On The Structure of The Roman Pantheon: Robert Mark and Paul Hutchinson
On The Structure of The Roman Pantheon: Robert Mark and Paul Hutchinson
Since the time of its construction, the bold, brilliantly simple schema of Hadrian's
Pantheon has inspired much emulation, commendation, and even fear. Modern
commentators tend to view the building as a high point in an "architectural rev-
olution" brought about mainly through the Roman development of a superior poz-
zolana concrete that lent itself to the forming of unitary, three-dimensional struc-
tures . Other factors cited for the technical success of the Pantheon include the use
of a series of massive, concentric stepped rings and the lightening of the dome by
coffering and gradated, light-weight aggregates. To investigate these theories, and
thereby to understand late Roman design rationale better, a numerical-computer
modeling study of the dome structure was undertaken. It yielded several surprises.
Analysis revealed that the stepped rings induced higher, rather than lower, crit-
ical stresses in an uncracked dome model. But by allowing the model to crack
freely, a salutary effect was caused by the rings. The cracked model closely sim-
ulated the behavior of the actual dome, which was discerned to act structurally as
an array of arches. In fact, the configuration of the dome seems to indicate that
the builders understood this-which points to the conclusion that late Roman ar-
chitectural development was not so closely tied to structural innovation as has
been generally believed.
No other single building has captured the attention of before the time of the Pantheon, but we know of none that
architects, particularly since the Renaissance, as has the even approached its scale. The largest of the earlier, extant
Pantheon. Constructed between ca. 118 and 128, it has an domes seems to have been part of a bath complex at Baiae.
interior space of awesome scale (Fig. 1), and it is the most Dating from the first half of the preceding century, the so-
completely preserved building of the Imperial Roman cap- called "Temple of Mercury" has a clear span of 21.5 meters. 3
ital. The 43.4-meter clear span of the dome was unmatched For many historians, the Pantheon represents a kind of
for well over a millennium, and not substantially surpassed culmination of the "Roman architectural revolution"
until the adoption of steel and reinforced concrete in the brought to fruition during the course of the first century
modern era. 1 through the adoption of high-quality concrete that could
The enormous influence of the Pantheon is easily traced be more readily used for the construction of curvilinear
through numerous buildings from the later Roman period, architectural forms. 4 Unlike simple lime mortar, which is
and again from the beginning of the Renaissance well into produced by adding water to a mixture of quicklime and
the twentieth century. 2 Earlier prototypes, though, are not sand, and sets when all the water has been evaporated into
so readily identified. Domed buildings were not uncommon the atmosphere or absorbed into the surrounding masonry,
The authors gratefully acknowledge the good advice and help received the Middle Ages and the Renaissance," Classical Influences on European
during various phases of this project from Tracy Cooper, Slobodan Cur- Culture AD 500-1500, ed. R.R. Bolgar, Cambridge, 1971, 259ff.). The
ci(, William Loerke, William L. MacDonald, Claudia Marchitiello Mark, lesson of Roman architecture for 20th-century design, according to Le
and Jean-Herve Prevost. Research on the structure of ancient Roman ar- Corbusier, was to be derived from "immense cupolas with their supporting
chitecture, of which this paper is a part, was supported by fellowships drums . . . all held together with Roman cement ... absence of verbosity,
and grants from the John Simon Guggenheim Foundation, the National good arrangement, a single idea, daring and unity in construction, the
Science Foundation, the National Endowment for the Humanities, and use of elementary shapes" (Towards a New Architecture [Paris, 1923],
the Andrew W. Mellon and the Alfred P. Sloan Foundations. New York, 1960, 146-47).
