COO CFO FF O FFF FF FF AFF FAARAAAAARAAARABRAAAAASAIAIVIAIIAIIIG REED 3 (Flute, Clarinet, Bass Clarinet, Tenor Saxophone) COMPANY Music and Lyrics by Stephen Sondheim Book by George Furth Originally Produced and Directed on Broadway by Harold Prince Orchestrations by Jonathan Tunick NOTICE: DO NOT DEFACE! Should you find it necessary to mark cues or cuts, use a soft black lead pencil only. NOT FOR SALE This book is rented for the period specified in your contract. It remains the properly of PLEASE RETURN ALL MATERIALS TO: Property of | HAL*LEONARD SATA EES. ‘Mone Tosa arnnarionns aan 121 Wes Sth rot Aa 19 ons S29 New Ya NY 1018 Shetesham Vio 3192 Ausra “er 9505 900 (2a) sata (ot 9 eas 00 a aulsshows@[Link] ‘Text Copyright © 1996 by George Furtn, stepnen Sondheim and Hal Prince Music & Lyrics Copyright © 1970, 1971 by Herald Square Music Company and Rilting Music, Inc y pyrigl y a Pe 6 AL Rights Reserved,COC CFO FCO FO FF RFFFAFAAAFAARARARAARAARAADRAAAAIAIAINIIIINI9III Company Reed 3 (Flute, Clarinet, Bass Clarinet, Tenor Saxophone) Act One 1. Overture... 2. Company 3. The Little Things You Do Together....... ea 3a, Bobby-Baby — Underscore....... wd 4, Sorry-Grateful ... 4a, Bobby-Baby — Underscore wenn 5, You Could Drive a Person Crazy. 5a, Bobby-Baby — Underscore..... 6. Have I Got a Girl For You... 7. Someone Is Waiting .. 8, Another Hundred People 26 9. Getting Married Today ... 32 10. Finale - Act I a7, 10a. Marry Me a Little . oe) Walt. Finale - Act I* .. 41 “To be used when not including “Marry Me a Little” in your productionCompany Reed 3 (Flute, Clarinet, Bass Clarinet, Tenor Saxophone) Act Two 11. Entr’acte ... 12, Side By Side By Side... 13. Poor Baby.. TA, Tick-TOCK se 4alt. Have I Got A Girl—Reprise* .. 15. 16. 7. 18. 19. 20. 21. 2. 23, 65 Barcelona .... Bobby-Baby—Underscore Night Club ‘The Ladies Who Lunch Being Alive... After Being Alive ... Finale Ultimo... Bows... Exit Music .. “To be used when not including “Tick-Tock” in your productionSe gre ne enn ge ne ge cn cP A Ot SNS eR SSN Se RSIS Tenor Sex Overture : “comPANY Mc an ais by Sign Sen ‘natty ees Tae Moderate 4 (TENOR SAX) es ¥ > > . son a PPReed 3 Bass Clarinet Taorsat Company Clarinet (BASS CLARINET) [vamp] {4 times} (Qo TENOR SAX) 4 (TENOR $aX) tf ‘Orehes 2 coMPAN rics by Stephen Sonim oat by esti Tick#2-"Company” wean (to BASS CLARINET) Reeds REECE EEE EEE EU SE I III IIISReeds * 12 "Company" (BASS CLARINET) (TENOR SAX) 4 ( ( c ( ce ( co Te 221] | y(t CLARINET) 8 Tae rCOOCF OCF FCF OFF PF PAF FR AERA RAR ARAAARAARARAARAASVVBVIVVITVIGGIG Reeds (CLARINET) 4 Tete 5 Tent 42 "Company" 5. Tenei ‘— 3) The Little Things You Do Together a asc an Liye odin jrchstraons by aah Tick Moderato (CLARINET) Page)493 "The Litle Things