2023

CUSTOM
GUITAR
DESIGN GUIDE

DALE WILSON MASTERBUILT '58 STRAT

®
HEAVY RELIC
®

9216007504
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FOREWORD ©2023 Fender Musical Instruments Corporation. FENDER®,

A Fender Custom Shop instrument is extraordinary. You know it when you play one—it’s STRATOCASTER®, STRAT®, TELECASTER®, TELE®, PRECISION
definitely more than the sum of its parts. It’s filled with intangible, electrifying elements that BASS®, P BASS®, Jazz Bass®, J Bass®, ESQUIRE®, Nocaster®
and the distinctive headstock designs commonly found on Fender
add a new dimension to your playing experience. It’s as if the instrument itself is imbued
guitars are registered trademarks of FMIC. All rights reserved.
with history, alive with the spirit of the place where it was built and the devotion of those
For more information go to fendercustomshop.com

who crafted it. All other trademarks are the property of their respective owners.

The Custom Shop is home to Fender’s most skilled and talented builders. It’s a bustling, All Fender Custom Shop instruments are expertly crafted
according to exact order specifications and arrive free of defects.
noisy and creatively volcanic place that re-earns its nickname—the Dream Factory—every
Those instruments not abiding by this policy will be repaired,
day. Custom Shop builders are completely dedicated to their art—part craftsman, part modified or replaced by us at no cost to you. Consult your
artist, part music fan and, more often than not, part mad scientist. They’re the best at what local retailer, distributor or the Custom Care™ website
they do, and they pour all of their passion, hard-earned knowledge and skill into every (customcare.fender.com) for details.
instrument they build. It’s no ordinary place, and the creations that come from it are no
Fender Musical Instruments Corporation
ordinary instruments. Welcome to the Fender Custom Shop. 17600 North Perimeter Drive
Scottsdale, AZ 85255-5440
For players who wish to create a completely custom instrument—anything from a humbucking T: (480) 596-9690
pickup-equipped banjo to a custom-engraved aluminum-bodied Strat®—we offer Masterbuilt, F: (480) 596-1384
a singular experience working one-on-one with one of our Master Builders. Custom-Built is for
fendercustomshop.com
those prefer to start with one of our time-honored models and personalize the specifications
to meet your specific needs. Use this guide to design your very own Masterbuilt or All colors, features and specifications
Custom-Built Fender guitar and make your dreams come true. are subject to change without notice.
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CONTENTS
Ordering Yours . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5
Masterbuilt . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 7
Master Builders. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8
Custom-Built . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
Base Models. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15
Stratocaster Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16
Telecaster Models. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18
Precision Bass Models. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20
Jazz Bass Models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21
Offset Models. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22
Aging Styles. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23
Tonewood Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
Body Wood. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 28
3 4
Neck Wood. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 30
Color Options. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31
Neck Shapes. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35
Fret Wire. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 39
Pickup Option. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41
Wiring Option. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45
Hardware Options . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52
Design Guide Order Form. . . . . . . . . . . . . . . . . . . . . . . . . . . 58
For more information go to fendercustomshop.com
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HOW
TO USE THIS GUIDE
Is there a special Fender instrument that you have been dreaming of your
whole life? We have some good news for you! The Fender Custom Shop can
take your dreams and shape them into a tonal reality. The process is simple:

01 SELECT A BUILD LEVEL

Masterbuilt or Custom-built

02 SELECT A CUSTOM SHOP BASE MODEL

Choose from a wide range of guitars and basses

5
03 SELECT AN AGING PACKAGE 6

04 SELECT YOUR OPTIONS

Choose your custom options from our extensive menu of offerings

05 ADDITIONAL NOTES
Use the “additional notes” section if your desired options are not listed
For more information go to fendercustomshop.com

06 SUBMIT YOUR ORDER

Take this completed design guide to a Custom Shop
Showcase Dealer which you can find at
www.fendercustomshop.com/dealers/
 MASTER
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BUILDERS
Imagine the greatest artists in history gathered under one roof;
Michelangelo, DaVinci, Picasso and Dali working next to each other,
sharing pigments, knowledge and expertise. The Fender Custom Shop is
exactly that, the world’s most esteemed luthiers gathered together to create
peerless instruments that are astounding works of art—the Master Builders.

01
They are known the world over for their skill and have built instruments
for Jeff Beck, Ritchie Blackmore, Eric Clapton, Dick Dale, Mike Dirnt, Bob
Dylan, Robben Ford, Buddy Guy, Merle Haggard, Reggie Hamilton, Mark
Hoppus, John 5, Keith Richards, Sting and U2... just to name a few!

PAUL WALLER
DALE WILSON Paul Waller is a Southern California
native with woodworking and luthiery in
his blood. He built his first guitar at age
14 in his high school woodshop, joined a
cabinet shop right out of high school and,
after a stint at a small Southern California
guitar maker, enrolled at the acclaimed
Roberto-Venn School of Luthiery in
Phoenix, from which he graduated in
Dale Wilson arrived at Fender in 2003, spring of 2000.
7 joined the Custom Shop in 2005 and 8
became a Master Builder in 2011. Waller joined Fender in 2003. He spent
Building guitars has been a driving two years working closely with master
BUILD LEVEL: passion for the California native since archtop craftsman Bob Benedetto, and

MASTERBUILT
childhood. “Ever since I can remember, became steeped in the many facets of
I’ve always loved guitars,” he said. “I building techniques from all the Custom
didn’t dream of being a rock star; I dreamt Shop’s Master Builders. After an extensive
of building the ultimate guitar. I was seven-year apprenticeship, Waller
In every art form there are those who have mastered their craft so thoroughly, through equally enthralled with the guitars just as became a Master Builder in 2010.
years of training and experience, their work routinely commands extra acclaim and much as I was with the players.”
admiration, not to mention outright awe. These astonishing artisans are the Master Builders His Fender Custom Shop work includes
of the Fender Custom Shop; a select group of the most talented builders recognized around Woodworking runs in the Wilson family, bass guitars for U2’s Adam Clayton, a
the world for their matchless skill, limitless imagination and utter devotion to their art. and the requisite Custom Shop zeal custom Thinline Telecaster for U2 vocalist
for outstanding craftsmanship has long Bono, Telecaster guitars for the Rolling
Crafting a guitar with a Custom Shop Master Builder is the ultimate artistic partnership— been part of Dale’s DNA. He did repair Stones’ Keith Richards and co-work on
simply put, no idea is too crazy and no job too large or too small. They’ll walk you through work and mods in a small guitar shop a Stratocaster for fellow Stones guitarist
everything—body design, neck shape, tonewoods, pickups, hardware and more—to right out of high school in the late 1980s;
For more information go to fendercustomshop.com

Ronnie Wood, Stratocaster guitars for

give you the look, feel and sound that you’re searching for. From start to finish the Master subsequently, he moved on to stints at Buddy Guy, the Nile Rodgers “Hitmaker”
Builder will personally ensure that each guitar is built with the highest possible quality and Dobro and Rickenbacker before arriving Stratocaster, a custom double-neck
to your exact specifications. Additionally, it’s about more than just specifications, it’s about at Fender, where he worked on Guild, Jazzmaster for Queens Of the Stone Age
making the instrument of your dreams a concrete reality. Gretsch and Benedetto guitars before guitarist Troy Van Leeuwen, the George
beginning his apprenticeship with various Harrison Tribute Rosewood Telecaster,
Custom Shop Master Builders. and the George Harrison Rocky
Stratocaster.
He enjoys calling upon his extensive
and varied experience as a craftsman to

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create highly distinctive guitars such as the
Resophonic Thinline Telecaster ®. Wilson
also built five beautiful custom guitars for
the January 2011 NAMM Show while still
an apprentice and was asked to signed
the back of the headstocks, garnering him
his Master Builder status.
 JASON SMITH RON THORN
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A Custom Shop veteran and son of longtime in his teens, Smith was going to see Pink Floyd, Ron Thorn brings his decades of expertise in guitar luthiery,
Fender R&D legend Dan Smith, Jason Smith ZZ Top and many other major artists. namely inlay work, to The Fender Custom Shop. Thorn’s
grew up on Fender — “It has always been in my Rock music and Fender are part of Smith’s relationship with the Custom Shop team began with his
family,” he said, “And I was always extremely DNA. He joined the Fender Custom Shop in inlay business, Thorn Inlay—which has been the sole inlay
interested in everything my father did.” 1995 and in 2006 completed a five-year provider for the Fender Custom Shop since the mid-90s.
apprenticeship under acclaimed Senior Master He’s also built more than 800 custom instruments under the
Born in Rochester, N.Y., and raised in Builder John English. Among many diverse name Thorn Guitars. Thorn is among the first to assume the
California, Smith remembers meeting guitar projects with English, Smith worked on a title Principal Master Builder—one of the highest honors in
greats from about age 5 on through his father’s pair of double-neck Stratocaster guitars for the Fender Custom Shop and the guitar building community.
work with Fender—Eric Clapton, Yngwie Stone Temple Pilots guitarist Dean DeLeo. He
Malmsteen, Jeff Beck and Robben Ford, to has since crafted fine instruments for players
name only a few. He went to his first big rock and acts including John 5, Michael Landau,
concert at age six—Rush—and remembers Flea, Josh Klinghoffer, Steve Harris, Reggie
going backstage with his dad and meeting Hamilton, Linkin Park, Kenny Wayne Shepherd,
Geddy Lee after the show. Before he was even Neon Trees and many others.

DENNIS GALUSZKA
TODD KRAUSE Like Fender itself, Dennis Galuszka is a Southern California native. Combining his dual passions for music and
woodworking, he began building high-end acoustic guitars during his 13 years as a cabinetmaker. As a working
drummer, it was a 1999 audition with one of the Fender Master Builders that led to a job interview and a new kind
of steady gig—as an apprentice at the Fender Custom Shop.

Todd Krause has built exquisitely crafted custom instruments for many of the world’s greatest artists, including Jeff After only eight months there, Galuszka was promoted to Master Builder. He has since built finely crafted
Beck, Eric Clapton, Bob Dylan, David Gilmour, Robbie Robertson, Kenny Wayne Shepherd, Robin Trower, Roger instruments for influential players including Paul McCartney, Andy Summers, Johnny Marr, Patrick Stump, Mike
Waters and many others. Dirnt, Sting and many others. He has lent his expertise to a number of truly distinctive instruments, including
double-neck guitars and unusual takes on classic Fender designs along with several artist models. “It’s all about the
His guitar-building apprenticeship began in early 1981 at Jackson/Charvel guitars. Krause arrived at Fender feel and sound of an instrument,” Galuszka said. “Those things are number one with me, above everything else.”
in 1991 and steadily rose through several roles, including one-off instrument builder, R&D model maker, and
woodworking machinist. He became a Custom Shop Master Builder in 1997 and has created countless distinctive
instruments, all of which embody his personal design philosophy: “Form and function are the biggest part of it,” he
9 said. “It’s about the way an instrument sounds and feels. It has to look cool, and it has to compel you to play.” 10

KYLE MCMILLIN
Kyle McMillin brings 15 years of musical instrument
experience to the Fender Custom Shop. McMillin recently
YURIY SHISHKOV finished a five-year apprenticeship under Principal Master
From handcrafting many of his own When he arrived in the United States in 1990, Builder Yuriy Shishkov—working on nearly 1,000 guitars
woodworking tools to showcasing his Shishkov settled in the Chicago area and while learning from the esteemed builder. As a newly-minted
world-class luthier skills and custom inlay collaborated with a range of top artists, including Master Builder, McMillin is now part of a team of the finest
work, Yuriy Shishkov is truly one of the last of late shredder Dimebag Darrel, Jimmy Page and guitar builders—the Fender Custom Shop.
the renaissance guitar builders. It was in the Robert Plant, Nuno Bettencourt and Paul Stanley
small confines of a root cellar in his hometown of Kiss. Shishkov joined the Fender Custom Shop’s
of Gomel in the former Soviet Union that Master Builder team in 2000, and continues
Shishkov got his start building guitars for to craft truly magnificent instruments featuring
friends and colleagues. exquisite detail and inlay work as the Fender
Custom Shop’s Principal Master Builder.
For more information go to fendercustomshop.com

AUSTIN MACNUTT
Canadian born in a family of performing musicians, building. Recognizing his talents, immediately after
some of Austin’s earliest memories contain acoustic completing the course the school offered him a position
and electric guitars, including his father’s 1963 Custom as one of their teachers. During these 5 years of teaching
Color Black Fender Jaguar with matching headstock that guitar building, he met Ron Thorn during an inlay seminar,
GREG FESSLER is still in the family. Following in his parent’s footsteps, he and shortly after was offered a position at Thorn Guitars.
took up guitar playing at the age of 10 and soon found For 11 years Austin crafted boutique electric guitars under

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Greg Fessler came to the Fender Custom Shop in 1990, working his way up through the ranks as an apprentice. He himself tinkering on it to improve playability and tone. the Thorn brand. From raw lumber selection, millwork,
assisted with the Robben Ford signature line of guitars, eventually becoming the sole builder of those instruments and, Throughout his teens, Austin developed his building and CNC operation, fretwork, final assembly – Austin did it
later, Ford’s personal builder. Fessler has built one-off Stratocaster and Telecaster models for a host of players, including repair skills and became the local go-to repair tech for all and once again is working shoulder to shoulder with
Joe Bonnamasa, Jeff Healey, Hank Marvin, John Mayer, Rhonda Smith,Neil Schon and Pete Wentz, to name a few. many of the bands passing through. his old friend, now crafting Fender’s finest.

Fessler’s remarkable abilities as a Master Builder have earned him accolades from many Fender artists and from After graduating high school in Saskatoon – Austin saved When Austin is not building guitars, he enjoys spending
discerning customers worldwide. His meticulous attention to detail is exemplified in every instrument he creates, up and enrolled himself at the Guitar Craft Academy his time with his girlfriend playing music and going
each of which is a perfect example of the intense commitment it takes to earn the title of Master Builder. in Hollywood to further his skills and passion for guitar camping whenever and wherever he can.
 ANDY HICKS
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Andy Hicks grew up in a household filled with music production for his shop in the San Fernando Valley.
lovers. He received his first guitar on his 11th birthday
– a gorgeous 3-tone burst Fender Stratocaster. Andy On his return to Fender, Hicks said, “coming back to
spent his teenage years playing along with his favorite Fender, becoming part of the most prestigious custom
Nirvana, Black Sabbath and Metallica records. He shop in the industry, and being around so many talented
played in local rock bands and by his early 20s he builders is incredibly exciting and humbling. It also feels
became increasingly interested in experimenting with like I have returned home.”
guitars by modifying pickups and wiring.
When it comes to guitars, Andy incorporates his two
In 2009, Andy decided to take this passion for guitar passions: playing and building guitars. He firmly
building seriously by enrolling in the Guitar Craft believes that these two passions are deeply connected,
Academy in Hollywood, a 6-month program focused uniting Andy’s core approach to creating guitars. “I love
on electric guitars. Within a week of graduating, he interacting with guitarists,” Hicks said. “Bridging the gap
started working at Fender in the Jackson Custom Shop between builder and player, listening to their desires
dressing frets. From 2013 to 2018, he worked as an and implementing them into my builds is incredibly
assistant to Gretsch Custom Shop Senior Master Builder, rewarding,” and to create such guitars in the Fender
Steve Stern. Andy worked with various artists during Custom Shop, “nothing could be better,” he added.
this period and is very proud of his involvement with the
Malcolm Young “Salute” Jet. In 2018, Andy seized the When not building guitars, Andy plays in an epic doom
opportunity to become the lead builder and production metal band, Stygian Crown, enjoys playing Dungeons
manager for a high-end boutique guitar company and and Dragons and goes on incredible Disneyland trips
was subsequently recruited by James Tyler to oversee with his wife and 3 boys.

VINCENT VAN TRIGT

Originally from the Netherlands, Vincent moved to California
in 2005 and began working for Fender immediately. After
wearing a variety of hats in different departments, he started
in the Custom Shop in 2012.
11 12
A 2-year assistant role with Stephen Stern at the Gretsch
Custom Shop was followed by a 5-year apprenticeship with
John Cruz. During which he worked on many prestigious
guitars, including the replica of Gary Moore’s ’61
Stratocaster, a 30-piece run of the Jimmie and Stevie Ray
Vaughan 30th anniversary Stratocasters, and most recently
the Phil Lynott Precision Bass.

