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Alone Together Jazz Lead Sheet

This document is a musical transcription of a tenor saxophone solo by Sonny Stitt from the album New York Jazz. The solo is composed of 59 measures spanning multiple chord progressions. Stitt employs rapid runs, complex rhythmic phrasing, and improvised melodies over the changing harmonies. The solo demonstrates Stitt's virtuosic skill on the saxophone through its fast passages and intricate melodic ideas.

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Vadim Movsesyan
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0% found this document useful (0 votes)
278 views4 pages

Alone Together Jazz Lead Sheet

This document is a musical transcription of a tenor saxophone solo by Sonny Stitt from the album New York Jazz. The solo is composed of 59 measures spanning multiple chord progressions. Stitt employs rapid runs, complex rhythmic phrasing, and improvised melodies over the changing harmonies. The solo demonstrates Stitt's virtuosic skill on the saxophone through its fast passages and intricate melodic ideas.

Uploaded by

Vadim Movsesyan
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

Alone Together

Sonny Stitt's tenor solo from the album New York Jazz

         
D‹7 E‹7(b5) A7(b9) D‹7 E‹7(b5) A7(b9)
       
  

D‹7
  
A‹7(b5) D7(b9)
     

5

   

3 3

7

G‹7
        
                
 3

9

B‹7 E7
        
G‹7 C7 F F7 E‹7(b5) A7
   
      
3
  
3 3

                          
13 DŒ„Š7 E‹7(b5) A7(b9)

     
3 3

  
        
D‹7 E‹7(b5) A7(b9)
 
15

              
3 3

               A7(b9)
     
            
17 D‹7 E‹7(b5)

 

6

         
    
D‹7 A‹7(b5) D7(b9) G‹7

19

        
3

 
3 3
Transcription by Andrew Frankhouse -- andrewfrankhouse@[Link]
[Link]
  
2
         
B‹7 E7 G‹7 C7 F F7 E‹7(b5) A7
23
       
      
3

    
                       
27 DŒ„Š7

    
3

               
A‹7(b5) D7(b9)
29  
   
3

G‹7
      
                 
31

 
3

                
G‹7(b5) C7(b9)


33

  
3

               
35 F F7 E‹7(b5) A7(b9)

       
   3
    

     
D‹7 E‹7(b5) A7(b9) D‹7 E‹7(b5) A7(b9)
   
37
   

3 3


             
D‹7 B¨7 A7 D‹7 E‹7(b5) A7(b9)
41

     
 
3 3

   
          
D‹7 E‹7(b5) A7(b9) D‹7 E‹7(b5) A7(b9)

   
45

     


3

   D7(b9)
D‹7
    
A‹7(b5)    
   
  
49
  

3
51 G‹7
       

                       
3

B‹7
  E7    G‹7 C7

    
53

        
3 3

                   
F F7 E‹7(b5) A7
    
55

     
3 6

             
          
57 DŒ„Š7 E‹7(b5) A7(b9)

        

3 3 3

D‹7
 
E‹7(b5)
       A7(b9)
      
      
59
   

               


  
61 D‹7 E‹7(b5) A7(b9)

        


3 6 3

D‹7
   
A‹7(b5)
 D7(b9)

         
63
  

G‹7
     
   
65
     
        
4

       
B‹7 E7 G‹7 C7
                
67

 

F
  
F7 E‹7(b5) A7

        
  
69

     

3 3
    

        
             
71 DŒ„Š7

   

3 3 3 3

   D7(b9)        G‹7
A‹7(b5)
     
    
73

       
3


77 G‹7(b5)                  
C7(b9) F F7 E‹7(b5) A7(b9)

 
      

E‹7(b5)   A7(b9)
        A7(b9)      
D‹7 E‹7(b5) D‹7

81
       

3 3

D‹7
   B¨7 A7 
  D‹7     
      
85
  
   


88 E‹7(b5) A7(b9) 3
  
Switch to alto.....
  
            
3

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