Introduction to Communication Science
Introduction to Communication Science
Fautré
COMMUNICATION SCIENCE
Lesson 1 – introduction
Introduction
The
word
“communication”
comes
from
Latin
and
means:
to
make
common
to
many.
It
was
a
mode
of
action.
Then,
at
the
end
of
the
15th
century
it
referred
to
the
object
made
in
common
:
a
communication
(this
remained
the
main
use).
At
the
end
of
the
17th
century,
the
word
“communication”
came
to
be
used
in
order
to
talk
about
the
means
of
communication
and
also
to
refer
in
the
abstract
to
«
line
of
communication
»
such
as
roads,
railways,
canals.
In
the
20th
century,
it
designated
ways
of
passing
on
information
and
maintaining
social
contact.
Only
now,
the
notion
of
communication
came
to
be
used
synonymously
with
media
(television,
newpaper,
radio)
in
the
modern
sens
(earlier
in
the
US
than
in
the
UK).
Nowadays,
there
is
a
tension
between
“communication”
as
transmitting
and
communication
as
sharing.
The
word
«
media
»
comes
froms
Latin
and
means
:
the
middle.
In
the
early
17th,
it
had
the
sense
of
an
intervening
or
intermediate
substance.
Then,
from
the
17th
Century
on,
it
was
used
in
relation
with
newspapers.
This
meaning
continues
in
the
20th
where
it
became
common
to
think
the
Journal
as
a
medium
for
advertising.
Broadcasting
or
mass
media
had
become
ever
more
important
in
‘commnications’.
Since
1950,
the
word
«
media
»
is
often
treated
as
a
singular
à
The
media
is
a
powerfull
entity.
What
is
a
paradigm
?
«
A
paradigm
is
a
coherent
system
of
models
and
theories
that
offers
a
farmework
in
which
reality
can
be
investigates.
In
additon,
it’s
a
model
that
is
almost
universally
shared
within
the
discipline’s
research
community
giving
direction
to
their
scientific
research
or
‘puzzle
solving’
»
-‐
Loisen
and
Joye
Thomas
S.
Kuhn’s,
The
structure
of
scientific
revolutions,
1962
:
For
him,
science
doesn’t
accumulate
or
evolve
gradually.
The
history
of
science
is
marked
by
revolutions
or
paradigm
shifts.
Kuhn
described
the
cyclic
nature
of
paradigm
shifts
in
science.
Paradigm
in
communication
science
:
Political
world
view
seen
as
liberal
and
pluralist.
Human
beings
is
seen
as
individualist,
functionalist,
utilitarian
and
behaviourist.
Media
and
society
are
seen
functionalist.
The
view
on
scientific
knowledge
is
usually
positivist.
à
This
perspective
still
governs
communication
sciences
at
a
global
level.
It’s
also
called
the
functionalist
positivist
and/or
liberal-‐pluralist
paradigm.
Our paradigm and theory impact on the type of questions we ask.
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Fautré
à Everyday theory
Our
common
sense
about
the
media
use
often
based
on
personal
experiences.
Everyday
theories
help
us
to
make
sense
about
what
is
going
on.
This
means
that
they
are
not
neutral.
It
support
the
ability
to
make
critical
judgement.
à Normative theory
Normative
theories
prescribe
and
discuss
how
the
media
should
function
?
It’s
often
derived
from
social
and
political
philosophies/ideologies
of
the
society.
Normative
theories
are
not
objective
but
can
be
studied
objectively.
à Operational theories
Operational
theory
serves
to
guide
solutions
to
fundamental
tasks.
For
example,
how
is
an
interview
done
properly
?
How
to
select
news
?
This
theory
is
mostly
found
in
professional
and
organizational
contexts.
At
some
points
this
theory
may
overlap
with
normative
theory.
This
theory
offers
general
statements
about
the
nature,
working
and
effects
of
mass
communication,
and
it
is
based
on
systematic
and
objective
observations
of
media.
There
are
different
paradigms,
different
scientific
disciplines,
different
theoretical
models,
different
methodological
schools,
different
objects
of
investigation
and
different
goals.
à Cultural theory
«
While
cultural
theory
demands
clear
argument
and
articulation,
coherence
and
consistency,
its
core
component
is
often
itself
imaginative
and
ideational.
It
resists
the
demand
for
testing
or
validation
by
observation
»
-‐
McQuail
What
is
theory
?
It
is
a
perspective
or
vision
that
enters
upon
specific
topics,
processes
and
attributes.
They
help
us
to
make
sense
and
simplify
reality.
Often,
they
include
a
narrative
dimension.
Multiplying
theories
helps
us
understand
better.
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Fautré
McQuail
Media centric theories : media are the causes of social change (for better or worst).
Society centric theories : media are merely expressions of a wider social reality.
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Fautré
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Fautré
Four phases of research and theory of media effects on audience members McQuail
Turn
of
the
20th
C.
Strong
belief
in
the
power
of
‘new’media
such
as
film,
radio
and
newpapers
to
effect
change
in
opinions,
beliefs,
behavios.
This
view
wasn’t
based
on
scientific
observation.
The
use
of
media
by
governments
and
businesses
contributed
to
the
belief
in
media
power.
Studies
focused
on
the
effect
of
different
types
and
contents
of
media
on
audiences.
After
WWII
media
effects
research
became
more
sophisticated
(variables
of
the
audience
were
taken
into
account).
The
more
vriable
added,
the
more
difficult
it
became
to
identify
straight
forward
effects
of
media
on
individuals.
Emerging
attention
for
the
role
of
mediating
social
contacts
in
the
process
of
media
influence.
By
the
end
of
the
’50
the
idea
that
media
had
no
influence
couldn’t
be
supported
either.
The
idea
of
limited
influence
of
the
media
may
have
been
the
result
of
a
limitation
of
scientific
attention
to
short-‐term
effects.
On
the
long
term
run,
media
have
an
effect
on
the
culture,
the
climate
of
opinion,
the
definition
of
social
reality,
etc.
End
of
the
’70.
Emergence
of
social
constructivism
(media
as
affecting
the
construction
of
meanings).
Media
construct
social
formations
and
history
by
forming
image
of
reality
in
predictable
ways.
The
audience
construct
his
own
version
of
reality
in
interaction
with
the
symbolic
resources
offered
by
the
media.
The
media
system
offers
ready-‐made
meanings.
Audience’s
members
can
enter
in
a
process
of
‘negotiation
of
meanings’
when
they
don’t
adopt
the
meanings
offered
by
the
media.
à
Media
power
can
vary
with
the
time.
Mass
media
are
often
given
more
responsability
in
times
of
crisis.
In
time
of
crisis,
media
provide
information
and
explanation
and
can
be
used
by
the
governement
and
by
private
agencies
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Fautré
Introduction
The
theories
that
we’re
going
to
study
are
quite
old.
They
treat
the
media
as
something
powerful
in
a
larger
system.
These
theories
are
most
of
the
time
pessimistic.
Any
theory
of
the
media
is
always
also
a
theory
of
social
actors
and
relationships.
Early
theory
of
the
mass
media
were
embedded
in
theories
of
mass
society
and
mass
culture.
Early
theory
of
the
mass
media
weren’t
based
on
systematic
empirical
research.
Mass
society
theory
would
have
a
big
impact
on
the
development
of
early
media
studies.
The masses
In
the
beginning
of
the
19th
century,
industrialization
created
a
growing
urban
uneducated
underclass.
New
inventions
such
as
the
radio
and
the
cinema
were
able
to
reach
these
audiences.
Strong
belief
in
the
power
of
the
new
media.
This
view
wasn’t
based
on
scientific
observation
but
on
these
media
that
inserted
themselves
in
all
walks
of
life
(politics,
economy,
culture).
The
use
of
media
by
the
governments
contributed
to
the
belief
in
media
power.
Plus,
there
was
political
unrest.
Elites
were
often
fearful
of
the
influence
of
the
new
mass
media
and
feared
democracy
as
a
dictatorship
of
the
majority.
That
is
why
the
new
theories
were
so
negative.
WWI
and
WWII
would
constitue
a
serious
blow
to
optimism
and
progress.
Early
19th
century
sociology
also
focused
on
this
shift.
According
to
Tonnies,
society
went
from
Gemeinschaft
(community)
to
a
Gesellschaft
(society):
Gemeinschaft :
Gesellschaft :
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Fautré
McQuail
points
out
that
the
notion
of
«
mass
»
when
applied
to
people
tends
to
have
rather
negative
implications.
It
referred
to
the
multitude,
the
common
people,
usually
uneducated
and
ignorant
people
who
were
seen
as
irrational
and
violent.
But
it
could
also
be
used
in
a
positive
sense,
especially
in
the
socialist
tradition,
where
it
could
be
seen
as
strong
united
group.
The notion of mass when applied to people is often used in a negative sense :
In
the
second
half
of
the
19th
century,
«
crowds
»
seemed
to
threaten
the
status
quo
in
Europe.
Moscovici
identified
3
types
of
crowd
behaviour
:
Gustave Lebon
Gustave
Lebon
said
that
these
explanations
are
not
sufficient
and
that
crowds
are
made
up
by
normal
individuals
who
get
transformed
in
a
psychological
process
proper
to
the
crowd.
Lebon
was
very
much
part
of
the
elite.
He
witnessed
violent
strikes
and
thus
feared
crowds
and
the
potential
of
a
popularly
based
democracy
for
the
future
of
France.
He
wanted
to
develop
a
collective
psychology
that
would
allow
politicians
to
better
lead
and
control
crowds.
Lebon
rejected
the
idea
that
the
individuals
in
a
crowd
were
mad
or
criminals
but
he
did
stress
that
people
in
a
crowd
act
highly
irrational.
In
a
crowd,
there
is
a
collective
mind,
people
do
not
think
for
themselves
anymore.
The
conscious
personality
disappears
under
conditions
of
anonymity,
a
belief
in
individual
unaccountability
and
a
sense
of
invincibility.
Crowds
are
marked
by
increased
suggestibility
:
«
impulsiveness,
irritability,
incapacity
to
reasonate,
the
absence
of
judgement,
the
exaggeration
of
sentiments
».
People
get
hypnotized
by
crowds
in
a
process
of
contagion
that
makes
people
under
the
influence
of
a
leader.
For
Lebon,
the
diffuse
crowd
and
the
proximate
crowd
are
generically
similar.
Park
(Chicago
school
sociologist
interested
in
collective
behavior)
and
Tarde
made
a
distinction
between
the
public
and
the
crowd.
The
crowd
has
always
existed.
Whereas
the
public
is
a
modern
concept.
Members
of
the
public
are
dispersed
and
only
share
cohesion
because
they
share
ideas.
The
public
does
not
have
to
be
together
(a
newspaper
audience
is
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Winona
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dispersed).
Plus,
people
can
be
part
of
several
publics
but
only
in
one
crowd
at
a
time.
The
public
is
marked
by
critical
discussion
and
tends
to
be
heterogenous
while
the
crowd
stimulates
uncritical
homogeneity.
The
public
coul
not
exist
without
the
19th
century’s
newspapers.
Trade
rejected
Lebon’s
idea
that
we
live
in
an
area
of
crowds.
Instead,
we
live
in
an
area
of
publics.
Herbert Blumer
Herbert
Blumer
(Chicago
school
sociologist)
tried
to
understand
social
interactions.
His
idea
is
that
people
have
common
understandings
and
expectations
which
form
the
basis
of
routine
interpretative
interaction.
But
when
the
routine
is
disturbed,
behaviour
becomes
erratic,
random
and
uncoordinated.
This
result
in
a
«
circular
interaction
»
leading
to
«
collective
behavior
».
Like
Le
Bon
and
Park,
he
believes
individuals
to
undergo
(subir)
a
transformation
in
the
crowd.
Blumer
distinguished
publics
from
groups
and
crowds.
According
to
him,
the
public
is
larged,
dispersed
and
enduring.
It
is
based
on
rational
discourse.
It
included
the
better
informed
sections
of
the
population.
The
rise
of
the
public
is
characteristic
of
modern
liberal
democracies.
Lang
and
lang
believed
that
the
notion
of
mass
can
serve
as
a
useful
concept
as
long
as
it
is
stripped
from
its
ideological
connotations.
«
Transformation
theorists
argued
that
it
was
necessary
to
eliminate
individual
consciousness
and
rationality
in
order
for
a
number
of
people
to
act
in
common
or
in
concret.
Their
argument
was
and
is,
upon
careful
scrutiny,
without
logical
or
empirical
foundation
»
McPhails
Some critics (McPhail) have been made to the transformation theories:
Most
empirical
research
into
large-‐scale
gatherings
(crowds)
reaches
a
similar
conclusion
:
«the
range
and
variation
of
individual
and
social
behaviors
in
which
people
engage
in
temporary
gathering,
and
the
ongoing
alternation
between
the
different
forms
of
behavior,
require
a
full
measure
of
conscious,
purposive,
and
intelligent
effort
by
participants».
McPhails
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Winona
Fautré
Mass media
The
term
«
mass
communication
»
came
into
use
in
the
late
1930’s.
Mass
media
are
designed
to
reach
the
many
and
the
sender
is
often
an
organisation
of
professional
communicator.
Potential
audiences
are
anonymous
consumers.
It
is
an
asymmetrical
communicative
relationship.
Mass
media
are
mainly
commercial
media,
they
try
to
spread
out
their
trends.
The
communicative
relationship
is
asymmetrical
(one-‐direction
:
sender
à
mass)
and
there
is
a
social
and
physical
distance
beteween
sender
and
receiver.
The
content
is
manufactured
in
standardization
ways.
Messages
are
marked
by
a
lack
of
uniqueness
and
originality.
Even
in
the
beginning,
media
were
more
diverse
than
theories
of
mass
media
suggest.
Plus,
mass
communication
theories
tend
to
ignore
the
use
people
make
of
media.
«
Mass
communictaion
was,
from
the
beginning,
more
of
an
idea
than
a
reality.
The
term
stands
for
a
condition
and
a
process
that
is
theoretically
possible
but
rarely
found
in
any
pure
form.
(…)
Where
it
does
not
seem
to
occur,
it
often
turns
out
to
be
less
massive,
and
less
technologically
determiner,
than
it
appears
on
the
surface
»
McPhails
With
the
rapidly
growing
popularity
of
film,
radio
and
later,
television,
the
notion
of
«
mass
»
(audiance)
would
gain
in
importance.
For
McPhail,
the
term
‘mass’
captured
several
features
of
the
new
audience
for
cinema
and
radio
that
weren’t
covered
by
any
of
the
three
concepts
of
blumer
(group,
crowd,
public).
New
mass
audience
was
typically
much
larger
than
any
group.
It
was
widely
dispersed
and
its
members
were
usually
unknown
to
each
other.
Mass
society
is
inherently
chaotic
and
will
decline.
Mass
media
are
the
anti-‐thesis
of
hight
culture
(cultural
decline).
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Winona
Fautré
Propaganda
is
a
derived
from
the
latin’s
term
‘propagare’
:
which
means
‘to
spread
or
to
propagate’.
The
notion
of
propaganda
started
to
develop
a
negative
connotation
from
the
middle
of
the
19th
century
on.
During
WWI,
Germany,
UK
and
the
US
created
institutions
to
shape
public
opinion
in
support
of
the
war.
Until
WWII
the
‘neutral’
understandings
of
the
term
were
still
used
but
died
after.
Education
/
Information
Manipulation
/
Disinformation
Communication
serving
the
general
Communication
serving
interest
interest.
groups.
Early
20th
C.,
pessimistic
ideas
about
the
crowds
and
masses
in
industrial
societies
led
to
a
concern
with
mass
media.