DAVID BROWN
David Brown’s music adventure began in the late `70s In 2009, David and Fender parted ways only for him
while he was in middle school. By the time he was in to return two years later to manage the new Fender
high school, he was playing in bands and working at a Visitor Center which was located next to the Corona
local store in Anaheim where he learned guitar repair manufacturing facility. While in this position, David was
For more information go to fendercustomshop.com

and construction. By the mid `80s, he was working the first point-of-contact with the company’s customer
for Yamaha Music Corp. in Buena Park as a guitar base as the public visited and participated in building
technician. In 2000, David got the opportunity to work their own custom-made instruments, as well as taking
at Fender and thus began his career with the company. a tour of the factory. In 2016, the FVC closed and
By 2006, he received a degree in marketing from David departed from Fender once more. By 2017, he
California State University at Fullerton and was now was managing the new G&L Custom Shop in Fullerton,
working in the Fender Custom Shop building new models California where he was the principal builder until 2020.
as well as making instruments for various artists. David returned to school to pursue a teaching credential
in math, but the opportunity to work once again in the

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“I hope to bring a perspective that takes into account Fender Custom Shop altered his course.
all of my previous experiences in guitar building and
construction. I hope to create these instruments that are Apart from electric guitars being his passion, David
the industry standard when it comes to accuracy and enjoys designing and building tube amplifiers and
feel for the musician. Becoming a Master Builder for the playing original music with his classic rock band. He and
Fender Custom Shop means that you’ve arrived. There is his wife enjoy traveling abroad as well as rescuing and
no higher pinnacle than this.” fostering dogs and cats. He also enjoys black and white
landscape photography.
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01

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BUILD LEVEL:
CUSTOM BUILT
Your dreams are what make the Fender Custom Shop the reality that it is today. From its
inception in 1987, the Custom Shop has grown from two builders to today’s more than
50 artisans—a veteran band of builders, each a specialist dedicated to their own area of
expertise—working together to build your ideal Fender to your exact specifications. From
neck shaping and fretwork to finishing and aging—every step of creation—each Custom
Shop craftsperson brings years of hard-earned skill and dedication to bear on your
custom-built guitar with one goal in mind—to create an instrument and playing experience
that can only come from the Fender Custom Shop.
For more information go to fendercustomshop.com

A Fender Custom-Built guitar lets you define your ideal instrument. Begin with one of our
base models and choose from our vast selection of options to customize it as little or as
much as you want to meet your personal needs, aesthetic taste and playing style.

Whatever shape your dream may be, our luthiers stand ready to craft an instrument that
will unlock your utmost creativity and self-expression. Their passion is bringing your dreams
to reality, to create the ultimate instrument—one personally customized exclusively for you.

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 STRATOCASTER BASE MODELS
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1955 STRATOCASTER
SHOWN IN 2-COLOR SUNBURST
1956 STRATOCASTER
SHOWN IN WHITE-BLONDE

BODY WOOD ASH BODY WOOD ALDER

02
BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE ‘55 “U” NECK SHAPE 10/56 “V”
FINGERBOARD 1-PIECE MAPLE FINGERBOARD 1-PIECE MAPLE
RADIUS 7.25” RADIUS 7.25”
FRET SIZE VINTAGE FRET SIZE VINTAGE
FACE DOTS BLACK MICARTA – WIDE SPACING FACE DOTS BLACK MICARTA – WIDE SPACING
NUT MICARTA NUT MICARTA
TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE SYNCHRONIZED TREMOLO BRIDGE VINTAGE SYNCHRONIZED TREMOLO
PICKGUARD 1-PLY WHITE PICKGUARD 1-PLY WHITE
WIRING VINTAGE STRAT W/ 5-WAY SWITCH WIRING VINTAGE STRAT W/ 5-WAY SWITCH
PICKUPS FCS 1950S STRAT PICKUPS FCS 1950S STRAT

15 16

1960 STRATOCASTER
SHOWN IN DAKOTA RED
1963 STRATOCASTER
SHOWN IN 3-COLOR SUNBURST

BODY WOOD ALDER BODY WOOD ALDER

BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE ‘60S OVAL “C” NECK SHAPE 60S OVAL “C”
FINGERBOARD SLAB ROSEWOOD FINGERBOARD ROUND-LAM ROSEWOOD
RADIUS 7.25” RADIUS 7.25”
FRET SIZE VINTAGE FRET SIZE VINTAGE
FACE DOTS WHITE MICARTA FACE DOTS WHITE MICARTA
NUT MICARTA NUT MICARTA
TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE SYNCHRONIZED TREMOLO BRIDGE VINTAGE SYNCHRONIZED TREMOLO
PICKGUARD 3-PLY WHITE PICKGUARD 3-PLY WHITE
WIRING VINTAGE STRAT W/ 5-WAY SWITCH WIRING VINTAGE STRAT W/ 5-WAY SWITCH
PICKUPS FCS 1960S STRAT PICKUPS FCS 1960S STRAT
For more information go to fendercustomshop.com

SELECT A
BASE MODEL
Each base model includes specifications listed as period accurate but can be customized
based on the player’s playing style and taste.

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 1965 STRATOCASTER 1966 STRATOCASTER TELECASTER BASE MODELS
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SHOWN IN AZTEC GOLD SHOWN IN LAKE PLACID BLUE

BODY WOOD ALDER BODY WOOD ALDER

1951 NOCASTER 1952 TELECASTER

BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE ‘65 “C” NECK SHAPE '66 OVAL "C" SHOWN IN HONEY BLONDE SHOWN IN 2-COLOR SUNBURST
FINGERBOARD ROUND-LAM ROSEWOOD FINGERBOARD ROUND-LAM ROSEWOOD
RADIUS 7.25” RADIUS 7.25" BODY WOOD ASH BODY WOOD ASH
FRET SIZE VINTAGE FRET SIZE VINTAGE BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
FACE DOTS PEARL – NARROW SPACING FACE DOTS PEARL WHITE NECK WOOD MAPLE NECK WOOD MAPLE
NUT MICARTA NUT MICARTA NECK SHAPE NOCASTER “U” NECK SHAPE ‘52 “U”
TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE FINGERBOARD 1-PIECE MAPLE FINGERBOARD 1-PIECE MAPLE
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME RADIUS 7.25” RADIUS 7.25”
BRIDGE VINTAGE SYNCHRONIZED TREMOLO BRIDGE VINTAGE SYNCHRONIZED TREMOLO FRET SIZE F VINTAGE FRET SIZE VINTAGE
PICKGUARD 3-PLY WHITE PICKGUARD 3-PLY WHITE FACE DOTS BLACK MICARTA – NARROW SPACING FACE DOTS BLACK MICARTA – WIDE SPACING
WIRING VINTAGE STRAT W/ 5-WAY SWITCH WIRING VINTAGE STRAT W/ 5-WAY SWITCH NUT MICARTA NUT MICARTA
PICKUPS FCS 1965 STRAT PICKUPS FCS 1966 STRAT TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE WITH BRASS SADDLES BRIDGE VINTAGE WITH BRASS SADDLES
PICKGUARD 1-PLY BLACK PICKGUARD 1-PLY BLACK
WIRING VINTAGE TELE W/ 3-WAY SWITCH WIRING VINTAGE TELE W/ 3-WAY SWITCH
PICKUPS FCS 1951 NOCASTER PICKUPS FCS 1951 NOCASTER

1969 STRATOCASTER
SHOWN IN SONIC BLUE

17 BODY WOOD ALDER 18

1960 TELECASTER 1960 TELECASTER CUSTOM

BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE – URETHANE FINISH
NECK SHAPE ‘69 “C” SHOWN IN WHITE BLONDE SHOWN IN BLACK
FINGERBOARD ROUND-LAM ROSEWOOD OR MAPLE
RADIUS 7.25” BODY WOOD ALDER BODY WOOD DOUBLE-BOUND ALDER
FRET SIZE VINTAGE BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
FACE DOTS PEARL WHITE OR BLACK MICARTA NECK WOOD MAPLE NECK WOOD MAPLE
NUT MICARTA NECK SHAPE ‘60S OVAL “C” NECK SHAPE | ‘60S OVAL “C”
TUNERS SCHALLER “F” FINGERBOARD SLAB ROSEWOOD FINGERBOARD | SLAB ROSEWOOD
HARDWARE NICKEL / CHROME RADIUS 7.25” RADIUS 7.25”
BRIDGE VINTAGE SYNCHRONIZED TREMOLO FRET SIZE VINTAGE FRET SIZE VINTAGE
PICKGUARD 3-PLY WHITE FACE DOTS CLAY – NARROW SPACING FACE DOTS CLAY
WIRING VINTAGE STRAT W/ 5-WAY SWITCH NUT MICARTA NUT MICARTA
PICKUPS FCS 1969 STRAT TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE WITH THREADED SADDLES BRIDGE VINTAGE WITH THREADED SADDLES
PICKGUARD 3-PLY WHITE PICKGUARD 3-PLY WHITE
WIRING VINTAGE TELE W/ 3-WAY SWITCH WIRING VINTAGE TELE W/ 3-WAY SWITCH
PICKUPS FCS ‘60 - ‘63 TELECASTER PICKUPS FCS ‘60 - ‘63 TELECASTER
For more information go to fendercustomshop.com

S T EP 2 : BAS E
 1963 TELECASTER 1967 TELECASTER PRECISION BASS BASE MODELS
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
SHOWN IN LAKE PLACID BLUE SHOWN IN CANDY APPLE RED

BODY WOOD ALDER BODY WOOD ALDER

1955 PRECISION BASS 1959 PRECISION BASS

BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE ‘60S OVAL “C” NECK SHAPE ‘60S OVAL “C” SHOWN IN VINTAGE BLONDE SHOWN IN BLACK
FINGERBOARD ROUND-LAM ROSEWOOD FINGERBOARD ROSEWOOD OR MAPLE
RADIUS 7.25” RADIUS 7.25” BODY WOOD ASH BODY WOOD ALDER
FRET SIZE VINTAGE FRET SIZE VINTAGE BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
FACE DOTS MICARTA WHITE FACE DOTS PEARL WHITE OR BLACK MICARTA NECK WOOD QUARTERSAWN MAPLE NECK WOOD QUARTERSAWN MAPLE
NUT MICARTA NUT MICARTA NECK SHAPE ‘55 PBASS SOFT “V” NECK SHAPE ‘60S PBASS OVAL “C”
TUNERS FENDER GOTOH VINTAGE TUNERS SCHALLER “F” FINGERBOARD 1-PIECE MAPLE FINGERBOARD SLAB ROSEWOOD
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME RADIUS 7.25” RADIUS 7.25”
BRIDGE VINTAGE WITH THREADED SADDLES BRIDGE VINTAGE WITH THREADED SADDLES FRET SIZE VINTAGE FRET SIZE VINTAGE
PICKGUARD 3-PLY WHITE PICKGUARD 3-PLY WHITE FACE DOTS BLACK MICARTA FACE DOTS WHITE MICARTA
WIRING VINTAGE TELE W/ 3-WAY SWITCH WIRING VINTAGE TELE W/ 3-WAY SWITCH NUT MICARTA NUT MICARTA
PICKUPS FCS ‘60 - 63 TELECASTER PICKUPS FCS 1967 TELECASTER TUNERS FENDER GOTOH REVERSE TUNERS FENDER GOTOH REVERSE
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE BRIDGE VINTAGE
PICKGUARD 1-PLY WHITE PICKGUARD GOLD ANODIZED
WIRING VINTAGE PRECISION BASS WIRING VINTAGE PRECISION BASS
PICKUPS FCS 1950S PRECISION BASS PICKUPS FCS ‘59 - ‘62 BASS

1959 ESQUIRE
SHOWN IN 3-COLOR SUNBURST
1950s THINLINE TELECASTER
SHOWN IN 2-COLOR SUNBURST

19 BODY WOOD ASH BODY WOOD ASH 20

1960 PRECISION BASS

BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE ‘59 “C” NECK SHAPE NOCASTER “U” SHOWN IN 3-COLOR SUNBURST
FINGERBOARD SLAB ROSEWOOD OR MAPLE FINGERBOARD 1-PIECE MAPLE
RADIUS 7.25” RADIUS 7.25” BODY WOOD ASH
FRET SIZE VINTAGE FRET SIZE VINTAGE BODY FINISH NITROCELLULOSE LACQUER
FACE DOTS MICARTA WHITE OR BLACK FACE DOTS CLAY - NARROW SPACING NECK WOOD MAPLE
NUT MICARTA NUT MICARTA NECK SHAPE ‘60S PBASS OVAL “C”
TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE FINGERBOARD SLAB ROSEWOOD
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME RADIUS 7.25”
BRIDGE VINTAGE ‘59 W/THREADED BRIDGE VINTAGE WITH BRASS SADDLES FRET SIZE VINTAGE
PICKGUARD 1-PLY PARCHMENT PICKGUARD 1-PLY WHITE FACE DOTS WHITE MICARTA
WIRING VINTAGE ESQUIRE 3-WAY SWITCH WIRING VINTAGE TELE W/ 3-WAY SWITCH NUT MICARTA
PICKUPS FCS VINTAGE TELECASTER PICKUPS FCS 1951 NOCASTER TUNERS FENDER GOTOH REVERSE
HARDWARE NICKEL / CHROME
BRIDGE VINTAGE
PICKGUARD 4-PLY TORTOISE SHELL
WIRING VINTAGE PRECISION BASS
PICKUPS FCS ‘59 - ‘62 BASS
For more information go to fendercustomshop.com

S T EP 2 : BAS E
 JAZZ BASS BASE MODEL OFFSET BASE MODELS
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
1964 JAZZ BASS
SHOWN IN SONIC BLUE
1975 JAZZ BASS
SHOWN IN NATURAL
1962 JAZZMASTER
SHOWN IN SURF GREEN
1962 JAGUAR
SHOWN IN FIESTA RED

BODY WOOD ALDER BODY WOOD ASH BODY WOOD ALDER BODY WOOD ALDER
BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD MAPLE NECK WOOD MAPLE NECK WOOD MAPLE NECK WOOD MAPLE
NECK SHAPE ‘60 “U” NECK SHAPE 75 JAZZ BASS "C" NECK SHAPE JAZZMASTER “C” NECK SHAPE JAGUAR “C”
FINGERBOARD ROUND-LAM ROSEWOOD FINGERBOARD ROUND-LAM ROSEWOOD OR MAPLE FINGERBOARD SLAB ROSEWOOD FINGERBOARD SLAB ROSEWOOD
RADIUS 7.25” RADIUS 7.25" RADIUS 7.25” RADIUS 7.25”
FRET SIZE VINTAGE FRET SIZE MEDIUM JUMBO FRET SIZE VINTAGE FRET SIZE VINTAGE
FACE DOTS WHITE MICARTA FACE DOTS PEARL WHITE OR BLACK BLOCKS FACE DOTS WHITE MICARTA FACE DOTS WHITE MICARTA
NUT MICARTA NUT MICARTA NUT MICARTA NUT MICARTA
TUNERS FENDER GOTOH REVERSE TUNERS FENDER GOTOH TUNERS FENDER GOTOH VINTAGE TUNERS FENDER GOTOH VINTAGE
HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME HARDWARE NICKEL / CHROME
BRIDGE VINTAGE BRIDGE VINTAGE BRIDGE VINTAGE JAGUAR/JAZZMASTER BRIDGE VINTAGE JAGUAR/JAZZMASTER
PICKGUARD 4-PLY TORTOISE SHELL PICKGUARD 3-PLY BLACK PICKGUARD 3-PLY WHITE PICKGUARD 3-PLY WHITE
WIRING VINTAGE JAZZ BASS WIRING VINTAGE JAZZ BASS WIRING VINTAGE JAZZMASTER WIRING VINTAGE JAGUAR
PICKUPS FCS VINTAGE JAZZ BASS PICKUPS FCS VINTAGE JAZZ BASS PICKUPS FCS JAZZMASTER PICKUPS FCS JAGUAR

21 22

BASS VI
SHOWN IN 3-COLOR SUNBURST

BODY WOOD ALDER

BODY FINISH NITROCELLULOSE LACQUER
NECK WOOD QUARTERSAWN MAPLE
NECK SHAPE “C”
FINGERBOARD SLAB ROSEWOOD
RADIUS 7.25”
FRET SIZE VINTAGE
FACE DOTS WHITE MICARTA
NUT MICARTA
TUNERS FENDER GOTOH VINTAGE
HARDWARE NICKEL / CHROME
BRIDGE VINTAGE JAGUAR
PICKGUARD 4-PLY TORTOISE SHELL
WIRING VINTAGE BASS VI
PICKUPS FCS JAGUAR
For more information go to fendercustomshop.com

S T EP 2 : BAS E
 NEW OLD STOCK(NOS)
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
SHOWN IN 1956 STRATOCASTER IN WHITE BLONDE

Models from the past that have survived to the present day looking brand new. An all-lacquer finish that looks as if it hasn’t aged
at all - as if you went back in time and bought it.