1 The clear span of St. Peter's in Rome (constructed 1585-90) is 42m. Metal 3 Illustrated in Giedion, 136, 137.
structures in the late 19th century reached spans as great as 113m (for the 4 This view is exemplified by John Ward-Perkins' somewhat startling re-
Galerie des Machines, Paris, 1889), and the maximum clear span of a 20th- marks about the structure of the Colosseum, completed only a half-cen-
century, thin, reinforced-concrete shell is 219m (CNIT Exhibition Hall, tury earlier, and perhaps the only other building of the period to rival the
Paris, 1958). Pantheon in influence. "Built about a framework of squared stone ma-
2 See, e.g., MacDonald, 1976. During the Middle Ages, the Pantheon was sonry which constituted the essential load-bearing skeleton .. . it was not
the subject of the "united belief that it owed its existence to sinister forces a building of any great originality . . . conservative in its structural meth-
of demons-the familiar dense row of pillars supporting the vault in Gothic ods and choice of materials as it was in design ... a strain in Roman
cathedrals was miraculously lacking- and not to the ratio or the genius architecture that was shortly to be swept away by new techniques and
of its architect" (T. Buddensieg, "Criticism and Praise of the Pantheon in new aspirations" (Ward-Perkins, 68ff.).
ON THE STRUCTURE OF THE ROMAN PAN THEON 25
Roman pozzolana (after Pozzuoli, where it was first dis- Nonetheless, one must be cautious in characterizing the re-
covered) sets by combining chemically with water in the sistance of concrete to cracking caused by tension forces
same way as modern Portland cement. These cements do tending to pull it apart. Although modern concrete based
not need to dry out as does lime mortar; in fact they are on controlled-cured, high-quality Portland cement exhibits
"hydraulic" in that they will set even when immersed. In measurable tensile strength (the level of stress causing a
addition to the obvious advantage for underwater con- material to fail in tension) , its tensile strength is taken to
struction, large batches of pozzolana cement will cure rel- be nil in reinforced concrete design . Experience has dictated
atively rapidly, even in damp conditions. It could thus be that reinforcing steel is always required in regions of a
used for the massive, primary structural elements of large structure where calculations indicate that tension will be
buildings. Furthermore, the early compressive strength of present . Even more important, in view of our later dis-
pozzolana cement is far superior to that of lime mortar. cussion of the state of the Pantheon fabric , it is also re-
26 THE ART BULLETIN MARCH 1986 VOLUME LXVIII NUMB ER 1
5 Modern structural concrete differs from Roman concrete in two im- partment of Civil Engineering, Princeton University (Princeton, NJ) 1983.
portant details . First, its mix consistency is fluid and homogeneous , al- 9 The actual structure of the wall, which incorporates as well a large num-
lowing it to be poured into forms rather than requiring hand-layering ber of great relieving arches (Fig. 3), is complex and has received much
together with the placement of aggregate, which , in Roman practice, often attention in the literature (see, e.g., MacDonald, 1982, 106ff.). But this
consisted of rubble. Second, integral reinforcing steel gives modern con- construction is not carried into the dome . M.E. Blake and D . Taylor-
crete assemblies great strength in tension, whereas Roman concrete could Bishop draw attention to the fact that "it cannot be emphasized too strongly
depend only upon the strength of the concrete bonding to resist tension. that the framework of the arches · · · was part of [the] wall construction
6 See, for example, Giedion, 144. and did not follow the curve of the dome . It was these relieving arches
7
that led to so many fantastic but utterly erroneous theories of [internal-
MacDonald, 1982, 110.