Elites
in
governments
and
business
were
interested
in
using
mass
media
in
order
to
manage
the
masses
à
Fear
of
social
disorder.
Mass
society
theories
worked
in
tandem
with
early
psychological
theories.
Freudian
psychoanalysis
and
psychological
behaviorism
offer
radically
different
accounts
and
explanations
of
the
human
psyche
but
support
a
stimulus-‐response
on
mass
communication
and
propaganda.
10
Winona
Fautré
human
can
be
easily
manipulated.
He
believed
that
society
results
out
of
the
attempts
to
suppress
and
check
innate
drives,
needs
and
desires.
The
human
sub-‐conscious
can
be
divided
into
three
different
parts
(Id,
Ego
and
Superego).
Psychoanalysis
and
behaviorism
sketch
an
image
of
passive
individuals
barely
able
to
control
themselves.
Both
approaches
suggest
that
media
messages
addressing
basic
needs
and
urges
can
have
immediate
and
powerful
effects.
CPI divisions :
• Division
of
News
channeling
thousands
of
press
releases
with
‘official
war
news’
via
telegraphy
24/7.
• Foreign
section
:
Officers
in
30
countries
using
radio
to
pour
a
steady
stream
of
American
information
into
international
channel
of
communication.
• Publication
of
‘official
bulletin’
aimed
at
public
officials,
other
newspapers
etc.
• Advertising
division
• Division
of
pictoral
publicity
• Division
of
films
The
division
of
4
Minute
Men
à
Local
leaders
got
detailed
instructions
to
appeal
to
movie
audiences
‘rationally’
but
also
by
talking
emotional
pictures.
They
received
a
«
4
Minute
Men
Bulletin
»
with
topics
like
:
why
are
we
fighting
?
unmasking
german
propaganda.
Etc.
They
were
monitored
by
the
CPI
and
boring
speakers
were
removed
from
the
system.
A
junior
version
of
the
‘4
minute
men’
also
existed
for
students
and
teachers.
Last
but
not
least,
they
also
did
a
‘colored
four-‐minute
men
of
Brunswick’.
Randolph
Bourne
criticized
‘progressives’
involved
in
the
CPI.
«
It
has
been
a
bitter
experience
to
see
the
unanimity
with
which
the
American
intellectuals
have
thrown
their
support
to
the
use
of
the
war
technique
»
«
Intellectuals
who
once
advocated
the
powers
of
fertile
reasons
were
now
treating
the
public
as
slugglish
masses
»
«
The
CPI
deals
with
public
opinion
as
something
to
be
managed
and
manufactured
rather
than
reasoned
with
»
11
Winona
Fautré
Walter Lippman
Walter
Lippman
started
as
a
progressive
journalist
who
became
increasingly
conservative.
He
advised
Wilson
to
create
the
CPI
and
was
leaning
heavily
on
psychoanalysis
and
the
ideas
of
Lebon.
Lebon
believed
crowds
could
be
manipulated
through
symbols
and
Lippman
applied
this
theory
to
the
media
system.
Lippman
ideas
circulated
well
in
elite
circles
and
inspired
Bernays
to
translate
these
ideas
into
PR
practice.
Democratic
liberalism
?
He
was
an
advocate
of
the
‘democratic
realism’
and
rejected
the
enlightenment
ideal
of
participatory
democracy.
Democratic
realists
of
the
’20
did
not
belief
in
the
capacity
of
ordinary
men
for
rational
political
action
and
participation.
For
Lippman,
the
elites
need
to
be
able
to
govern
without
democratic
participation
of
ordinary
men
and
women.
For
him,
it
was
imperative
for
elites
to
manipulate
‘symbols’
for
the
purpose
of
‘manufacturing
consent’
and
what
he
understood
by
democracy.
Manufacturing
consent.
Lippman
believed
that
human
beings
engage
with
the
world
on
the
basis
of
the
‘pictures
in
our
heads’.
These
images
in
our
heads
come
to
us
via
media
and
create
a
‘pseudo-‐environment’,
a
virtual
reality.
We
act
upon
the
world
by
means
of
‘habitual
way
of
seeing’
or
‘stereotypes’
stamped
into
us
through
conditioning.
He
abandoned
the
idea
of
a
meaningful
public
dialogue
shaping
public
opinion.
Symbols
can
be
used
to
short-‐circuit
the
inconvenience
posed
by
critical
reason
and
public
discussion.
Edward Bernays
Edward
Bernays
was
considered
as
the
father
of
‘public
relations’
and
worked
with
the
CPI.
He
is
the
author
of
“Crystallising
public
opinion”
and
he
led
a
number
of
highly
controversial
campaigns.
Bernays
was
a
double
nephew
of
Freud
and
based
his
propaganda
and
Public
relation
efforts
on
Freudian
ideas.
Through
his
different
campaign
he
make
it
acceptable
for
women
to
smoke
in
public
and
invent
the
‘american
breakfast’
(in
order
to
improve
the
sales
of
a
bacon
company).
Bernays’
key
ideas
«
Propaganda
is
a
consistent,
enduring
effort
to
create
or
shape
events
to
influence
the
relations
of
a
public
to
an
entreprise,
idea
or
group
»
He
started
to
use
the
term
«
public
relations
»
as
a
substitute
for
propaganda
becaus
eof
the
negative
connotations
of
the
term
developed
during
WWI.
Propaganda
and
PR
agents
as
:
Creators
of
circumstance,
creator
of
news
and
experts
in
using
symbols.
.
For
him,
public
relations
is
the
same
as
propaganda
but
without
the
negative
connotation.
12
Winona
Fautré
2-‐
Be
versed
in
sociology
and
anthropology
in
order
to
study
the
impact
of
social
structure
in
order
to
understand
networks
of
influence.
3-‐
Be
students
of
the
human
psyche
and
of
the
‘thought
buying
habits’
through
which
public
opinion
operates.
Harold Lasswell
Harold
Lasswell
is
a
political
scientist
known
for
his
study
of
propaganda
during
WWI
and
WWII.
He
developed
the
method
of
‘content
analysis’
and
a
linear
model
of
communication.
Transmission
model
of
communication
and
propaganda
:
• Eco
and
political
crisies
can
make
people
susceptible
to
crude
forms
of
propaganda.
• When
debates
escalate,
it
can
result
in
social
disorder
:
He
believed
that
debate
can
be
replaced
by
propaganda.
• Long
term
campaigns
are
necessary.
• Master
or
colletive
symbols
must
created
by
propagandist
and
specific
emotions
must
be
attached
to
them.
• Successful
social
movements
gain
power
by
propagating
master
symbols
over
months
and
year
across
media.
• These
masters
or
collective
symbols
must
be
used
wisely
by
an
ethically
responsible
elite.
Lasswell
puted
his
idea
into
practice
in
the
WWIU
US
wartime
propaganda.
He
used
content
analysis
to
analyze
the
nazi
popaganda
and
predict
military/political
decisions.
During
the
cold
war,
Lasswell’s
model
served
as
the
basis
of
many
propaganda
efforts
to
counter
/
combat
communism.
Propaganda
is
powerful
because
of
the
vulnerable
state
of
mind
of
average
people.
Economic
and
political
crises
make
people
susceptible
to
crude
forms
of
propaganda.
Laswell
believed
that
public
debate
should
be
replaced
by
democratic
propaganda.
Is propaganda inherently anti-‐democratic or can it also be used as a force for good ?
13
Winona
Fautré
à
For
John
Dewey
the
use
of
propaganda
and
public
relation
in
order
to
‘manufacture
public
opinion’
is
inherently
anti-‐democratic
and
hostile
to
an
authentic
public
opinion.
Critical
propaganda
studies
between
WWI
and
WWII
:
After
WWI
many
progressive
voices
warned
the
people
about
propaganda.
Strong
presence
of
these
voices
in
the
American
public
sphere
between
1919
and
1937.
IPA
–
Fighting
Propaganda
with
Education
:
US
1930
is
market
by
economic
crisis
and
rise
of
mass
media.
Teachers
started
to
worry
about
the
impact
of
propaganda
on
students.
In
1937,
the
Institute
for
propaganda
analysis
was
cerated
in
order
to
help
the
public
to
recognize
and
resist
propaganda.
They
created
educational
materials
for
schools,
they
published
magazine.
Critics
of
the
institute
argued
that
teaching
about
propaganda
contribute
to
student
cynicism,
alienation
and
the
anti-‐democratic
feeling
that
you
can’t
trust
the
media
and
political
speakers.
The
institute
stoped
its
activities
at
the
start
of
the
US
involvement
in
WWII.
• Name
calling
:
A
trick
to
make
us
accept
a
conclusion
without
full
consideration
of
essential
facts.
• Band-‐Wagon
:
Trick
used
to
seize
our
emotions
in
order
to
make
us
follow
politics.
• Glittering
generalities
:
Attempt
to
sway
emotions
through
the
use
of
shining
ideals
or
virtues
(such
as
freedom,
justcice,
truth)
in
a
large,
general
way.
• Flag
waving
:
Tick
in
which
propagandist
holds
up
a
symbol,
such
a
s
a
flag
that
we
recognize
and
respect.
• Pain
folks
:
Trick
in
which
the
propagandist
demonstrates
they
are
like
the
rest
of
us.
• Testimonial
:
Working
with
business
or
communities
leaders
who
endorse
your
project.
• Stacking
the
cards
:
Trick
in
which
the
propagandist
intentionally
or
not
cherry
picks
facts
while
ignoring
others.
14
Winona
Fautré
The
ABC’s
propaganda
analysis
:
«
merely
to
detect
propaganda
and
go
no
further
may
be
worse
than
useless
»
-‐
Miller.
Critical
reflection
is
essential.
The
ABC’s
propaganda
analysis
is
basically
an
early
attempt
to
develop
some
kind
of
‘media
literacy’.
Miller
believed
propaganda
analysis
was
a
key
in
combating
hitler.
It
got
lost
in
obscurity.
Propaganda
today
:
The
word
‘propaganda’
has
been
pelaced
by
other
such
as
‘political
communication’,
‘public
relation’
or
‘public
democracy’.
• Means
of
production
:
Raw
materials
of
labor
such
as
capital,
equipment
or
natural
resources
are
concentrated
in
the
hands
of
industrial
elites.
• Labor
:
Mental
and
physical
capacities
of
people
deployed
in
creation
of
products
with
use
value,
is
exploited
in
capitalism
to
create
surplus
value.
• Relations
of
production
:
Marked
by
structural
inequalities
whereby
a
capitalist
class
exploits
the
working
masses
and
the
proletariat.
15
Winona
Fautré
Orthodox/Classic
Marxism
:
Karl
Marx
à
The
archetypical
critical
theory
–
other
types
of
critical
theory
include
anarchism,
neo-‐marxism,
post-‐marxism,
poststructuralism…
Focuses
primarily
on
the
role
of
labor
in
society
but
his
views
have
implications
for
concepts
of
(mass)
culture
and
(mass)
media
For
Marx,
the
goal
oh
critical
theory
was
«
to
overthrow
all
conditions
in
which
man
is
a
degraded,
enslaved,
neglected,
contemptible
being
».
The
superstructure
consists
of
a
political-‐level
organizing
the
state
and
the
justice
system
on
an
ideological
level
structuring
forms
of
social
awareness
that
legitimize
the
dominant
mode
of
production.
The
superstructure
reflects
dominant
production
relationships.
The
type
of
knowledge
and
awareness
of
society
reproduces
in
the
superstructure
will
be
generally
in
line
with
the
ideals,
values
and
interests
of
the
ruling
class.
Marxist
thought
there
is
a
considerable
disagreement
over
the
precise
relationship
between
base
and
superstructure.
Critical
approaches
to
Media
à
Media
are
just
one
part
of
the
superstructure
providing
ideological
support
for
the
base.
Ideology
is
a
‘false’
consciousness
when
it
presents
the
social
order
as
a
fixed
and
hides
the
exploitative
dimension
of
capitalism.
Media
can
be
studied
critically
at
the
level
of
ideological
contents
and
communicative
process
(FF
school)
or
from
perspectives
of
political
economy
(the
way
production,
distribution,
etc.
of
the
media
is
organized
in
political
and
economic
systems)
and
cultural
studies.
Ideology
critique
(néo-‐marxiste
theory)
wants
«
to
remind
us
that
everything
that
exists
in
society
is
created
by
humans
in
social
relationships
and
that
social
relationships
can
be
changed
».
16
Winona
Fautré
Socio-‐political climate
The
interbellum
in
Germany
was
marked
by
a
great
deal
of
social,
economic
and
political
tensions.
Marxist
didn’t
predict
the
emergence
of
fascism
across
EU.
As
the
horror
of
WWII
became
increasingly
clear,
the
autors
homes
in
on
the
question
:
«
How
‘reason’
and
‘enlightenment’
could
turn
into
their
destructive
opposites
?
».
Fascism
emerged
in
many
European
countries.
Marxists
never
predicted
this.
According
to
the
Marxist
theory,
everything
that
has
to
do
with
production
is
the
base
of
society.
The
rest
is
called
the
superstructure
(religion,
family,
education)
and
legitimizes
the
base.
The
Institute
for
Social
Research,
also
known
as
the
Frankfurt
School,
is
Germany’s
first
research
centre.
It
is
known
for
the
development
of
“critical
theory”,
which
is
a
neo-‐marxist
framework
for
analysing
capitalism,
art,
culture,
and
society.
It
is
interdisciplinary.
It
is
headed
by
Max
Horkheimer
since
1931.
Lost
of
the
intellectuals
working
at
the
institute
were
Jewish,
when
Hitler
came
to
power,
the
institute
had
already
transferred
most
of
its
assets
to
Geneva.
After
a
brief
period
in
Austria,
the
centre
re-‐established
itself
at
the
University
of
Colombia
in
New
York.
After
the
school
moved
to
the
United
States,
the
authors
were
faced
with
an
emerging
consumer
culture
and
with
the
use
of
propaganda
for
commercial
purposes
(advertising).
After
WWII,
some
members
(e.g.
Herbert
Marcuse)
stayed
in
the
US
whereas
others
would
return
to
Germany
where
the
centre
was
re-‐established.
Their
ideas
became
very
popular
in
the
1960’s
(hippies).
What
is
meant
by
critical
theory
?
It
is
a
theory
that
understands
abstract
notions
such
as
“the
masses”
or
“communications”
in
their
social,
political
and
historical
context.
It
seeks
to
identify
discrepancies
between
the
way
a
society
claims
to
function
and
how
it
actually
functions
(contradictions).
For
instance,
culture
industry
claims
diversity
but
all
media
are
the
same.
And
mass
culture
is
not
produced
by
the
masses
but
rather
for
the
masses.
Max
Horkheimer’s
inaugural
speech
as
the
president
of
the
institute
:
Technology,
industry
and
science
seemed
to
promise
an
end
to
material
scarcity
and
to
the
unequal
distribution
of
material
means
of
existence.
Mass
production
held
the
promise
of
ending
poverty
for
the
masses.
à
Yet,
none
of
these
hopes
have
been
realized.
Why
should
we
care
about
the
Frankfurt
School
in
media
studies
?
They
were
among
the
first
thinkers
to
systematically
examine
the
relationship
between
mass
media,
mass
culture
and
mass
society.
17
Winona
Fautré
Walter Benjamin
Walter
Benjamin
was
a
Jewish
intellectual.
He
was
loosely
affiliated
with
the
Frankfurt
School.
He
was
also
an
artist,
he
wrote
several
plays.