CLOSET CLASSIC

03
SHOWN IN LIMITED EDITION 1958 JAZZMASTER IN 2-COLOR SUNBURST

No real playing wear, but more subtle indications of the ages, such as a finish that has lost its sheen, mild discoloration of plastic
parts, metal hardware showing slight oxidation, “mild” finish checking and minor surface scratches on the body and headstock.

23 24

DLX CLOSET CLASSIC

SHOWN IN POST-MODERN TELECASTER IN FADED FIREMIST SILVER

Well taken care of and religiously polished throughout the years. The owner of this guitar took pride in keeping it clean and shiny.
Over time the finish started showing age and like a fine wine it evolved into something complex and refined. Moderate finish
checking, oxidation of hardware, and mild discoloration of parts give this finish its distinct look and feel.

SELECT AN
AGING STYLE
For more information go to fendercustomshop.com

JOURNEYMAN RELIC
SHOWN IN 1959 JAZZMASTER IN AGED FIESTA RED
®

Handed down or changed hands through the years, but mostly played around the house, with the occasional jam session or
weekend gig. Has been well taken care of over the years but has finish checking, some “friendly” down-to-the-wood nicks
and dings, dullish hardware, and moderate playing wear—a very lucky find.

S T EP 3 : AG I NG S T YL E
 RELIC ®
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
SHOWN IN 1960 STRATOCASTER IN AGED DAPHNE BLUE

The Authentic worn-in wear of a guitar that has experienced many years of regular use in clubs and bars. Marks that tell a story,
finish checking all over the body; scars dings and dents from bridge to headstock.

HEAVY RELIC ®

SHOWN IN 1953 TELECASTER IN BUTTERSCOTCH BLONDE

The heaviest of the relic treatments, designed to evoke decades of the most punishing play and touring.
From serious dinged and wear to intensely discolored hardware and finish, the true battle-hardened workhorse.

25 26

SUPER HEAVY RELIC ®

SHOWN IN LIMITED EDITION RED HOT STRAT IN SUPER FADED AGED LAKE PLACID BLUE

The heaviest of our aging treatments, showcasing extreme wear and tear. Worn down to the wood in all the right places,
broken in and comfortable like it was well-loved for decades.
For more information go to fendercustomshop.com

S T EP 3 : AG I NG S T YL E
LIMITED EDITION '61 STRAT® HEAVY
RELIC ®, AGED VINTAGE WHITE OVER
3fiCOLOR SUNBURST fi 9231013161
 TONEWOOD OPTIONS
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
BODY WOOD OPTIONS

04
ALDER ASH PINE
A fantastic tone wood long used by Fender for Strong and dense, ash is a longtime Fender classic Used by Fender in the early ‘50s, pine is a
it’s electric guitar bodies, alder is noted for bright, for electric instrument bodies Notably resonant lightweight tone wood with well-balanced tone
balanced and resonant tone with pronounced and sweet sounding, it’s characterized by well- and beautiful resonance. Its grain pattern has
upper midrange, excellent sustain and sharp defined midrange and strong low end. defined swirls making it a perfect choice for
attack. It also features large, swirling grain patterns. transparent finishes.

27 28

OKUME MAHOGANY ROASTED ALDER

A warm-sounding tone wood with figured grain A dense, dark tone wood that yields warm tone The roasting process will darken the wood while
patterns that make it an excellent choice for a and midrange bite, mahogany is a great option keeping it very stable and durable. As with a
guitar body spread. that adds a unique and complex sonic and visual slab of wood that has dried over the years, the
twist to your build. properties change slightly and add to the richness
and depth of tone.
For more information go to fendercustomshop.com

SELECT
YOUR OPTIONS

S T EP 4 : OP T I ONS
ROASTED ASH ROASTED PINE
Strong and ultra-stable, a roasted ash body is a Roasting pine brings out all the best parts
thing of beauty. Not only does the roasting of the wood—it’s full of rich harmonics with
process accentuate the figuring of the wood, it also piano-like sustain. The dark caramel color and
crystallizes the sap, giving it the sound of old wood. striking grain patterns match its complex and
musical tonal qualities.
 QUILT/FLAME TOP OPTIONS NECK WOOD OPTIONS
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
QUILT MAPLE TOP AA FLAME MAPLE TOP AAA FLAME MAPLE TOP MAPLE NECK FLAME MAPLE BIRDSEYE MAPLE
A beautifully figured wood, quilt maple works AA flame maple features tiger-like striping in the AAA flame maple sorts a more intense Light in color, with a bright, chimey tone, maple is With its strong, vibrant figure, flame maple is Small round figuring in the wood which produces
especially well with transparent and natural finishes wood grain. Many believe that this is caused by the concentration of figuring than AA Flame. The bold favorite amongst many Fender players for its look, one of our favorite ways to liven up the look of a small “birdseye” markings. Used on many Custom
that allow the flowing grain to show through. tree swaying in the wind, the minerals in the ground stripes are always a beautiful touch in natural and feel and tone. maple neck. Shop guitars, a birdseye maple neck will add a
and other ephemeral variables. We aren’t positive transparent finishes. unique and striking look to your guitar.
about that, but we do know it provides a strikingly
beautiful look to any instrument neck or body.

29 30

SPALTED MAPLE KOA MAPLE BURL ROASTED MAPLE NECK ROSEWOOD NECK ROASTED FLAME MAPLE
Spalted maple combines excellent strength and Beautiful and highly stable tone-wood prized for Highly figured maple top used on our Artisan Roasted maple creates an aged and dark look to Darker in color and warmer in tone than maple, Roasting maple brings out the figure and creates a
bright, crisp tone with incredibly unique and it’s resonance, workability and attractive figure. models with a gorgeous marbled swirl. the wood as well as making it more resonant and rosewood can be specially sorted for a darker color. caramelized dark tiger striping.
captivating figured lines and streaks to give your slightly lighter in weight. In 1959, all Fenders were outfitted with rosewood
instrument an elegant look and sound. fingerboards, which was a significant departure from
the look and tone of the previous maple boards.

NECK TINT OPTIONS

For more information go to fendercustomshop.com

ZIRCOTE COCOBOLLO
Known for its unique, swirly figuring with streaks of Used in combination with mahogany, ash
dark brown, zircote-topped instruments not only offer or alder bodies, cocobolo combines striking
gorgeous aesthetics, but clean, crisp high end with highly-figured, reddish-brown grain patterns

S T EP 4 : OP T I ONS
fast attack when paired with ash or alder bodies. with rich, warm resonance.

LIGHT TINT MEDIUM TINT DARK TINT

FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
00 3 COLOR SUNBURST 01 WHITE BLONDE 02 LAKE PLACID BLUE 03 2 COLOR SUNBURST

04 DAPHNE BLUE 05 OLYMPIC WHITE 06 06 | BLACK 07 VINTAGE BLONDE

08 OCEAN TURQUOISE 09 CANDY APPLE RED 12 RED SPARKLE 13 BLUE SPARKLE

15 HOT ROD RED 17 SILVER SPARKLE 18 GOLD SPARKLE 19 SAGE GREEN METALLIC

31 32
20 AMBER 21 NATURAL 22 SUNSET ORANGE TRANS 23 PEARL WHITE

24 INCA SILVER 25 25 | CHROME RED 26 VIOLET 27 SAPPHIRE BLUE TRANS

28 CRIMSON BURST 29 BLUE AGAVE 30 CHERRY SUNBURST 31 AGED CHERRY SUNBURST

For more information go to fendercustomshop.com

SELECT A
COLOR OPTION 32 BROWN SUNBURST 33 VIOLIN BURST 34 AGED NATURAL 36 BLUE BURST

S T EP 4 : OP T I ONS
37 ANTIQUE BURST 38 CRIMSON TRANS 39 EBONY TRANS 40 FIESTA RED
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
41 VINTAGE WHITE 42 MERCEDES BLUE 43 PEWTER 44 SHORELINE GOLD 83 BLUE ICE METALLIC 84 COPPER 85 BRIGHT AMBER MET 86 BRIGHT SAPPHIRE MET.

45 TEAL GREEN METALLIC 46 SHERWOOD GREEN MET. 47 SIENNA SUNBURST 48 TEAL GREEN TRANS 87 COBALT BLUE METALLIC 88 DESERT SUNSET 89 DESERT SAND 90 BALTIC BLUE

49 SEA FOAM GREEN 52 TOBACCO BURST 53 FIRE MIST GOLD 54 DAKOTA RED 92 WALNUT 93 PURPLE METALLIC 94 PURPLE TRANS 95 | AGED VINTAGE WHITE

55 FROST WHITE 56 SHELL PINK 57 SURF GREEN 58 TORINO RED 96 ORANGE 97 CHOCOLATE 3 TONE SB 98 HLE GOLD 99 NOCASTER BLONDE

33 34
59 BLACK PEARL 60 EMERALD GREEN TRANS 61 BING CHERRY TRANS 62 COBALT BLUE TRANS BG BRITISH RACING GREEN BT BUTTERSCOTCH BLONDE CF CHARCOAL FROST MET CR CIMARRON RED

63 GRAFFITI YELLOW 66 BURGUNDY MIST MET. 67 HONEY BLONDE 68 LIME GREEN CS CHARTREUSE SPARKLE DB DIRTY WHITE BLONDE HB HONEY BURST MS MAGENTA SPARKLE

70 CADIUM ORANGE 71 CANDY GREEN 72 SONIC BLUE 73 MIDNIGHT BLUE OS ORANGE SPARKLE PS PURPLE SPARKLE SR SEMINOLE RED SS SEAFOAM GREEN SPARKLE
For more information go to fendercustomshop.com

74 AQUA MARINE METALLIC 75 MIDNIGHT WINE 76 MIDNIGHT PURPLE 77 FROST RED TT TAOS TURQUOISE • YOUR COLOR • YOUR COLOR AGED • YOUR COLOR FADED
*Example shown in Adds a golden tint to Creates the look of a color that
Fiesta Red. simulate aging. has faded over time.

S T EP 4 : OP T I ONS
78 AZTEC GOLD 79 FROST GOLD 81 SURF PEARL 82 CANDY TANGERINE
 1st Fret 12th Fret 1st Fret
1st Fret 12th Fret
12th Fret 1st Fret 12th Fret 0.820 0.820
0.990 0.990 0.790
0.820 0.870 0.820 0.850
0.790 0.790
GUITAR NECK SHAPES
0.990 0.990 0.990 0.990 0.990 0.990
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
0.990 0.990 0.790 0.850 0.990 0.990
0.940 0.990
#1 ʼ52 STYLE “U” #19
1st #19 M
#8
Fret
#19#8 ’60 MODERN “C”“U” #29 #20 ʼ
#1 #1 ʼ52 ʼ52 STYLE
STYLE
“U” “U” #8 J’60
BASS
J BASS
“U” 1st Fret1st Fret
#1 ʼ52 STYLE “U” #2
1st Fret
#8 ʼ57 STYLE SOFT12th
’60 J BASS “U” “V”Fret 1st Fret
1st Fret 12th Fret Fret
ʼ51 P BASS “U”12th12th 1st Fret
1st #12
Fret Fret 0.820
1st Fret
1st Fret
1st Fret1st Fret 12th Fret
12th Fret 1st Fret1st Fret 12th Fret
12th Fret
1st Fret 12th Fret 1st Fret1st Fret 12th Fret
12th Fret 1st Fret
0.790 0.850
12th Fret 0.850 0.850
0.990 0.990 0.990 0.990 0.940
0.925 0.880
0.850 0.890
0.850 0.850 0.940 0.940
0.990 0.990 0.990 0.990
0.850 0.790 0.930 0.850 0.910
#19 M
0.990 0.940 0.990
#1 ʼ52 STYLE “U” #8 #2 ’60 J BASS
ʼ57 STYLE“U”
SOFT “V” #20 #20 M
1st #12
Fret
#30 #23ʼ5
#2 #2ʼ57 ʼ57
STYLE
STYLE
SOFTSOFT
“V” “V” #20 MODERN “V”
#12 #12 ʼ51 ʼ51
P BASS
P BASS
“U” “U” 12th Fret 1st Fret1st Fret
#2 ʼ57 STYLE SOFT “V” #3 ʼ60 STYLE OVAL12th
1st Fret “C”Fret #13
1st Fret
1st Fret 1969 “U” 12th Fret 1st Fret
#12 ʼ51 P BASS “U” 1st Fret 12th Fret 1st Fret
1st Fret
0.850
1st Fret1st Fret 12th Fret
12th Fret 1st Fret1st Fret 12th Fret
12th Fret
1st Fret 12th Fret 1st Fret1st Fret
0.850 12th Fret
12th Fret 1st Fret 12th Fret 0.880 0.880
0.990 0.940 0.790 0.990 0.930 0.850
0.880 0.980 0.820 0.820
0.790 0.790 0.930 0.930 0.850 0.850 0.910 0.910
0.790 0.930 0.850 0.925
#20
0.910 0.990 0.950
#2 ʼ57 STYLE SOFT “V”
1.000
#23 #23
#12#3 ʼ51 ʼ60P BASS
STYLE “U”
10/56 “V”
OVAL “C” #36
1st #13
#26
Fret
#23
#3 #3ʼ60 ʼ60STYLE
STYLE
OVALOVAL
“C” “C” #13#13 1969 1969
“U” “U” JA
1st Fret 1st Fret1st Fret
#3 ʼ60 STYLE OVAL “C” #13#6 ʼ57 1969 “U”SOFT12th
BASS “V”
Fret 1st Fret1st Fret
#14
12th Fret Fret
1951 “U” 12th12th 1st Fret
1st Fret1st Fret
1st Fret Fret 0.880
1st Fret1st Fret 12th Fret
12th Fret 1st Fret1st Fret 12th Fret
12th Fret
35 1st Fret 12th Fret 1st Fret1st Fret
0.790 12th Fret
12th0.930
Fret 0.850 1st Fret 12th Fret
0.910
0.820 0.820
36
0.925 0.990 0.950
0.820 0.820 0.790
0.910
0.925 0.925 0.990 0.990 0.950 0.950 1.000 1.000 #23
0.790
0.925 0.990 0.950
#3 ʼ60 STYLE OVAL “C” 1.000 0.990
#13
0.875
1969 “U” 0.950 #26#26 C
#26 #6 ʼ57 BASSBASS
CC JAZZ SOFT “V” 1st
#40 #14
Fret
#28ʼ
#6
1st Fret#6ʼ57 ʼ57
BASSBASS
SOFTSOFT
“V”12th
“V”Fret #14
1st #14
Fret1st
4 STRING
19511951 “C” 12th Fret
“U” “U” 1st Fret
Fret 1st1st
FretFret
#6 ʼ57 BASS SOFT “V” #14#7 ʼ60 P BASS
1951 “U” OVAL “C” 1st #18
Fret LARGE “C” 12th12thFret
Fret
1st Fret
1st Fret
0.820
1st Fret1st Fret 12th Fret
12th Fret 1st Fret1st Fret 12th Fret
12th Fret
1st Fret 12th Fret 1st Fret 12th0.990
Fret 0.790 0.790
0.925 0.950 0.790 1.000 0.990 0.875
1st Fret 12th Fret12th Fret 1st Fret
0.790 12th Fret12th 0.840 0.830
1st Fret
0.790 0.790
0.990 0.990
1st Fret
0.875 0.875
Fret
0.970
0.950 0.950
#26
1st Fret 1st Fret 12th Fret12th Fret 0.790
1st Fret 12th 0.990
Fret12th Fret
For more information go to fendercustomshop.com