You Do Together” Reed 3 PEER EEE EE Ce EE Ew II III IIThis page left blank intentionallyee ee ge ee ee ee re ne eC een ee MON ey) ee eet: Reed 3 Clarinet, (CLARINET) Bobby-Baby — Underscore 3a Lyrics by Stes Sanden stats by Joan Tus (to BASS CLARINET) aReed 3 4] De Cre Sorry-Grateful = ‘Music and Lyrics by Stephen Sndhsin ‘Orchestrtins by Jonathan Tui Rubato (4=60) (BASS CLARINET) 3 ton tn a “e _ oe | (trie rhythm (trict rhythm)#8 "Sonry-Grateful” Reeds PEC EEECCRCE YI IIISThis page left blank intentionally -12- e ( ce « ce ( « ‘EC OOCOCOCFCOOCFFFAFAARARARARARAARARARAARARARIAAIAIAIAIAIVIAIIIY Reed 3 (42-Clrina TACET — Bobby-Baby - Underscore -13-[5| aa You Could Drive a Person Crazy aka ‘Music nd Lys by Step Sohn ‘Orchestras by Joaahan Tick (CLARINET) o 7 es ee ‘Moderate Tempo ¢ C ( O r ié f oO 2 ( ( a : = ic “ue= (toFLUTE) 45 "You Could Drive a Person Crazy” -15- d BI Reeds PERCE EEE YY YY FFG GIGI II IIISReed 3 s #5~ "You Could Drive a Person Crazy Tene 2 2 Tee aa -18-COO OC FE CF OCF FPF PPAR RRA RA RAR A RAR AARAARARAARRRARSVVVIISIGG Reed + 45 "You Could Drive a Person Crazy” SS (oTENOR SAX) 8 wv Teer 77] (TENOR SAX) 2 Tastee -17-This page left blank intentionally -18-5a -19- Bobby-Baby - Underscore TACET (®42-Chrint) i PERLE ER CEE EEE EU UE I I IG IIISReed 3, i Have I Got a Girl for You aoa “Masi and Lyris by Step Sond “Orchstations by Jaan Tic el ocLaRINen 3 (CLARINE), ——— Peas -20-COO OCF COE OFF FFF RAFF FARA RAAARARAAARAAAAARABRAAAIAIIIIIIGDG Reed 3 2 6 "Have I Got a Girl for You" == > e = @ 3 Te Toa Ten 8 Tost VS. -21-Reed 3 s £85 "Have I Got a Girl for You" 8 o Tee 8 o Tee 8 Tee) it : [2 atenpo A Tera Taare Segue as one to #7 -22--23- PEL ERLEERLEEOEEE Eee uevuvvvvvvvv vy vy yyy yy YY IY III IIISReed 3 ae Someone Is Waiting 2 ‘Maric and Lyrics by Stephen Soahsin ‘Oreesatins by nathan Tui Slowly (J=92) (BASS CLARINET)47 "Someone le Waiting” rit, molto rit Rubato atempo Reed PERRY I III IISFlue Dolce e leggiero (d= 112) Lure) Another Hundred People -26- o 8 es by Stephen Sondcin ona by Jonas TuckPROOF OO EEF FERAL FARA ARARARAAARAARAARAARABRAAAAAIAIIIIIIIYG Reed [Repeat and fade until cut off] =m 8 “Another Hundred People -27-8 "Another Hundred People” ReedsPOFFO FOO OR ORF FFA AA AAA ARARAAAARARAARARAAAAIAIAIAIIIIIIIG Reed [Repeat and fade until cut off Tear vs 48 “Another Hundred People” 8 Toney 4 43 Tren VS. -29-#5 "Another Hundred People” Reeds all. -30-48 “Another Hundred People” Reed 3 PECL EERE ECE UE EE YY I GI III IISReed 3 one Getting Married Today comaw vt iS selineuorn ints Largo (cuanven -32-COCO OO EO RFR FAFA AFA RAR ARARARAARAARARAAIAAAIIVIIIIIIGG Reed3 #9 "Getting Married Today”Reed3 3 49 "Getting Married Today’ 12 o Te eau ~~ 2 oe 1 7 tm Tae ¢ Largo (Tempo I) ( 2 2 