He
wrote
an
article
called
«
The
Work
of
Art
in
the
Age
of
Mechanical
Reproduction
»
(1935),
he
wrotes
this
during
a
context
of
rising
fascism
and
mass
production
of
new
forms
of
art
and
entertainment.
He
wanted
to
see
how
the
media
could
be
used
for
social
progress.
According
to
him,
new
forms
of
mass
communications
may
transform
consumers
into
active
participants.
For
him,
the
good
thing
about
mass
produced
cultural
products
was
that
they
became
less
exclusive.
However,
mass
culture
creates
a
cult
of
celebrity.
Contrary
to
Adorno
and
Horkheimer,
Benjamin
still
believed
in
the
revolutionary
potential
of
the
«
masses
»
and
the
«
new
technologies
»
on
condition
that
the
intellectuals
would
align
themselves
with
the
interests
of
the
masses.
Benjamin
was
thus
one
of
the
first
radical
cultural
critics
to
look
carefully
at
the
form
and
technology
of
media
culture
in
appraising
its
complex
nature
and
effects.
Works
of
art
loose
their
aura
when
reproduced
mechanically
in
mass
media,
but
this
is
not
a
bad
thing
for
Walter
Benjamin.
Indeed,
works
of
art
could
be
reproduced
manually
in
the
past
but
this
did
not
alter
the
uniqueness
–
the
‘aura’
of
the
‘original’
work.
Around
1900
the
repoductive
capacities
of
new
media
(such
as
photography)
were
so
vast
that
they
impact
on
art
in
its
tradictional
form
–
its
aura
withers.
The
loss
of
aura
implies
that
the
power
of
traditional
sources
of
authorities
over
art
also
diminishes.
Art
is
not
only
a
thing
for
the
elite
anymore
:
The
destruction
of
the
aura
allows
a
democratization
of
Art.
When
art
is
dis-‐embedded
from
tradition
and
ritual
it
becomes
the
domain
of
politics.
New
media
forms
change
human
perception
of
space
and
time
and
change
the
relationship
the
artist
have
with
himself
or
others.
Benjamin
on
the
‘aura’
:
«
It
substitutes
a
plurality
of
copies
for
a
unique
existence.
And
in
permitting
the
reproduction
to
meet
the
beholder
or
listenet
in
his
own
particuar
situation,
it
reactivates
the
object
reporduced
»
Benjamin
on
‘Fascism’
:
Fascism
attempts
to
organize
the
newly
created
proletarian
masses
without
affecting
the
property
structure
which
the
masses
strive
to
eliminate.
Fascism
sees
its
salavtion
in
giving
these
masses
not
their
rights,
but
instead
a
chance
to
express
themselves.
The
logical
result
of
Fascism
is
the
introduction
of
aesthetics
in
political
life.
The
violation
of
the
masses,
whom
Fascism,
with
its
Führer
cult,
forces
to
their
knees,
has
its
counterpart
in
the
violation
of
an
apparatus
which
is
pressed
into
the
production
of
ritual
values.
All
efforts
to
render
politics
aesthetic
culminate
in
one
thing:
war.
War
and
war
only
can
set
a
goals
for
mass
movements
on
the
largest
scale
while
respecting
the
traditional
property
system.
18
Winona
Fautré
Adorno
and
Horkheimer
were
more
pessimistic
about
the
emencipatory
potential
of
the
mass
media.
Their
theory
of
the
mass
media
,
the
«
culture
industries
»
-‐
was
part
and
parcel
of
a
wider
analysis
of
history
and
society.
They
wrote
a
book
called
‘The
dialectics
of
Enlightenment’
(wrote
in
LA,
in
exile
from
EU).
It
contains
a
chapter
entitled
‘The
Culture
Industry’.
A
key
idea
is
that
reason
has
turned
against
itself
and
against
the
legacy
of
the
Enlightenment.
The
work
of
Horkheimer
is
mainly
based
on
marxism.
“Culture
industries”,
discussed
by
Adorno
and
Horkheimer
in
the
1960’s,
is
a
very
important
concept.
According
to
it,
media
empires
are
governed
by
commercial
and
financial
interests
and
do
not
always
have
general
interest
in
mind.
Movies
and
radio
do
not
need
to
pretend
to
be
art
anymore.
The
directors
earn
a
huge
amount
of
money.
All
television
channels
show
the
same
thing,
for
example.
What
was
meant
by
«
critical
theory
»
?
Theory
that
is
not
merely
abstract
but
that
understands
abstract
notions
such
as
«
the
masses
»
or
«
communication
»
in
its
social,
politics
and
historical
context.
It
seeks
to
identify
discrepancies
between
the
way
a
society
claims
to
function
and
how
it
actually
functions
(contradictions).
Critical
theory
points
at
the
culture
industries
as
responsible
for
the
fact
that
revolution
and
emancipation
did
not
take
place
as
predicted
by
classic
Marxist
theory.
Adorno
and
Horkheimer
were
not
against
Enlightenment’s
self-‐destruction
but
believed
that
the
Enlightenment
was
turning
into
its
opposite.
They
wanted
to
understant
the
Enlightenment’s
self-‐destruction
in
order
to
redeem
its
promises
of
freedom
and
equality.
Kant
saw
‘the
courage
to
use
your
own
reason’
as
the
motto
of
the
Enlightenment.
Two
centuries
later
it
seemed
that
human
reason
led
to
the
first
global,
fully
technological
war.
Adorno
and
Horkheimer
saw
WWII
as
the
final
outcome
of
the
dialectic
of
[Link]
believed
that
modern
instrumental
reason
has
become
a
dominant
force.
Modernity
i
s
marked
by
a
rational
pursuit
of
irrational
ends.
Instrumental
rationality
is
intertwined
with
capitalism
and
turns
elightenment
values
such
as
freedom
or
individuality
on
their
heads.
Mass
culture
and
its
culture
industries
are
held
responsible.
«
The
total
effect
of
the
culture
industry
is
one
of
anti-‐Enlightenment.
L'effet
total
de
l'industrie
de
la
culture
est
celui
de
l'anti-‐illumination,
dans
lequel,
comme
l'ont
noté
Horkheimer
et
moi-‐
même,
l'illumination,
c'est-‐à-‐dire
la
domination
technique
progressive
de
la
nature,
devient
une
tromperie
de
masse
et
se
transforme
en
un
moyen
d'entraver
la
conscience.
Cela
entrave
le
développement
d'individus
autonomes
et
indépendants
qui
jugent
et
se
rendent
sérieux
pour
eux-‐mêmes
»
-‐Adorno
19
Winona
Fautré
Homogenization
and
standardization
of
Culture
:
Adorno
and
Horkheimer
blame
the
culture
industries
of
capitalism
for
the
homogenization
of
culture.
Media
as
cogs
in
the
capitalist
system
:
Adorno
and
Horkheimer
hold
technological
rationality
and
the
capitalist
social
system
responsible
for
alienation
and
domination.
Technological
rationality
homogenizes
the
product
created
by
the
culture
industries.
Mass
culture
only
allows
for
marginal
differences
between
its
products.
(Mass)
culture
and
work
:
Adorno
and
Horkheimer
claim
that
culture
produced
by
culture
industries
undermine
critical
thought.
Mass
culture
offers
an
escape
and
makes
‘another
world’
unimaginable.
Manufactured needs : FF school theorists argue that mass media manufacture (false) needs.
Marcuse
claims
that
commodities
are
sold
to
us
through
the
manufacturing
of
false
needs
and
tried
to
distinguish
between
‘true’
and
‘false’
needs
.
«
We
may
distinguish
between
true
and
false
needs:
«
false
»
are
those
which
are
superimposed
upon
the
individual
by
particular
social
interest
in
his
repression...
Their
satisfaction
might
be
most
gratifying
to
the
individual
but
this
happiness...serves
to
arrest
the
development
of
the
ability...
to
recognize
the
disease
of
the
whole
and
grasp
the
chances
of
curing
the
disease.
The
result
then
is
euphoria
in
unhappiness
»
-‐Marcuse
1964
• ‘The
dialectics
of
Enlightenment’
was
first
and
foremost
a
philosophical
project.
• No
empirical
evidence
for
the
claims
on
media-‐impact
was
produces
by
the
school
-‐
a
highly
speculative
theory.
• Elitism
?
How
come
theorists
alone
are
able
to
escape
the
assimilatory
effects
of
the
cultures
industries
?
• What
are
false
needs
?
How
do
you
distinguish
?
• No
analysis
of
audience
responses.
• A
strong
normative
component.
• An
overgeneralised
dismissal
of
popular
culture
?
Might
the
pursuit
of
money
also
lead
to
differentiation
and
creativity
?
20
Winona
Fautré
• ’Alienation’
It
is
a
typical
marxist
word.
Marx
believed
that
in
capitalist
conditions,
workers
are
necessarily
alienated
from
their
work.
Usually,
workers
in
factory
only
produce
one
piece
of
the
final
product.
Factory
products
do
note
express
the
worker’s
humanity
or
his
relationship
with
others.
FF
school
theorists
would
focus
how
mass
media
and
mass
culture
support
the
alienation
process
described
by
Marx.
A
non-‐alienated
worker
expresses
his
own
individuality,
he
has
the
satisfaction
that
he
has
gratified
a
human
need
in
his
labour.
The
work
is
a
source
of
social
recognition
and
respect.
An
alienated
worker
commodifies
himself
by
selling
his
time.
He
becomes
an
instrument
to
the
capitalist
will.
He
has
no
control
over
the
terms
and
conditions
of
his
work.
There
is
no
job
satisfaction
or
pleasure.
The
product
is
not
property
of
the
man
who
made
it,
it
belongs
to
the
capitalist
who
sells
it
for
profit.
The
labor
process
is
antagonistic
and
anti-‐social.
The
worker
becomes
a
stranger
to
himself,
alienated
from
:
the
products
he
made,the
others
whose
needs
they
are
(not)
fulfilling
and
from
humanity
in
general.
• ’Commodity fetishism’
A
fetish
is
an
object
endowed
with
magical
properties.
Fetishism
is
the
worship
of
things
with
magic
properties.
For
Marx,
‘commodity
fetishism’
is
the
worship
(culte)
of
things
abstracted
from
the
human
about
what
went
into
it.
Fetichized
commodities
hide
the
work
and
exploitations
that
went
into
their
manufacture,
devaluing
human
labor.
Commodities
have
an
exchange
value
in
addition
to
a
use
value.
It
is
a
social
hieroglyph.
It
devalues
human
labour
and
social
life
(products
come
from
low-‐waged
countries).
commodity
fetishism
devalues
human
labour
and
social
life
-‐those
who
produced
the
commodity
derive
little
benefit
except
(minimal)
wages
when
commodities
are
exchanged
through
money.
• ’Instrumental reason’
• ‘Instrumental
rationality’
refers
to
reasoning
about
means,
the
‘how’
of
things
is
the
object
of
rationality.
• ‘Value
rationality’
refers
to
reasoning
about
(moral)
ends.
Weber
claims
that
institutions
in
modern
societies
are
marked
by
instrumental
rationality.
The
modern
world
is
a
bureaucratically
administered
world,
a
technical-‐rational,
dis-‐enchanted
21
Winona
Fautré
• ’Reification’ (Lukacs)
It
can
also
be
called
‘thingification’
or
‘ojectification’
:
Treating
persons,
processes
and
social
relations
as
‘things’.
The
process
of
commodification
(Marx)
and
instrumental
rationality
(Weber)
lead
to
a
reification
of
work.
Human
products
are
seen
as
things
without
any
thought
about
how
it
was
made,
who
made
it.
Instrumental
rationality
lead
to
this
problem.
Reification
of
work
is
clearly
expressed
in
Taylorism
:
Taylor
is
responsible
for
splitting
the
production
process
into
small
acts.
According
to
Lucas,
the
fate
of
the
worker
becomes
the
fate
of
society
as
a
whole.
He
claims
that
reification
makes
it
difficult
to
understand
the
world
as
it
stop
us
from
thinking
in
terms
of
social
relations
and
processes.
FF
school
thinkers
criticize
reifications
because
they
operate
as
barriers
for
critical
thought
and
for
the
realization
of
enlightenment
values
such
as
freedom
and
equality.
Marcuse
criticizes
‘the
system’
and
the
way
it
absorb
all
posibilities
for
resistance
(in
other
books
-‐
e.g.
«
Counter-‐revolution
and
revolt
»,
Marcuse
did
focus
more
on
alternatives).
He
offers
a
total
critique
of
advanced
industrial
capitalist
and
communist
societies.
He
rejects
Cold
War
capitalist
demonology
of
communism.
Marcuse
criticises
deshumanisation
and
alienation
in
capitalist
affluence,
fetishism
in
consumerism.
The
book
nevertheless
helped
the
activists
of
the
New
Left
(the
68’
generation)
to
identify
what
was
‘wrong
with
the
system’.
It
is
a
totally
administered
society
dominated
by
technological/
instrumental
rationality.
This
society
is
irrational
as
a
whole.
Its
productivity
is
destructive
of
the
free
development
of
human
needs
and
faculties.
Change
is
only
allowed
when
it
already
fits
into
the
system.
«
Technology
serves
to
institute
new,
more
effective,
and
more
pleasant
forms
of
social
control
and
social
cohesion.
The
totalitarian
tendency
of
these
controls
seems
to
assert
itself
in
still
another
sense
-‐
by
spreading
the
less
developed
and
even
to
the
pre-‐
industrial
areas
of
the
world,
and
by
creating
similarities
in
the
development
of
capitalism
and
communism...
the
traditional
notion
of
the
«
neutrality
»
of
technology
cannot
be
maintained
»
-‐Marcuse
Technological rationality has become political rationality and Change is only allowed when
22
Winona
Fautré
it already fits into the system (this is why the system is one-‐dimensional).
He
(l’homme
en
général)
has
lost
individuality
and
freedom.
He
does
not
know
his
true
needs
because
they
are
administered/superimposed.
He
lacks
the
power
of
authentic
self-‐activity.
Nevertheless,
Marcuse
is
an
individualist
who
believes
that
individuality
and
resistance
are
real
possibilities.
In
one
dimensional
society,
‘Freedom’
is
turned
into
its
opposite
:
False
needs
VS
true
needs
:
Media
are
not
responsible
for
the
flattering
out
of
alternatives
alone,
but
they
do
play
a
role
in
the
creation
of
false
needs
that
serve
the
system.
The
fact
that
everyone
(of
different
classes)
consume
the
same
products
does
not
mean
equality
but
rather
globalization
(no
one
can
act
outside
of
the
system).
• The
need
for
stupefying
work
where
it
is
non
longer
a
real
necessity.
• The
need
for
modes
of
relaxation
which
soothe
and
prolong
this
stupefaction.
• The
need
for
maintaining
such
deceptive
liberties
as
free
competition
at
administered
prices.
• A
free
press
which
censors
itself.
• Free
choice
between
brands
and
gadgets.
Marcuse
about
true
needs
:
Does
not
specify
precisely
what
they
are
but
they
can
only
be
identified
when
Man
is
liberated
from
the
System.
23
Winona
Fautré
A
public
sphere
in
appearance
only
?
Fuchs
argues
the
notion
of
a
public
sphere
is
a
spatial
metaphor
for
a
specific
type
of
communicative
processes.
Habermas
argues
that
the
«
world
fashioned
by
the
mass
media
is
a
public
sphere
in
appearance
only
».
Individuals
do
not
have
the
same
resources
for
participating
in
public
debate
(education,
social
capital,
economic
capital)
–
a
de
facto
limitation
on
freedom
of
speech.