1st Fret 0.875

#6 ʼ57 BASS SOFT “V”
0.950
#14#7
0.820 1951 “U” OVAL0.974 #28#28
1st #18
#28 ʼ60 ʼ59 P BASS “C” 0.974
0.820 0.870 0.820
0.820 Fret#59
0.870
“C” #51 ʼ66
SELECT A
0.990 0.990 0.790 0.790 0.990 #7 #7
1st Fret ʼ60 ʼ60
P BASS
P BASS
OVALOVAL
“C”12th
“C”Fret #18 #18 LARGE
1st Fret LARGE
“C” “C”12th Fret 1st Fret1st Fret

NECK SHAPE
0.990 0.990 0.990
#7 ʼ60 P BASS OVAL “C” #18 LARGE “C” #29
1st Fret ʼ65 STRAT “C”
ʼ65 STRAT “C” 12th Fret
0.790
#19 #19MODERN “C” “C”
MODERN #29
0.830 0.830
#1 #1 ʼ52 STYLE “U” “U”
ʼ52 STYLE #8 #8’60 J BASS
’60 J “U”
BASS “U”
0.790
1st Fret 1st Fret 0.990
12th Fret
0.875
1st Fret 1st Fret 12th Fret0.950
12th Fret 0.830 12th Fret
1.00
#28

S T EP 4 : OP T I ONS
1st Fret 1st Fret 12th Fret12th Fret 1st Fret 1st Fret 12th Fret12th Fret
0.925
0.850
#7 ʼ60
0.850 P BASS OVAL “C” 0.890 0.890 #18
0.925
LARGE “C” 0.950 0.950 #59#59
1st Fret
0.850 0.940
#59 ʼ63 “C”
0.850 0.990 0.940 0.990
0.990 0.990

#20 #20MODERN “V” “V” #30 #30

ʼ55 P ʼ55
BASSP SOFT
BASS “V”
SOFT “V” 0.830
MODERN
#2 ʼ57 STYLE
#2 SOFT “V”
ʼ57 STYLE SOFT “V” #12 ʼ51 P BASS “U” 1st Fret 12th Fret 1st Fret 12th Fret
 1st Fret1st Fret ʼ51 P BASS “U”12th Fret Fret
Fret 1st #12
Fret 12th 12th
Fret 1st Fret 12th Fret 1st Fret 1st Fret 12th Fret 12th Fret 1st Fret 12th Fret 1st Fret
t 1st Fret 12th Fret 0.820 0.925 1st Fret
0.925 12th0.990
Fret 0.950
0.820 0.870 0.850 0.974
0.890 0.950 0.820
1st Fret 12th Fret 0.880 0.980 0.820 0.900
1st Fret 12th Fret 1st Fret 12th Fret
GUITAR NECK SHAPES (CONT.) 0.880
0.820
BASS NECK0.900
SHAPES 0.990
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
0.925 0.940 0.974
.990 0.950 0.990 0.980 0.820 0.790 0.820
0 0.850 0.990 0.820 0.990 0.870
0.910
#19 MODERN “C” #29 ʼ65 STRAT “C” #30 ʼ55 P BASS SOFT “V” #6 ʼ57 BASS SOFT “V” #14
0 0.850 #20 MODERN
10/56 “V” #360.990 JAGUAR 0.790 /
1st Fret 12th Fret 1st Fret
0.990“V”
0.910
#23 0.990 #19 M
#29 ʼ65 STRAT “C” 12th Fret JAZZMASTER
JAGUAR “C” 1st 1st
FretFret
#36 1st Fret / ʼ52
1st Fret
1st Fret 12th12th
Fret Fret
#30 ʼ55 P ʼ51
BASS 1st Fret #23 10/56
1st Fret “V”
12th Fret12th Fret
1969SOFT
“U” “V”
#12
1st Fret P BASS “U” 1st Fret 12th
1st Fret
Fret #1 STYLE “U” 12th Fret #8 ’60 J BASS “U” #29
#13
1st Fret 12th Fret 1st Fret
JAZZMASTER “C”12th12th Fret
Fret #19 MODERN “C” 1st Fret
0.820
1st#13
Fret 1st Fret 12th Fret 1st Fret 12th Fret 0.820
Fret 1st Fret 1969 “U” 12th Fret
12th Fret
#1 ʼ52 STYLE “U” 1st Fret #81st Fret ’60
12thJFret
BASS 12th Fret
“U”12th Fret 1st Fret
0.870
12th Fret
1st Fret 12th Fret 0.925 1st Fret 12th Fret 1st Fret 1st0.820
Fret0.790
1st Fret 12th Fret
12th
0.870 Fret
0.8201st Fret
t 1st Fret
0.850 12th Fret
0.890 0.880
0.990
0.950
0.980 0.820
0.990 0.790 0.900 0.990
0.990 0.875
1st Fret 12th Fret 1st Fret 12th Fret 0.850
t 1st Fret
0.925 12th Fret 0.820 1st Fret 0.820
12th Fret Fret 1st Fret
0.790 0.970 12th Fret
0.9901st Fret 0.910 12th 1st 0.820
Fret 12th
0.990 Fret
.930 0.850 0.950 0.910
0.820
0.990
0.820 0.850
0.870
#19
0.820
MODERN “C” 0.974 #290.925 ʼ
0.820 0.970 0.940 0.850
0
#20
1st Fret
MODERN “V” 0.990 #30
12th 12th Fret
Fret
0.950 #23ʼ55 P BASS SOFT“V”
10/56 “V”
0.900
#36 JAGUAR / ’60 J BASS “U”
0.910 0.990
#19#7 ʼ60 MODERN “C”
0.990
0.890 #29 ʼ
0.990 #1 0.790ʼ52 STYLE “U”
1.000
#8
JAZZMASTER
0.990 0.820 “C” 1st Fret
P BASS OVAL “C”
12th Fret
#18
1st Fret
0
#300.950
ʼ55 P BASS SOFT “V” 1.000 #26 CC
0.8200.850
JAZZ
#1 BASS ʼ52 STYLE “U”
0.870
#40 0.990 ʼ75 #8JAZZ 0.940BASS
’60 J BASS “U”
0.974
0.990 #20 M
#13
1st Fret 1969 “U” 12th Fret 1st Fret#26 4 STRING “C”
12th Fret #19 MODERN “C” #29
1st Fret ʼ65 STRAT “C” 12th Fret 1st Fret
#36 JAGUAR
0.790 / 1st Fret CC1st JAZZ
Fret BASS 12th Fret #40
1st
12th Fret
Fret ʼ751st
JAZZ
#2 Fret BASS 12th Fret
ʼ57 STYLE SOFT “V”12th Fret #30
0.990
JAZZMASTER “C” 0.990
4 STRING “C” #12 #20ʼ51 PMODERN
BASS “U” “V” 1st Fret
1st #14 1951 “U”#112th Fret ʼ52 STYLE “U” 1st Fret #8 ’60FretJ BASS “U” 0.925
Fret1st Fret 1st Fret 12th 12th
1stFret
Fret 1st Fret 1st Fret 12th Fret “C” 12th Fret 0.850 1st Fret 12th Fret
Fret 12th Fret
#19 #2 ʼ57
MODERN STYLE SOFT
“C” “V” #29 ʼ65 STRAT 12th Fret 0.890
#14
1st Fret
0.880 1951 “U” 12th Fret
0.980 0.820 1st Fret
0.820 0.90012th Fret 1st Fret
0.820 1st #12
Fret ʼ51
12th PFret
BASS “U” 12th Fret 1st0.850
Fret1st Fret 12th Fret
12th
0.890 Fret
0.925
1st Fret
t 1st Fret 12th Fret 0.850 0.910 0.970
1st Fret 12th Fret 1st Fret 12th Fret 0.940
E “U” #8 ’60 J BASS “U” 0.790 1st Fret
0.850
0.990
12th Fret 1st Fret
0.990
12th Fret 0.925
0.880
t.990 1st
0.820 Fret 12th
0.900 Fret 1st Fret 0.970
0.840
12th Fret
0.990 0.9401st Fret
0.850 0.960 12th
0.990 Fret
0.890 0.950 #30 ʼ55
0.950
#36
0.820 JAGUAR /
1.000
0.790 0.790 #20 MODERN “V”
0.850 0.880
#23 12th #26
12th Fret Fret 10/56 “V”
1st Fret
CC#2 JAZZ
0.970
BASS 0.970
0.840
#40 0.990 ʼ75 JAZZ BASS 0.960
0.930 0.910
0.980 #30 0.820 ʼ5
0 0.875 JAZZMASTER
0.990 “C”0.940
0.850
ʼ57 STYLE
0.950 SOFT “V” #20 MODERN “V”
#36 JAGUAR / 4 STRING
0.8500.790 “C” 0.8900.930
#120.850 ʼ51 P BASS “U”
0.925
0.950 1st Fret 12th Fret #23
1st Fret
0 0.875
1st Fret#14JAZZMASTER1951 “C”
“U” 12th Fret
0.950
1st Fret #28 #2
ʼ59 “C”ʼ57 STYLE
12th Fret SOFT “V” #51 ʼ66 STRAT
#12 OVAL
#20 ʼ51“C”P BASS
MODERN “U” “V”
0.910 #30
1st Fret
ʼ55 P BASS SOFT “V”
12th Fret
1st Fret 12th Fret 1st Fret 12th FretOVAL “C” 1st Fret
#400.990 ʼ75 JAZZ 0.940BASS #28
0.990 1st Fret“C”
ʼ59 12th#51Fret ʼ66 STRAT #3FretOVAL
1st ʼ60“C” STYLE 12th Fret #13 #23 1969 “U” “V”
10/56 #36
1st#18
Fret LARGE “C” #2
12th ʼ57
Fret STYLE SOFT “V” #12 ʼ51 P BASS “U” 1st Fret 1st Fret 12th Fret 0.8801st Fret 12th
1st Fret
Fret 1st Fret 12th Fret 1st Fret 1st Fret 12th Fret 12th Fret
#30 ʼ55 P BASS SOFT 12th Fret
“V” 0.980Fret 0.820
0.820 #20 #3 MODERN
ʼ60 STYLE “V”
OVAL “C” #13 1969 “U”
1st #18 LARGE “C”1st12th
0.820 0.970
Fret
0.910 0.790 0.840 1st Fret 12th Fret 1st0.880
Fret1st Fret 12th Fret 0.8201st Fret
37 Fret Fret 1st Fret12th Fret 0.790 1st Fret 12th Fret
0.970 12th Fret
0.930 0.850 0.960 12th Fret
0.980 38
OFT “V”0.820 #12 ʼ51 0.970
P BASS “U” 1st Fret
0.790 12th Fret 1st Fret 0.880
0.910
12th Fret
0.820
.990 0.875 0.950
0.830
1st Fret 1.00
0.930
12th Fret 0.850
1st Fret 12th 0.980
0.910 Fret
#23
0.820
10/56 “V” 0.900 #36
CC JAZZ BASS 0.790 0.960 #40#26 ʼ75 JAZZ BASS 0.850 #36 0.820 JA
12th Fret 1st Fret 12th0.830
0.840 Fret
#28 0.930 ʼ59 “C” 1.00 #51 ʼ66 0.925
0.910 STRAT OVAL “C”
0.990
#23
0.950 0.820
10/56 “V” 1.000 0.910
4 STRING “C” #3 ʼ60 STYLE OVAL “C” #13 1969 “U” JA
#40 ʼ75 JAZZ BASS 0.880 0.820 #36
1st Fret JAGUAR / 12th Fret #26
1st Fret C
#18 LARGE “C”12th Fret 1st Fret #59 #30.925
ʼ63 “C”ʼ60 STYLE OVAL “C”
0.980
0.990 #13 #23 196910/56
“U” “V”
0.900
1st Fret
1st Fret
12th Fret
12th Fret
0.950 1.000
1st Fret JAZZMASTER “C”12th Fret 1st Fret
#51 0.930 0.850
ʼ66 STRAT OVAL “C”#312th Fret
ʼ60 STYLE OVAL#59 “C”
0.910 1st Fret“C”
ʼ63 #13 1969 “U”12th Fret 1st Fret
#6 1stʼ57 12th
BASS SOFT “V” Fret #26
#141st CC “U”
1951 JAZZ BASS #40
Fret
1st Fret
0.790 0.840
1st Fret
#23 10/56 “V” 12th Fret #36
1st Fret Fret JAGUAR / 12th Fret
12th Fret 0.820 4 STRING “C” 12th Fret
0.910
1st Fret
0.820
0.970
1st Fret
0.830
12th Fret #61st Fretʼ57
0.960
BASS
1.00 SOFT “V” 12th Fret #14 JAZZMASTER
1st Fret “C” 12th Fret
1951 “U” 1st0.820
Fret1st Fret 12th Fret
0.910 Fret
12th
0.820
1st Fret
VAL “C”0.840 #13 1969 “U” 0.925 0.990 0.950
0.820 1.000
1st Fret 12th Fret 0.910
0.820 0.970 0.790
0.960 1st Fret 12th0.990
Fret
0.9251st Fret 12th Fret 0.9501st Fret 12th Fret
1.000 #26 CC JAZZ BASS #40 ʼ7
#28 ʼ591st“C” #51 ʼ66 STRAT
#59 0.990 OVAL “C”
ʼ63 “C” 0.790
#26 4 STRING “C” 0.950 0.970
0.925 0.875 0.790
CC JAZZ BASS #40 ʼ
For more information go to fendercustomshop.com

12th Fret Fret 12th Fret 0.950 1.000 0.990 0.840

#51 ʼ66 STRAT OVAL “C” #6

0.820
0.790
ʼ57 BASS SOFT “V” 0.910 #14 #26 1951
0.820
CC“U”
JAZZ BASS 0.970 #40
1st Fret
4ʼ75
STRING “C” 12th Fret
JAZZ BASS #28
1st Fret
1st Fret 12th Fret 0.875
4 STRING “C” 0.950
#6 ʼ57 BASS SOFT “V” 0.990
#14 1951 “U” 1st Fret 12th Fret 1st Fret
0.990
#6 ʼ57 BASS SOFT “V” 1st Fret #14 1951 “U”12th Fret 1st Fret 12th Fret
0.950 1.000 #7 1st ʼ60
FretP BASS OVAL “C” 12th Fret #28
#18 1st Fret LARGEʼ59
“C”“C” 12th Fret #51
1st Fret ʼ
0.830
1.00
#26
1st Fret
CC JAZZ BASS 12th Fret 1st
#40 Fret ʼ75 JAZZ BASS 12th Fret 0.790
0.970
0.840
1st Fret 12th Fret
0.790#7
1st Fret
ʼ604 STRING
P BASS “C”
OVAL “C” 12th Fret #18 LARGE “C” 0.790
1st Fret 0.970
12th Fret
0.840
0.990 0.875 0.790 0.950
OFT “V” #14 1951 “U” 1st Fret
0.790 12th0.990
Fret 1st Fret
0.875 12th Fret
0.970
0.840
0.960 0.830

#28 ʼ59 “C” #51 ʼ66

S T EP 4 : OP T I ONS
0.950
#59 ʼ63 “C” 0.790
0.990 0.875 0.950
12th Fret 1st Fret 12th Fret 0.830
#28 ʼ59 “C” 1.00 #51 ʼ66
#7
0.790 ʼ60 P BASS OVAL “C”
0.970
#18
0.840 #28 LARGE ʼ59
“C” “C” 0.960
#51
1st Fret ʼ66 STRAT OVAL “C”
12th Fret #59
#7 ʼ60 P BASS OVAL “C” #18 LARGE “C” 1st Fret 12th Fret
0.875 #7 ʼ60 P BASS OVAL
0.950“C” #18 LARGE “C”
0.990 1st Fret 12th Fret #59 ʼ63 “C”
0.830
#28 ʼ59 “C” #51 ʼ66 STRAT OVAL “C” 1.00
0.830
0.830 1.00
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
VINTAGE MEDIUM VINTAGE MEDIUM JUMBO
45085 47095 6150
H: 0.045” H: 0.047” H: 0.047”
W: 0.085” W: 0.095” W: 0.104”
Our smallest wire, slightly larger Slightly lower than 6105. A popular middle of the road
than Fender’s original wire. wire, not too wide, not too tall.

*Also available in Stainless Steel

on Master Built guitars only.

39 40

NARROW TALL JUMBO

6105 6100
H: 0.055” H: 0.057”
W: 0.095” W: 0.110”
Our most popular wire. A good Our largest wire that gives an
alternative if vintage wire feels almost scalloped feel.
too small for you.
*Also available in Stainless Steel
on Master Built guitars only.

