Qui

z1.
1:HoaandToa
1. TheEgypti
anconst
ruct
stheirpyr
amidsandtemplebyusingpost Trabeatedtypeof
andl
int
el.Whatdoyoucall
thissyst
em ofconst
ruct
ion? Construct
ion&
Columnart y
peof
Construct
ion

2. Whatarethearchi
tect
ural
char
act
ersofMesopot
ami
an Massi
veness,
Ar
chit
ecture? Monumentali
ty,
Gr
andeur

3. Pyrami
dswerebui
l
tbecauseofrel
igi
ousi
nfl
uence.Whi
choft
he
fol
l
owingar
ethepri
maryreasons?

4. Enumer
atet
hepar
tsofapy
rami
dcompl
ex El
evatedCauseway,
Off
eringChapel,
Mortuary,
Vall
ey
Bui
lding

5. Whichistheri
ghtchr
onol
ogi
cal
orderofMesopot
ami
an Babyloni
an,Assyr
ian,
Ar
chitect
urePeri
od? Neo-Babyl
onianand
Persi
anPeriod

6. Whati
sthet
ypeofconst
ruct
ionsy
stem ofGr
eekAr
chi
tect
ure?

7. Ar
chit
ectur
eChar
act
eri
sti
csoft
heGr
eekCi
vi
li
zat
ionAr
chi
tect
ure Si
mpl icit
y&Harmony,
ar
efoll
owed: Perfecti
onof
Propor t
ionsand
Refi
nementofDet ai
l
s

8. Thechar acter
isti
cRenaissancewallwhi
chhascutst
oneshavi
ng Rust
icat
edMasonr
y
strongl
yemphasi zedrecessedjoi
ntsandsmoothorroughl
y
textur
edbl ockfacesi
s

9. UndertheHi
ghRenai
ssanceper
iod,
ther
ewasaphasewher
ein Manner
ist
bui
ldi
ngwereconcei
vedi
nanon-Romanway:

10. Michelangel
oBuonar
rot
tipr
esent
edaLat
inCr
ossPl
anf
ort
heSt
. Fal
se
Peter
’sBasil
ica

11. Extremef
ormsofAr
chi
tect
urei
nbar
oquewhi
chwasdev
elopedi
n RococoDesi
gn
France

12. Whi
choft
hef
oll
owi
ngar
echar
act
eri
sti
csofRococo?

13. TheChi
nesepagodai
sty
pical
l
yhowmanyst
ori
es? 9or13

14. Atypeoff i
redrooft
il
e,nor mal
lymadef r
om clay
.Iti
ss-shapedin Pant
il
e
appearanceandissingl
el ap,meani
ngthattheendofthet i
lel
aps
onl
yt hecourseimmediatelybel
ow.Flatti
lesnor
mallyl
apt wo
courses.

15. Ageneralbel
ief
sandt
radi
ti
onsofChi
neseaboutl
uckt
hataf
fect
s Fengshui
ar
chi
tecture

16. ThebestofJapan’
scast
leswi
thsomeofi
tsor
igi
nal
int
eri
orand Hi
mej
iCast
le
 ext
erioraresti
ll
intact
.Ithasmanagedtobei
ngdest
royedbyafi
re
ornatural
disasterandwasneveratt
acked.I
twasbui
ltbyI
keda
Terumasa

17. Formerlyt
her esi
denceoftheDalaiLama,itcontai
nsovera
thousandroomswi thi
nthi
rteenstor
iesandconsideredast
he
mosti mport
antexampleofTi bet
anarchi
tectur
e

18. I
tisthetr
adi
ti
onalMar
anaohousef
ort
heupper
-cl
assmember
s Tor
ogan
ofthecommunit
y

19. Themosti mportantr

easononhav
ingthisareai
nahouseon Si
l
ong
sti
l
tsistocreateabufferar
eaf
orri
singwatersdur
ingfl
oods,
and
topreventpest
ssuchasr at
sfr
om gett
inguptotheli
vi
ng.

20. Iti
sconsi
der he1stsky
edast scraperi
nthePhi
l
ippi
neshav
ing12 Pi
cacheBui
l
ding
stor
eysdesi
gnedbyAngelNakpi
l

21. I
tisthefi
rstheadquart
ersofthePhili
ppi
neNat
ionalBankwhi chi
s
l
ocatedi
nEscol t
a.Iti
salsoconsideredast
hef
irstmulti
-st
ruct e Masoni
ur cTempl
e
andconcret
ebuildi
nginthePhili
ppines.

