. Sax.

             
1y2

            
  

 
  

T. Sax.

         
                  

     
 

Bar. Sax.

      
           

            
 

      
 

B♭ Tpt.1
   
     
                   
    

   

B♭ Tpt.2
      
      
                    

 

          
F Hn.


1y2

           
           

             



Tbn.

             
                      
  

  

Euph.

      
            

  

    
  

      
Tba.

    
         
  

     
   
 

           
    
Perc. 1

 Ch.  Ch. Ch.


              


Perc. 2
    
          
 

 (Gong Ch.)

Glk.

         
             

Timp.
  
  
                                 
 
13

     
68 74


           
Fl. 1

     
                     
Ob. 1
    
  
                   
Bsn. 1
        
                     
         
        
  
 
B♭ Cl. 1


                     
 

          
 
B♭ Cl.
2y3

   
                   
   
     
     
B. Cl.

 
         
            
  
            
   
A. Sax.
1y2

                 
      
     
     
T. Sax.

         
                           
Bar. Sax.
       
         
      
B♭ Tpt.1                         


 
                              



B♭ Tpt.2       

                


   
 
       
 
      
  
F Hn.

      
1y2

        
Tbn.               

  
 
                    
     
Euph.

 
                   
            
    
Tba.

       
 
 

                    
    
       
Perc. 1

Perc. 2         

      
     
Bells Only

Glk.

       
   

Timp.
 

              
76          
14

        
   
82


Fl. 1

        
                      
       
Ob. 1

     
        
Bsn. 1
  
      
                   
      
  
B♭ Cl. 1
    
        
             
            


B♭ Cl.
2y3


           

                 
B. Cl.

               
                               
  

    
A. Sax.
1y2

          
                   

T. Sax.
       
  


  

  
 
   
 
   

 
 
       

     
Bar. Sax.

        
               

B♭ Tpt.1   
           
   
  
 

     
                 

                   
 
B♭ Tpt.2

       
             

           
    
F Hn.

   
1y2

  
            

Tbn.

    
 

            

Euph.


          
    
                
Tba.


    
       

         
 
Perc. 1

         

Perc. 2

  
Glk.           

     
          
Timp.
 

                  

15

        
90
85
Fl. 1

                 
                  

Ob. 1    
 
               

  
Bsn. 1
     
                     
            

B♭ Cl. 1   
    
            

                  
      
B♭ Cl.
2y3

     

    
  
          
B. Cl.

                      
                                  
  
A. Sax.
1y2

       
       

T. Sax.

 
                       
Bar. Sax.
    
         
                                   
     
B♭ Tpt.1

   
  
           
       
            
B♭ Tpt.2
      
 
                      
 
F Hn.

         
1y2

      
     

      

        
Tbn.


      



     
       
Euph.
   
     
Tba.
            
   
                    
             

 
  
Perc. 1

         

Sus. Cym.
Perc. 2

        

Change to F.C 

Glk.

                
Timp.
  
94             
              
       
16

     
98

    
Fl. 1

           
   
 
     
       
 

Ob. 1    

                 
                     
 

Bsn. 1
            
                          
    
 

         

 
B♭ Cl. 1

   
              
 
 

         
     
 

          
     
B♭ Cl.

   
2y3

 
                   

    

     
    
      
B. Cl.

        


                    

 
                  

  
A. Sax.

              
1y2

    
             

  

         
     
T. Sax.

            
 
                 

 

  
       
Bar. Sax.

             
                                 

    

B♭ Tpt.1
      
       
                           

         

           

B♭ Tpt.2

          
                              

  

 
      

F Hn.

         
  
                 
    
1y2

       

    

Tbn.
  
              
                        
 

    
 

     
 
Euph.

              
        

 

           
  
   
Tba.

           
                        
   
 

  
      
Perc. 1



 

          
Cr. Cym.

Perc. 2
 
         
    



Bells and Vibes

Glk.

        
   

Timp.
   


             
           
17

   
108
103

 
Fl. 1

     
 
                       
Ob. 1

        
 
   

 
  
        
 
  

  

 
Bsn. 1
        
    
                     
B♭ Cl. 1    

    
          
      
        
     
B♭ Cl.
2y3

                   
   
            
   
B. Cl.


    
         
    


  
                     
     
A. Sax.


1y2

              

                        
T. Sax.
     
      
                          
Bar. Sax.
       
      
                   
 
      
 
    
B♭ Tpt.1

   
                      
B♭ Tpt.2
           


      
                                   
     
F Hn.

                      
     
1y2

   
Tbn.             


        
 
   

 
  
        
 
  

  

 
      
Euph.

                   
Tba.
   
      
 
 
          
    
                            
   
        
Perc. 1

       
   
Sus. Cym.
Perc. 2

     
     
      
   

    

Glk.

