y Music a) “We Scenes aie eon? y y Pore ea ORC Taek Sc) Classtcal Per to rive siistocracy, as patrons of musicians and artists generally influenced the arts. Significant changes in Perec heln ete his asi eae n atl amepedanlis(el Neata Meta i Recta Una Cel stel seen} move toward a new style in architecture, literature, Ee RRM ao aE ec aeeed tg e OME Men We Tan neonate nn Pee et Me Tare ae ren) PCA eg dacs een wae Cun ceca aNd CRM aa au kta Neto ean Cem eaaue nero ic lan Iisa ea Rae ate eo orn -AVIA SIC re) ia SCunereoe ie caaceccacamemaka a , principles and characteristics of ancient Greek and Classical Period Caer esa nace secs Pec ae en me eget a OMe eee eee ee eo eee eC UAAoaN Aa Recs -Macolaale) 1a ae CME od teat eeutietectaaeantte iT the extensive use of crescendo and diminuendo. A EOE cee sain at Cree eect MLC rac iseeceteaud egies) WC aaear eee oC am Nicene ruc ctr Vee aae le nmte WIC Nun creas Se ee co We ST a Ene CL forms developed during this era while Opera Seria andj (oN Ena Ne neCOMPOSERS OF THE CLASSICAL PERIOD RQ ® FRANZ JOSEPH WOLFGANG LUDWIG VAN HAYDN AMADEUS MOZART 15) a Oh ay ere) TEE TcFRANZ JOSEPH HAYDN Puree Rot ee cS Con eeeameke cote aci Meas eee ee ee ees ee carseat Renal) a poor family and his music led to his rise in social status. He was hired by rich patrons and eventually Peer ae aa eterks occla ated acura for 30 years. Ea ecient ou Ts mainly calm, balanced, serious but with touches of a Ree ck Keo) Peace hose ck geanated enon for a large orchestra. He was named, "Father of the va eae ene (gee coole aeares Pench gat cue Mae Val eae Denese gece nS geen an ALS Celeron Oe one Rea na TU) Eee Re ne nonceWOLFGANG AMADEUS Wolfgang Amadeus Mozart is a child prodigy and Caeser cu ea elec acon! eee eee Rao Rend harpsichord; at six, he was recognized as an Geese enc ecu ee ean need Ce ee Roel au cee Rea) PE RCo eRe ea eo Seer i eee a etc Deen ce aE ine ge) Cele ees Rea ce ML MUR ena eNa TR) USE harass Mena ase Clee bree Rete hecete eR ante IA He composed wonderful concertos, symphonies, eee a ce keaton "Don Giovanni (1789), and "The Magic Flute which ee Men a ae Rn eT Nachtmusik," "Symphony no. 40 in G Major," and Seen Rema aeLUDWIG VAN BEETHOVEN [eer NVC tae aR ENN oer TEL CN Meee ete Rae eel early age. He was the composer who bridged the late Classical era and the early Romantic era. He SEP Re eee Seite Real oan et ete nee RE as SEE Mu en oe Ree ae ne) string quartets, and choral music. Reeder (Sa Mae) Sith Ma MUS Ba aa Ta og are: Symphony no. 3 ("Eroica"), no. 5, no. 6 Ue core UR aoe Couric RMAC Tole Nola rn Ree eM oc EM eae Coote ore Keen col Recor og ar koe) pee a Une eee Ce Cott et eR RM Re a Pete adele VL RasLUDWIG VAN BILTHOVEN Characteristics of Beethoven's works: ae eae R RCN REIC(te orchestras. - Sound was centered on the violas and lower registers of the violins and cellos to give his music a darker mood. ON baat tenet iekicehceeac by one motif. at eede eel eter Baa lee ata aat oie iatel Gece ae Na Naat acted modulation. pum ne ce anole Mole Aa tse pal lal Lalo} CMa laaletSonata a : A multitmovement work for solo instrument, Sonata came from the word Sonare which means “to make a sound.’ This term is applied toa variety of works for a solo instrument such as keyboard or violin. if KeMovements of Sonata * : Ist Movement: Allegro - fast movement 2nd Movement: Andante - slow movement 3rd Movement: Minuet- It is in three-four time and in a moderate or fast tempo. a + +SonataSonata Ulegro Form * The most important form that developed during the classical era consists of 3 distinct sections: Exposition, Development. and Recapitulation. Examples: "Eine Kleine Nachtmusik’ - by W.A. Mozart cra ‘SitiSonata Ulegro Form a G1. Exposition - the first part of a composition in Serpe le NCOMPD nea relm Dt Kece CeSMURCRUNODNTGS as 2. Development - is the middle part of the sonata allegro form wherein themes are being developed. 