Optimists
on
the
impact
of
social
media
on
the
public
sphere
:
Optimistic
media-‐determinists
welcome
social
media
as
facilitators
of
democracy
and
public
debate.
Papacharissi
argues
that
social
media
allow
people
to
practice
politics
online
from
safety
of
the
private
sphere.
Critical
authors
point
at
the
dangers
of
‘slacktivism’
or
‘clicktivism’
for
a
healthy
public
sphere.
Morozov
defined
‘slacktivism’
as
follows
:
«
Feel-‐good
onlie
activism
that
has
zero
political
or
social
impact.
It
gives
those
who
participate
an
illusion
of
having
a
meaningful
impact
on
the
world
without
demanding
anything
more
than
joining
a
facebook
group
…
slacktivism
is
the
ideal
type
of
activism
for
a
lazy
generation
…
»
Fuchs
counters
that
this
‘clicktivism’
can
easily
be
ignored
by
power.
Physical
space
presence
allow
an
agglomeration
of
individuals
to
have
a
visibility
which
can
be
perceive
as
a
threat
for
the
power.
To
conclude
the
First
phase
-‐
A
summary
-‐Strong
belief
in
Media
Power-‐
Turn
of
the
20th
C.
(early
30).
Strong
belieg
in
the
power
of
‘new’
media
such
as
film,
radio,
newspapers
to
effect
change
in
opinions,
beliefs,
behavior
of
individuals.
A
belief
not
based
on
scientific
observation
but
linked
to
theories
of
mass
society,
emerging
propaganda
techniques.
The
use
made
of
media
by
governments
and
business
contributed
to
a
belief
in
media
power
(propaganda,
PR,
advertising).
This
phase
includes
the
development
of
educational
programs
warning
people
about
the
dangers
of
propaganda.
An
often
implicit
stimulus/response
model
of
communication
is
often
said
to
lie
at
the
basis
here.
24
Winona
Fautré
Early
effects
research
would
culminate
in
a
‘limited
effects’
thesis.
Media
effects
were
observed
and
did
occur
but
these
effects
were
way
less
predictable
and
unilateral
than
expected.
By
the
early
’60
researchers
like
Klapper
wondered
if
media
influence
was
actually
as
big
as
originally
thought.
25
Winona
Fautré
Variations in beliefs in media power may be historically grounded :
- Between
WWI
and
II
:
a
period
of
massive
upheaval
and
crisis.
Strong
belief
in
media
power
among
intellectuals.
- ’50
in
UE
and
USA
:
a
relatively
stable
period
and
the
emergence
of
a
limited
effect
thesis.
- ’60
–
’70
:
soial
and
political
unrest
and
the
return
of
critical
theory.
(Mass)
media
are
often
seen
as
powerful
in
time
of
crisis
but
they
may
very
well
be
more
powerful
in
such
times
for
a
varie.
People
often
rely
on
message
in
order
to
know
about
critical
events.
It
combines
a
view
of
powerful
mass
media
in
a
mass
society
with
research
practices
from
the
social
sciences.
Research
methods
tend
to
be
quantitative
rather
than
qualitative.
Empirical tradition ?
The
empirical
tradition
is
often
contrasted
with
the
critical
tradition
but
this
distinction
doesn’t
really
make
sense.
But
boundaries
between
the
two
are
not
as
clear
as
we
expect.
Collaborations
between
the
two
do
exist.
Interpretive
and
critical
research
can
also
be
empirical
(based
on
observation
rather
than
speculation).
The
ideal
society
in
liberal
perspectives
in
media
studies
:
A
normative
concern
with
the
proper
functioning
of
society
underlies
its
research
questions
characteristics
of
this
‘good’
society
include
:
democracy,
liberal
values,
pluralistic
organisation
of
society,
consensual
and
orderly
resolution
of
conflict,
well-‐informed
citizens
and
an
informative
media.
It
is
an
ideal
view
of
Western
society.
26
Winona
Fautré
Human communications hardly ever function as depicted in this model.
Nevertheless,
this
kind
of
communication
model
was
what
many
people
wanted
(government,
industry)
:
a
device
for
getting
messages
across
and
influencing
people
through
advertising,
political
agenda
or
public
information.
Most
researches
conducted
in
phase
2
tried
to
measure
intended
and
unintended
effects
of
the
media.
Some
research
also
focuses
on
the
improvement
of
the
effectiveness
of
communication
for
legitimate
ends.
Other
research
tried
to
asses
whether
mass
media
were
a
cause
of
social
problems.
The
failure
to
find
systematic,
direct,
unilinear
and
predictive
effects
actually
legitimates
the
status
quo
of
the
media
system.
Paul Lazarsfeld
Was
a
Jewish
sociologist.
His
research
institute
did
commercial
assignments
for
local
industries.
In
Vienna
he
suggested
to
Karl
and
Charlotte
Butler
to
fund
their
Institute
of
Psychology
with
commercial
contract
research
conducted
for
businesse.
The
commercial
data
and
money
gathered
would
then
be
re-‐used
for
academic
modes
of
research.
Via
Robert
Lynd
he
got
in
touch
with
the
Frankfurt
School
in
the
US.
Lazarsfeld
would
become
director
of
the
Princeton
Radio
Research
Project
that
would
become
the
Columbia
Office
of
Radio
Research,
renamed
as
the
Bureau
of
Applied
Social
research
at
Columbia.
He
Pioneered
many
empirical
research
methods
in
the
field
of
media
studies
and
in
the
social
sciences
more
broadly.
He
was
initially
interested
in
‘effects’
and
research
into
mediating
factors.
When
they
were
working
together
on
the
Princeton
Radio
project,
Lazarsfeld
asked
Adorno
to
bring
in
a
critical
and
theoretical
«
European
»
approach
in
the
Radio
Project.
the
project
should
involve
actual
fieldwork
and
empirical
research.
Lazarsfeld
asked
Adorno
a
list
of
«
key
issues
»
but
a
sketch
of
a
«
dialectical
theory
of
broadcasting
»
instead.
The
main
question
was
«
how
to
widen
the
appeal
of
good
music
on
radio
?
».
Lazarsfeld
told
that
Adorno
did
27
Winona
Fautré
not
consider
any
other
views
except
for
his
own,
much
of
what
he
wrote
was
wrong,
unfounded
or
unbiased.
perhaps
the
problem
was
that
a
question
such
as
«
how
can
the
appeal
of
goof
music
be
widened
on
radio
?
»
did
not
make
sense
in
Adorno’s
way
of
thinking.
Adorno
had
not
much
knowledge
on
experience
with
empirical
research
but
pretended
to
be
an
authority
on
it.
Lazarsfeld
still
acknowledged
critical
theory,
and
Adorno
was
not
really
against
administrative
research
either.
For
Adorno,
people
listen
to
the
radio
to
relax.
Administrative
research
:
academic
work
in
the
service
of
external
private
or
public
agencies.
It
consists
in
organising
surveys,
making
graphs...
It
is
a
science
fiction
book
and
movie.
It
was
adapted
in
the
1930’s
as
a
radio
program
by
Orson
Wells.
It
is
about
a
martian
invasion.
After
this
broadcast,
a
lot
of
people
in
the
US
were
afraid
that
it
was
true.
1
million
people
were
seriously
disturbed
by
the
broadcast.
At
the
end
of
the
broadcast,
Wells
said
:
«
Remember
the
terrible
lesson
you
learned
tonight
».
People
have
to
be
more
critical
about
the
stuff
they
hear
on
the
radio.
The
response
of
the
audience
were
investigated.
The
study
showed
the
following
determinants
to
play
a
role
among
those
who
did
panic
:
tuned
in
after
the
programme
began,
were
not
paying
attention
in
the
beginning,
stopped
listening
before
the
end.
The
critical
ability
of
listeners
is
linked
to
level
of
education,
economic
status,
income,
job
security.
28
Winona
Fautré
Their
research
in
“Radio
and
the
Printed
Page”
seeks
to
determine
‘which
people
under
what
conditions,
and
for
the
sake
of
what
gratification
choose
radio
or
print
as
a
source
of
communication
for
comparable
subject
matter’.
Media
seen
as
tools
for
mass
education.
The
study
showed
that
people
from
lower
classes
do
not
listen
to
“serious”
radios.
Their
conclusion
was
that
it
is
useless
for
upper
classes
to
try
to
convince
lower
classes
to
listen
to
serious
radios
because
they
are
not
adjusted
to
their
point
of
view.
Functionalism
The
empirical
tradition
focuses
to
a
large
extent
on
the
(social)
functions
of
the
media.
One
of
the
main
functions
of
the
media
is
social
integration.
Functionalist
theories
are
often
considered
to
be
apolitical
but
they
are
rather
compatible
with
the
liberal
status
quo.
A
lot
of
functionalist
empirical
media
research
focuses
on
the
uses
and
the
gratifications
people
get
out
of
media
usage
àTakes
an
actor-‐
centered
approach
focusing
on
individual’s
needs,
uses
and
gratifications.
Example:
what
are
functions
of
FB
from
a
«
uses
and
gratifications
perspective
»?
-‐information
-‐networking
-‐countering
boredom
-‐entertainment
The
empirical
tradition
is
often
contrasted
with
the
critical
tradition
Boundaries
between
«
empirical
»
and
«
critical
»
or
even
«
interpretive
»
approaches
are
often
less
clear
than
one
might
expect
collaborations
between
critical
scholars
and
empirical
research
did
exist
(e.g.
Lazasfeld
and
Frankfurter
School)
Functionalist
scholars
have
often
been
highly
critical
of
the
functions
performed
by
mass
media.
29
Winona
Fautré
The
term
«
empirical
»
might
be
misleading
:
interpretive
and
critical
research
can
also
be
«
empirical
»
in
the
sense
of
«
based
observation
»
rather
than
speculation.
The
notion
«
empirical
»
is
often
used
to
designated
the
fact
that
use
is
made
of
(usually
quantitative)
research
methods
Structural functionalism
It
has
the
idea
that
the
media
is
a
sub-‐system
in
a
large
social
system.
Media
fulfils
key
needs
of
the
system.
Media
are
often
seen
a
conformist
rather
than
critical
of
the
system
:
Attention
goes
to
social
functions
and
dysfunctions
of
media.
What
is
functional
or
dysfunctional
is
a
highly
subjective
matter.
Merton
was
one
of
the
most
influential
sociologists
of
his
generation
he
studied
at
Harvard
but
moved
to
New
Work
in
1941.
The
structuralist
functionalism
of
Merton
would
be
the
dominant
sociological
tradition
in
the
US
until
the
seventies.
At
Columbia
University,
he
met
Paul
Lazarsfeld
who
asked
hem
to
collaborate
in
the
analysis
of
another
CBS
media
event
:
an
all-‐day
campaign
to
persuade
Americans
to
buy
government
war
bonds.
Together,
they
wrote
the
book
“Mass
persuasion”.
It
was
a
content
analysis
of
the
Kate
Smith
war
bond
rally.
The
analysis
showed
that
different
themes
were
involved:
• Facilitation
theme
• 50%
of
the
messages
dealt
with
the
wartime
sacrifice
affecting
all
Americans.
• Informal
conversational
tone.
• Listeners
felt
they
were
witnessing
or
eve,
participating
in
an
extraordinary
event.
• The
broadcast
had
to
be
seen
as
a
whole
(people
standing
by
Kate
Smith’s
side)
• They
felt
a
sense
of
collectivity
Merton
explains
the
power
of
the
broadcast
through
the
function
it
performed
for
listeners
in
society.
He
sees
the
US
as
a
money
focused
society.
What
did
people
get
out
of
listening
to
that
programme
?
Kate
Smith’s
authenticity
came
as
something
new.
There
is
also
the
background
of
skepticism
makes
people
want
to
believe
someone
who
seems
to
incarnate
values.
If media are to be used for educational purposes one needs to understand how they operate :
30
Winona
Fautré
attitudes.
3. Supplementation
:
media
do
not
act
alone
but
have
a
supplementary
function,
they
supplement
organized
violence,
and
work
best
when
used
together
with
interpersonal
communication.
Madia
do
create
and
informed
citizens
but
this
does
not
mean
that
they
have
an
actual
say
in
politics
–
this
is
why
Merton
talks
about
a
pseudo-‐public
sphere.
Lazarsfeld’s
collaboration
with
Merton
shows
that
the
positivist
tradition
is
not
necessarily
uncritical.
This
may
remind
us
of
the
way
FF
school
talk
about
the
capitalist
system.
Presidential campaign
Lazarsfeld,
Berelson
and
Gaudet
analysed
how
the
voter
makes
up
his
mind
in
a
presidential
campaign.
A
representative
panel
of
600
votes
was
chosen
and
interviewed
repeatedly
about
voting
intentions
in
the
run-‐up
to
Election
Day.
The
voting
behaviours
were
largely
predictable
:
the
poor,
Catholic
and
urban
resident
would
vote
democratic
and
the
rich
and
Protestants
would
vote
republican.
So
the
study
focused
on
the
undecided.
The
study
showed
the
importance
of
personal
influence
and
so
called
opinion
leaders.
It
was
as
if
ideas
flow
from
radio
and
print
to
opinion
leaders
and
from
them
to
the
less
active
sections
of
the
population.
He
conducted
a
study
on
how
personal
influence
functioned.
People
were
discovered
between
the
media
and
the
mass.
Depending
on
the
topic
different
categories
of
people
were
opinion
leaders.
The limited effects thesis was developed under the influences of insights into the audience’s:
31
Winona
Fautré
Within
the
mainstream
paradigm,
the
idea
was
that
the
media
had
very
limited
effects.
the
idea
of
«
limited
media
influence
»
may
have
been
the
result
of
a
focus
on
a
specific
type
of
short-‐term
effects
studied
between
WWII
and
the
early
sixties.
Some
researchers
started
to
focus
on
long
term
effects
of
the
media
rather
than
short
term
effects.
Powerful
media
were
rediscovered
from
the
late
sixties
–
early
seventies.
• The
power
of
media
to
determine
«
what
we
talk
about
?
»
:
Agenda
setting
• Effects
of
long-‐term
media
exposure
on
climates
of
opinion
and
definitions
of
social
reality
:
Cultivation
theory
and
spiral
of
silence
theory
• The
power
of
media
to
select
and
shape
media
contents
:
Gate-‐keeping
and
framing
research
Noelle
Neuman
coined
the
phrase
‘the
return
of
the
concept
of
powerful
mass
media’
suggesting
that
media
environments
characterized
by
‘consonant’
media
messages
are
likely
to
have
significant
long-‐term
effects.
Concepts
Agenda-‐setting
theory
Agenda
setting
represents
a
step
towards
studying
a
different
type
of
media
effect
than
classic
phase
2
studies
that
focus
on
changes
of
attitudes,
opinion
and
behaviour.
One
of
the
functions
of
mass
media
is
to
determine
what
to
think
about.
The
mass
media
force
attention
to
certain
issues.
They
have
the
power
to
structure
issues.
Key
claims
of
Agenda-‐setting
research
(Dearing
and
Rogers
1987)
:
• Different
media
tend
to
agree
about
the
relative
salience
of
a
set
of
issues
(news
agendas
often
resemble
each
other)
• Media
agendas
do
not
closely
match
«
real-‐world
»
indicators
• Agenda-‐setting
research
should
focus
on
how
issues
are
structures
in
relation
to
each
other.
• The
position
of
an
issue
in
the
media
agenda
often
determines
that
issues’s
salience
in
the
public
agenda.
Agenda
setting-‐effects
cen
be
linked
to
a
variety
of
other
effects:
bandwagon
effects,
spiral
of
silence
effects,
diffusion
of
news
and
mechanisms
of
gate-‐keeping.