ribbed] dome construction" (Roman Construction in Italy from Nerva
8 J.-H . Prevost, "Dyna-Flow User's Manual," unpublished report, De- through the Antonines, Philadelphia, 1973, 46).
ON THE STRUCTU RE O F THE ROMAN PANTHEON 27
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on" all at once with the removal of the centering. Most Findings of the Study of Uncracked Models
important, for the first series of model tests, tensile stresses Five integral models with different geometric and loading
throughout are assumed to be of low enough magnitude so modifications were studied in addition to the "full model"
that the structural fabric of the building remains integral; of the Pantheon already described . The modifications were
that is, cracking is nowhere permitted. 1° Finally, dimen- made with relative ease using the computer-modeling for-
sions and data on the gradation of materials used in the mulation, and they provide a basis for better understanding
construction were those reported by K. de Fine Licht. 11 The the structural behavior of the building itself. The models,
10 For further details on the rationale of these modeling assumptions , see rigidities of the constituent materials, were estimated from empirical
Mark, 19-21. equations developed for light-weight, modern concrete . (See G. Winter
and A.H . Nilson, Design of Concrete Structures, 8th ed., New York, 1972,
11 K. de Fine Licht, 89ff. Elastic moduli, which account for the relative
8, 16, 26 .)
28 TH E A RT BULLETI N MAR CH 1986 VO LUME LXVIII NUM BER 1
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13 The more rigid comer of the stepped-ring section probably induces base of the rotunda to the summit of the dome" that he thought were
greater bending distortion of the wall under dome loading, and this results brought about by differential settlement from uneven loading of the wall ,
in somewhat larger hoop stresses within the wall . particularly near the entrance of the rotunda and in the principal niche.
14 See, for example, R. Mark and W.W. Clark, "Gothic Structural Ex- Rather than finding the vertical dislocation along wall cracks that usually
characterizes differential settlement, we have observed only traces of lat-
perimentation," Scientific American, CCLI , Nov. 1984, 176-85.
eral opening across the cracks - corresponding to the effect of hoop
is MacDonald, 1982, 110. tension . But in any event, Terenzio's inference should not obscure inter-
16 Terenzio, pl. xxv1. Terenzio also identifies fractures "reaching from the pretation of the fairl y uniform distribution of dome cracks illustrated in
Figure 8.
30 THE ART BULLETI N MARCH 1986 VOLUME LXV II I NUM BER 1
17 This factor takes into account local openings in the wall structure as 1a Cracking of the model causes a redistribution of internal forces , so that
well as the effect of possible stress concentrati on at the boundaries of the the final equilibrium of forces must be found from the iteration of a series
openings. See e.g. , S.P. Timoshenko and J.N . Goo dier, Theo ry of Elas- of models, each carrying the cracking propagation a bit further, until con-
ticity, New York , 3rd ed. , 1970, 157ff. vergence is reached.
ON THE STRUCTURE OF THE ROMAN PAN TH EON 31
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8 Crack patterns observed about the interior
of the dome (after Terenzio)
The step rings thus make an obvious and, quite possibly, tunda wall would be expected to produce vertical cracks .
crucial difference in the performance of the cracked-section And although Terenzio does not illustrate cracking in the
dome. wall as he does for the dome, the cracking of the supporting
The extent of the meridional cracking in the actual dome cylinder of Model 8 extends all the way down to 7.6 meters
as shown by A. Terenzio (Fig. 8) agrees remarkably well above the rotunda floor (see note 16) . Hence, the upper
with the simulated cracking in Model 8. The cracks that portion of the modeled wall is no longer acting structurally
he documented continue up the dome to an average of about as a cylinder, but rather as a circular array of independent
fifty-seven degrees above the springing. The cracked region piers, which are more than able to support the dome ad-
simulated in the Pantheon model, by repeated cancelling equately, according to the analysis .