22. Heasconsi
deredas“Youngwi
thFl
air
”ar
chi
tectoft
hePhi
l
ippi
ne Leandr
oLocsi
n
Cont
emporar
yarchi
tect
ure

23. Archit
ectFroi
l
anHongat temptedtogett heessenceofthe Mani
l
aFi
l
m Cent
er
ParthenoninAccordancewi t
hthewi shesoftheFi r
stLady
,Imel
da
Marcos.Theresultisprobablynotentir
elysat
isfactor
y.Whatdo
youcallthi
sstr
ucture?

24. ThesetwoFil
i
pinoArchi
tect
swer
ebr
oughtt
oEur
opet
ost
udy
MasterBui
l
derCourse

25. InGreektemples,
itref
erstot
hesuper
str
uct
ureofmoldi
ngsand Ent
abl
atur
e
bandswhi chl
i
ehor i
zontal
l
yabov
ecolumns,r
est
ingonthei
r
capi
tals

26. Char
act
eri
sti
csofEt
ruscanar
chi
tect
ure

27. ForGreeks,
iti
scov
eredwal
kway
sorpor
ti
cos,
commonl
yfor St
oa
publ
icusage.

28. Anopen-airtheat
er,usual
l
yhollowedoutoftheslopeofahil
lsi
de Odei
on
wit
hat i
eredseatingareaaroundandfaci
ngacircularor
chestr
a
backedbyt heskene,abuil
dingfort
heactor
s’use.

29. ItisanancientGr
eekwrestl
i
ngschool.Al
so,t
hesoci
alcent
erf
or Pal
aest
ra
mal ecit
izensi
ncl
udedspectat
orsar
eas,bat
hstoi
l
ets&
clubrooms.

30. I
tisaGreektempl
eontheAt
heni
anAcr
opol
i
sdedi
cat
edt
othe Par
thenon
GreekgoddessAt
hena

31. Compl
eti
ngt
hewor
ld-
famousPi
saGr
oupar
ethe: Chur
ch,Bapt
ist
ery
,
Campanil
e

32. St
rai
ghtt
ower
sshaf
ts,
gener
all
yst
andi
ngal
one.I
tal
soser
vesas Campani
l
e
 ci
vi
cmonument&wat
cht
ower
.

33. Masonrysupportbet
weenopeni ngssuchasarcades.Ty
pical
l
yit Pi
ers
i
sslenderandhasar ectangul
ar,poly
gonal
,orr
oundcross-
sect
ion,butdoesnottaperandof t
enhasnocapit
al.

34. Themosti mpor

tantst
ruct
ural
dev
elopmentofRomanesque
archi
tect
ure.

35. Thebasi
cchur
chpl
anofRomanesquear
chi
tect
ure. Lat
inCr
oss

36. Thel
eani
ngt
owerofPi
sai
sanexampl
eof
: Campani
l
e

37. Usualelement
sof_____archi
tect
urear
eroundar
ches,
bar
rel Romanesque
vaul
ts,pei
rssuppor
ti
ng,vault
sandgroi
nvault
s.

38. Af
amouschur
chi
nInt
ramur
os,
Mani
l
aint
hest
yleofBar
oque. SanAgust
inChur
ch

39. Atendencyi narchit

ectur
e&t hedecor
ati
veartstofr
eel
ymi x
hi
storicalst
yles,wit
htheaim ofcombini
ngv i
rt
uesofdi
verse
sources,orofincreasi
ngall
usivecont
ent,par
ti
cul
arl
yinthe2nd
hal
foft he19thcentury
.

40. Newbui
l
dingmat
eri
alsbr
oughtbyt
hei
ndust
ri
alr
evol
uti
on.
Casti
ron,
steel
and
gl
ass

41. Anar
tsschoolbui
ldi
nginGer
manythati
sfocusedont
hef
ormal Bauhaus
el
ement
s(shape,col
or,
li
nesetc.
)

42. Famousar
chi
tect
urebyLeCor
busi
er’
sinRonchamp Not
reDamedeHaut

43. Thepai
nteroft
hef
amousf
rescoedcei
l
ingofSi
sti
nechapel Mi
chel
angel
o

44. Abuilt
-i
nrecessedspacei
naJapanesest
ylerecept
ionroom,i
n Tokonoma
whichit
emsf orar
ti
sti
cappreci
ati
onar
edi
splayed.Alsoknownas
Toko.

45. Typeofmatusedasf
loor
ingmat
eri
alsi
ntr
adi
ti
onal
Japanese- Tat
ami
st
yler
ooms.

46. I
nThaiarchi
tect
ure,
itisadist
inct
ivedesi
gnofanopenpavi
li
on Sal
aThai
usedasameet i
ngplaceandtoprotectpeopl
efr
om sunandrai
n.
Mostareopenonallfoursi
des.

