80 Sostenuto Nedda (laughing mockingly) Ah! ah! Ha, ha! Quan-ta po-e - si- ‘you talk like a po- et! Non ri - der, Ned-da! Do not laugh, Ned-da! affrelt. att os 7 vaal-Po-ste- ri - al Go to your tay ~ ern! cee = <= Cantabile sostenuto (@- 16) ben che dif - for-me, con-tor - to son i- 0; che de-sto sol- know I am ug- ly, deformed and un-gain-ly, That hor-ror and loath - ing a- ssoasscher-noe lor - ror. lone = so-gnovun de- si - dream, al -tho' vain - Poco pitt mosso lor che sde-gno - now, when you pass fe. -to ing sai tu che plan - notthat my weep - | ss084 in - spire, 81 ~pu - rekal pen-sie - ro have I a heart, and rit o ly, eun To pal - pi- toil cor! have my de -sire! a fT rit col canto pas- si diac - can- Proud and dis - dain - to, non ful, Know’st —_ mi my spre-meil do - lor! sor - row would prove, = "it rit motto82 Tempol accel.un poco — > ché, mio mal-gra - do, su - b}-toho Tin-can - ‘spite of my-self, thine en - chant-ment so pain F a ee (approaching hes) r mar vin - to Ya - mor! vin - fo Ta-mor!_—_ ont con-querd my love!_—___ con-querd — my love! An! a col canto Nedda (oreaking in) > butating into Laughter) che ma- mi? Abfablah!ah!ablah! Youlove me! Hathalhathathatha! rneals. lasciami,la.- seiami or dir-ti... Letmethenbid__me I may tell thee_. colla parte anos83 Sostenuto assai (¢ = 6) con elegansa Hai tem - - pos ri - dir - me-lo There's time, if you like, once more schersoso con elegansa “Ya; se bra - mi! Stas-se-ra! methis eve - ning! This evening, sospeso Fee atta parte marcato Fa - cen- -do le smor - fie cola, co - when you will be act - ing thefool, up ae eo snoas84 lay sul-la see - ral Hai tem-po! there on theplat - form! Tonio Well,wait then! Non ti - der,Nedda! ‘No, laughnot,Nedda! Fa - cen - - do le smor - fie Till you shall be act - ing. a co - - the Non sai tu che pian - to mispremeil do-lo - ref Knowst not that my weep - ing my sor- rowdeth provel. Ablak! abt ah! fool! Ha! ha! ha! ha! Non ori - Non vi-der! Nay, do _not Stop laughing! a hing haot $e Ee spenn sso24Per o- Just now Su - _ di-to ho Tincan vin-to lamor! En - chantment so pain con-queredmylove! ; 2 Set (aughing) z ‘Tal pe-na_ti puoi ri-spar- Hal ha! Apain you had bet-terput implorin, (sadly) Nedda! Nedda! Ned-cal Ned-dal col canto Mosso, wt, voglio dir - te-lo, & that I would tell it you, "tis = No, No, is Mosso (d = 100) ruvidamente | > sons86 che vo-glio dir = te- lo, that I would tell it you! e ma And you — shall a tempo tou= LS. Nedda (with studied insolence) sa- ra - il shall take — you! precipitate te, ma-stro To-nio! La schie~na og - gi me,Mas-ter — To-nio, back must itch for tone88 ou-na ti - ra Or elseyour ears rec - chi 6 mne-ces - sa - riaalvo - stroar- dor?! pull - ing, to coolyour ar - dordown a_—ibit! Toni. 33 Sho S533 omy er la cro - ¢edi Di- By the cross of theSaviour! bef - fi?! Scia-gu - ra-ta! mock me! Wretch-ed creature! K P. ts934fi-nac - Gi? @ Athreat, eh? Pe-da che puoi pa-gar - la ca-rall Care-ful! youll pay for this, and dearly! re ‘poco a poco ‘ a F ote wim ore win on Op, ‘noi che Yadaachiamar Ca-nio? rit. molto Come, or Til be cal-ling Ca-nio towards her) Non pri - mack'io ti But not — till Ihave A ALA rit. molto col canto ; z hee ae ate f jempo (drawing back) Ba - da! + 3 Back there! Pe ya - cil to - -~ sto sa- rai kissed you! some day Til a tempo rh, - ss93490 (pieks up the whip, and strikes Tonio in the face) (ashing to eatoh her) Nedda Poco meno ta bi-le! you our! declamato (screaming and drawing back) Poco meno >> pS pS @ piacere a S >%> @ piacere Ver-gin pia di mez-za - go- sto, Ned - da, Bless-ed Vir gin of As - sump - tion, Ned- da, fs col canto 18094o (goes off left, threatening) giu - ro... tke ta pa - ghe-ra-i! swear it, You shall By me for it! a Nodda (motiontess, watching himas he goes off) A-spi - de! va! Ti sei eve - la- toor- Seor-pi - on! Go At ast youve shown your dim. G col canto ' Poco pit @ ma-i.. To-nio lo sce-mo! Hai Ya - ni - mo na-ture! —_To-nio the clown! The heart of you sa = z S ben marcato il basso quasi parlato = sie-comejl cor-po di-for-me.. lu-ri-do! .. is just as crooked your bod by :92, Duet Scene Jil. Silvio and Nedda, then Tonio. Appassionato (¢= ss) ys x —— SSS et : ne - Sil-vio! che’impru-den-za! Sil - vio} What fol-ly! clive Cy onthe wall) (smiling) 8 = ——+ 2 Ab o, Appassionate (d= SCA ne be: I _ =. [Sa 5= =———| —— ie oH c ——== =—_ PE == x x Andantino (4 = 75) Sa -pe-a chio non ri - schia-vo ml-la I fan-cy its no great risk Im tak-ing! a Canioe Pep - pe da lun - gea la ta-ver-na, a la Ca-nio spied from far with Pep-pe yon-der, ay, at the Parcs oe —_ toe , te 2 1934" ea 3 Un poco pid mosso * rita tempo ver - na ho scor-to! tav-ern 1 saw them! Sa Medda Ean - co-raun po - co With - in an ace, — tho} - chiaa me no - ta qui ne ven-ni. here, by a path-way 1 re-mem-bered! fo-nio tim - bat - fe-vi! higobboe da te- you came of mect-ing To- Afool,andyet 1 (laughing) Oh! Tonio gob-bo! Ha! He's the Fool,eb! ss034o4 Allegro moderato come prima mer - -Ta qui mel fear Andjust now he Silvio dis - se... e nel be-stial de-li-rio suo, baci chie- told me, And in a burst ofwildde-sire, hewant-ed erese_molto ar-dia cor dared lay hands asoneAdagio Ma con la fru-sta LP e legato Butwith my whip here 95 declamato fo - ga cal- cur was dis < Ta the im - mon-do del cane ar -dor I calmed the col canto te. # Andaute amoroso(e = ss) Slivio (approaching Nedda sadly and tenderly) s 4 = 3 = 7 ——_—-—— st = = = E fra que-stan - —— 6 fae And shall you live, be ine ahey Animando > vrai?! this? aF_ vie like no er - ter long a e as eo ores molto —~ (taxes her hand and leads Aer down stage) o~ previpitato poi rit ’