Tee Tae -34-COO COCO FCF OP RP RR FRR RRA RAR AAR ARR RRA ADBID III Reed 3 + 49 "Getting Married Today” 2 a Tae) 18 a7 Presto-36- This page left blank intentionallyCOCO OCO COCO FFF FF FFF AFA AAA AARARAARAARRARASRASAASAIVIAIVIIIIGG Reed 3 ‘lane Finale - Act I (CLARINET) (coET (oBASSCLARINE oe 7° ma 2 oe Ta Segue as one to #10a "Marry Me a Little”Reed 3 10a ccna Marry Me a Little aes sugtttom se cotes (8485 CLARINET) 4 4 > Te (BASS CLARINET) -38- C © O Oo(100~ "Marry Mea Little" Reed 3 PEC CREE RCE YY IG III IIISReeds * {100~ "Marry Mea Little” (cuanmen Tan ag End of Act One -40- i ce fe tiCOOP OO EF OFF FFF FAFA AAR AAR ARAARAARAAABAABAIAIVIIIIIIIY Reed 3 Clarinet [CUET (cLariven) 7] (CUED) (CUEV) 10 alt. ris by Step Sonhsin ates by Jonas Tk Finale - Act I (to Be weed when nat inca “Marry Me A Litle*in your production) (cur ni) End of Act One -41-Entr'acte ‘coMPaNY Masi and Lyris by Sepa Seno ‘Orchestration by Jnusn Tuck ‘ ic e se [1a] comer ( f ¢ (TENOR SAX) : ae a“Entacte" 1-7 -43- Reed 3 CECE CECE CEE EE YU III IIISReed 3 Set Side By Side By Side 2) Tenor Sex Masi and Lyris by Seen Senden ‘Orchestra hone by nathan Tuck Moderate 2 (CLARINET) ae — mtorr) -44-VS. (12 ~"Side By Side By Side em 45: Reed CECE CE ERE CUE EE EE YI III ISReed 3 * (N12 ~ "Side By Side By Side" a 2 2 12 Teste 108 4 Teen -46-COFCO OFF FF FF FFFFFFAFARAAARAARAARAARAAAAAAAAAIAIIAIIIIIG Reeds + (12 "Side By Side By Side 4 re (to BASS CLARINET) ro (BASS CLARINET) Se es ae to vibrato i (¢o CLARINET) -47-Reeds & 12 "Side By Side By Side” 7a (cLaneven 8 ae Ter + 17 Presto ["WHAT WOULD WE DO WITH YOU?"] -48-VS. (12 ~ "Side By Side By Side” -49- aay & Reeds CECE CECR CEREUS ee EY YI III I IIISReed 3 ” ‘812 ~“Side By Side By Side” 2 wos 2 « i ri ( ( t ( f ( ( ev maa ae 3 -50-#12 "Side By Side By Side" -51- [TRAIN TAG] (MARCH INTRO} tb Reed3 PECL CER CEE EU III IIISReed 3 s 12 ~ "Side By Side By ide” (to BASS CLARINET) (BASS CLARINET) ea wa] (CANES) ( ( ( ¢ € ( C € C ¢ ( (Go CLARINET) Zz * eae (CLARINET) -52-CRO FFF OF OFF FFF FFF AFA FAAAARAARAAAARABRAAASAIAAIIIIIIIIG Reed 10. (#12~ "Side By Side By Side” — ——— 2 co wa] [BROKEN RECORD] ae 32 -53-Reed 3 ae (12 ~ "Side By Side By Side" C ¢ ( ( i. C ( ¢ ( rit, molto Te] (CAKEWALK] (TAP BREAK] -54-COP OC OT OOO COCR ORF RRA RAR ARARARAARARARARABRAASAIAIAIAIIIIIIIIY Reed3 a2 (12 ~ "Side By Side By Side" (TAP BREAK] [TAP BREAK] > (ROBERT'S TAP BREAK] > Liistesso tempo (0 TENOR SAX) 7 eres VS. -55-(112 ~ "Side By Side By Side" a z 3 3 a Reed 3 -56--57- CECE CECE EEE EEE Ey yy I IIISReed 3 ss linet Poor Baby a3) Tener Sax *couravr Music and res by Supe Sonia ‘rehab ota Tick (J=100) (BASS CLARINET) > > > 7a -58-CR OF OOOO OCF FFF FFF AFA AFAAAAAAAAAAAARAABAAADNIAIIAIIIIGG Reed 3 2 413 ~ "Poor Baby" (to TENOR SAX) SS 5] de under aatoguc] (Diane) [2] THORSEN a wan ra a fF ‘@ orese. poco.a poco (toBASS CLARINET) 4 = ra wen a tempo (BASS CLARINET) s Se ees ne P -59-Reed 3 14) Cie Tick - Tock u “Masi and Lyris by Sen Senin ‘Orchestration ty fnathan Tunic (= 100) (CLARINET) 4 -60-‘14 "Tick Tock” ~61- Rock - 1/2 time feel Reeds RPEECCECERECEE EEE eee YY Y Y Y IIIIIII$14 "Tick Tock” Reeds -62-COFCO OOOO FFF FFF RFRA AR AR ARAAAARARAABRAAAAIAIAIVIIIIIIAS Reed3 + #14 "Tick - Tock” 4 Ter Freely - Slow 4 a VS.Reed3 Moderate tempo - in six Moderato - not too slow 5 Teer #14 "Tick Tock”COP OOF OOF OOF FF RAFF RAR AARARARAARABRRARAARABABIAIVIIIIIIGY Reed 3 Con moto TACET Have I Got A Girl - Reprise 2 1a (obo used when nt including "Tick Tock” mow production) 14 alt. Masi and Lyris by Stephen Sonic ‘Orcesetions by nathan TunicReed 3 5 Tas Claret Barcelona -couraar aa Ly Seen oes ‘cbt yas Tk (d=30) (BASS CLARINET) 4 -66-COE OFF OF FCF FFF FFFAFFAAFAARAARAARARARARAAASASAIAIAIIIIIIGG Reed 3 2 (15~ *Barcelona” ——— all. rit, molto P ‘Tempo I? e ub 2 o 7 PO Segue -67-Reed 3 a ons Bobby-Baby - Underscore (16 | “Music and Lyris by Stephon Sond ‘Orehestratins by Sonaan Tick -68-COO OOF COCO CRF RAR AAA AAA ARAAAARAARARAAABRAAAAAAIAIAIIIIIIY Reed 3 ‘Tenor Sax Slow 4 [amp and fade out] Night Club 17 Masi and Lyris by Steen Soon ‘Orchesrtions by Jonathan TickBass Clarinet Tar Sex The Ladies Who Lunch ‘COMPANY Music and Lyrica by Sepa Sond “Orchesraine by Jnsan Tuck Molto Rubato (J=96) (BASS CLARINET) ‘Slow Bossa Nova : 82a v m0) « ( ¢ ¢ ( ( c C ( oO ( (to TENOR SAX) 4 -70-COOC COC OFF FFF ARF AR AAA AAARAARAARARAARARAARAAAAIAIIIIIIIG Reed Dara o st aumpo we 5 cmonsan fe, (8 — "The Ladies Who Lunch vee -n-Reed 3 Tenor Sax Bass Clarinet (TENOR SAX) > z ‘Moderato (J=112) (BASS CLARINET) (19 “comPaNY Masi and Lyris by Seen Sonim ‘Orcestrations by fnathan Tunic Being Alive Te (to BASS CLARINET) nm#19 "Being Alive” Reed 3 CECE ECE CEE UE EU III IIIS19 "Boing Alive” Reeds -74-#19 - "Being Alive” -75- Reeds CECE CCCP EE III IIIReed 3 “Tenor Sex After Being Alive ‘Maric and Lacs by Stephen Sond, ‘Orchesrtins by fenathan Tack (TENOR SAX) -16-COOOC OO COE FOR RAR A RAR AR AR AARARAARARAABRAABIAAAIIVIIIIIIY Reed 3 ‘Bass Clarinet (BASS CLARINET) Finale Ultimo -11- a ‘Music and Lyris by Stephen Sondbsin ‘Orchestations by Joaas Tuck (to TENOR SAX) [Curtain]Tenor Sax Sine Bows “COMPANY Masi and Lyris by Stephen Senden ‘Orcestations by Tonathan Tock (TENOR SAX) _— a - = a —= (or) (0 CLARINET) 8 -78-#22—"Bows" -79- PERCE EEC EU WU YE II II IJ IIISReed 3. 23 Clarinet Exit Music ‘COMPANY Masi nd Lyris by Sep Sone ‘Orehestations by naan Tuck (CLARINET) 4 o aH ce e am = -80-(#23 ~ "Exit Music” -81- Optional Reeds La a OO)-82-