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G1 Rato - Machindranath Presentation

The document describes the Rato Machindranath chariot festival celebrated in Lalitpur, Nepal. It discusses the myth of Rato Machindranath, the construction of the large chariot that carries an image of the deity, and the annual route of the festival where the chariot is pulled from place to place over several days. It also mentions Minnath, the son of Rato Machindranath, and the two important associated temples in Patan and Bungmati where the deity resides for parts of the year.
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0% found this document useful (0 votes)
478 views13 pages

G1 Rato - Machindranath Presentation

The document describes the Rato Machindranath chariot festival celebrated in Lalitpur, Nepal. It discusses the myth of Rato Machindranath, the construction of the large chariot that carries an image of the deity, and the annual route of the festival where the chariot is pulled from place to place over several days. It also mentions Minnath, the son of Rato Machindranath, and the two important associated temples in Patan and Bungmati where the deity resides for parts of the year.
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

RATO

MACHINDRANATH:
THE CHARIOT FESTIVAL

GROUP – 1
ROBIN PANDEY
ANUBHAV THAPA
BIJAY KUMAR YADAV
AADITYA RAMAN SINGH
PRESENTATION OVERVIEW

❖Introduction
❖Myth of Rato machindranath
❖The rath
❖The route
❖Minnath
❖Associated temples
❖Conclusion
INTRODUCTION

❖ Rato Machindranath is one of the most extraordinary religious events of the Newar community in
the Kathmandu valley.
❖ It is one of the longest chariot festivals celebrated in Nepal.
❖ In the Newari language, it is called Bunga Dyah Jatra.
❖ This festival is held in Lalitpur, Nepal.
❖ Running over the span of weeks depending vaguely on astrology, the Rato Machhindranath
chariot festival starts from late April to early May.
❖ It is celebrated at the beginning of the monsoon to appease the rain and grain, to God Rato
Machindranath.
MYTH OF RATO MACHINDRANATH
THE CHARIOT
❖ A 60 feet tall chariot built in shikhara style.
❖ Has image of god inside.
❖ Materials: bamboo, wood (saur), and ropes like dry cane
❖ and vines
❖ Consists a deck carried by four wheels and a yoke in front
❖ Yoke - Karkat naag

❖ Fours wheels and its painted eyes – Bhairabs

❖ Three directions of chariot’s deck - brahma, vishnu and


shiva
MAKING OF THE CHARIOT
❖ The making of chariot takes place in pulchowk
❖ It is rebuilt from scratch every 12 years
❖ Barahi
❖ assembles the wooden parts of chariot scouring forest for special type of timber, saur,

❖ adds dhomber, long wooden trunk

❖ Yewals
❖ master vinesman, helps to construct chariot by weaving rope and rattan to secure
wooden structure

Vinesman weaving rope. Wooden trunk tied with the help of rope.
THE ROUTE: THE ANNUAL FESTIVAL
❖ DAY-1: Pulchowk Damkal to Gabhal
❖ DAY-2: Gabhal to Sundhara PULCHOWK
❖ DAY-3: Sundhara to Chuka Bahal via
Mahaboudha Temple
❖ DAY-4: Chuka Bahal to Lagenkhel
❖ Coconut dropping festival GAHA BAHAL
❖ Chariot is pulled by women one
day
❖ DAY-5: Lagankhel to Jawalakhel
❖ Bhoto jatra
❖ Dissasembly
JAWALAKHEL
CHUKA BAHAL
N SUNDHARA

LAGANKHEL
BHOTO JATRA

❖ Marks the end of the month-long festival,


❖ When the chariots reach Jawalakhel, astrologers choose an
auspicious date to hold the jatra,
❖ The bhoto is put on display by the head of state (president) by
climbing the chariot,
❖ After festival, the chariot is dismantled and parts are stored
MINNATH
❖ Son/Daughter/Brother/Friend of Rato Macchindranath
(according to some stories)

❖ It is believed that around 356 BS, Yamaraj appeared in the dream


of king Anshuverma, a Licchavi king of the Surya dynasty, and told the
king to make his idol and install it.

❖ Initially there were 7 different raths for different deities. Since it was
hard to construct all the raths, all the deities were supposed to be
kept in a single chariot. But Minnath in anger hit a chaitya and tried
destroying it. Since then, a separate chariot for Minnath was made.
ASSOCIATED TEMPLES
❖ Only deity of the Valley to have two temples, signifying its importance
❖ One in Patan and another one in Bungmati, each with equal importance
❖ The main deity resides for 5-6 months in both of the temples

Temple at Patan Temple at Bungmati


CONCLUSION
Relation to society and architecture
❖ Agricultural festival
❖ Religious harmony
❖ Construction and development of
structures related to the festival

❖ Unique representation of Nepali culture


❖ Harmony between states in earlier days
❖ Relation with nature
REFERENCES

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THANK YOU!

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