Graphic Identity Manual - Göteborg & Co
Graphic Identity Manual - Göteborg & Co
April 2012
If you have any questions about our graphic identity or this manual, please contact: Ulrika Green, Marketing Coordinator +46 (0)31 368 41 39, [email protected]
1103
Contents
GRAPHIC IDENTITY 1. LOGO 1.1 Introduction 1.2 Logo 1.3 Logos for printing 1.4 Logos for web publications 1.5 Logos for office use 1.6 Free space 1.7 Background 1.8 Smallest permitted size 1.9 Things that are forbidden 1.10 Environmental focus 2. COLOURS 2.1 Logo colour 2.2 Base colours 2.3 Background colours 3. TYPOGRAPHY 3.1 Identifying typography 3.2 Everyday typography 4. DICTIONARY 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 23 24
1103
GRAPHIC IDENTITY
1103
1. Logo
The logo identifies us as the issuer of a message or product and guarantees what we say and do. To ensure clear and consistent use of our logo, a few simple rules must be followed. These rules regard aspects including the size and colours of the logo and the free space between the logo and complementary information.
1103
1.1 Introduction
Gothenburg has a new identity and tone based on the go: concept. This concept is central to all communication regarding Gothenburg as a destination. Our aim is to enhance Gothenburgs image as a city associated with tourism, events and knowledge. Gothenburgs identity as a destination is based on peoples different needs and desires to do something. It is about the desire to travel to Gothenburg to do or experience something special. We have chosen to write the citys name in lower case letters Gothenburg because it makes the word look friendlier and more interesting. Gothenburgs identity is also based on how the name is used in the Nordic countries.
go as in the word go in English. go as in the word go in Gothenburg vernacular. (Meaning friendly or likable.)
If you would like to know more about how we market Gothenburg as a destination, we have a separate graphic identity manual for Gothenburg as a destination.
We have inverted the letter one step clockwise to get both the letters and o in the same written word. This defines both the destination and Gothenburgs unique personality.
GTEBORG & CO Graphic Identity Manual
1103
1.2 Logo
Gteborg & Cos logo is based on the logo for Gothenburg as a destination, with the addition of & Co.
Logo for Gothenburg as a destination. Read more about these logos in the graphic identity manual for Gothenburg.
1103
GBGCO_cmyk.eps Suitable for offset printing on coated paper. This is the logo most commonly used for printing. It should be used when Pantone colours are unavailable. However, Pantone colours should be used as reference. GBGCO_pms_c.eps Suitable for offset printing on coated paper. GBGCO_pms_u.eps Suitable for offset printing on uncoated paper. The Pantone system works best for specific colours. Use the Pantone logo as often as possible for printed material. GBGCO_DP.eps Suitable for printing in the daily press. This logo is optimised for the specific printing conditions in the daily press.
GBGCO_black.eps Suitable for offset printing on coated and uncoated paper. Use the black logo when colour printing is not possible.
GBGCO_neg.eps Suitable for offset printing on coated and uncoated paper. Use the negative logo against dark pictures or colours.
1103
GBGCO_RGB.eps Suitable for web publications. GBGCO_RGB.png Suitable for web publications.
GBGCO_RGB_neg.eps Suitable for web publications. GBGCO_RGB_neg.png Suitable for web publications. Use the negative logo against dark pictures or colours.
1103
GBGCO_office.png Suitable for Word and PowerPoint. Use this for PowerPoint presentations and Word documents to be printed with a colour printer.
GBGCO_office_black.png Suitable for Word and fax. The black and white logo should be used for material to be printed with a black and white printer or sent by fax.
GBGCO_office_neg.png Suitable for PowerPoint. Use the negative logo against dark pictures or colours.
1103
10
1103
11
1.7 Background
To ensure that the logo is always clearly visible, it should preferably appear against a white background. However, sometimes the logo needs to be placed against a coloured background or a picture. In this case, the background must always provide a sufficient contrast to make the logo clearly visible. Avoid busy, cluttered backgrounds.
Right
Wrong
1103
12
1103
13
1103
14
Miljsnurran
1103
15
2. Colours
Colours are a key element of our graphic identity. This includes the colours we choose to use as well as those we choose not to. A colour can convey cleanness, pride or confidence. A colour can also have more immediate impact: it can warn of danger or highlight something important. The basic rule is to always choose colours according to your purpose. Black is perhaps the most useful colour of all, but is seldom suitable for walls. Meanwhile, friendly, light shades may not be suitable for text on a warning sign. Colours always behave differently depending on whether they are printed in pms or four colours; on coated or uncoated paper; displayed on a computer screen or embroidered on clothing. To achieve the maximum possible uniformity regardless of the medium or technique, our colours are available in several different colour systems. Always refer to the Pantone scale when deciding whether a colour is the right shade.
1103
16
Blue
Dark blue
Black
White
1103
17
Blue
Dark blue
Turquoise
Red
1103
18
Light blue
Light grey
Light turquoise
1103
19
3. Typography
Coherent, well-designed typography is essential to all written communication. Our typography must be clear, appealing and otherwise in line with our identity. Our typography is divided into two categories: identifying typography and everyday typography. Our identifying typography is used for printed products. Our everyday typography is the fonts we use in our daily communications, for example when writing letters. In digital media such as PowerPoint presentations, it is suitable to use fonts specially designed for screen viewing.
We always use Gteborg & Co. in body copy. Do not try to mimic our logo by writing, for example, go:teborg&co.