         
Timp.
 
 "The
    
               
18
 
Jedi Step and Finale"


115

 
Slowly  = 68


111
Fl. 1

       
          

Ob. 1     

          
    
Bsn. 1
   
     
B♭ Cl. 1                     

      

B♭ Cl.
2y3   
          


  

              

 
  
  
B. Cl.

                 
            
       
A. Sax.
1y2

                
     

     
  
 
T. Sax.

         

     
Bar. Sax.
   
        
                     
B♭ Tpt.1
 

    

            
B♭ Tpt.2            
         
                              
  
F Hn.

 
1y2

              

       
Tbn.
  
             
      
Euph.
  
              
Tba.
      
     
                       
        
  
Perc. 1

 
             
Cr. Cym.  

Perc. 2
 

  
                    

Glk.              

             


Timp.
   

    

19

     
119 122
Fl. 1

      
Ob. 1   

         

Bsn. 1
     
       
          

 

B♭ Cl. 1
  

       

   

  
3 3

B♭ Cl.
2y3

   

     

   
B. Cl.

                  
                  
 
A. Sax.

      
1y2

         
 3 3

 

T. Sax.

    

   
Bar. Sax.
    
       

       
 

B♭ Tpt.1

       
    

B♭ Tpt.2
     
 
   
            
 

F Hn.
1y2

          


   
Tbn.

          

 

   
Euph.

         
 
 

   
Tba.

  
     

       


  
 
Perc. 1

     

    

Sus. Cym.
Perc. 2


             
           
 
Bells and Vibes

Glk.

       
 
 

    
Timp.


   
                          
20 Faster   =125

       
130


125
Fl. 1

   
          
                      
 3  

3

Ob. 1


          
 


         
   

Bsn. 1
  
        
                    


   

      
3

B♭ Cl. 1

    
  

                      

  
            
3
B♭ Cl.
2y3

          
 

    

    

  

B. Cl.

            


  

              

    
 
A. Sax.

          
1y2

    
               


   

T. Sax.

      
             
 

 
  

Bar. Sax.   
     
                    
  

  
    
 
3

B♭ Tpt.1


     
                      
 

  
  3

B♭ Tpt.2

                            
   
F Hn.

    
1y2

       
          
  


 

Tbn.    

           
 


         
    

Euph.    

             
 

 
  

    
      
Tba.

 
                   


   

       

Perc. 1

   Cr. Cym. 
       

     
 



Perc. 2

       
         

       
  
Xylo, both notes,
Bells bottom notes
Glk.

      
           

   

Change C to Bb
Timp.

   
            
     
21

                 


132
Fl. 1

              
Ob. 1                   

         
Bsn. 1
  
              


      
                  
   
B♭ Cl. 1

         
                                    
       
B♭ Cl.
2y3

       
B. Cl.
  
                               
             

         
A. Sax.

 
1y2

          
          
T. Sax.
   
       
Bar. Sax.
 
      

B♭ Tpt.1   
    

     
     

B♭ Tpt.2

 
           

             
   
F Hn.

        
 
1y2

          

   
       
Tbn.

      
        
Euph. 

        
 
 
Tba.

  
        

Perc. 1
 
       

   
Triangle Cr. Cym.
Perc. 2

                      
               


Glk.  

        
  
Timp.
   

       
                     
22
140  
140   = 105
Rit. 148 Majestically

    
   
Fl. 1

    
     
 
                  
Ob. 1    

    
                 
                    

 

Bsn. 1

                         
   
B♭ Cl. 1       

                 


                             

    
B♭ Cl.
2y3

         
      
                      
B. Cl.

                           


       
A. Sax.
1y2            
     
                             
T. Sax.
   
 
                  
Bar. Sax.
                      

                          
      
B♭ Tpt.1   
                            
            
B♭ Tpt.2
   
    
     
 
                      

F Hn.
    
              
1y2

          
Tbn.
  
            

                       
Euph.
   
                 

    
             
                        
        
Tba.

  
                        
      

Perc. 1

         

   
Triangle
Perc. 2

                   


 

            
Bells and 


Vibes
Glk.

       
    

Timp.
              
   

       
         

23

    
150
Fl. 1

         
   

Ob. 1

         
         

Bsn. 1
      
   
  
          

B♭ Cl. 1      

         


       

B♭ Cl.
2y3

       


              
B. Cl.

                    
             
  

A. Sax.

        
1y2

            
   


T. Sax.

  
             

Bar. Sax.
       
      
               

B♭ Tpt.1
       
 
             

B♭ Tpt.2
           
 
                  

    
F Hn.

      
1y2

      
  

Tbn.     

             
       

Euph. 

    
          

    
Tba.
      
         
     

             
         
   
Perc. 1

       
   

Perc. 2

       
Glk.   
   
  






        

       
Timp.

 

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