SELECT A
FRET WIRE
For more information go to fendercustomshop.com

Custom Shop frets are made from only the highest quality nickel, and can be made in a
variety of different heights and thicknesses. Larger frets tend to account for easier string
bending. Smaller frets are “true to vintage” in many cases, and facilitate easier chording.

Medium jumbo frets are designed to be the perfect marriage between small vintage frets
and modern jumbo frets. Keep the following examples in mind when choosing the frets
that you want on your guitar.

S T EP 4 : OP T I ONS
 STRATOCASTER PICKUPS
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
‘50S STRAT FAT ‘50S STRAT ‘60S STRAT
Crafted to faithfully replicate the cutting 1950s Stratocaster sound you know and Classic 1960s design with alnico 2 magnets,
tones reminiscent of 1950s Stratocaster® love. Hot-rodded wiring design delivers formvar wire and a vintage stagger. Strat
guitars. Alnico 5 magnets, vintage stagger enhanced bass response and an extra shot sound with glistening highs and warm
and formvar wire. of 21st-century attitude. punchy lows.

41 42

TEXAS SPECIAL™ STRAT DUAL-MAG STRAT EL DIABLO STRAT

Characterized by their midrange chirp, Vintage style calibrated pickup set with Overwound and dipped in the special sauce
crystalline highs and tight bass, Fender unbeveled alnico 5 magnets on the bass side for a big open sound. Slightly hotter than
Texas Special™ Strat pickups feature an and beveled alnico 2 magnets on the treble. the Ancho Poblanos with calibrated alnico 5
overwound single-coil construction that The two magnet types create balance and pickups with custom low G (middle and neck)
produces big Texas-blues tone. consistency in tone and allow for improved and flush with high D (bridge) pole pieces.
clarity string to string.

SELECT A
PICKUP OPTION
For more information go to fendercustomshop.com

Hand-Wound: True to Fender history prior to 1965, hand-wound or “scatter-

wound” pickups are distinctly unique in character. Each pickup has its own subtle
nuances and personalized character which is what made the original Fender
pickups so sought after and prized.

Machine Wound: Each pickup is consistent and even in winds making each one
sound and respond relatively the same. Though most of the Custom Shop pickups
ANCHO POBLANO VINTAGE NOISELESS™ TOMATILLO STRAT
STRAT STRAT

S T EP 4 : OP T I ONS
are hand-wound, some players prefer the consistency of machine-wound pickups, Cousins to the Ancho Poblanos, dipped in
so we are happy to offer both options. Simmered in a secret Custom Shop sauce Produce all the brilliant clarity, definition and the same secret sauce. Alnico 2 magnets will
and then individually calibrated from neck harmonic attributes of vintage single-coil simulate what an older alnico 5 might sound
to bridge. Uniquely overwound by hand Strat tone without the hum. like today for a sweeter more flavorful tone.
for a wide range of high-output tones—from
blistering-hot output to sizzling vintage
warmth—with plenty of tonal flexibility.
 TELECASTER PICKUPS HUMBUCKER PICKUPS
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
‘51 TELE/NOCASTER ‘51 LOADED NOCASTER ‘56/’57 TELECASTER SHAWBUCKER CuNiFe WIDE RANGE
Created with the original design in mind to Extra winds of #43 gauge enamel wire give An accurate1:1 recreation of the Tele pickups we Full of multi-dimensional tone with well- The look of the famous Fender pickup design of
accurately mimic the twang and shimmer of these pickups fat, juicy tone. Perfect for driving constructed during ‘56/’57. These pickups have defined overtones, this open-coil pickup the early 1970s with period correct magnets, as
the originals. These period-correct single- a preamp into gritty overdrive, these high-output all the grunt and snarl of the originals, thanks to complements and balances your guitar’s used on original-era Telecaster Thinline, Telecaster
coil pickups impart tight low end and clear, pickups burn with vintage-inspired tone, thanks the unbeveled, staggered alnico 5 magnets and natural voice while playing well with other Custom and Telecaster Deluxe models.
balanced midrange. to the bridge pickup’s alnico 3 magnets and enamel-coated wire. pickup designs.
neck pickup’s alnico 5 magnets.

P-90 PICKUPS

‘63 TELE ‘67 TELE TWISTED TELE TEXAS SPECIAL TELE

43 A true replication of the original Lower output Tele pickups with High-output Telecaster guitar tone Fender Custom Shop Texas Special 44
’63 Tele Pickups with all the bite Grey bobbins and copper with a dash of sparkling Tele pickups are built to produce
and warmth to spare. Alnico 2 baseplate with a vintage stagger, Stratocaster® guitar character. blistering hot output, along with CSP-90
Magnets, vintage stagger and alnico 5 magnets and enamel wire noticeable presence and midrange.
CSP-90 This classic design sings with pure Fender
enamel wire. for crystal clear Tele twang.
tone, bringing clear articulation to every note you
play, from delicately nuanced cleans to snarling,
spitting means.

BASS PICKUPS
For more information go to fendercustomshop.com

‘64 JAZZ BASS ‘75 JAZZ BASS NOISELESS JAZZ BASS HAND WOUND P-BASS
These vintage-style pickups Vintage bobbin construction, Alnico Fender Noiseless Jazz Bass pickups Alnico 5 magnets and enamel wire,
produce warm, clear and articulate 5 magnets, flush mounted pole produce all the brilliant clarity, hand-wound just like we did in the
tone, with great low-end definition, pieces and enamel wire provide definition and harmonic attributes of ‘50s and ‘60s. The most iconic bass
up-front midrange punch and warm tones, enhanced dynamics a vintage Jazz Bass without the hum. pickup in the world.
singing high end. and even string response.

S T EP 4 : OP T I ONS
 STRATOCASTER WIRING
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
POS 1 POS 2 POS 3

3 WAY SELECTOR SWITCH

POS 1 - BRIDGE PICKUP (NO TONE FUNCTION)
POS 2 - MIDDLE PICKUP
POS 3 - NECK PICKUP

MASTER VOLUME

TONE CONTROL T 1 (NECK PICKUP)

TONE CONTROL 2 (MIDDLE PICKUP)

VINTAGE STRAT w/3 WAY SWITCH
3 SINGLE COIL PICKUPS

POS 1 POS 2 POS 3 POS 4 POS 5

5 WAY SELECTOR SWITCH

45 POS 1 - BRIDGE PICKUP 46
POS 2 - BRIDGE & MIDDLE PICKUP
POS 3 - MIDDLE PICKUP
POS 4 - NECK & MIDDLE PICKUP
POS 5 - NECK PICKUP

MASTER VOLUME

TONE CONTROL (NECK PICKUP)

POS 4, 5
MODERN STRAT w/5 WAY SWITCH TONE CONTROL (MIDDLE / BRIDGE PICKUP)
3 SINGLE COIL PICKUPS POS 1, 2, 3
For more information go to fendercustomshop.com

POS 1 POS 2 POS 3 POS 4 POS 5

SELECT A 5 WAY SELECTOR SWITCH

WIRING OPTION
POS 1 - BRIDGE PICKUP
POS 2 - BRIDGE & MIDDLE PICKUP
POS 3 - MIDDLE PICKUP
POS 4 - NECK & MIDDLE PICKUP
POS 5 - NECK PICKUP

MASTER VOLUME

TONE CONTROL (MIDDLE AND NECK PICKUP)

S T EP 4 : OP T I ONS
POS 2, 3, 4, 5
VINTAGE MODIFIED STRAT#1 TONE CONTROL (BRIDGE PICKUP)
w/5 WAY SWITCH AND 3 SINGLE COIL PICKUPS POS 1, 2,
 TONE CONTROL (NECK & MIDDLE PICKUP)
TONE CONTROL (NECK PICKUP)

8
TONE

1
POS 2, 3, 4, 5

7
2
POS 4, 5
3

POS 1 POS 2 POS 3 POS 4 POS 5

6
4 5
10

TONE CONTROL (BRIDGE PICKUP)

9

VINTAGE MODIFIED STRAT#2 w/BLEED

8
H-S-S STRATOCASTER TONE
TONE CONTROL (MIDDLE / BRIDGE PICKUP)

1
POS 1, 2,

7
w/5 WAY SWITCH AND 3 SINGLE COIL PICKUPS

2
3

6
5 WAY SELECTOR SWITCH
5

POS 1, 2, 3, 4
4

POS 1 - BRIDGE PICKUP POS 1 POS 2 POS 3 POS 4 POS 5

POS 2 - BRIDGE & MIDDLE PICKUP
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
5 WAY SELECTOR SWITCH
POS 3 - MIDDLE PICKUP POS 5 - NECK PICKUP
POS 4 - NECK & MIDDLE PICKUP POS 4 - NECK & MIDDLE PICKUP
POS 5 - NECK PICKUP
POS 3 - MIDDLE PICKUP
POS 2 - BRIDGE & MIDDLE PICKUP
MASTER VOLUME w/TONE-SAVER BLEED
POS 1 - BRIDGE PICKUP
TONE CONTROL (NECK & MIDDLE PICKUP) 10

MASTER VOLUME
9

POS 1 POS 2 POS 3 POS 4 POS 5

8
POSPOS
2, 3,
1 4,POS
5 2 POS 3 POS 4 POS 5 VOLUME
POS 1 POS 2 POS 3 POS 4 POS 5 POS 1 POS 2 POS 3 POS 4 POS 5

7
2
3

6
10
4 5 9

TONE CONTROL (BRIDGE PICKUP) TONE

WAYCONTROL
SELECTOR(NECK PICKUP)

8
VINTAGE MODIFIED STRAT#2 w/BLEED TONE
5 SWITCH 5 WAY SELECTOR SWITCH

7
POS5 1,
WAY2, SELECTOR SWITCH 5 WAY SELECTOR SWITCH

2
POS 5
4,-5NECK PICKUP
3

w/5 WAY SWITCH AND 3 SINGLE COIL PICKUPS

6
4 5

POS POS 1 - BRIDGE PICKUP

POS 1 - BRIDGE PICKUP POS 1 - BRIDGE (BRIDGE/NECK w/BLENDER)
10
9

POS
TONE4 CONTROL
- NECK & MIDDLE
(MIDDLEPICKUP POS 2 - BRIDGE & MIDDLE PICKUP

8
POS 2 - BRIDGE & MIDDLE (ALL 3 w/BLENDER) H-S-S STRATOCASTER TONE
/ BRIDGE PICKUP)

1
POS 2 - BRIDGE & MIDDLE PICKUP

7
2
POS
POS 3
1,-2,MIDDLE
3, 4 PICKUP POS 3 - MIDDLE PICKUP
3

6
4 5

POS 3 - MIDDLE PICKUP POS 3 - MIDDLE PICKUP

POS 4 - NECK & MIDDLE (ALL 3 w/BLENDER) POS 2 - BRIDGE & MIDDLE PICKUP POS 4 - NECK & MIDDLE PICKUP
POS 4 - NECK & MIDDLE PICKUP
POS 5 - NECK PICKUP (NECK/BRIDGE w/BLENDER) POS 1 - BRIDGE PICKUP POS 5 - NECK PICKUP
POS 5 - NECK PICKUP 10
10 9

MASTER VOLUME
9

MASTER VOLUME

8
8
MASTER VOLUME w/TONE-SAVER BLEED MASTER VOLUME w/TONE-SAVER BLEED VOLUME VOLUME

1
1

7
7

2
2
3

6
3 5
10

6
4 5
10
9 4 9

TONE CONTROL (NECK PICKUP)

8
TONE CONTROL (NECK PICKUP)

8
TONE
TONE CONTROL (NECK & MIDDLE PICKUP) MASTER TONE CONTROL TONE

1
1

7
7

2
POS 4, 5

2
3

POS 4, 5

6
3 5

6
4

POS 1, 2, 3, 4, 5
4 5

POS 2, 3, 4, 5 10 10

POS 1 POS 2 POS 3 POS 4 POS 5

9 9

TONE CONTROL (MIDDLE / BRIDGE PICKUP)

8
8
H-S-S STRATOCASTER TONE
TONE CONTROL (MIDDLE / BRIDGE PICKUP)
TONE

1
BLENDER (NECK & BRIDGE PICKUP) H-S-H STRATOCASTER

1
TONE CONTROL (BRIDGE PICKUP) STRAT BLENDER w/5 WAY SWITCH

7
VINTAGE MODIFIED STRAT#2 w/TONE-SAVER BLEED

7
POS 1, 2, 3

2
2
3

6
3 5

6
5 4

POS
POS 11, POS
2, 3,24 POS 3 POS 4 POS 5
4

w/5 WAY SWITCH AND 3 SINGLE COIL PICKUPS POS 1, 2, 3 SINGLE COIL PICKUPS POS 1, 2, 4, 5
5 WAY SELECTOR SWITCH
POS 1 - BRIDGE (BRIDGE/NECK w/BLENDER) 7 PICKUP COMBINATIONS
POS 2 - BRIDGE & MIDDLE (ALL 3 w/BLENDER) 5 WAY SELECTOR SWITCH
POS 3 - MIDDLE PICKUP POS 1 - BRIDGE PICKUP
POS 4 - NECK & MIDDLE (ALL 3 w/BLENDER) POS 2 - BRIDGE & MIDDLE PICKUP
POS 5 - NECK PICKUP (NECK/BRIDGE w/BLENDER) POS 3 - MIDDLE PICKUP
POS 4 - NECK & MIDDLE PICKUP
MASTER VOLUME w/TONE-SAVER BLEED POS 5 - NECK PICKUP
10
9

MASTER TONE CONTROL MASTER VOLUME

8
VOLUME
POS 1 POS 2 POS 3 POS 4 POS 5

7
2
POSPOS
1, 2,
1 3,POS
4, 52 POS 3 POS 4 POS 5
3

6
10
4 5

POS 1 POS 2 POS 3 POS 4 POS 5

9

TONE CONTROL (NECK PICKUP) POS 1 POS 2 POS 3

8
TONE

1
5 WAY SELECTOR SWITCH

7
BLENDER (NECK & BRIDGE PICKUP)

2
STRAT BLENDER w/5 WAY SWITCH POS 4, 5
3

6
4 5

POS5 1,
WAY2, 4,SELECTOR
5 SWITCH
10
POS 1 - BRIDGE PICKUP 3 WAY SELECTOR SWITCH
3 SINGLE COIL PICKUPS 5 WAY SELECTOR SWITCH
9

TONE2 CONTROL
- BRIDGE &(MIDDLE
MIDDLE/PICKUP
BRIDGE PICKUP)

8
POS 1 - BRIDGE (BRIDGE/NECK w/BLENDER)
TONE
POS

1
7 PICKUP COMBINATIONS H-S-H STRATOCASTER POS 1 - BRIDGE PICKUP

7
POS 1 - BRIDGE (BRIDGE/NECK w/BLENDER) POS
POS 1,
3 -2,MIDDLE
3

2
3

PICKUP

6
4 5

POS 2 - BRIDGE & MIDDLE (ALL 3 w/BLENDER) POS 2 - BRIDGE & MIDDLE (ALL 3 w/BLENDER) POS 2 - BRIDGE & NECK PICKUP
POS 3 - MIDDLE PICKUP POS 4 - NECK & MIDDLE PICKUP POS 3 - NECK PICKUP
POS 3 - MIDDLE PICKUP POS 5 - NECK PICKUP
POS 4 - NECK & MIDDLE (ALL 3 w/BLENDER) POS 4 - NECK & MIDDLE (ALL 3 w/BLENDER)
POS 5 - NECK PICKUP (NECK/BRIDGE w/BLENDER)
10

POS 5 - NECK PICK (NECK/BRIDGE w/BLENDER) MASTER VOLUME

10 9
9

8
MASTER VOLUME

8
VOLUME

1
VOLUME

7
7

2
3

6
10

MASTER VOLUME w/TONE-SAVER BLEED

3 4 5

6
10 9
4 5

TONE CONTROL (NECK PICKUP)

9

MASTER VOLUME w/TONE-SAVER BLEED

8
TONE CONTROL (NECK PICKUP)

8
TONE

1
TONE

7
7

2
3

6
POS 4, 5
3 4 5

6
MASTER TONE CONTROL
4 5

MASTER TONE CONTROL w/GREASEBUCKET

10
10 9
9

POS 1, 2, 3, 4, 5 TONE CONTROL (MIDDLE / BRIDGE PICKUP) TONE CONTROL (BRIDGE PICKUP)