1103
20
GEORGIA
AaBbCcDdEeFfGgHhIiJjKkLl MmNnOoPpQqRrSsTtUuVvXx
Georgia Regular is used for body copy in communication material and in web publications. DIN LIGHT
ARIAL
AaBbCcDdEeFfGgHhIiJjKkLl MmNnOoPpQqRrSsTtUuVvXx
Arial Regular is used for headlines and shorter information texts at goteborg.com
1103
21
M S S A N S G ATA 8 / B O X 2 9 / 4 0 1 2 0 G T E B O R G T E L : + 4 6 3 1 3 6 8 4 0 0 0 / FA X : + 4 6 3 1 8 1 1 0 4 8 O R G N R : S E 5 5 6 4 2 8 - 0 3 6 9 / G OT E B O R G . C O M
WELCOME TO GOTHENBURG!
Endre diiuop eum adignim iriureet wis nullan ex essequatisim inc liquiAtio odo dolore dolor siscilit euisl ut veliquam dolorerostin hent dolore olor susto odionulput am, essequatisim consequisim volore feugiatis nit wisi. Met euigiam velit nla am, se dolendre vercil ero commod tat lor ing ex er se veliqui ea facidunt wisiosi tis dit luptat, velesectet illaiuotn ut aliquip sustrud dolortie magnit prat, cortie compiscilit lam nit wisl dit nullaor alisl in volorem in ullaortin ulla facipisim nisse poowerpointrubrik. Endre diiuop eum adiig oiip nim iriureet wis nullan ex essequatisim inc liquiAtio odo dolore dolor siscilit essequatisim euisl ut veliquam dolorerostin hent dolore olor susto odionulput am, consequisim volore feugiatis nit essequatisim wisi. Met euigiam velit nla am, se dolendre vercil ero commod tat lor ing ex er se veliqui ea facidunt wisiosi tis feugiatis nit wisi. Met euigiam feugiatis nit wisi. Met euigian ut aliquip
Example of DIN and Georgia in communication material. Headline DIN Light 55/60 pts, body copy Georgia Regular 9/12 pts
1103
22
GEORGIA
ARIAL
AaBbCcDdEeFfGgHhIiJjKkLl MmNnOoPpQqRrSsTtUuVvXx
Arial Regular is used for charts and tables. EX AMPLE:
Powerpointrubrik
Endre dip eum adignim iriureet wis nullan ex essequatisim inc liqui. Atio odo dolore dolor siscilit euisl ut veliquam dolorerostin hent dolore olor susto odionulput am, consequisim volore feugiatis nit wisi. Met eugiam velit nla am, se dolendre
1103
23
4. Dictionary
CMYK or 4-colour CMYK or 4-colour denotes a printing technique that uses the four process colours cyan (C), magenta (M), yellow (Y) and black (K). These colours are mixed in the listed order, in varying proportions, to achieve the desired shade. 4-colour printing is the most widely used colour system for printing. EPS (Encapsulated Postscript) A format for files that are to be inserted in other documents, and for photography. Many pictures destined for printing are also saved in this format. Our logo is usually in eps format, and is drawn with vector graphics. This means it can be enlarged and reduced without impairing the quality. When you open an eps logo in any application, make sure you do not save it as a pixel image, as the vector graphics characteristics will then be lost. GIF (Graphics Interchange Format) The most widely used image format for web publications, along with jpeg. It is most suitable for small pictures and simple graphics. Graphic identity Supports our identity visually. It includes basic graphic elements such as a logo, colours and typography. A well-managed graphic identity contributes to creating an organ-ised, clear overall image. HEX colours The name of the colour coding used in HTML on websites. It is based on a hexadecimal number system where, for example, the colour white is indicated as #FFFFFF. This coding corresponds to exactly the same colour in RGB. Identity Our identity conveys who we are, what our mission is and how we aim to be perceived. Our identity can usually be summarised in a set of core values that underpin and permeate the organisation. A strong identity effectively distinguishes one organisation from another. JPEG (Joint Photography Experts Group) An image format for colour pictures. Jpeg is a lossy (destructive) compression format. This means that the file takes up considerably less space, but some of the original images quality is lost when it is compressed Logo A logo is one of the cornerstones of a graphic identity. It communicates the organisations identity and conveys both content and attitude. The logo is generally regarded as the graphic identity in its simplest, purest form. The logo often consists of a logo mark and a logotype. Logo mark A logo mark is a uniquely designed symbol used to represent a company or organisation. A good logo mark is easily recognisable and provides clear, positive associations with the organisation it represents. Logotype A logotype can be created for the organisations name. The letters are specially designed and optimised for easy recognition.
1103
24
4. Dictionary
NCS, Natural Color System Is an international color code system to specify, communicate and control color in architecture, design, marketing, manufacturing, education and research. All translations into (or from) the NCS from (or to) other color systems may include distinct color differences. This is a limited range of hues. Pantone or PMS An international system for naming thousands of colours. It is widely used by designers and printing firms. The colours are listed in Pantone catalogues along with formulas for mixing them. Always remember that the Pantone system produces the most reliable results when choosing specific colours for printing. The letter C after the colour name stands for coated and means that the colour is for use on coated paper, while the letter U means uncoated and is for uncoated paper. PNG (Portable Network Graphics) A format that works well in Microsoft Office applications such as Word, PowerPoint and Excel. Pictures saved in this format keep their original quality even if the file is compressed. The format supports transparency. This means, for instance, that a logo saved in png format can be placed against a coloured background without having a white square around it. The logos in the logo bank that are optimised for use in Word and Pow-erPoint are in png format. RGB In this context, RGB stands for a combination of the basic colours red (R), green (G) and blue (B), optimised for screen viewing. TIFF (Tagged Image File Format) A universal image format that contains both the actual picture and information about the picture. It is prim-arily used for photography.
To ensure the best results, make sure you always use the right application for each product you work on. Use real layout software for printed products, web software for web production, PowerPoint for digital presentations etc. Always use the right file format for each type of product.
1103
25