Trumpet

4 JAZZ CRIMES JOSHUA REDMAN

ARR. BY ALAN BAYLOCK
A
              

Funk  = 116 B C

         

   

   D  



                                          
  

       
     
                    
E

                
  


 s. 
      glis           gliss.              gliss. 
F G 2nd x only H
        
Open

           

         
         gliss. 
 

  
I J

              

  

              


                                         
 
  
                    
K


                      

             

L
   
                                     
2nd x only

  

       



            
M

       
          
Opt. Tacet


          
                            

  

              
        
Play!

          

    
               
       
          

    
              
 