8
8
TONE
POS 1, 2, 3, 4, 5

1
TONE
H-H STRATOCASTER

1
H-S-H STRATOCASTER

7
7

2
POS 1 POS 2 POS 3 POS 4 POS 5 POS 1, 2, 3
3

6
3 4 5

6
4 5

STRAT BLENDER w/5 WAY SWITCH BLENDER (NECK & BRIDGE PICKUP) POS 1 POS
BLENDER 2 POS
(NECK 3 POS 4PICKUP)
& BRIDGE POS 5
POS 1, 2, 4, 5 STRAT BLENDER w/GREASEBUCKET TONE
3 SINGLE COIL PICKUPS 5 WAY SWITCH 3 SINGLE COIL PICKUPS POS 1, 2, 4, 5 POS 1 POS 2 POS 3
7 PICKUP COMBINATIONS 5 WAY SELECTOR SWITCH
7 PICKUP COMBINATIONS 5 WAY SELECTOR SWITCH
POS 1 - BRIDGE (BRIDGE/NECK w/BLENDER)
POS 1 - BRIDGE (BRIDGE/NECK w/BLENDER) 3 WAY SELECTOR SWITCH
POS 2 - BRIDGE & MIDDLE (ALL 3 w/BLENDER)
POS 2 - BRIDGE & MIDDLE (ALL 3 w/BLENDER) POS 1 - BRIDGE PICKUP
POS 3 - MIDDLE PICKUP
POS 3 - MIDDLE PICKUP POS 2 - BRIDGE & NECK PICKUP
POS 4 - NECK & MIDDLE (ALL 3 w/BLENDER)
POS 4 - NECK & MIDDLE POS 3 - NECK PICKUP
POS 5 - NECK PICK (NECK/BRIDGE w/BLENDER)
POS 5 - NECK PICK
47 MASTER VOLUME w/TONE-SAVER BLEED
10
9

MASTER VOLUME 48

8
MASTER VOLUME VOLUME

7
2
3

6
10
4 5

MASTER TONE CONTROL w/GREASEBUCKET

9

TONE
POS 1 CONTROL
POS 2 POS(NECK
3 PICKUP)

8
MASTER TONE CONTROL TONE

1
POSPOS
1, 2,
1 3,POS
4, 52 POS 3 POS 4 POS 5

7
2
3

6
POS 1, 2, 3, 4, 5
4 5
10

3 WAYCONTROL
SELECTOR(BRIDGE
SWITCHPICKUP)
9

BLENDER (NECK & BRIDGE PICKUP) TONE

8
STRAT BLENDER w/GREASEBUCKET TONE BLENDER (NECK PICKUP)
TONE

1
FAT '50S STRAT 1/2 BLENDER H-H STRATOCASTER POS 1 - BRIDGE PICKUP

7
POS5 1,
WAY2, 4,SELECTOR
5 SWITCH

2
3

5 WAY SWITCH 3 SINGLE COIL PICKUPS

6
4 5

POS 1 - BRIDGE (BRIDGE/NECK w/BLENDER) 5-WAY SWITCH 3 SINGLE COIL PICKUPS POS 1, 2 POS 2 - BRIDGE & NECK PICKUP
7 PICKUP COMBINATIONS
POS 2 - BRIDGE & MIDDLE (ALL 3 w/BLENDER) 7 PICKUP COMBINATIONS POS 3 - NECK PICKUP
POS 3 - MIDDLE PICKUP
POS 4 - NECK & MIDDLE (ALL 3 w/BLENDER)
10

MASTER VOLUME
9

8
VOLUME

1
POS 5 - NECK PICK (NECK/BRIDGE w/BLENDER)

7
2
3

6
10
4 5 9

TONE CONTROL (NECK PICKUP)

8
TONE

7
MASTER VOLUME w/TONE-SAVER BLEED

2
3

6
4 5
10
9

TONE CONTROL (BRIDGE PICKUP)

8
MASTER TONE CONTROL w/GREASEBUCKET TONE

1
H-H STRATOCASTER

7
2
3

6
POS 1, 2, 3, 4, 5
4 5

STRAT BLENDER w/GREASEBUCKET TONE BLENDER (NECK & BRIDGE PICKUP)

5 WAY SWITCH 3 SINGLE COIL PICKUPS POS 1, 2, 4, 5
7 PICKUP COMBINATIONS
For more information go to fendercustomshop.com

S T EP 4 : OP T I ONS
 POS 1 - BRIDGE PICKUP
MASTER VOLUME CONTROL

TELECASTER WIRING
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
H-S TELECASTER
MASTER TONE CONTROL

3 WAY SELECTOR SWITCH 3 WAY SELECTOR SWITCH 3 WAY SELECTOR SWITCH 3 WAY SELECTOR SWITCH

POS 1 POS 2 POS 3 POS 1 POS 2 POS 3

POS 1 POS 2 POS 3 POS 1 POS 2 POS 3
POS 3 - NECK PU w/SWITCH
PRESET BASS (NO TONE CONTROL) POS 3 - NECK PICKUP
3 WAY SELECTOR POS 3 - NECK PICKUP POS 3 - NECK PICKUP
POS 2 - NECK PU (NO TONE CONTROL) POS 2 - BRIDGE & NECK PICKUPS
POS 1 - BRIDGE PICKUP POS 2 - BRIDGE & NECK PICKUPS POS 2 - BRIDGE & NECK PICKUPS
POS 1 - NECK AND BRIDGE PUs w/ BLEND CONTROL
POS 1 - BRIDGE PICKUP POS 1 - BRIDGE PICKUP
MASTER VOLUME CONTROL MASTER VOLUME CONTROL
POS 1 POS 2 POS 3 MASTER VOLUME CONTROL MASTER VOLUME CONTROL

VINTAGE TELECASTER, POS 3 - NECK PU w/ PRESET BASS (NO TONE CONTROL)

POS 2 - NECK PU (NO TONE CONTROL) MODERN TELECASTER
NOCASTER & MODIFIED MASTER TONE CONTROL H-S TELECASTER
NOCASTER POS 1 - CONTROL
BLEND NECK AND(POS
BRIDGE PUs w/ BLEND CONTROL
1 ONLY) H-H TELECASTER
MASTER TONE CONTROL MASTER TONE CONTROL
1950 - 1952 MASTER VOLUME CONTROL

VINTAGE TELECASTER,
NOCASTER & MODIFIED
NOCASTER BLEND CONTROL (POS 1 ONLY)
1950 - 1952

3 WAY SELECTOR SWITCH 3 WAY SELECTOR SWITCH

3 WAY SELECTOR SWITCH

49 POS 1 POS 2 POS 3 POS 1 POS 2 POS 3 50
POS 3 - NECK PU w/SWITCH
PRESET BASS (NO TONE CONTROL) POS 3 - NECK PICKUP
3 WAY SELECTOR POS 2 - BRIDGE & NECK PICKUPS
POS 2 - NECK PICKUP w/TONE CONTROL
POS 1 - BRIDGE PICKUP w/ TONE CONTROL POS 1 - BRIDGE PICKUP POSSELECTOR
3 WAY 1 POS 2 SWITCH
POS 3 3 WAY SELECTOR SWITCH
MASTER VOLUME CONTROL MASTER VOLUME CONTROL POS 3 - NECK PICKUP
POS 1 POS 2 POS 3 POS 2 - BRIDGE & NECK PICKUPS
POS 1 - BRIDGE PICKUP
POS 3 - NECK PU w/ PRESET BASS (NO TONE CONTROL) POS 1 POS 2 POS 3 POS 1 POS 2 POS 3
VINTAGE TELECASTER POS 2 - NECK PICKUP w/TONE CONTROL H-H TELECASTER MASTER VOLUME CONTROL
1953 - 1967 POS 3 - NECK PICKUP POS 3 - BRIDGE PICKUPS (VOLUME AND TONE)
TONE
POS 1 CONTROL (POS 1 &
- BRIDGE PICKUP w/2TONE
ONLY)CONTROL MASTER TONE CONTROL
POS 2 - BRIDGE & NECK PICKUPS POS 2 - BRIDGE PICKUP (VOLUME CONTROL)
MASTER VOLUME CONTROL POS 1 - BRIDGE PICKUP POS 1 - BRIDGE PICKUP STRAIGHT TO OUTPUT JACK
H-H TELECASTER MASTER VOLUME CONTROL MASTER VOLUME CONTROL
MASTER TONE CONTROL
VINTAGE TELECASTER
1953 - 1967 TONE CONTROL (POS 1 & 2 ONLY) FULL THROTTLE ESQUIRE
H-S TELECASTER
MASTER TONE CONTROL MASTER TONE CONTROL
For more information go to fendercustomshop.com

3 WAY SELECTOR SWITCH

POS 1 POS 2 POS 3

POS 3 - NECK PICKUP
3 WAY
POS SELECTOR
2 - BRIDGE SWITCH
& NECK PICKUPS
POS 1 - BRIDGE PICKUP
MASTER VOLUME CONTROL
POS 1 POS 2 POS 3
POS 3 - NECK PICKUP
H-S TELECASTER POS 2 - BRIDGE & NECK PICKUPS
POS 1 - BRIDGE PICKUP

S T EP 4 : OP T I ONS
MASTER TONE CONTROL
MASTER VOLUME CONTROL

H-S TELECASTER
MASTER TONE CONTROL
 PRECISION BASS WIRING
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
MASTER VOLUME CONTROL

VINTAGE P BASS
MASTER TONE CONTROL

VOLUME NECK PICKUP (UPPER)

TONE CONTROL NECK PICKUP (LOWER)

VOLUME BRIDGE PICKUP (UPPER)

JAZZ BASS WIRING VINTAGE ‘60 JAZZ BASS

TONE CONTROL BRIDGE PICKUP (LOWER)

STACKED KNOBS
51 52

VOLUME NECK PICKUP (UPPER) VOLUME NECK PICKUP

TONE CONTROL NECK PICKUP (LOWER)
VOLUME BRIDGE PICKUP
VOLUME BRIDGE PICKUP (UPPER)
For more information go to fendercustomshop.com

MASTER TONE CONTROL

TONE CONTROL BRIDGE PICKUP (LOWER)
VINTAGE ‘60 JAZZ BASS
STACKED KNOBS VINTAGE ‘64 JAZZ BASS

SELECT
HARDWARE OPTIONS

S T EP 4 : OP T I ONS
VOLUME NECK PICKUP

VOLUME BRIDGE PICKUP

MASTER TONE CONTROL

 STRATOCASTER BRIDGES BASS BRIDGES
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
VINTAGE SYNCHRONIZED 2-POINT CLASSIC PLAYER 2-POINT CUSTOM CLASSIC
TREMOLO TREMOLO TREMOLO
Original Stratocaster tremolo made using Polished steel two-point synchronized tremolo Polished steel two-point synchronized
original die-cast moulds and punch presses. bridge assembly. tremolo bridge assembly with polished-steel
block saddles. VINTAGE THREADED SADDLES VINTAGE GROOVE SADDLES
Genuine Fender bass bridge assembly with Vintage Fender bass bridge assembly with
nickel-plated steel bridge plate and four nickel-plated steel bridge plate and four
threaded barrel saddles. grooved barrel saddles.

RSD STRAT TREMOLO FLOYD ROSE ORIGINAL ®

VINTAGE HARD-TAIL
Vintage style with improved pivot geometry, Double-locking tremolo bridge, recessed for Original hard-tail Strat bridge made using
plating tolerances, string spacing and arm pick hand comfort providing laser-accurate original die cast moulds and punch presses.
tension adjustment. intonation and ultra-stable tuning when
combined with the Floyd Rose R3 locking nut.

TELECASTER BRIDGES
53 54
AMERICAN DELUXE BASS BRIDGE RSD BASS
Chrome plated steel bridge plate with partially Hi-Mass Bridge constructed from a solid brass
threaded stainless steel saddles and string billet with threaded steel saddles.
through body or top load option.

JAZZMASTER/JAGUAR BRIDGES

'51-'53 TELECASTER - '54-'57 TELECASTER - '60 & UP TELECASTER '67 TELE-SLOTTED

BRASS SADDLES STEEL SADDLES THREADED SADDLES STEEL SADDLES
Telecaster ashtray bridge plate Period correct ashtray bridge Period correct ashtray bridge Vintage style ashtray bridge
For more information go to fendercustomshop.com

with original tooling marks, serial plate and steel barrel saddles for plate and threaded steel saddles plate with notched steel saddles.
number and 3 brass saddles. bright Tele® twang. for bright Tele® twang.

RSD J-BRIDGE VINTAGE JAZZ/JAG

Two movable brass saddles bolted to a cold Nickel-plated bridge assembly with 6
rolled steel base provides an articulate tone adjustable threaded saddles.
with more punch, attack and continuity than
its predecessor. The J-Bridge lets the sound of
the guitar ring through and gives a stronger

S T EP 4 : OP T I ONS
primary note.

RSD TELE CUSTOM DELUXE TELE VINTAGE RSD TELE

Low profile bridge plate, Modern six-saddle bridge Vintage style ashtray bridge plate
compensated brass saddles with assembly with string-through-body with compensated RSD Saddles.
refined look and feel. plate, and polished steel saddles.
 TUNING MACHINES PICKGUARDS
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
3-PLY WHITE 3-PLY EGGSHELL 3-PLY PARCHMENT
SCHALLER F MODERN AMERICAN
STANDARD

3-PLY MINT GREEN ANODIZED GOLD 4-PLY BROWN SHELL

55
MODERN LOCKING VINTAGE LOCKING 56

BLACK BLACK PEARLOID WHITE PEARLOID

VINTAGE STYLE VINTAGE STYLE BASS

For more information go to fendercustomshop.com

3-PLY WHITE 3-PLY PARCHMENT 1-PLY PARCHMENT

S T EP 4 : OP T I ONS
VINTAGE STYLE BASS "LOLLIPOP" MODERN BASS
3-PLY BLACK BLACK PHENOLIC
 SWITCH TIPS, CONTROL KNOBS, AND PICKUP COVERS
DESIGN GUIDE ORDER FORM
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
☐ JOURNEYMAN RELIC/CLOSET CLASSIC HDW
SWITCH TIPS BUILD LEVEL (SELECT ONE) ☐ RELIC
☐ MASTERBUILT ☐ RELIC/CLOSET CLASSIC HDW
SELECT BUILDER ________________________ ☐ HEAVY RELIC
☐ ADD PREMIUM BUILDER ☐ HEAVY RELIC/CLOSET CLASSIC HDW
☐ CUSTOM-BUILT ☐ SUPER HEAVY RELIC

BASE MODEL CUSTOM OPTIONS

STRATOCASTER (START AT PG 16) CONSTRUCTION

WHITE EGGSHELL AGED WHITE VINTAGE WHITE BLACK ☐ 1955 STRATOCASTER (ASH) ☐ LEFT HANDED
☐ 1956 STRATOCASTER (ALDER) ☐ CHAMBERED BODY
☐ OTHER 1950‘S STRATOCASTER (ALDER)________ ☐ HOLLOW BODY W/ F-HOLE (WITH ARM CONTOUR)
☐ 1960 STRATOCASTER (ALDER) ☐ BOUND BODY TOP (NO ARM CONTOUR)
CONTROL KNOBS ☐ 1963 STRATOCASTER (ALDER) ☐ BOUND BODY TOP & BACK (NO CONTOURS)

☐ 1965 STRATOCASTER (ALDER) ☐ BOUND FINGERBOARD

☐ 1966 STRATOCASTER (ALDER/LARGE HEADSTOCK) ☐ BOUND HEADSTOCK

☐ 1969 STRATOCASTER (ALDER/LARGE HEADSTOCK) ☐ REVERSE HEADSTOCK

☐ OTHER 1960‘S STRATOCASTER (ALDER) ________ ☐ CONTOURED NECK HEEL

☐ AMERICAN CUSTOM STRATOCASTER (ALDER) ☐ REVERSE ANGLE BRIDGE PICKUP ROUT

☐ ANVIL FLIGHT CASE OPTION (STRAT) BODY WOOD
NOCASTER/TELECASTER/ESQUIRE (START AT PG 18)
☐ BASE MODEL BODY WOOD
☐ 1951 NOCASTER (ASH) ☐ ALDER
☐ 1952 TELECASTER (ASH) ☐ ASH
WHITE EGGSHELL AGED WHITE ☐ OTHER 1950‘S TELECASTER (ASH) ________ ☐ EASTERN WHITE PINE
☐ 1960 TELECASTER (ALDER) ☐ OKOUME
☐ 1960 TELECASTER CUSTOM (ALDER) ☐ FIJI MAHOGANY