47. Iti
sthemostrecogni
zabl
earchi
tect
ural
detai
li
nanywatt
hat Chof
showsafi
ercebirdknownGaruda,f
rom t
heHindumyt
hol
ogy
.It
means“t
asselofair
”

48. Thecei
l
ing/r
oofofthePar
ishoft
heHol
ySacrif
iceinUPDil
i
man
i
nmadeofconcret
ebyusingwhatty
peofconstruct
ion?

49. Whoi
sthear
chi
tectofAnt
ipol
oChur
ch? JoseDeOcampo

50. Ar
chi
tectofMani
l
aCi
tyHal
l Ant
oni
oTol
edo
51. Ar
chi
tectofPhi
l
ippi
neGener
alHospi
tal Wi
l
li
am Par
sons

52. Ar
chi
tectofMet
ropol
i
tanTheat
er JuanAr
ell
ano

53. Ar
chi
tectofLungcent
erandHear
tcent
er Jor
geRamos

54. Ar
chi
tectofI
glesi
aNi
Cri
sto(
mai
n) Car
losSant
osVoi
l
a

55. Howhi
ghi
stheQuezonMemor
ial
Monument
? 66met
erspay
tme

56. I
tistheurbandesi
gnpr
inci
plebroughtbytheAmer icansandwas Ci
tyBeaut
if
ul
usedtoplanManil
aandBaguio.Theprinci
plesbehindare Movement
beauti
fi
cati
onandmonumentalgrandeurincit
ies.

57. Out
li
neoft
hehumanf
ace,
dist
inct
iveout
li
ne Pr
ofi
l
e

58. Apri
smati
csoli
dboundedby“six”equal
squaresides,t
heangl
e Cube
bet
weenanytwoadj
acentfacesbeingatri
ghtangle?

59. Whi
chi
snott
ruei
nspat
ial
rel
ati
onshi
p? Spacesl
inkedby
adj
acentspace

60. Al
gebr
aicexpr
essi
onofGol
denRat
io

61. Maybef
lushed,
proj
ect
edorr
ecessedf
rom t
heout
sidet
oinsi
de. Ent
rance

62. Lessi
smor
e Ludwi
gMi
esVande
Rohe

Fr
ankLl
oydWr
ight
Ev
erygr
eatar
chit
ecti
s-necessar
il
y-agreatpoet
.Hemustbea
gr
eator
igi
nal
int
erpr
eterofhi
stime,hi
sday ,
hisage.

Funct
ioni
nfl
uencebutdoesnotdi
ctat
efor
m Eer
oSaar
inen

Archi
tect
ureshoul
dspeakofi
tst
ime,
place,
buty
ear
nsf
or Fr
ankGehr
y
ti
melessness

Adol
fLoos
Archi
tectur
earousessent
iment
sinman.Thearchit
ect’
stask
ther
eforeistomakethosesent
iment
smoreprecise.

KenzoTange
Moder
nar
chi
tect
ureneednott
obewest
ern.

Mi
cheal
Grav
es
I
nanyar
chit
ect
ure,t
hereisequi
tybet
weent
hepr
agmat
icf
unct
ion
andt
hesymbol
icfunct
ion.
63. Ar
chi
tect
urei
sthewi
l
lofanEpocht
ransl
atedi
ntospace LudwigMies
Vander
ohe

64. Toprovi
demeani
ngf
ular
chi
tect
urei
snott
opar
odyhi
stor
ybutt
o Dani
elLi
beski
nd
ar
ti
culat
eit

65. Towhom wast he“

fer
ro-
cemento”const
ruct
ioni
nthef
ri
sthal
fof Pi
erLi
giNer
vi
t
h
the20 cent
uryinI
tal
yat
tri
but
ed?

66. AnotedJewi shGermanarchi

tectknownforhis“
expr
essi
oni
st” Er
ichMendel
sohn
archi
tect
ureinthe1920’
s,aswellasfordev
elopi
ngadynami
c
funct
ional
ism i
nhisproj
ectsf
ordepartmentstor
esandci
nemas.

67. Mexicanarchi
tectendengi
neerwhoi
ntr
oducedThi
nshel
l Fel
ixOuter
ino
constr
uct
ion Candel
a

68.
Thef
atherofmoder
npi
ctur
ebooksofar
chi
tect
ure Andr
eaPal
l
adi
o
69. Aninternat
ional
phil
osophyandst
yleofar
t&ar
chi
tect
ure Ar
tNouv
eau
especial
lydecor
ati
veart
s,knowni
nFrenchas“
NewArt”

70. Hisfamousattackonarchi
tectur
alor
nament
ati
on, Adol
fLoos
“Ornamentat
ionisacri
me, l
ikeatatt
oooft
hehumanbody
,asi
gn
ofdegener
ati
on”

71. Theacoust
icpr
oper
ti
esofanenv
ironmentt
hatcont
ri
but
esone’
s Audi
bil
i
ty
abi
li
tyt
ohearwhatneedst
obeheardandtomasktheunwant
ed
sound.