32
Winona
Fautré
McCombs gave Five stages of agenda setting theory and research :
McCombs
and
Shaw’s
Chapel
Hill
study
was
a
study
of
the
1968
presidential
election
campaign.
In
order
to
investigate
the
agenda-‐setting
capacity
of
the
mass
media
the
study
attempted
to
match
what
Chapel
Hill
voters
said
were
key
issues
of
the
campaign
with
the
actual
content
of
the
mass
media
used
by
them
during
the
campaign.
Put
differently,
it
aimed
to
identify
correlations
between
the
media
agenda(s)
and
the
public
agenda.
Research
Question
of
the
study
:
Is
the
amount
of
media
attention
devoted
to
certain
«
objects
»
reflected
in
the
importance
attached
to
these
«
objects
»
by
the
public?
Method
:
A
ranked
list
of
the
most
important
topics
in
the
media
agenda
and
in
the
public’s
agenda
was
made.
They
analysed
the
9
most
important
new
sources.
They
interviewed
100
undecided
voters
about
what
they
considered
to
be
the
most
important
topics
of
the
day.
Their
answers
were
coded
into
15
categories
representing
the
key
issues
and
other
kinds
of
campaign
news.
Media
contents
were
divided
into
major
and
minor
issues.
Major
issues
were
:
on
television
it
was
any
story
which
lasted
for
45
seconds
or
more,
any
cover
of
magazine,
stories
appearing
in
the
lead
at
the
beginning
of
the
news
section
etc…
Minor
items
are
those
stories
which
are
political
in
nature
and
included
in
the
study
but
which
are
smaller
in
terms
of
space,
time,
or
display
than
major
items.
Conclusions
à
Yet
the
evidence
in
this
study
that
undecided
voters
tend
to
share
the
media’s
composite
definition
of
what
is
important
strongly
suggest
an
agenda-‐setting
function
of
the
mass
media.
The
authors
did
point
out
that
the
political
world
is
reproduces
imperfectly
by
individual
news
media.
«
The
existence
of
an
agenda-‐setting
function
of
the
mass
media
is
not
proved
by
the
correlations
reported
here,
of
course,
but
the
evidence
is
in
line
with
the
conditions
that
must
exist
if
agenda-‐setting
by
the
mass
media
does
occur
»
-‐McCombs
and
Shaw
1971
Critics :
It
is
only
possible
to
speak
about
agenda-‐setting
effects
if
the
correspondence
between
both
agendas
cannot
rest
on
coincidence.
On
the
basis
of
these
and
other
critiques,
agendas-‐
setting
research
would
be
continually
refined.
33
Winona
Fautré
«
This
often-‐documented
transfer
os
salience
from
the
news
media
to
the
public
is
a
key
early
step
in
the
formation
of
public
opinion.
Now
the
internet
is
the
new
frontier
for
research
on
these
traditional
agenda-‐setting
effects.
There
are
many
agendas
in
contemporary
society
and
many
more
of
these
are
now
readily
abvailable
to
a
large
segment
of
the
public
»
-‐McCombs
Some
authors
argue
that
the
internet
heralds
the
end
of
agenda-‐setting
research
because
of
‘the
environment
problem’
:
Research
shows
a
high
degree
of
homogeneity
between
the
agenda’s
on
newspaper
website
and
their
offline
versions.
At
the
same
time,
new
phenomena
linked
to
the
emergence
of
new
publics,
filter
bubbles,
algorithmic
news
selection
programs
on
social
media
etc…
warrant
further
research.
Inter-‐media
agenda
setting
is
also
extremely
important
as
social
media
agendas
increasingly
succeed
in
setting
the
mainstream
agenda.
Consequently,
it
becomes
all
the
more
important
to
link
agenda-‐setting
effects
with
research
on
online
media-‐use.
Traditional
agenda
setting
research
(Phase
1)
focused
on
the
‘salience’
of
‘objects’
(usually
public
issues)
in
different
agendas.
Objects
are
conceived
of
as
‘attitute
objects’
:
That
what
we
have
an
attitude
or
opinion
about.
Attribute
agenda
setting
(Phase
2),
focuses
also
on
the
‘attributes’
or
characteristics
of
these
objects
:
«
For
each
object
on
the
agenda,
there
is
an
agenda
of
attributes
that
influences
our
understanding
of
the
object.
…
The
media
not
only
can
be
successful
in
telling
us
what
to
think
about,
they
also
»
-‐McComb
The
array
of
attributes
in
the
media
are
compared
to
the
attributes
in
the
public’s
pictures
of
the
world.
For
McCombs
attribute
agenda
setting
and
framing
converge.
To
frame
is
to
select
some
aspects
of
a
perceived
reality
and
make
them
more
salient
in
a
communicating
text,
in
such
a
way
as
to
promote
a
particular
problem
definition,
causal
interpretation,
morale
evaluation
or
treatment
recommendation
for
the
item
described.
34
Winona
Fautré
McCombs
define
a
frame
as
a
‘dominant
attribute
in
a
message’.
Both
framing
and
agenda
setting
research
focus
on
issues
of
selection.
A
frame
is
seen
as
a
special
kind
of
attribute
in
agenda
setting
theory.
Attributes
provide
compelling
arguments.
For
McCombs
there
is
a
direct
link
between
agenda
setting
effects
and
Lippmann’s
idea
of
media
inserting
‘pictures
in
our
heads’.
Attributes
as
compelling
arguments
:
Where
second-‐level
or
attribute
agenda
setting
effects
occurs,
attributes
can
become
‘compelling
arguments’
for
behavior.
Compelling
arguments
are
frames,
certain
dominant
ways
of
organizing
and
structuring
the
picture
of
an
object
that
enjoys
high
success
among
the
public.
Phase 3 : Investigating the process and the psychology of agenda-‐setting effects
In
the
beginning
researches
were
not
interested
in
explaining
why
and
how
agenda-‐setting
effects
took
place.
There
are
significant
differences
in
the
responses
to
the
media
agenda,
differences
explained
in
large
measure
by
the
concept
of
need
for
orientation.
The
more
need
for
orientation,
the
more
people
follow
public
affairs
and
accept
the
news
agenda.
The
need
for
orientation
is
explained
through
‘uncertainty’
and
‘relevance’.
agenda
setting
function
of
the
media
is
more
than
a
simple
adoption-‐process.
Nevertheless,
most
studies
claim
that
media
coverage
mechanically
leads
to
political
attention
without
taking
the
mechanism
of
‘need
for
orientation’
into
account.
If the press sets the public agenda, who sets the media agenda ?
Intermedia
agenda
setting
at
both
the
first
and
second
level
is
likely
to
remain
high
on
the
journalism
research
agenda
for
a
very
long
time.
35
Winona
Fautré
Agenda-‐setting
has
different
effects
:
forming
an
opinion,
priming
opinions
and
shaping
an
opinion.
McCombs
argues
that
one
needs
to
reconsider
the
minimal
effects
thesis
by
taking
insights
about
agenda-‐setting
and
the
psychology
of
«
need
for
orientation
»
into
account.
In order to measure agenda effects in an electoral campaign you need to conduct :
The
questions
‘who’
is
important,
‘where’
things
happen
and
‘why’
things
happen
are
mostly
neglected.
The
direction
of
effect
between
the
agendas
of
«
the
media
»,
«
the
public
»
and
«
policy
»
can
be
extremely
complex
and
is
hard
to
determine.
Credibility
and
trust
in
media
have
an
unexamined
tole
to
play
in
the
agenda-‐setting
process
as
well.
Different
mass
media
tend
to
share
the
same
set
of
news
priorities.
Online
news
services
therefore
pose
a
challenge
to
the
agenda-‐setting
function
of
mass
media.
36
Winona
Fautré
Framing
To
frame
is
to
select
some
aspects
of
the
perceived
reality
and
make
them
more
salient
in
a
communicating
text,
in
such
a
way
as
to
promote
a
particular
problem
definition,
causal
interpretation,
moral
evaluation
or
treatment
recommendation.
Framing
is
about
how
you
define
your
reality.
According
to
Entman,
framing
involves
the
identification
of
problems
causal
relationships
and
answers
the
question
:
what
to
do
?
à
Most
but
not
all
research
of
this
kind
are
quantitative
and
involves
some
sort
of
content
analysis.
They are conceptualised as cognitive rather than textual or visual constructs.
3. Political science :
Ervin Goffman
Goffman
was
an
interactional
sociologist
and
was
the
author
of
‘frame
Analysis’
:
an
essay
on
the
organization
of
experience.
According
to
Goffman
‘frames’
provide
us
with
‘schemes’
that
allow
us
to
interpret
events
that
do
not
have
independent
meanings.
the
question
is
how
we
define
our
reality:
the
notion
of
‘frame’
as
developed
by
Goffman
aims
to
answer
this
question.
for
Goffman,
frame
are
not
simply
about
media
messages
but
more
fundamentally
about
the
way
we
organize
our
everyday
experiences.
37
Winona
Fautré
Robert Entman
Entman
was
a
communication
scientist
who
sees
framing
as
a
process
of
selection
and
emphasis.
«
to
frame
is
to
select
some
aspects
of
perceived
reality
and
make
them
more
salient
in
a
communication
text,
in
such
a
way
as
to
promote
a
particular
problem
definition,
causal
interpretation,
moral
evaluation
and/or
treatment
recommendation
for
the
item
described
»
-‐
Enteman
One
may
identify
frames
at
the
level
of
the
message,
the
text,
the
recipient,
or
the
surrounding
culture.
Gitlin
Gitlin
defines
frames
as
‘persistent
patterns
of
cognition,
interpretation
and
prevention
of
selection,
emphasis
and
exclusion
by
which
symbol
handlers
routinely
organise
discourse’.
• Propagandists
• Journalists
• Advertisers
Gitlin
stresses
that
frames
are
part
of
routine
journalistic
practices.
They
allow
them
to
recognize,
categorize
and
produce
typical
stories.
Gamson
and
Modigliani
consider
frames
in
terms
of
interpretive
packages.
A
‘frame’
can
organize
multiple
communications
(textes,
statements,
media
messages).
It
provides
coherence
to
information.
Frames
operate
through
interpretive
packages
consisting
of
multiple
framing
devices.
• Metaphors
• Exemplars
• Catchphrases
à
Fram
shoul
not
be
reduced
to
story
topic
or
issues.
• Depictions
• Visual
images
38
Winona
Fautré
1.
Generic
Frames
2.
Issue
Specific
Frames
1. Generic frames
Frames
that
can
be
re-‐used
irrespective
of
the
specific
characteristics
of
the
research
topic,
medium,
genre.
E.G.
:
Capella
and
Jamieson
identified
a
generic
‘strategic’
frame
in
news
about
election
campaign
:
-‐ Human
impact
frame
:
The
human
impact
of
an
event
is
emphasized
-‐ Powerlessness
frame
:
the
operation
of
dominant
forces
over
weak
individuals
and
group
is
emphasized.
-‐ Economic
frame
:
The
emphasis
is
on
bottom-‐line
gains
and
losses.
-‐ Morale
values
frames
:
References
to
social
norms
(often
indirect).
Issue
specific
frames
allow
for
detail
and
provide
insight
into
the
thematic
under
investigation.
For
example,
in
the
Clinton-‐Lewinsky
scandal,
three
big
frames
tath
framed
the
scandal
differently
:
-‐Clinton
behaviour
scandal
frame
-‐
Conservative
attack
frame
-‐
Liberal
response
frame
39
Winona
Fautré
Methodological choices : There are two methodological strategies for identifying frames
It
is
useful
for
avoiding
pre-‐formulated
frames
in
the
analysis
of
(mediated)
messages.
If
we
use
this
strategy,
we
have
to
stick
as
closely
to
the
original
terminology
observable
in
data
–
one
codes
from
the
bottom
up.
It
is
laborious
process
because
all
aspects
of
the
problem
have
to
be
studied.
It
allows
more
creativity.
There
is
room
for
unexpected
conclusions.
It
is
useful
if
you
already
know
what
to
look
for.
You
need
to
determine
your
‘frame’
beforehand
and
check
whether
they
are
present
in
a
texte
and
in
what
way
they
are
used.
You do need a number of conditions in order to work deductively :
• You
need
to
specify
the
criteria
in
order
to
identify
frames
• You
have
to
make
sure
the
frames
you
want
to
identify
occur
in
your
data
• It
should
be
possible
to
distinguish
frames
from
each
other
• Minimize
the
possibility
of
projection.
framing devices
Any
empirical
investigation
of
frames
requires
an
identification
of
‘framing
devices’(these
are
always
concrete
and
visual)
:
40
Winona
Fautré
Example
What frames were used in order to problematize unions and the right to strike ?
Psychological framing of unions as unreasonable, irresponsible and child-‐like actors
Framing
unions
as
opposed
to
the
general
interest
:
Unions
vs
job
creating,
unions
as
nuisance...
Depoliticising
frames
:
The
primacy
of
the
political
and
unions
as
under
democratic
actors.
Unions
are
not
supposed
to
play
a
political
role.
Some conclusions
the
debate
on
unions
and
their
right
to
strike
is
not
‘merely’
about
unions
and
strikes.
An
entire
mode
of
conceptualizing
and
doing
politics
is
at
stake.
Meta-‐political
debates
have
the
potential
to
re-‐structure
the
face
of
the
public
sphere
and
the
entities
and
processes
that
shape
it.
Meta-‐political
debates
are
debates
in
which
competing
political
‘fantasies’
and
‘imaginaries’
clash.
41
Winona
Fautré
Gatekeeping
Gatekeeping
research
focuses
on
the
question
:
what
factors
impact
on
whether
an
event
will
or
will
not
be
covered
by
the
news
?
The
gatekeepers
controls
whether
information
passes
through
the
channel.
Gatekeepers
take
many
forms
:
People
-‐
Professional
codes
of
conduct
-‐
Company
policies
-‐
Computer
algorithms
-‐
…
Gatekeepers
make
decisions
with
varying
degrees
of
autonomy.
In
early
studies,
the
gate
was
seen
as
an
in-‐out
decision/access
points.
However,
gatekeepers
can
also
take
other
decisions,
such
as
the
time/space
allotted
to
a
news
item.
The
‘gatekeeper’
:
A
case
study
in
the
selection
of
news
–
1950
-‐
Martin
R.
White
A
study
of
the
way
‘Mr
Gates’
selected
news
items
from
the
telegraph
feed.
He
was
a
40
years
old
man
working
for
a
30.000
issue
newspaper
and
had
25
years
of
experience
as
a
journalist.
The
key
question
was
:
What
are
the
criteria
used
for
selecting
news
items
offered
by
national
and
international
press
agencies
?
During
one
week
all
the
news
items
were
kept
and
Mr.
Gates
was
asked
to
keep
notes
on
why
he
did
or
did
not
use
them.
Results
was
that
90%
of
the
information
didn’t
pass
‘the
gatekeeper’.
Some
of
the
selection
criteria
had
nothing
to
do
with
the
content
of
news
messages
themselves
(e.g.
:
no
space).
Mr
Gates
acknowledged
that
he
tried
to
vary
between
news
categories.
He
believed
that
human
interest
news
could
stimulate
exemplary
behaviour.
He
considered
his
public
to
be
averagely
intelligent
and
entitled
to
pleasant
as
well
as
informing
news.
White
concluded
that
gatekeepers
base
their
decisions
on
highly
subjective
and
idiosyncratic
criteria.
These
criteria
are
highly
individual.