57 ☐ 1963 TELECASTER (ALDER) ☐ ROASTED ALDER

58
☐ 1967 TELECASTER (ALDER) ☐ ROASTED ASH
☐ OTHER 1960‘S TELECASTER (ALDER) ________ ☐ ROASTED PINE
☐ 1959 ESQUIRE (ASH) ☐ SORT FOR LIGHT WEIGHT BODY WOOD
☐ OTHER YEAR ESQUIRE ________ (THRU ‘69) ☐ OTHER BODY WOOD
☐ '50S THINLINE TELECASTER BODY WOOD/EXOTIC TOP
☐ AMERICAN CUSTOM TELECASTER (ASH)
☐ ANVIL FLIGHT CASE OPTION (TELE) ☐ FLAME MAPLE TOP 2A
☐ QUILTED MAPLE TOP 2A
JAZZMASTER/JAGUAR/BASS VI (START AT PG 22) ☐ SPALTED MAPLE TOP
VINTAGE WHITE BLACK
☐ 1962 JAZZMASTER (ALDER) ☐ MAPLE BURL TOP
☐ OTHER YEAR JAZZMASTER (ALDER) ________ (THRU ’66) ☐ BUCKEYE BURL TOP
☐ 1962 JAGUAR (ASH) ☐ ZIRICOTE TOP
PICKUP COVERS ☐ OTHER YEAR JAGUAR (ALDER) ________ (THRU ’65) ☐ COCOBOLLO TOP
☐ BASS VI (ALDER) ☐ FIGURED KOA TOP 4A
☐ OTHER EXOTIC TOP
FENDER BASS (START AT PG 20)
BODY COLOR (SELECT FROM PAGE 32)
For more information go to fendercustomshop.com

☐ 1955 PRECISION BASS (ASH)

☐ 1959 PRECISION BASS (ALDER) ☐ SINGLE COLOR #________
☐ 1960 PRECISION BASS (ALDER) ☐ COLOR OVER COLOR #________ O #________
☐ OTHER YEAR PRECISION BASS (ALDER) ________ ☐ SPARKLE COLOR
(THRU ’69) ☐ PINK PAISLEY (TOP)
☐ OTHER YEAR J BASS (ALDER) ________ (THRU ’65) ☐ PINK PAISLEY (TOP & BACK)
☐ 1964 JAZZ BASS (ALDER) ☐ BLACK PAISLEY (TOP)
WHITE EGGSHELL AGED WHITE ☐ 1975 JAZZ BASS (ALDER) ☐ BLACK PAISLEY (TOP & BACK)
☐ OTHER YEAR JAZZ BASS ________ (THRU ’74) ☐ BLUE FLOWER (TOP)
☐ BLUE FLOWER (TOP & BACK)

AGING STYLE (START AT PG 24) BODY FINISH

☐ ☐

DE S IG N G U ID E
NOS (NEW OLD STOCK) BASE MODEL FINISH
☐ TIME CAPSULE (FLASH-COAT NOS/CC HDW) ☐ NITRO LACQUER
☐ CLOSET CLASSIC ☐ NITRO LACQUER / WLS UNDERCOAT
☐ CLOSET CLASSIC/NOS HDW ☐ FLASH COAT LACQUER
☐ DLX CLOSET CLASSIC ☐ URETHANE
VINTAGE WHITE BLACK
☐ JOURNEYMAN RELIC®

*For base model specifications see page 17

 CUSTOM OPTIONS (CONTINUED) BRIDGE CONTROL KNOBS
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
☐ BASE MODEL BRIDGE ☐ BASE MODEL CONTROL KNOBS
NECK WOOD WIDTH AT NUT STRATOCASTER BRIDGE STRATOCASTER KNOBS
☐ BASE MODEL NECK WOOD (FLAT SAWN MAPLE) ☐ BASE MODEL WIDTH AT NUT
☐ AM VINTAGE SYNCHRONIZED TREMOLO ☐ WHITE
☐ RIFT SAWN MAPLE ☐ 1.650"
☐ CUSTOM SHOP VINTAGE STRAT TREMOLO ☐ EGGSHELL
☐ QUARTERSAWN MAPLE ☐ 1.685"
☐ 2-POINT CLASSIC PLAYER TREMOLO ☐ PARCHMENT
☐ ☐ ☐ 2-POINT CUSTOM CLASSIC TREMOLO
FLAME MAPLE 2A 1.6875"
☐ RSD STRAT TREMOLO ☐ VINTAGE WHITE
☐ FLAME QUARTERSAWN MAPLE 2A
☐ VINTAGE HARD-TAIL ☐ BLACK
☐ FLAME MAPLE 3A NUT MATERIAL
☐ ☐ CUSTOM CLASSIC HARD-TAIL TELECASTER/PRECISION BASS KNOBS
BIRDSEYE MAPLE 2A ☐ BASE MODEL NUT MATERIAL ☐ FLOYD ROSE® DOUBLE LOCKING ☐ VINTAGE KNURLED
☐ BIRDSEYE MAPLE 3A ☐ MICARTA TELECASTER BRIDGE ☐ ALUMINUM KNURLED
☐ ROASTED BIRDSEYE MAPLE 3A
☐ BONE ☐ ’51 – ’53 TELE – BRASS SADDLES
☐ ROASTED RIFT SAWN MAPLE
☐ GRAPHITE ☐ ’54 – ’57 TELE – STEEL SADDLES STRATOCASTER PICKUP COVERS
☐ ROASTED QUARTERSAWN MAPLE
☐ LSR ROLLERNUT ☐ ’58 - '63 TELE – THREADED SADDLES
☐ ROASTED FLAME MAPLE 3A ☐ BASE MODEL COVERS
☐ ☐ ’64 - '66 TELE – THREADED SADDLES ☐ WHITE
INDIAN ROSEWOOD NUMBER OF FRETS ☐ ’67 TELE – SLOTTED STEEL SADDLES
☐ OTHER NECK WOOD __________________ ☐ EGGSHELL WHITE
☐ BASE MODEL NUMBER OF FRETS ☐ CUSTOM DELUXE TELE BRIDGE ☐ PARCHMENT WHITE
NECK TINT ☐ 22 FRETS (STRAT/TELE)
☐ RSD TELE BRIDGE ☐ VINTAGE WHITE
☐ RSD HARDTAIL (SAWED OFF TELE) ☐ BLACK
☐ NO TINT
FRET WIRE ☐ BIGSBY® B-5 VIBRATO TAILPIECE ☐ LIPSTICK COVERS
☐ LIGHT TINT PRECISION/JAZZ BASS
☐ MEDIUM TINT ☐ BASE MODEL FRET WIRE ☐ VINTAGE 2-SADDLE BRIDGE WIRING
☐ DARK TINT ☐ VINTAGE ☐ VINTAGE THREADED SADDLES BRIDGE
☐ MEDIUM VINTAGE 47095 ☐ VINTAGE GROOVE SADDLES BRIDGE ☐ BASE MODEL WIRING
NECK FINISH
☐ NARROW TALL 6105 ☐ AMERICAN DELUXE STRATOCASTER WIRING
☐ BASE MODEL FINISH ☐ MEDIUM JUMBO 6150 ☐ RSD BASS BRIDGE ☐ VINTAGE STRAT
☐ NITRO LACQUER ☐ JUMBO 6100 ☐ AMERICAN STANDARD "HIGH MASS" ☐ MODERN STRAT
☐ FLASH COAT LACQUER ☐ OTHER FRET WIRE __________________ ☐ FENDER "HIGH MASS" ☐ VINTAGE MODIFIED #1
☐ GLOSS URETHANE JAZZMASTER/JAGUAR ☐ VINTAGE MODIFIED #2 W/ TONE-SAVER
POSITION & SIDE MARKERS ☐ RSD J-BRIDGE ☐ STRAT BLENDER
☐ SATIN URETHANE
☐ SATIN LACQUER ☐ BASE MODEL DOT MATERIAL ☐ STRAT BLENDER W/ GREASEBUCKET
TUNING MACHINES ☐ FAT 50'S HOOKUP
☐ MATCHING PAINTED HEADCAP ☐ BLACK
☐ WHITE ☐ BASE MODEL TUNING MACHINES ☐ 1/2 BLENDER WITH TONE SAVER TREBLE BLEED
59 NECK SHAPE
☐ VINTAGE CLAY ☐ VINTAGE STYLE ☐ 1/2 BLENDER WITH GREASE BUCKET 2 60
☐ BASE MODEL NECK SHAPE* ☐ MOP WHITE ☐ VINTAGE STAGGERED ☐ FAT 50'S HOOKUP W/ HALF BLENDER
☐ CUSTOM NECK SHAPE # _______ (START AT PAGE 35) ☐ BLACK OPAQUE BLOCK INLAY ☐ VINTAGE LOCKING ☐ FAT 50'S HOOKUP W/ GREASEBUCKET
☐ BLACK POLY PEARL BLOCK INLAY ☐ FENDER/SCHALLER "F"
☐ H-S-S POMO STRAT 250/500
FINGERBOARD WOOD ☐ WHITE POLY PEARL BLOCK INLAY ☐ MODERN LOCKING
☐ H-S-S CONFIGURATION
☐ ABALONE ☐ MODERN LOCKING STAGGERED
☐ H-S-H CONFIGURATION
☐ BASE MODEL FINGERBOARD WOOD ☐ H-H CONFIGURATION
☐ 1-PIECE MAPLE NECK ☐ WHITE MOP BLOCK INLAY ☐ OTHER _________________________
☐ OTHER STRAT WIRING_________________
☐ FLAT-LAM (SLAB) MAPLE 12TH FRET DOT SPACING PICKGUARD TELECASTER/ESQUIRE WIRING
☐ FLAT-LAM (SLAB) ROSEWOOD ☐ VINTAGE ESQUIRE (1-PICKUP)
☐ ROUND-LAM ROSEWOOD ☐ BASE MODEL DOT SPACING ☐ BASE MODEL PICKGUARD
☐ FULL THROTTLE ESQUIRE (1-PICKUP)
☐ SORT FOR DARK ROSEWOOD ☐ WIDE 12TH FRET DOT SPACING ☐ 1-PLY WHITE
☐ '51 NOCASTER ('50-'52 BLACKGUARD)
☐ AFRICAN BLACKWOOD ☐ NARROW 12TH FRET DOT SPACING ☐ 1-PLY EGGSHELL
☐ '51 MODIFIED NOCASTER
☐ EBONY ☐ 1-PLY PARCHMENT
☐ '53-'59 VINTAGE TELE
TRUSS ROD ☐ 1-PLY BLACK
FINGERBOARD RADIUS ☐ 1-PLY BLACK PHENOLIC LAMINATE
☐ MODERN TELE
☐ BASE MODEL TRUSS ROD
☐ 3-PLY WHITE
☐ MODERN TELE W/ GREASEBUCKET
☐ BASE MODEL FINGERBOARD RADIUS ☐ BI-FLEX ™ (STRAT/TELE HEADSTOCK ADJUST) ☐ MODERN TELE W/ 4-WAY SWITCH
☐ 3-PLY EGGSHELL
For more information go to fendercustomshop.com

☐ 7.25" RADIUS ☐ FAT '50S TELE

☐ 9.5" RADIUS HARDWARE COLOR ☐ 3-PLY PARCHMENT
☐ FAT '50S DUAL P90/HH TELE
☐ 12.00" RADIUS ☐ 3-PLY MINT GREEN
☐ FAT '50S DUAL P90/HH W/ ANGLED SWITCH
☐ BASE MODEL HARDWARE COLOR (NICKEL/CHROME) ☐ 3-PLY BLACK
☐ 7.25" TO 9.5" VINTAGE COMPOUND RADIUS
☐ GOLD ☐ NASHVILLE TELE W/ BLENDER
☐ 7.25" TO 12" COMPOUND RADIUS ☐ 4-PLY BROWN SHELL
☐ NASHVILLE TELE (3-PICKUP TELE)
NECK PLATE ☐ BLACK PEARLOID
☐ H-S TELE DUAL-STACK 250/500
☐ 9.5" TO 12" COMPOUND RADIUS
☐ WHITE PEARLOID
☐ 9.5" TO 14" COMPOUND RADIUS ☐ H-S TELE CABALLO 250/500
☐ BASE MODEL NECK PLATE (R SERIAL) ☐ ANODIZED GOLD
☐ H-H TELE
☐ 9.5" TO 16" COMPOUND RADIUS (BASS ONLY)
☐ V-LOGO NECK PLATE ☐ OTHER _________________________
☐ SCALLOPED FINGERBOARD ☐ OTHER TELE WIRING_________________
☐ F-LOGO NECK PLATE
JAZZ BASS® WIRING
☐ F-LOGO NECK PLATE (CONTOURED HEEL)
☐ VINTAGE JAZZ BASS W/ CONCENTRIC KNOBS
☐ VINTAGE JAZZ BASS VOL, VOL, TONE

DE S IG N G U ID E
*For base model specifications see page 17 *For base model specifications see page 17
 MISCELLANEOUS ELECTRONICS ☐ ☐ ☐ HUMBUCKING/P90 PICKUPS N M B BASS PICKUPS N M B
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
HW DUAL-MAG II STRAT
☐ 3-WAY SWITCH (STRAT) HW EL DIABLO STRAT ☐ ☐ ☐ FENDER SHAWBUCKER ☐ - ☐ PRECISION BASS PICKUPS
☐ REVERSE TELE CONTROL PLATE
☐
☐ TONE-SAVER TREBLE BLEED HW TOMATILLO STRAT ☐ ☐ ☐ FENDER CUNIFE HUMBUCKER ☐ - ☐ ‘55 PRECISION BASS - -

☐ GREASEBUCKET TONE CONTROL HW ANCHO POBLANO STRAT ☐ ☐ ☐ EVH ® WOLFGANG HUMBUCKER ☐ - ☐ ‘57 PRECISION BASS - ☐ -
☐ TBX TONE CONTROL
☐ NO-LOAD TONE CONTROL OTHER STRAT PICKUPS EVH FRANKENSTEIN HUMBUCKER ☐ - ☐ ‘59 – ‘62 PRECISION BASS - ☐ -
☐ S-1 SWITCH
FENDER LACE SENSOR ☐ ☐ ☐ DUNCAN SH-1 59 ☐ - ☐ ‘59 – ‘62 PRECISION BASS (FLAT POLES) - ☐ -
S-1 FUNCTION _______________________
FENDER VINTAGE NOISELESS ☐ ☐ ☐ DUNCAN SH-55 SETH LOVER ☐ - ☐ HW ’55 PRECISION BASS - ☐ -