72. Anannual pr
emierwar di
narchit
ect
uretohonoral i
vi
ngArchi
tect Pr
it
zkerPr
ize
i
rrespecti
veofcreed,
race/nati
onal
it
y,andideologywhosebui
lt
worksdemonst r
atesthequali
ti
esoftal
ent,vi
sionand
commi tmentwit
hasi gni
fi
cantcont
ri
butiontohumanityi
s?

73. Ar
chi
tectofFEUMai
nBui
l
ding Pabl
oAnt
oni
o

74. Fi
naldesi
gn&pr esentat
ion.Pr
oductoff
inal
desi
gnsol
uti
on& Desi
gn
del
iv
eryforappr
eciati
on. I
mplement
ati
on

75. Whi
choft
hef
oll
owi
ngar
eFi
bonacci
number
s? 89,
144,
233,
377

76. Thescientif
icdi
sci
pli
neconcernedwiththeunder st
andingof er
gonomi
cs
i
nteract
ionsamonghumansandot herelement sofasystem, and
theprofessi
ontheappli
estheory,
pri
nciples,dataandmet hodsto
desi
gninor dert
ooptimizehumanwel l
-beingandov er
allsystem
perf
ormance.

77. Thesci
enceofhumanmeasur
ement Ant
hropomet
ry

78. Setofpost
uresorval
uesaboutdesi
gnthatadesi
gnerr
eli
esupon Desi
gnObj
ect
ives
formaki
ngofsolut
ionst
odesignprobl
em.

79. Thisall
owstheorgani
zat
ionoft
het
asksonspaceaccor
dingt
o Spacepl
anni
ng
thei
rrel
ati
onshi
ptooneanother
.
80. Whatar
ethepr
oper
ti
esofpl
ane?

81. Fi
vepoi
ntsofmoder
nar
chi
tect
ureaccor
dingt
oLeCor
busi
er Pil
oti
s,freef
açade,
openfloorpl
an,
unencumberedviews
androofgarden

82. I
ti sanarchi
tecturalsty
lethati
susuall
ymar kedbyhor izontal Pr
air
ieSt
yle
l
ines,fl
atorhippedr oodswithbroadov er
hangingwav es,windows
groupedhori
zont albandsandintegrat
ionwithlandscapeand
disci
pli
neintheuseofor nament.I
twaspi oneeredbyFr ankLloy
d
Wr i
ght.

83. I
tisanar
chit
ectural
sty
lethati
sdesignedbasedonlocalneeds, Ver
nacul
arst
yle
avai
l
abi
li
tyofconstr
uct
ionmateri
alsandref
lect
ingt
radit
ions

84. Iti
sanarchit
ectur
alst
ylet
hatemer gedin1920’
sand1930’st
hat I
nter
nat
ional
sty
le
showcasesemphasisonarchi
tectural
styl
e,f
orm andaest
het
ics
thansoci
alaspect
softhemoder nmov ement.I
twasastyl
e
defi
nedbyPhili
pJohnson.

85. Gl
asshousein
Connect
icut

Namet
hisst
ruct
uredesi
gnedbyPhi
l
ipJohnson

86. Far
gusFact
ory
I
nGer
many

Namet
hest
ruct
uredesi
gnedbyWal
terGr
opi
us

87. Fal
li
ngwat eri
n
Pennsy
lvania

Namet
hest
ruct
uredesi
gnbyFLW
88. Fr
ankLl
oydWr
ight

Sol
omonR.
Guggenhei
m Museum

Manhat
tanNYC

Whodesi
gnedt
hest
ruct
ureabov
e?

89. OscarNi
emey
er

OscarNi
emey
er
Museum i
nBr
azi
l

Whodesi
gnedt
hest
ruct
ureabov
e?

90. ZahaHadi
d

BakuMuseum of
ModernArtat
Azer
baij
an

Whodesi
gnedt
hest
ruct
ureabov
e?

91. RenzoPi
ano&
Ri
chardRoger
s

Centr
ePompidou,
al
soknownast he
PompidouCent
rein
Pari
s
Thestr
uctureabov
eshowsst
ruct
ural
int
egr
it
yandhonest
yof
desi
gn,whichdesi
gnedby
92. Guggenhei
m Museum

Namethi
sst
ruct
uredesi
gnedbyFr
ankGehr
y,l
ocat
edi
nBi
l
bao
Spai
n

93. Whi
chi
sNOTakeyel
ementoft
hePr
air
iest
yle?