3. Recapitulation - repeats the theme as they first emerge in the opening exposition. Exposition(OUlacnle The word ‘concerto’ has an unclear past. Historians ar whether it comes from the Italian origin of words like ‘concord’ and “consensus, meaning to work together. or the Latin origin of ‘contest and “contrast, meaning, to work in opposition. Either way. these definitions can both apply since the soloist is both working with the orchestra and in competition with it.Concerto a Concerto is a multimovement work designed for an instrumental soloist and orchestra. It is a classical form of music intended primarily to emphasize the individuality of the solo instrument and to exhibit the virtuosity and interpretative abilities of the performer. The solo F instruments in Classical concertos include violin, cello, 4 ip | clarinet, bassoon, trumpet, horn, and piano. A concerto has three movements: fast, slow, and fast.ee AM eee. Ist Movement: Fast: Sonata-allegro form with expositions of the orchestra and then by the soloist 2nd Movement: Slow: Has more ornamentation than the First movement 3rd Movement: Fast: Finale: Usually in a form of rondo, resembling the last movement of the symphony and usually ashort cadenza is usedeae arty) peror (Zimerman, B.. rr ba } 7 Cee-Lo)SL La ca A multimovement work for orchestra, the symphony is derived from the word sinfonia which literally means ‘a harmonious sounding together. It is a Classical music for the whole orchestra, generally in four movements. As the 18th century progressed, instrumental music was patronized primarily by the nobility which led to the rise of public taste for ‘comic opera. The music was mostly of a simple yet pleasant character, while the singing was highly flexible and sensitive and could freely express emotion through melody.It is a classical music for the whole orchestra. generally in four movements.LL ONL Ue , Ist Movement: Fast: Sonata-allegro form 7 _ 2nd Movement: Slow: Gentle, lyrical-typical ABA form or theme and variation 3rd Movement: Medium/Fast: Uses a dance form (Minuet or scherzo) 4th Movement: Fast: Typically Rondo or Sonata formTerena OQuvera ca Opera is a drama set to music where singers and musicians perform in a theatrical setting. The two distinct styles of opera. Opera Seria and Opera Buffa, were developed during, the Classical Period. The Opera Seria (serious opera) usually implies heroic or tragic drama that employs mythological characters, which was inherited from the Baroque period. Idomeneo’ by Mozart is an example of Opera Seria. The Opera Buffa (comic opera) from Italy made use of everyday characters and situations and typically employed Fo enMe ea ecm ener ETE NAC RSE ecm UWS renee oom T Toa TRY humor, and social satire. The Marriage of Figaro, ‘Don Giovanni’ and ~ Magic Flute’ are examples of popular Opera Buffa by Mozart.: Classical Opera (ole Rel eee Maal ia atic eine and musicians perform in a theatrical setting, Sra Re ase Nok Melee cua) elev Wi mittee ke Mian Classical Period. The Opera Seria (serious opera) ete MMos ea te eitele nares Dae ecicemen ets Heneaehikenedecice a sca Mile ea by Mozart is an example of Opera Seria. The Opera Buffa (comic opera) from Italy made use Omer RIC aR Uric tare] By eect aero eel ae arias and was spiced with sight gags, naughty humor, and social satire. "The Marriage of Figaro," "Don Giovanni," and "The Magic Flute" toad cieescitiel a oeiea 1) . AM the O) Pt jony and two distinct styles of ree © Concerto and Ca . Opera seria and, Opera buffa— “ © a jony © Sonata a 2) A rausical een eeLSs ifort designed to be © Concertodeveloped during the Classical Era and usually the form of themovements for an © Sonata instrumental soloist, ae : © Concertoimportant form that developedmove eal work designed for an instrumental soloist and orchesthree ® examples of Cpe rete Giovanni, and "The Mag} © "Sonata Alleg "Concerto" ant e ~@_ None of the aboVew»3) lateyaNg movement © Sonata work for solo © Concerto