of the hoop tension as it developed (see note 18), reaches The coincidence of the behavior of the cracked model
fifty-four degrees above the springing. Above the cracked with that of the actual Pantheon structure indicates that to
region, the crown of the dome, including the boundary of all intents and purposes, Roman pozzolana concrete could
the oculus, is entirely in compression with but moderate not be counted upon to exhibit any tensile strength. This
levels of stress . Below the dome, hoop tension in the ro- inference seems to be at odds with the position taken on
32 THE ART BULLETIN MARCH 1986 VOLUME LXVIII NUMBER 1
19
The idea of a monolithic concrete dome seems to have been first pro- circumferential or 'hoop' tensions in the lower part [which Mainstone
posed near the close of the 19th century by the then Slade Professor of estimated to be about 5kg / cm 2 ] could be resisted without cracking" (De-
Fine Arts and Director of the Fitzwilliam Museum at Cambridge, J. Henry velopments in Structural Form , Cambridge, MA, 1975, 116, 118). Cowan
Middleton: "It would have been impossible for the Romans to build and reported also on the results of modern tests of concrete from some Roman
vault their enormous spans if they had used vaulting of brick and ma- ruins in Libya. These indicated a compressive strength of about 200 kg /
sonry. . . Roman concrete was quite devoid of any lateral thrust, and cm 2 , not unlike that of modern concrete (Masterbuilders, 56). Based on
covered its space with the rigidity of a metal lid .... The construction an empirical relationship developed for modern concrete, the tensile
of the enormous cupola is .. . as free from thrusts as if it were cut out strength of the Libyan specimen could be expected to be almost 15 kg/
of one block of stone." (The Remains of Ancient Rome, London, 1892, cm 2 (Winter and Nilson , as inn. 11, 22).
r, 66; II, 131.) In this account, the massive walls retain little structural 20
Cracks caused by transient loadings in regions of a structure already
function except to provide vertical support for the dome. Nonetheless,
subject to constant (dead-weight) tension will tend to remain open after
the theory was recounted in Anderson and Spiers' text (The Architecture
the termination of the transient. This contrasts with the effect in regions
of Greece and Rome, London, 1903), which, in a later edition, was cited
of constant compression where the cracks tend to close. This study is the
by D.S. Robertson. Echoing Middleton, Robertson wrote: "Concrete, as
first instance of our finding large fields of tension extending around an
the Romans knew it, was in effect a new and revolutionary material. Laid
entire perimeter of a building. (In Gothic buildings, tension was found to
in the shape of arches, vaults and domes, it quickly hardened into a rigid
be present only at discrete, highly localized regions such as at the ends
mass, free from many of the internal thrusts and strains which trouble
of flying buttresses .)
the builders of similar structures in stone or brick." (Greek and Roman
21
Architecture, Cambridge, 1969, 233; originally published as A Handbook For the calculation of thermal stress, we have assumed physical prop-
of Greek and Roman Architecture in 1929.) By now, acceptance of Mid- erties that would generally be associated with the concrete described in
dleton's theory is almost universal. For Mario Salvadori, "the Pantheon, n. 19 and that the surface of the dome is 10°C cooler than the mass of
a triumph of concrete architecture, could only be conceived and built after the concrete below the surface. Theory is given by Timoshenko and Good-
the discovery of pozzolana concrete by the Romans ... the [thickness of ier, as inn. 17, 433-37. Differential settlement (seen. 16) and earthquake
the base of the dome] is so large that the tensile hoop stresses in it are loadings (which could produce differential settlement) can also induce
well below the resistance of the concrete . ." (Why Buildings Stand Up , additional tensile stresses. But without full records, their effect is difficult
New York, 1980, 230-33). A similar observation had also been made by to predict, and it is highly unlikely that a uniform pattern of cracks would
Henry Cowan: "In the Pantheon the thickness of the concrete is so great have resulted in the vault.
in the lower portion of the dome that the tensile stresses are low" (The 22The section illustrated in Figure 9 is actually from a large-diameter,
Masterbuilders , New York , 1977, 74). Rowland Mainstone, on the other annular barrel vault framing Hadrian's 'Teatro Marittimo." Even though
hand, is more circumspect: "Structurally the new forms ... still fell short the axis of the barrel is curved slightly, the overall structure behaves es-
of a full exploitation of the increased possibilities of action ... provided sentially as a linear barrel vault.
that the conditions of support at the base were appropriate and that the
ON THE STRUCTUR E OF THE ROMAN PANTHEO N 33
23 The tensile strength of metals, for example, allowed tall structures, such 24 Mark, 10-11.
as the Eiffel Tower, to be anchored into foundations instead of requiring, 2sVitruvius, The Ten Books of Architecture , trans. M. H . Morgan, New
as was necessary for all past monumental construction, great masses of York, 1960, 46ff.
masonry to ensure stability. Another consequence was the relatively sud- 26See W.L. MacDonald, The Architect, ed. S. Kostof, New York, 1977,
den achievement of a new reach in building spans (seen. 1) . 40ff.