PICKUPS DUNCAN® SLDS-1 HOT RAILS ™ ☐ ☐ ☐ DUNCAN SH-4 JB BRIDGE ☐ ☐ HW ‘57 PRECISION BASS - ☐ -

DUNCAN SSL-3 HOT STRAT ☐ ☐ ☐ DUNCAN TB-4 TREMBUCKER ™

☐ - ☐ HW ‘62 PRECISION BASS - ☐ -
PICKUPS N M B
DUNCAN LI’L SCREAMIN’ DEMON™ ☐ ☐ ☐ DUNCAN SH-PG1 PEARLY GATES ™
☐ - ☐ HW '65 – '70 PRECISION BASS - ☐ -
BASE MODEL PICKUPS* ☐ ☐ ☐
DUNCAN SLS-1 LIPSTICK TUBE ☐ ☐ ☐ DUNCAN ANTIQUITY HUMBUCKER ☐ - ☐ JAZZ BASS PICKUPS
RWRP MIDDLE PICKUP ☐
STRATOCASTER PICKUPS (PRICE PER PICKUP)
TELECASTER PICKUPS (PRICE PER PICKUP) DUNCAN APH-1 ALNICO II PRO ™
☐ - ☐ '60S JAZZ BASS ☐ - ☐
ORIGINAL BLACKGUARD TELE (OBG) - ☐ - DUNCAN TBAPH-1 ALNICO II PROTREMBUCKER ☐ - ☐ ‘75 JAZZ BASS ☐ - ☐
'54 STRAT ☐ ☐ ☐
’51 TELECASTER/NOCASTER ☐ - ☐ DUNCAN SCREAMIN’ DEMON ☐ - ☐ VINTAGE NOISELESS JAZZ BASS ☐ - ☐
'50S STRAT ☐ ☐ ☐
’56/’57 TELE ☐ - ☐ DUNCAN SH-8 INVADER ☐ - ☐ HW '60S JAZZ BASS ☐ - ☐
FAT '50S STRAT ☐ ☐ ☐
’63 TELE ☐ - ☐ TV JONES® CLASSIC (TELE ONLY) ☐ - ☐ ☐ - ☐
'60S STRAT ☐ ☐ ☐ HW ‘75 JAZZ BASS
’64 TELE ☐ - ☐ TV JONES CLASSIC PLUS (TELE ONLY) ☐ - ☐
FAT '60S STRAT ☐ ☐ ☐ BASS VI PICKUPS
’67 TELE ☐ - ☐ TV JONES POWER 'TRON (TELE ONLY) ☐ - ☐ ☐ ☐ ☐
'58 STRAT ☐ ☐ ☐ VINTAGE JAGUAR/BASS VI
TEXAS SPECIAL TELE ☐ - ☐ TV JONES POWER 'TRON PLUS (TELE ONLY) ☐ - ☐
'59 STRAT ☐ ☐ ☐
TWISTED TELE ☐ - ☐ TV JONES SUPER 'TRON (TELE ONLY) ☐ - ☐
'65 STRAT ☐ ☐ ☐
'66 STRAT ☐ ☐ ☐
HAND-WOUND TELE PICKUPS (PRICE PER PICKUP)
®
TV JONES MAGNA 'TRON (TELE ONLY) ☐ - ☐
ADD JOSEFINA MASTER WOUND UPGRADE ☐ - ☐ P-90 ☐ - ☐
'69 STRAT ☐ ☐ ☐
HW ORIGINAL BLACKGUARD (OBG) - - ☐
61 TEXAS SPECIAL STRAT ☐ ☐ ☐ 62
HAND-WOUND STRAT PICKUPS (PRICE PER PICKUP)
®
HW '50/'51 BLACKGUARD ☐ - ☐ PICKUP SPECS
HW '50/'51 CRUSHED BLACKGUARD - - ☐
ADD JOSEFINA MASTER WOUND UPGRADE ☐ ☐ ☐ NOMINAL DC RESISTANCE +/- 10%
HW ’51 NOCASTER ☐ - ☐
☐ ☐ ☐
HAND-WOUND NECK MIDDLE MID-RWRP BRIDGE WIRE MAGNETS STAGGER NOTES
HW '50S STRAT
HW ’51 LOADED NOCASTER ☐ - ☐ H/W 50'S STRAT 6.12K 6.12K 6.12K FORMVAR ALNICO 5 VINTAGE
HW FAT '50S STRAT ☐ ☐ ☐ H/W 50'S STRAT 6.39K FORMVAR ALNICO 5 CUSTOM LOW G
CALIBRATED SET

HW ‘55/’56 TELE ☐ - ☐
HW '55 STRAT ☐ ☐ ☐ H/W FAT 50'S STRAT 6.26K 6.34K 6.48K FORMVAR ALNICO 5 VINTAGE CALIBRATED SET

HW ’58 TELE ☐ - ☐ H/W '55 STRAT 5.60K 5.60K 5.60K FORMVAR ALNICO 3 VINTAGE LOW G
HW '56 STRAT ☐ ☐ ☐ H/W '56 STRAT 5.98K 5.98K 6.22K FORMVAR ALNICO 5 CUSTOM LOW G CALIBRATED SET
HW ’63 TELE ☐ - ☐
HW '57 STRAT ☐ ☐ ☐ H/W '57 STRAT 6.02K 6.02K 6.39K FORMVAR ALNICO 5 VINTAGE CALIBRATED SET
HW ’64 TELE ☐ - ☐
HW '59 STRAT ☐ ☐ ☐ H/W '59 STRAT 5.80K 5.80K 5.80K FORMVAR ALNICO 5 VINTAGE

HW ’67 TELE ☐ - ☐ HW '60'S STRAT 5.83K 5.83K 5.83K 5.83K FORMVAR ALNICO 2 VINTAGE
HW '60 STRAT ☐ ☐ ☐ HW FAT 60'S STRAT 6.64K 6.64K 6.64K 6.64K FORMVAR ALNICO 2 VINTAGE
HW TWISTED TELE ☐ - ☐
HW FAT '60 STRAT ☐ ☐ ☐ H/W '60-'63 STRAT 6.20K 6.35K 6.47K FORMVAR ALNICO 5 VINTAGE CALIBRATED SET

HW TEXAS SPECIAL TELE ☐ - ☐ H/W '64 STRAT 5.31K 5.56K 5.81K ENAMEL ALNICO 5 VINTAGE CALIBRATED SET
☐ ☐ ☐
For more information go to fendercustomshop.com

HW '60/'63 STRAT
HW RED HOT TELE ☐ - ☐ H/W '65 STRAT 6.27K 6.27K 6.27K 6.27K POLYSOL ALNICO 5 VINTAGE
HW '64 STRAT ☐ ☐ ☐ H/W VINT '65 STRAT 5.90K 5.90K 5.90K 5.90K ENAMEL ALNICO 5 VINTAGE
HW TOMATILLO TELE ☐ - ☐
HW FAT '64 STRAT ☐ ☐ ☐ H/W '69 STRAT 5.61K 5.61K 5.61K 5.61K ENAMEL ALNICO 5 VINTAGE

OTHER TELE PICKUPS H/W TEXAS SPECIAL STRAT 5.94K 6.27K 6.56K ENAMEL ALNICO 5 VINTAGE CALIBRATED SET
HW '65 STRAT ☐ ☐ ☐ H/W MASTER DESIGN STRAT 6.45K 6.45K FORMVAR ALNICO 5 VINTAGE
FENDER VINTAGE NOISELESS ☐ - ☐ CALIBRATED SET
HW '66 STRAT ☐ ☐ ☐ H/W MASTER DESIGN STRAT 6.84K ENAMEL ALNICO 5 FLUSH
DUNCAN FIVE-TWO TELE ☐ - ☐
HW '69 STRAT ☐ ☐ ☐ H/W MASTER DESIGN LTD 7.03K 7.03K 7.03K 7.03K ENAMEL ALNICO 5 VINTAGE

DUNCAN QUARTER POUND ☐ - ☐ H/W POBLANO STRAT 6.25K 6.47K FORMVAR ALNICO 3 VINTAGE LOW G
HW TEXAS SPECIAL STRAT ☐ ☐ ☐ H/W POBLANO STRAT 6.27K ENAMEL ALNICO 5 FLUSH
CALIBRATED SET

DUNCAN LITTLE ‘59™ ☐ - ☐

HW TROPOSPHERE ™ STRAT ☐ ☐ ☐ H/W TOMATILLO STRAT 6.00K 6.00K 6.72K FORMVAR ALNICO 2 VINTAGE

JAZZMASTER/JAGUAR H/W EL DIABLO STRAT 5.55K 5.93K ENAMEL ALNICO 5 CUSTOM LOW G
HW MASTER DESIGN LTD STRAT ☐ ☐ ☐

DE S IG N G U ID E
CALIBRATED SET
VINTAGE JAZZMASTER ☐ - ☐ H/W EL DIABLO STRAT 6.34K ENAMEL ALNICO 5 FLUSH w/ HIGH "D"
HW MASTER DESIGN BONE TONE ☐ ☐ ☐
HW VINTAGE JAZZMASTER ☐ - ☐
HW DUAL-MAG STRAT ☐ ☐ ☐

*For base model specifications see page 17 *For base model specifications see page 17
*For base model specifications see page 17 *For base model specifications see page 17
 PICKUP SPECS MASTERBUILT ONLY**
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
NOMINAL DC RESISTANCE +/- 10% ☐ ULTIMATE RELIC
☐ MED JUMBO 6150 STAINLESS STEEL FRETS

*Enamel wire pickups typically measure lower DCR vs. the same number of turns as FORMVAR
HAND-WOUND (Cont.) NECK MIDDLE MID-RWRP BRIDGE WIRE MAGNETS STAGGER NOTES
☐ JUMBO 6100 STAINLESS STEEL FRETS
H/W DUAL-MAG 5.79K 6.05K 6.05K 6.27K FORMVAR ALNICO 5 UNBEVELED VINTAGE ☐ SPECIFIED MAX GUITAR WEIGHT
CALIBRATED SET ☐ SPECIFIED RELIC PATTERN
H/W DUAL-MAG 5.79K 6.05K 6.05K 6.27K FORMVAR ALNICO 2 BEVELED VINTAGE
☐ SET NECK
H/W DUAL-MAG II 5.85K 5.90K 5.90K 5.95K FORMVAR ALNICO 5 UNBEVELED CUSTOM LOW G ☐ DOUBLE NECK
CALIBRATED SET ☐ ROSEWOOD BODY
H/W DUAL-MAG II 5.85K 5.90K 5.90K 5.95K FORMVAR ALNICO 2 BEVELED CUSTOM LOW G
☐ AAAA FLAME LE NECK
H/W BONE TONE 5.96K 6.21K 5.95K FORMVAR ALNICO 2 VINTAGE ☐ AAAA BIRDSEYE LE NECK
H/W TROPOSPHERE 5.57k 5.56 5.62k 5.62k FORMVAR ALNICO 5 VINTAGE ☐ PAINTED NECK
H/W FAT '64 STRAT 5.90K 5.98K 6.05K ENAMEL ALNICO 5 VINTAGE ☐ CUSTOM COMPOUND FINGERBOARD RADIUS
☐ COLOR MATCH (PROVIDE SAMPLE)
NOMINAL DC RESISTANCE +/- 10% ☐ CUSTOM COLOR PAISLEY FINISH
NON HAND-WOUND STRAT NECK MIDDLE MID-RWRP BRIDGE WIRE MAGNETS STAGGER NOTES
☐ GOLD LEAF FINISH
50S STRATOCASTER
60S STRATOCASTER
6.12K
5.83K
6.12K
5.83K
6.12K
5.83K
6.39K
5.83K
FORMVAR
FORMVAR
ALNICO 5
ALNICO 2
VINTAGE
VINTAGE
☐ AAAA FLAME LE TOP
65 STRATOCASTER 6.27K 6.27K 6.27K 6.27K POLYSOL ALNICO 5 VINTAGE
☐ AAAA FLAME MAPLE TOP
66 STRATOCASTER 5.61K 5.61K 5.61K 5.61K ENAMEL ALNICO 5 VINTAGE
TEXAS SPECIAL STRAT 5.94K 6.27K 6.27K 6.56K ENAMEL ALNICO 5 VINTAGE CALIBRATED SET
FAT 50'S CUSTOM SHOP 6.26K 6.34K 6.48K 6.48K FORMVAR ALNICO 5 VINTAGE CALIBRATED SET ** Please Note: Certain woods, finishing,
69 STRAT CUSTOM SHOP 5.48K 5.48K 5.48K 5.48K ENAMEL ALNICO 5 VINTAGE configuration, and custom wiring requests
FENDER NOISELESS 9.8K 9.8K 9.8K 9.8 POLYSOL ALNICO 2 CUSTOM
may be available at the Masterbuilt level only.
NOMINAL DC RESISTANCE +/- 10%
HAND-WOUND TELE NECK MIDDLE MID-RWRP BRIDGE WIRE MAGNETS STAGGER NOTES
H/W ORIGINAL BLACKGUARD TELE 10.49K ENAMEL ALNICO 5 FLUSH
H/W '50/'51 BLACKGUARD TELE 7.33K 9.73K ENAMEL NECK=ALNICO 5, BRIDGE=ALNICO 3 FLUSH
H/W CRUSHED BLACKGUARD TELE 10.7K 10.7K ENAMEL ALNICO 5 FLUSH
H/W '51 NOCASTER 7.9K 7.72K ENAMEL ALNICO 5 FLUSH

H/W '51 LOADED NOCASTER 7.88K 9.38K ENAMEL NECK=ALNICO 5, BRIDGE=ALNICO 3 FLUSH

H/W '55/'56 TELECASTER 6.15K 6.12K ENAMEL NECK=ALNICO 3, BRIDGE=ALNICO 5 VINTAGE

ADDITIONAL NOTES
63 H/W '58 TELECASTER 7.4K 6.6K ENAMEL ALNICO 5 VINTAGE 64
H/W '63 TELECASTER 7.37K 6.59K ENAMEL ALNICO 2 VINTAGE
H/W '64 TELECASTER 7.35K 6.01K ENAMEL VINTAGE
H/W '67 TELECASTER 5.57K 5.99K ENAMEL FLUSH
H/W TOMATILLO TELECASTER 8.7K 9.7K ENAMEL ALNICO 2 VINTAGE

NOMINAL DC RESISTANCE +/- 10%

NON HAND-WOUND TELE NECK MIDDLE MID-RWRP BRIDGE WIRE MAGNETS STAGGER NOTES
51 NOCASTER 7.9K 7.72K ENAMEL ALNICO 3 FLUSH
63 TELECASTER 7.37K 6.59K ENAMEL ALNICO 2 VINTAGE
67 TELECASTER 5.57K 5.99K ENAMEL ALNICO 5 VINTAGE
TEXAS SPECIAL 9.02K 10.16K ENAMEL ALNICO 5 VINTAGE
TWISTED TELE 5.95K 10K ENAMEL ALNICO 5 CUSTOM
RED HOT TELE 8.4K 12.36K ENAMEL NECK=ALNICO 2, BRIDGE=ALNICO 5 FLUSH
NOISELESS 12K 8.6K ENAMEL ALNICO 2 CUSTOM

NOMINAL DC RESISTANCE +/- 10%

BRIDGE PU STAG-
For more information go to fendercustomshop.com

BASS NECK MIDDLE MID-RWRP BRIDGE WIRE MAGNETS GER

NOTES

H/W '55 PRECISION BASS 6.22K ENAMEL ALNICO 3 FLUSH

H/W 57 PRECISION BASS 5.0-5.5 5.0-5.5 ENAMEL ALNICO 5 HIGH A
H/W 62 PRECISION BASS 5.2K 5.2K ENAMEL ALNICO 5 FLUSH
H/W 65-70 P-BASS 5.9-6.3K 5.9-6.5K FORMVAR ALNICO 5 FLUSH
H/W VINTAGE JAZZ BASS 7.3K 7.7K ENAMEL ALNICO 2 FLUSH
H/W 75 JAZZ BASS 7.89K 8.16K ENAMEL ALNICO 5 FLUSH
VINTAGE NOISELESS JAZZ BASS 7.25K 7.5K POLYSOL ALNICO 2 FLUSH

DE S IG N G U ID E
 ADDITIONAL NOTES CUSTOMER INFO
FE N DE R ® C U S TO M S H O P

FE N DE R ® C U S TO M S H O P
CUSTOMER INFORMATION
NAME:

ADDRESS:

CITY:

STATE:

PHONE #:

EMAIL:

DATE:

STORE:

CITY:

SALESPERSON:

Final approval, verification and estimated delivery date must be verified by the Fender Custom Shop.

NOTICE REGARDING USE OF HISTORIC PATENT NUMBERS/MARKINGS: FENDER is proud to offer some of the most iconic musical instruments and amplifiers
65 of the past 60 years. Some FENDER products are intentional recreations or reissues of vintage guitars and amplifiers, and may therefore incorporate markings or text 66
associated with original patents that have since expired. Specific examples of such models include patent numbers on the tremolo plates and decals of the JAGUAR®
and JAZZMASTER® guitars, “Pat Pending” on some vintage TELECASTER® guitar bridge plates, and “Design and Circuits Patented” language on the control panels of
certain model amplifiers in FENDER Vintage Modified, Vintage Reissue and Custom lines. Such markings are included only for the sake of historical accuracy, and are not
intended to denote or imply live patents or ongoing patent protection.
For more information go to fendercustomshop.com

F E N D E R C U S TO M S H O P | C O R O N A , C A . | U SA

DE S IG N G U ID E
Please contact your Fender Custom Shop Showcase Dealer
with your completed Design form for a quote.

To locate the nearest Custom Shop Showcase Dealer please visit

fendercustomshop.com