His
transmission
model
of
news
selection
explains
the
gatekeeping
function
first
and
foremost
in
terms
of
a
need
for
selecting
information.
Some critiques :
• White
did
not
focus
on
the
fact
that
values
are
the
product
of
primary
(culture,
class)
and
secondary
(profession)
socialisation.
Values
are
never
purely
individual
constructs.
• Political
and
economic
agendas
also
play
a
role
in
the
selection
process.
• There
are
always
multiple
gatekeepers
active
in
different
parts
of
the
construction
of
news.
42
Winona
Fautré
News values
‘The structure of foreign news’ -‐ Mari Roge and Johan Galtung 1965
The
main
question
is
:
How
do
media
of
countries
in
the
periphery
of
the
first
world
report
on
major
crisis
in
the
third
world
periphery
?
A
content
analysis
of
reports
join
crises
in
Congo,
Cuba
and
Cyprus
in
four
Norway
newspapers.
Results
:
-‐ all
news
came
from
a
very
small
number
of
press
agencies
-‐ twelve
factors
make
an
event
‘newsworthy’
-‐ the
more
these
criteria
are
met,
the
more
likely
that
the
event
becomes
news
-‐ newsworthy
factors
will
be
highlighted
over
other
features
of
the
event
covered
• Frequency
Is
the
time-‐span
(laps
de
temps)
of
the
event
compatible
with
the
time-‐frame
of
the
medium
?
Immediacy
and
recently
also
play
a
role
in
many
news
media.
Criminal
and
violent
incidents
and
natural
disasters
are
ideal
because
they
can
play
themselves
out
in
a
single
newspaper
bulletin
or
text.
Climate
change
or
gradual
economic
transition
are
less
likely
to
be
covered.
• Amplitude
How
extreme
or
dramatic
is
an
event
?
Does
it
stand
out
?
The
more
extreme
or
dramatic
an
event
is,
the
more
likely
it
is
to
receive
prominent
coverage.
• Clarity
The
more
clear,
accessible
and
one
dimensional
an
event
is,
the
more
appealing
it
will
be
for
news
providers.
Stories
with
clear
distinction
between
‘good’
and
‘bad’.
• Predicability
Newsworthy
stories
often
fit
with
our
expectations
and
cohere
with
the
way
in
which
we
believe
the
world
to
work.
It’s
link
to
clarity.
Predictability
often
goes
hand
in
hand
with
stereotyping.
• Unexpectedness
The
importance
of
‘predictability’
and
‘clarity’
do
not
mean
that
new
items
prioritize
the
mundane.
Rather,
these
values
tend
to
function
hand
in
hand
with
43
Winona
Fautré
• Composition
News
media
tend
to
have
a
specific
composition
that
may
lead
to
the
selection
of
news
in
conformity
with
a
general
theme.
But
items
can
also
be
selected
simply
because
a
variety
of
issues
need
to
be
covered.
Events
that
relate
to
the
most
powerful
nations/people
in
the
world
are
seen
to
have
more
consequences
and
are
more
likely
to
be
covered
than
those
taking
place
in
poorer
less
influential
countries.
This
can
be
easily
linked
to
ohter
issues
such
as
racism,
sexism,
ethnocentrism,
etc.
• Continuity
Once an issue is on the agenda this fact may guarantee newsworthiness in the future.
• Personification
The
extent
to
which
a
news
item
can
be
represented
by
focusing
on
the
intentions,
actions,
or
emotions
of
individuals
increases
its
news
value.
• Negativity
Negative
news
stories
are
likely
to
dominate
the
news
agenda.
Especially
when
they
fit
in
with
the
other
news
selection
criteria.
A
consequence
of
negativism
is
that
certain
areas
of
the
world
get
depicted
as
eternal
problem
areas.
consequently,
big
part
of
the
world
appears
on
television
as
if
they
are
in
constant
need
of
aid.
• Ideological implication
Taken
together,
these
news
criteria
can
have
serious
distorting
effects
that
may
explain
the
differences
between
public
and
media
agendas.
In
the
long
run
these
selection
mechanisms
inform
ideological
effects.
This
can
be
illustrated
cleraly
with
reference
to
negativism
and
personification.
44
Winona
Fautré
guy frame.
Spiral
of
Silence
Spiral
of
silence
is
a
theory
of
mass
media,
interpersonal
communication,
social
relations
and
individual
expression
of
opinion.
It
states
that
the
perception
individuals
have
of
public
opinion
will
impact
on
their
willingness
to
voice
their
personal
opinions.
So,
if
you
think
that
everyone
else
has
a
different
opinion
than
you,
you
will
be
less
likely
to
voice
it.
The
perception
we
have
of
public
opinion
is
constructed
by
the
media.
This
theory
was
developed
by
Elisabeth
Noelle
Neumann.
People
tend
to
conceal
their
views
when
they
think
that
they
are
in
the
minority
and
speak
out
when
they
think
they
are
not.
Views
that
seem
dominant
become
ever
more
dominant,
views
that
seem
to
be
losing
ground
will
spiral
down
into
silence.
The
theory
does
not
talk
about
changing
opinions,
only
about
people’s
willingness
to
speak
out.
It
has
been
empirically
tested
on
a
number
of
occasions
with
mixed
results
(does
media
coverage
really
impact
the
will
to
speak
out?).
45
Winona
Fautré
In
order
to
assess
whether
we
are
dealing
with
a
spiral
of
silence
Noelle
Neumann
argued
that
5
hypothesis
needed
to
be
tested
:
Out
of
fear,
people
create
a
quasi-‐statistical
distribution
of
opinions
in
their
heads
in
order
to
answer
the
following
questions
about
the
climate
of
opinions
:
If
the
estimated
distribution
is
not
in
line
with
the
actual
distribution
of
opinions,
this
will
be
because
the
perceived
dominant
opinion
has
been
more
present
in
the
public
sphere
(via
the
mass
media)
The
way
you
perceive
public
opinion
is
often
in
line
with
the
way
you
think
the
situation
will
evolve.
If
there
is
a
difference
between
your
own
opinion
and
the
estimated
future
development
of
public
opinion,
it
will
be
expected
future
development
that
will
impact
your
will
to
speak
out.
Elisabeth
Noelle
Neumann
attributed
great
power
to
the
media
and
wrot
an
article
:
‘Return
of
the
concept
of
powerful
media’
:
§ Most
people
get
confronted
with
media
messages
either
directly
or
through
two-‐step
flow.
§ The
media
work
through
cumulation
:
media
messages
are
repeated
over
multiple
channels
several
times.
Chances
of
selective
exposure
are
therefore
limited.
§ Consonance
of
media
messages
:
news
values,
commercial
motivations,
professional
competition
lead
to
a
reduction
of
contradictory
messages
and
increases
the
chance
of
perceiving
a
homogenous
public
opinion.
46
Winona
Fautré
§ Publicness
:
people
use
their
personal
observations,
social
network
and
media
in
order
to
construct
an
image
of
public
opinion.
The
power
of
the
medium
depends
on
the
question
whether
you
can
use
it
selectively
(e.g.
how
many
channels
do
you
have
at
your
disposal).
The
influence
of
the
mass
media
is
considered
to
be
largely
negative
(stimulating
conformity
and
fear
for
social
isolation
while
undermining
rational
thought).
Spiral
of
silence
theory
does
not
talk
about
changing
opinions,
only
about
people’s
willingness
to
speak
out.
It
has
been
tested
on
a
number
of
occasions
with
mixed
results.
It
may
say
more
about
the
figure
of
the
author
than
about
the
nature
of
public
opinion
itself.
The
validity
of
the
theory
depends
on
the
extent
to
which
alternative
reference
groups
and
views
are
available
to
media
users.
It
also
bears
resemblances
with
mass
society
theory
in
the
pessimism
attributed
to
the
nature
of
social
relations.
There
is
strong
evidence
that
media
coverage
largely
determines
the
way
people
perceive
public
opinion
(opinion
about
opinion).
There
is
also
strong
evidence
that
fear
of
isolation
impacts
on
willingness
to
speak
out
on
controversial
issues.
But
here,
it
is
mostly
the
micro-‐climate
of
friends
and
family
that
matters.
• Not
all
issues
can
be
linked
to
fear
for
social
isolation.
This
goes
mostly
for
highly
sensitive
subjects
where
this
threat
might
be
real.
• Are
mediaas
consonant
as
Noelle
Neumann
claims
?
Dos
this
go
for
every
countries
?
• Is
this
really
such
a
thing
as
a
‘social’
skin
?
•
If
people
do
not
express
their
true
opinions
when
they
are
part
of
the
minority,
how
can
they
be
so
sure
about
their
opinions
?
• How
can
a
spiral
of
silence
be
stopped
?
Circular
reasoning.
• The
research
only
asks
people
whether
they
speak
out
and
does
not
take
actual
behavior
into
account.
• The
opinion
of
a
limited
peer
group
may
matter
more
to
an
individual
than
public
opinion
in
general.
• Political
interest,
emotion,
and
conviction
in
one’s
own
opinion
also
have
proven
to
impact
on
the
willingness
to
articulate
opinions.
47
Winona
Fautré
Cultivation
theory
Cultivation
theory
tries
to
determine
to
what
extent
a
dominant
medium
(in
this
case,
television)
contributes
to
people’s
definitions
of
reality.
It
focuses
on
the
long
term
effects
of
massive
media
exposure.
Individual
short-‐term
media
effects
may
be
small
but
taken
together
they
add
up
in
the
long
run.
It
was
developed
by
George
Gerbner
and
was
one
of
the
most
quoted
media
theories
between
1958
and
2000.
Cultivation
is
not
only
a
theory,
it
includes
an
elaborate
methodology
for
analyzing
the
process
of
cultivation.
The
theory
was
developed
in
order
to
understand
the
cultural
influence
of
massive
television
exposure
but
can
be
extended
to
other
screen-‐based
media
as
well.
The
approach
was
born
out
of
preoccupation
with
the
effects
of
televised
violence
on
the
US
population
in
the
sixties.
Like
many
others
thories
it
has
to
be
reworked
and
updated
under
the
time
and
media
evolution.
According
to
Gerbner,
it
is
the
constant
exposure
to
the
screen
that
has
an
influence
in
the
long
term
on
culture
in
general
and
on
people’s
notion
of
culture.
Gerbner
developed
his
theory
as
a
theory
about
television
but
today
televised
images
come
to
us
through
a
multiplicity
of
technology.
This
does
not
necessarily
alter
the
main
claims
of
cultivation
theory.
Cultivation
research
asks
if
people
who
watch
more
television
have
views
that
are
more
reflective
of
what
they
see
on
television
than
people
who
have
similar
demographic
characteristics
but
watch
less
television.
Gerbner
saw
culture
as
‘a
system
of
messages
and
images
that
regulates
and
reproduces
social
relations’.
In
other
words,
culture
is
a
system
of
mass-‐produced
stories
‘that
mediates
between,
existence
and
consciousness
of
existence,
and
thereby
contributes
to
both’.
As
a
result,
the
mediated
messages
and
images
that
surround
us
both
reflect
and
reproduce
the
way
we
think
about
the
world.
• Culture
is
a
shared
system
of
messages
that
makes
use
of
symbols.
• Mass
media
have
become
the
main
source
of
shared
symbols
and
stories
in
modern
societies.
• Media
cultivate
their
audiences
through
their
‘public
making
ability’
and
through
the
stories
they
tell.
• They
have
a
public
making
ability,
this
means
that
their
public
does
not
preexist.
• Individuals
are
transformed
into
a
public
by
the
distribution
of
symbols
and
stories.
§ Media
can
make
certain
voices,
issues,
images
and
information
publicly
accessible.
48
Winona
Fautré
The
images
that
we
see
on
television
are
not
a
lie
but
rather
a
mix
of
a
simplified
reality
and
fiction.
They
are
referred
to
as
a
«
pseudo
reality
».
The
more
people
immerse
themselves
in
tv’s
pseudo-‐reality,
the
more
they
will
interpret
real
reality
in
tv
terms
(=cultivation
through
television).
Cultivation
effects
are
not
triggered
by
serious
news
programmes
alone,
they
are
the
result
of
cumulative
media
exposure.
Gerbner
is
not
interested
in
the
direction
of
cultivation
effects.
Communication
is
not
uni-‐linear.
Media
messages
can
also
originate
within
the
public.
Media
messages
have
a
kind
of
gravitational
effect,
they
pull
society
together
with
a
common
message.
Today,
content
reaches
us
through
many
channels
but
the
content
itself
does
not
change.
There
are
more
and
more
channels
but
less
companies
are
responsible
for
creating
the
content.
New
technologies
(internet)
do
not
necessarily
invalidate
cultivation
as
an
important
way
to
explain
impact.
Internet
has
actually
increased
the
cultivation
effect
by
making
the
access
to
information
much
easier.
1.
The
analysis
of
factors
that
determine
the
production
of
media
messages
:
institutional
process
analysis
It
focuses
in
the
institutional
processes
that
underlie
the
production
and
distribution
of
media
contents.
Gerbner
identifies
9
entities
that
may
influence
the
production
of
messages.
Government,
investors,
managements,
providers
of
contents
and
data,
49
Winona
Fautré
media
workers
themselves,
competition,
expert,
interest
group
and
organisation,
the
public.
2. The analysis of the media messages themselves : media system analysis
Cultivation
research
starts
with
message
system
analysis.
The
goal
is
to
identify
the
most
recurring
and
stable
patterns
in
television
content.
It
is
also
a
search
for
images
and
values
that
cut
accros
different
media
genres
and
programs.
It
amounts
to
an
investigation
of
television’s
pseudo
reality.
Gerbner
didn’t
believe
in
the
impact
of
isolated
messages.
M.S.A.
is
an
investigation
of
the
television
package.
It
is
a
content
analysis
whereby
one
identifies
indicators
of
the
four
functions
of
story
telling
:
what
exists,
prioritisation,
evaluation
(values),
structure
(connections
made).
Numerous
elements
of
programming
are
examined:
sex
roles,
violence,
race,
health.
Results
are
used
for
generating
questions
about
people’s
views
on
social
reality
(surveys).
So
technically
speaking,
cultivation
analysis
is
just
one
part
of
the
wider
cultural
indicators
approach.
Nevertheless,
the
term
cultivation
analysis
often
designates
the
overall
approach.
There are two sets of questions that are asked in surveys:
cultivation studies have shown that heavy viewers in the US :
§ Are
more
likely
to
believe
that
they
will
be
involved
in
violence
§ Have
exaggerated
conceptions
of
danger,
mistrust
and
victimization.
§ Heavy
viewers
are
often
different
demographic
profiles
than
light
tv
viewers
§ Hold
inaccurate
beliefs
about
crime
and
law
enforcement
§ Say
that
‘you
can’t
be
too
careful’,
that
‘most
people
are
just
looking
out
themselves’
or
‘cannot
be
trusted’
§ Say
that
there
are
more
people
involved
in
law
enforcement
than
in
reality
à
This
pattern
of
beliefs
is
called
‘the
mean
world
syndrome’
Cultivation
analysis
typically
generates
small
effect
sizes.
However,
even
people
who
watch
little
television
still
watch
a
consequent
amount
of
it.
And
heavy
viewers
do
interact
with
those
who
watch
less
television.
Nevertheless,
small
differences
50
Winona
Fautré
This
distinction
is
important
because
learning
about
factual
things
does
not
mean
that
you
change
your
opinion
about
them.
• ‘Perceived
realism’
:
The
question
how
people
define
what
is
realistic
or
not
may
have
to
be
taken
into
account.