34 THE ART BULLETIN MARCH 1986 VOLUME LXVIII NUMBER 1
provinces . And although no other domed building of the fact that it was not caused by it gives a new vantage point
Imperial era approached the span of the Pantheon, a num- from which to reexamine the whole issue of structure and
ber of masonry-domed buildings of very large span were style in later Roman large-scale building design.
constructed much later on. Among these were the similarly
scaled domes of the Cathedral of Florence and St. Peter's Earlier studies by Robert Mark often have focused on
in Rome, which were erected over tall crossing piers that Gothic architecture (Experiments in Gothic Structure, 1982,
made them subject to still another crucial set of structural and a related article in Scientific American, November,
problems. 27 Indeed, the brick, 0.46-meter-thick hemispher- 1984), though his research has ranged from Christopher
ical dome used by Christopher Wren to enclose the 30.8- Wren (Scientific American, July, 1981) to this recent in-
meter-span interior crossing of St. Paul's Cathedral is a vestigation of Roman architecture. [School of Architec-
structure that is valid to compare with the Pantheon dome. ture, Princeton University, Princeton, NJ 08544]
The ratio of thickness to span of Wren's dome, 1:67, if
applied to the 43 .3-meter-span of the Pantheon, gives an Paul Hutchinson, an engineer with historical interests,
equivalent thickness of 0.65 meters instead of the actual earned his degree from Princeton University in 1984. [N.G.
1.5 meters . The outward thrust of the thinner brick dome Jacobson and Associates, 414 Skinner Bldg., Seattle, WA
would thus be similar to that of the actual lightweight con- 98101]
crete dome, and although compressive stresses in the brick
dome itself would be somewhat greater, they would still be
well within an acceptable range.
None of this depreciates the achievement of the Pantheon
Bibliography
in a pre-scientific age . But the technical underpinning of
that achievement has been largely misunderstood. Rather
de Fine Licht, K., The Rotunda in Rome: A Study of Hadrian's Pantheon,
than representing any break with earlier tradition, the basic Copenhagen, 1968.
form and support of the dome came directly from long Ro-
Giedion, S., Architecture and the Phenomena in Transition, Cambridge,
man experience with masonry circular-arch construction MA, 1971.
and from using concrete as a substitute for masonry in a
MacDonald, W.L., The Architecture of the Roman Empire, 1, rev. ed.,
wide variety of structures, including even rather large
New Haven, 1982
domes. The coincidence of the observed cracking within
the Pantheon dome with the model predictions for dome _ _ _ _ _ , The Pantheon: Design, Meaning and Progeny, Cambridge,
MA, 1976.
behavior based on concrete having nil tensile strength
should put to rest the idea that Roman pozzolana somehow Mark, R., Experiments in Gothic Structure, Cambridge, MA, 1982.
accomplishes feats that no modern designer would expect Terenzio, A., "La restauration du Pantheon de Rome," La conseroation
of unreinforced concrete. Roman structural development des monuments d'art & d'historie, Paris, 1934, 280-85, pls . xxv, xxv1.
was facilitated by the use of pozzolana concrete. But the Ward-Perkins, J., Roman Imperial Architecture, New York, 1981.
27
See H. Dorn and R. Mark, "The Architecture of Christopher Wren, "
Scien tific American , CCXLV, July 1981, 168ff.
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