• International
research
:
Research
conducted
across
the
globe
shows
that
when
television
exposure
is
less
repetitive
and
homogenous
than
what
is
seen
in
the
US,
cultivation
theory
results
might
be
predictable
and
consistent.
When
programming
is
less
diversified
and
more
dominated
by
commercial
interests,
cultivation
is
more
often
found.
• The
issue
of
genre
:
Gerbner’s
classic
approach
focuses
on
long
term
effects
of
television
in
general.
Others
researchers
have
asked
if
one
should
not
take
the
consumption
of
specific
genres
of
messages
into
account
(crimes,
action,
current
affairs,
sit-‐com,
family,
drams,
etc.).
But
the
problem
with
focusing
on
genre
is
that
one
might
find
all
sorts
of
messages
in
any
genre.
‘Genre
specific
studies’
have
become
the
most
common
form
of
‘cultivation
studies’……………………………………………………….
• One
the
coding
process
:
It
is
important
to
keep
in
mind
that
the
issue
of
defining
categories
is
key.
There
are
differences
in
how
cultivation
works
:
• Resonance :
51
Winona
Fautré
• Mainstreaming :
Sometimes
there
are
differences
between
the
definitions
of
reality
among
light
viewers
that
disappear
among
heavy
viewers.
This
means
that
the
views
of
heavy
viewers
are
more
diversified
than
the
views
among
light
viewers.
Mainstreaming
erases
the
boundaries
of
age,
class
and
religion.
Lesson
8
:
The
power
of
interpretation
–
Cultural
studies
and
audience
studies
PART
2
:
Media
content
and
the
power
of
interpretation
Media
themselves
do
not
have
independent
meanings.
They
help
us
construct
our
own
versions
of
reality.
The
media
system
offer
ready-‐made
(often
stereotypical)
meanings
:
a
preferred
view
of
social
reality.
They
help
us
to
define
what
is
normal
?
Audience
members
do
not
necessarily
adopt
meaning
offered
by
the
media
but
can
enter
in
a
process
of
negotiation
of
meaning.
The
idea
of
negotiated
media
influence
was
developed
largely
in
the
context
of
a
new
field
of
inquiry
called
cultural
studies.
Cultural
studies
deal
with
issues
of
meaning
representation,
ideology,
hegemony
and
power.
Qualitative
and
ethnographic
methods
are
used
to
understand
this
process.
Where
did
the
idea
of
negotiated
media
influence
come
from
?
The
question
of
the
meaning
is
essential
when
talking
about
the
media.
There
are
many
questions
about
meanings
that
can
be
asked
:
Where
do
we
find
meaning
?
How
is
meaning
shaped
?
Do
meanings
exist
independently
of
people/groups
?
Is
meaning
something
we
have
or
not
have
?
How
is
meaning
linked
to
different
layers
of
context
?
These
questions
are
rather
complex
but
are
extremely
relevant
if
we
want
to
understand
meaning.
What
is
a
sign
and
how
does
it
signify
?
Signs
acquire
meaning
because
they
are
part
of
a
system
of
signs
:
by
contrast
with
other
signs.
Some
systems
are
limited,
which
makes
the
signs
clearer.
What
principles
do
we
rely
on
in
order
to
understand
signs
?
We
rely
on
culture,
class,
education...
52
Winona
Fautré
CULTURALISM
Cultural
studies
is
more
than
mere
media
studies.
It
includes
the
study
of
social
identities
in
other
domains
of
culture
as
well.
Cultural
studies
moved
in
the
direction
of
concerns
with
sub-‐
cultures.
Culture
is
thereby
treated
as
a
material
everyday
practice
(differences
exist
in
the
way
this
practice
is
conceptualized).
In
the
first
phase
of
‘cultural
studies’,
culture
was
re-‐conceptualized
as
an
everyday
and
common
(as
opposed
to
‘high’
culture).
In
the
second
phase
Stuart
Hall
would
re-‐think
this
notion
of
‘culture’
on
the
basis
of
structuralist
insights.
In
the
field
of
media
studies,
cultural
studies
would
lead
to
audience
studies
and
tot
he
concept
of
negotiated
media
influence
and
active
audiences.
Birmingham
Centre
for
Contemporary
Cultural
Studies
and
its
key
author
Stuart
Hall
The
BCCCS
was
inaugurated
in
1964
by
R.
Hoggart
(
succeeded
by
Stuart
Hall).
In
the
classical
period
of
British
Cultural
Studies
(1960-‐80),
it
drew
on
:
insights
into
the
study
of
ideology
and
culture
developed
by
Gramsci
and
Althusser
;
Insights
from
structural
linguistics
and
structuralism
;
culturalism.
Cultural
studies
contibuted
to
debates
about
representation
and
ideology
related
to
question
of
class,
race,
gender,
ethnicity
and
nationality
in
cultural
texts
with
special
attention
for
media
‘texts’.
The
center
was
also
among
the
first
to
study
the
way
messages
and
meanings
constructed
in
popular
media
were
decoded
by
different
types
of
audiences.
It
was
the
idea
of
an
active
audience
that
appeared
then.
Cultural
studies
generateds
key
insights
fo
reception
and
audience
studies
in
the
wider
field
of
media
studies.
It
was
a
new
way
of
thinking
about
culture
that
emerged
in
Britain
in
the
works
of
Richard
Hogarth
and
Raymond
Williams
in
1950-‐60s.
• Working
Class
Culture
as
a
common,
ordinary
and
everyday
thing
rooted
in
everyday
practice.
• Culture
is
no
longer
exclusively
a
matter
of
‘high’
bourgeois
culture
and
art.
Critics
of
mass
culture
in
the
1930’s
existed
but
were
mostly
formulated
in
the
context
of
English
studies.
53
Winona
Fautré
England
was
a
society
marked
by
strong
class-‐division
operating
everything.
After
WWII
an
increasingly
affluent
working
class
emerged.
Authors
such
as
Hoggart
and
Williams
would
realize
that
working
class
culture
is
not
shallow
or
depth-‐less.
They
discovered
that
the
masses
didn’t
really
exist
and
instead,
people
emerged
(much
as
in
the
US).
Richard Hoggart
He
had
a
working
class
background
and
experienced
social
mobility.
He
became
an
English
literature
professor.
He
wrote
a
book
called
‘The
uses
of
literacy’.
It
is
an
account
of
the
everyday
lives
of
the
majority
of
British
people
in
the
fifties.
It
is
about
the
working
class
people
who
were
not
particularly
politically
active.
It
reveals
that
the
working
class
culture
is
rooted
in
generations
long
experience
of
exploitation.
In
the
seventies,
Hoggart
would
be
considered
as
overtly
optimistic
and
romantic
but
he
did
play
a
role
in
taking
‘culture’
out
of
the
grip
of
upper
class
elites.
The
book
also
identifies
the
way
working
class
people
distinguished
‘us’
from
‘them’:
‘they’
have
the
power
Hoggart
criticised
mass
produced,
pulp
literature
and
culture.
Nevertheless,
he
did
value
a
genuine
popular
culture
of
the
working
classes
distinguishing
it
from
mass
culture.
Raymond Williams
He
also
had
a
working
class
background
and
experienced
social
mobility.
For
him,
there
is
a
distinct
working
class
way
of
life,
which
he
values.
He
focused
on
the
links
between
literature,
politics
and
an
industrialized
class-‐based
society.
He
didn’t
agreed
with
orthodox
marxism.
Hall
drew
on
Gramsci
as
well
as
structuralists
such
as
Saussure
and
Althusser
in
order
to
challenge
culturalism
and
its
disregard
for
the
way
culture
experiences
and
practices
get
structured
through
discursive
codes
and
ideologies.
Culture
is
a
key
category
for
Hall.
He
refused
the
economics
reductionism
of
orthodox
marxism.
He
also
acknowledges
that
there
is
always
room
for
agency.
He
continued
the
investigation
of
everyday
culture
but
provided
this
study
with
a
more
‘critical’
spin.
54
Winona
Fautré
Hall
is
most
known
for
his
encoding/decoding
model
of
communication.
There
are
two
versions
of
the
text
published
in
1973
and
1980.
The
first
version
was
a
critiques
of
Shannon
and
Weaver
model
of
communication
based
on
structuralist
semiotics
of
De
Saussure
and
R.
Barthes.
The
second
version
is
more
on
structuralist
Marxism.
These
texts
have
been
written
as
part
of
an
attempt
to
integrate
semiotic
and
neo-‐Marxist
insights
for
the
analysis
of
media
messages
and
their
reception.
These
texts
partially
explain
the
preference
for
qualitative
and
interpretive
research
methods
in
cultural
and
audience
studies.
The
key
to
understanding
these
texts
is
to
understand
how
the
processes
of
encoding
and
decoding
developed
by
Hall
is
different
for
what
these
terms
meant
in
the
communication
model
of
Shannon
and
Weaver
?
55
Winona
Fautré
The
whole
point
of
the
encoding/decoding
model
was
to
apply
it,
the
1973
texte
is
a
provisional
programmatic
text.
The
main
question
posed
by
hall’s
model
was
weather
TV
audiences
decoded
TV
messages
as
intended
or
not.
The
encoding/decoding
model
would
inform
the
first
qualitative
audience
and
reception
studies
of
the
BCCCS.
The
1973
text
is
higly
inspired
by
semiotic
analysis
and
demonstrates
a
clear
concern
with
the
question
of
agency
and
actively
interpreting
audiences
rely
on
semiotic
‘codes’
to
understand
the
world.
The
text
argues
in
favor
of
a
semiotic
approach
to
the
production
and
reception
of
popular
culture.
Structuralist
semiotics
as
a
source
for
Hall’s
cultural
sutdies
à
Hall
relies
on
the
semioticians
R.
Barthes
and
U.
Eco
in
his
1973
text.
STRUCTURALISM
A
note
on
structuralism
and
cultural
studies
It
is
particular
way
of
thinking
based
on
abstract
assumptions.
It
is
a
transdisciplinary
category
in
social
sciences.
A
structuralist
analysis
consists
in
identifying
the
underlying
rule.
It’s
not
a
coherent
theory
rather
an
analytical
or
theorical
perspective
with
vast
implications.
• The
structure
determines
the
meaning
of
the
elements
in
a
whole.
• Every
system
has
a
structure.
• Structural
laws
deal
with
co-‐existence
rather
than
change.
• Structures
are
the
real
things
that
lie
under
the
surface
of
appearance.
Structuralism
allows
little
room
for
human
agency
and
reflexivity.
Structuralism
provides
an
important
background
for
the
development
of
cultural
studies.
Cultural
studies
oscilate
between
culturalism
and
different
types
of
structuralism
Ferdinand
de
Saussure
was
a
structuralist
linguist
who
wanted
to
develop
a
‘science
of
signs’
=
semiology
:
It
would
investigate
the
nature
of
signs
and
the
laws
governing
them.
Today
the
science
of
signs
is
usually
called
semiotics.
Saussure’s
structuralist
approach
to
signs
and
meaning
continues
to
resonate
in
many
disciplines
in
spite
of
the
critiques.
56
Winona
Fautré
Saussure
saw
linguistics
as
one
branch
of
semiology.
He
makes
a
distinction
between
langue
and
parole
:
§ Langue
:
system
of
rules
and
convention
that
exists
before
individual
use
of
a
language.
§ Parole
:
speech/concrete
utterances.
Signs
make
sense
within
a
wider
structure
marked
by
a
syntagmatic
and
paradigmatic
rules
or
structures
:
Saussure
and
semioticians
are
mostly
interested
in
the
underlying
structures
and
rules
of
a
semiotic
system
as
a
whole
rather
than
specific
performances
or
practices
which
are
merely
instances
of
its
use.
For
Saussure,
a
linguistic
sign
is
not
a
link
between
a
thing
and
a
name,
but
between
a
concept
(signified)
and
a
sound
pattern
(signifier).
Every
word
is
a
signifier,
which
means
that
the
sound
pattern
is
not
really
a
physical
sound
but
more
the
hearer’s
psychological
impression
of
a
sound.
This
sound
pattern
may
be
called
a
‘material’
element
only
in
that
it
is
a
representation
of
our
sensory
impressions.
The
sound
pattern
may
thus
be
distinguished
from
the
other
element
associated
with
it
in
a
linguistic
sign.
This
other
element
is
generally
of
a
more
abstract
kind
:
the
concept.
§ Signifier:
a
sound
pattern
/
image
(writing
being
a
sort
of
derivative)
-‐
today
usually
interpreted
as
the
material
or
physical
form
of
the
sign
§ Signified:
the
concept,
a
mental
construct,
not
a
thing
but
a
‘notions
of
a
thing’
§ The
sign
consists
of
the
unity
to
signifier
and
signified
(both
can
only
be
distinguished
analytically)
A
sign
consists
in
the
unity
of
a
signifier
and
the
signified.
It
only
makes
sense
as
part
of
a
formal,
generalised
and
abstract
system.
What
distinguishes
a
sign
from
another
sign
is
what
constitutes
it
:
language
is
a
differential
system.
No
sign
makes
sense
of
its
own
but
only
in
relation
to
other
signs
in
the
paradigmatic
structure
of
the
system.
The
link
between
the
signifier
and
the
signified
is
arbitrary
and
based
on
mere
convention.
Lacan
argued
that
signifieds
slide
under
signifiers
and
the
link
is
merely
a
temporary
social
57
Winona
Fautré
The
prioritization
of
structure
over
usage
fails
to
account
for
changes
in
structure.
Plus,
the
meaning
of
a
sign
has
to
be
understood
in
the
context
of
its
use
rather
than
in
relation
to
other
signs
of
the
system.
Today,
language
is
no
longer
treated
as
the
closed,
static
and
stable
system
envisioned
by
Saussure,
but
many
post-‐structuralists
do
work
with
his
idea
that
signs
acquire
meaning
through
difference
The
work
of
Saussure
has
become
outdated
in
linguistics
but
notions
such
as
the
signifier
and
the
signified
remain
relevant.
His
work
also
played
a
big
role
in
the
development
of
constructivism.
For
instance,
the
poststructuralist
political
theory
of
Ernesto
Laclau
is
based
on
Saussure’s
work
:
politics
is
a
struggle
over
empty
signifiers
such
as
democracy,
freedom...
Different
actors
try
to
slide
their
own
preferred
signified
under
these
signifiers
in
order
to
make
their
definition
of
reality
the
dominant
one.
B. Roland Barthes
Roland
Barthes
was
a
French
literary
critic
and
cultural
commentator.
He
was
a
key
author
in
the
development
of
semiology/semiotics
and
an
important
author
for
structuralism
and
postructuralism.
One
of
his
most
famous
books
is
Mythologies
(1957)
which
is
a
collection
of
essays
on
cultural
phenomena
analysed
by
him
in
terms
of
signs,
language
and
code.
Bartes
wrote
the
book
with
58
Winona
Fautré
two
goals
in
mind
:
An
ideological
critiques
of
the
language
of
so-‐called
mass
sulture
and
an
attempt
at
a
semiological
analysis
of
the
mechanisms
of
this
language.
It
was
highly
innovative
because
it
focuses
on
contemporary
cultural
phenomena
that
were
considered
not
worthy
of
study.
It
was
also
an
early
attempt
to
apply
structuralist
principles
to
the
domain
of
everyday
culture.
He
refused
to
call
himself
a
marxist.
He
was
very
much
opposed
to
communism
in
the
USSR.
Nevertheless,
he
was
interested
in
the
notion
of
inequality
as
well
as
the
notion
of
normality.
For
him,
the
enemy
was
the
bourgeois
norm
distributed
through
mass
culture.
He
reserved
the
notion
of
myth
for
the
specific
form
that
ideology
can
take.
He
is
interested
in
the
myths
of
the
‘petit
bourgeois’
culture.
Myth
is
a
language
in
the
semiological
sens,
it
is
a
mode
of
signification.
It
can
be
studied
through
semiology.
Myth
transforms
history
into
nature
:
it
is
a
depoliticised
speech
(speech
that
presents
social
reality
as
natural).
An
example
of
this,
is
that
pink
means
female
and
blue
means
male.
myth
is
a
‘language’
in
the
semiological
sense:
it
may
make
use
not
only
of
speech,
but
also
of
photography,
cinema,
reporting,
shows
or
publicity
Barthes writes that myths can be read in three different ways:
• The
sign
is
taken
to
stand
for
a
specific
concept
:
there
is
no
ambiguity
involved
in
this
reading.
• You
can
also
distinguish
meaning
and
form,
undoing
the
signification
of
the
myth
:
this
is
a
reading
of
people
who
understand
the
distortion
taking
place
in
myth.
• An
ambiguous/innocent
reading
:
myth
is
read
as
a
factual
system.
59
Winona
Fautré
Before
a
message
can
have
an
effect
it
must
be
‘meaningfully
decoded’.
Hall
points
out
that
the
codes
used
for
‘encoding’
media
message
at
the
production
end
are
not
necessarily
the
same
codes
audiences
use
for
decoding.
He
takes
issue
with
the
historical
focus
on
effects
in
media
studies
and
the
lack
of
reflection
on
‘meaning’
in
positivist
and
behavioral
research.
For
Hall,
media
message
are
polysemic
‘signifiers’
that
only
acquire
meaning
when
embeded
in
‘codes’.
For
Hall
the
question
of
semiotics
is
closely
intertwined
with
questions
of
ideology,
interpretation
and
resistance.
Hall
relies
on
semiology
but
criticises
it
for
having
neglected
the
interpretive
work
carried
out
by
the
‘consumers’
/
decoders
of
media
message.
There
is
non
’correct’
way
to
decode
a
media
message
but
there
is
a
preferred
reading
suggested
by
the
designers
of
the
message.
Reading
or
decoding
a
media
message
at
the
level
of
connotation
or
ideology
is
rather
a
matter
of
inserting
signifiers
into
an
alternative
code.
Decoding
media
messages
and
the
code
in
which
they
are
embedded
can
be
a
creative
and
critical
activity
practiced
by
the
audience(s).
For
Hall,
misunderstanding
at
the
level
of
denotation
is
often
a
matter
of
clashing
codes.
It
is
not
merely
a
matter
of
selective
attention/retention
of
information.
It
is
an
indication
of
structural
conflicts,
contradictions
and
negotiations
of
economic,
political
and
cultural
life.
§ Decoding
according
to
the
hegemonic
code
(as
it
is
intended
by
the
people
who
encoded
the
message).
§ Decoding
according
to
a
negotiated
code
(a
mixture
of
adaptive
and
oppositional
elements).
§ Oppositional
decoding
that
is
antagonistic
to
the
hegemonic
code.
The
way
you
decode
messages
and
signs
depends
on
the
codes
at
your
disposal
and
these
codes
differ
depending
on
the
culture
or
reference
group
you
identify
with.
A
partially
new
text
of
only
ten
pages
without
references
to
the
debate
with
Halloran
and
his
communications
department.
The
new
texte
is
more
heavily
placed
within
a
marxist/class-‐
based
problematic.
Encoding/decoding
was
also
a
model
developed
in
order
to
conceptualize
resistance
and
struggles
against
hegemonic
structures
of
meaning.
60
Winona
Fautré
Antonio Gramsci
Antonio
Gramsci
was
an
Italian
un-‐orthodox
marxist
and
died
long
before
cultural
studies
were
developed
(he
was
imprisoned
for
10
years
by
mussolini
and
died
the
year
after
his
release).
He
helped
to
create
the
Italian
marxist
party.
His
ideas
were
translated
to
English
in
the
late
1960’s.
He
wanted
to
understand
why
it
was
the
fascist
party
that
gained
power
in
Italy
?
British
Cultural
Studies
reengaged
Gramsci’s
ideas.
It
wanted
to
move
away
from
the
idea
of
a
passive
audience
(frankfurt
school).
It
developed
in
a
period
marked
by
active
protests
and
oppositional
movements
in
the
1960’s
and
1970’s.
British
cultural
studies
were
developed
to
understand
how
people
were
controlled
ideologically
but
also
how
they
could
resist
dominant
ways
of
thinking
(ideologies).
Gramsci
broadened
the
notion
of
hegemony
beyond
the
idea
of
leadership.
He
used
this
notion
to
refer
to
the
ways
in
which
a
governing
power
wins
consent
to
its
rule
from
those
it
subjugates,
and
sometimes
to
cover
both
consent
and
coercion
together.
Hegemony
includes
ideology
but
is
not
reducible
to
it.
Hegemony
is
not
just
exercised
through
the
state,
but
mostly
through
civil
society
institutions
(TV,
scouts,
church,
media,
family,
schools).
It
operates
through
the
construction
of
common
sense
for
a
whole
social
order.
Different
ideologies
can
compete
for
hegemonic
status.
Ideology
is
a
matter
of
lived
everyday
practice,
it
operates
through
self-‐government.
It
is
essential
that
individuals
must
feel
free
if
they
are
to
consent.
Ideology
is
determined
by
time
and
space
:
it
is
a
form
of
historical
consciousness.
A
dominant
ideology
is
not
always
the
ideology
of
the
dominant
class.
For
Gramsci
ideologies
can
operate
relatively
independently
from
the
economic
base
of
the
society.
Gramsci
points
at
the
importance
of
intellectuals.
There
are
traditional
intellectuals
:
doctors,
priests,
professors,
who
reproduce
ideologies.
There
are
also
organic
intellectuals
who
are
not
free-‐standing
intellectuals
who
emerged
from
a
social
class,
they
give
class
self-‐consciousness
:
writers,
philosophers,
lawyers.
They
engage
in
the
praxis
of
organising,
constructing
and
persuading.
Organic
intellectuals
help
to
unify
theory
and
practice
and
therefore
have
to
combat
contradictory
and
politically
backward
‘common
sense’.
They
also
need
to
construct
a
new
common
sense
that
informs
a
democratic
solidarity
61
Winona
Fautré
Louis Althusser
Louis
Althusser
(1918-‐1990)
was
a
structuralist
marxist.
He
developed
his
own
version
of
marxism.
He
was
originally
a
left-‐wing
catholic
and
then
became
communist.
He
had
physical
and
mental
problems
and
murdered
his
wife.
Key
notion:
ISA’s
(ideological
state
apparatus),
RSA’s
(repressive
state
apparatus),
interpellation,
subject
position,
ideology,
subjectivity.
According
to
him,
ideology
is
a
representation
of
the
imaginary
relationship
of
individuals
to
their
real
conditions
of
existence.
Althusser’s
framework
is
a
rather
good
example
of
structuralism
in
Marxist
theory.
Its
model
of
subjectivity
doesn’t
leave
a
lot
of
room
for
resistance
and
freedom.
Students
of
cultural
studies
aren’t
so
much
inspired
by
his
bleak
vision
of
man,
but
rather
by
his
theory
of
ISA.
Also,
the
idea
that
ideology
is
an
imaginary
phenomenon
that
shapes
subjectivity
and
identity
is
key
to
cultural
studies.
Authors
in
cultural
studies
are
usually
not
economically
deterministic
and
pay
attention
to
many
different
types
of
identity
formation.
Cultural
studies
is
interested
in
mainstream
messages
and
process
of
interpellation
but
also
in
the
process
of
(critical)
de-‐coding
of
messages.
Man
is
an
ideological
animal
by
nature.
Ideology
is
always
already
there
(even
before
birth).
You
and
I
are
always
subjects.
We
are
shaped
by
forces
that
we
have
little
control
over.
All
ideology
works
through
the
process
of
hailing
and
(mis)-‐recognition
:
it
is
what
helps
us
to
recognise
ourselves
in
a
particular
way.
Ideology
speaks
to
you
in
order
to
single
you
out
:
it
interpellates
subjects.
Ideology always exists in an apparatus (=dispositif) and its practice. Its existence is material.
Althusser
makes
a
distinction
between
Repressive
State
Apparatuses
RSA
and
Ideological
State
Apparatuses
ISA.
RSA
works
massively
and
predominantly
through
violence
or
repression
(prisons,
courts,
army).
ISA
works
massively
and
predominantly
through
ideology
(religion,
family,
trade
unions,
culture,
school),
they
are
multiple,
distinct,
relatively
autonomous,
marked
by
contradictions.
For
Althusser,
the
key
functions
of
RSA
and
ISA
is
to
reproduce
the
dominant
ideology.
There
is
always
a
dominant
ISA
(the
Church
in
the
middle
ages,
for
example).
He
describes
the
school
as
an
ISA.
62
Winona
Fautré
Some remarks :
Althusser
was
revelant
to
Hall
because
he
was
interested
in
the
way
media
messages
were
encoded
with
ideological
meanings.
At
the
same
time,
Hall
criticizes
Althusser
for
his
structuralist
view
on
human
subjectivity.
Althusser
does
not
give
us
an
account
of
what
happens
if
we
fail
to
recognise
ourselves
in
a
dominant
ideology.
And
what
about
interpretation
?
There
is
no
account
of
why
we
would
accept
this
particular
type
of
subjectivity
and
ideology
over
another
?
What
about
non-‐class
ideologies
?
Also,
ideological
subject
is
too
coherent
and
stable,
and
the
Subject
is
too
unitary
and
commanding.
Subjectivity
is
way
more
split
and
multiple
:
interpellation
is
therefore
less
predictable
than
Althusser
lets
on.
Audience
studies
reacted
to
structruralist
approaches
to
meaning
and
communication.
Like
cultural
studies,
they
take
an
intermediate
position
between
agency
and
structure
oriented
approaches
to
interpretation.
The
audience
studies
of
Hall
and
Morley
was
a
reaction
against
the
structuralist
approach
to
film
and
television
in
the
magazine
screen.
Many
authors
publishing
in
screen
believed
media
construct
identities
or
subject
positions
that
are
bound
to
be
taken
up
by
viewers
who
seek
to
make
a
sense
of
these
cultural
texts.
In
contrast
to
this
structuralist
approach,
audience
studies
did
empirical
research
into
the
interpretations
of
audience
members
inspired
by
Hall’s
encoding/decoding
model.
Morley
63
Winona
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The
boom
of
audience
studies
in
the
1980’s
was
a
reaction
against
overly
structuralist
approaches
to
meaning
and
communication
if
the
seventies.
The
Study
Nationwide
(1978)
was
carried
out
within
the
Birmingham
Centre
for
Contemporary
Cultural
Studies
by
researchers
such
as
David
Morley
in
order
to
apply
the
encoding/decoding
model.
The
Study
of
Nationwide
has
to
be
understood
as
a
response
to
structuralism
and
to
the
so
called
disappearance
of
the
public.
Cultural
studies
approaches
to
audience
takes
an
intermediate
position
between
agency
and
structure
oriented
approaches
to
interpretation.
Nationwide
was
a
TV
programme.
In
his
study,
Morley
investigated
the
way
audience
members
decoded
the
current
affairs
of
the
programme.
His
study
is
based
on
qualitative
in-‐
depth
interviews
with
viewers
of
different
social
and
economic
backgrounds
(ethnography
of
reading
of
media
messages).
He
showed
fragments
of
the
‘budget
special’.
Different
categories
decoded
the
message
differently.
Managers
tended
to
decode
the
message
following
the
hegemonic
code,
teachers
and
students
engaged
in
negotiated
decoding,
and
unionists
engaged
in
oppositional
decoding.
But
economic
class
and
occupation
did
not
predict
all
different
types
of
decoding.
For
example,
black
university
students
were
not
really
interested
into
the
budget.
Morley
also
analysed
the
way
the
different
members
of
the
nuclear
family
watch
television
(Family
Television
1986).
It
is
an
analysis
of
gendered
television
viewing
habits
in
the
UK
from
a
cultural
studies
perspective
based
on
interviews
and
observations.
The
study
showed
that
me,
and
women
related
differently
to
television
and
had
different
viewing
styles.
Wives
watched
less
attentively
combining
TV
with
other
activities
such
as
talking
or
household
tasks.
Husbands
preferred
viewing
attentively
in
silence,
without
interruption,
in
order
not
to
miss
anything.
Morley
does
not
reduce
these
differences
to
essential
or
natural
differences
between
men
and
women.
He
does
not
explain
these
differences
with
respect
to
needs
or
processes
of
socialisation
either.
TV
is
treated
as
a
domestic
cultural
form
with
different
meanings
for
men
and
women.
From
a
CS
perspective,
the
question
is
why
these
gendered
differences
take
the
64
Winona
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For
men,
it
has
become
the
central
symbol
of
relaxation,
for
women
there
is
a
more
contradictory
relationship
involved.
For
example,
it
is
ok
for
men
to
impose
their
choice
of
TV
programme
to
the
whole
family
while
women
do
not.
So
women
have
developed
all
sorts
of
strategies
to
cope
with
television
viewing
that
they
don’t
like.
TV
viewing
habits
prove
to
be
bound
up
with
issues
of
power
in
the
family
and
in
society
in
general.
Ang
points
out
that
viewing
practices
are
not
mere
expressions
of
different
needs,
uses
or
readings
but
connected
to
the
way
social
subjects
are
structurally
positioned
in
society
and
to
each
other.
This
type
of
analysis
isn’t
neutral,
is
decidedly
feminist.
From
a
CS
perspective,
all
research
is
always
political.
Ien
Ang
wrote
an
article
on
the
politics
of
empirical
audience
research
(1993),
reflecting
on
the
differences
between
Critical
Cultural
Studies
and
the
Uses
and
Gratification
approach
to
audience
activity.
Ang
argues
that
every
approach
can
be
critical
but
that
differences
between
the
audience
is
dealt
with
in
CS
and
U&G
remains.
Ang clarifies her use of the term ‘critical’ as follows :
• Being
critical
implies
that
one
acknowledges
that
the
production
of
knowledge
is
bound
up
with
the
establishment
of
power
relations.
• Being
critical
also
implies
a
self-‐reflective
attitude.
• Being
critical
is
not
tied
up
with
a
specific
tradition.
• Critical
and
empirical
research
are
not
necessarily
incompatible.
Ang
argues
that
U&G
and
the
type
of
ethnographic
audience
research
proposed
in
cultural
studies
converge
only
in
part.
Epistemological,
theorical
and
political
differences
remain.
There
are
also
an
epistemological
and
ontological
difference
between
Critical
studies
and
U&G
approach.
Even
if
these
two
studies
are
inspired
by
cultural
studies
and
share
the
same
object
of
investigation
(audience),
there
are
significant
tensions
between
both
approach.
These
differences
are
linked
to
ideological
approaches
to
and
assumptions
about
society
and
individuality.
65
Winona
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U&G
researchers
generally
operate
within
a
liberal
pluralist
conception
of
society
where
individuals
are
seen
as
free,
unhindered
from
external
powers.
In
cultural
studies,
people
are
conceived
as
already
implicated
in,
and
necessarily
constrained
by,
the
web
of
relationships
and
structures
which
constitue
them
as
social
subjects.
From
a
cultural
studies
point
of
view,
audiences
are
active,
but
not
powerful
or
free
as
conceived
by
U&G
researchers.
These
differences
are
deeply
political
and
ideological.
No
theory
is
value
neutral.
66
Winona
Fautré
67